The Barking Bathhouse by Something & Son

The Barking Bathhouse by Something & Son

These hand-drawn illustrations by Hackney design studio Something & Son explain the designs for a temporary spa that opens tomorrow in Barking, east London.

The Barking Bathhouse by Something & Son

Above: bar and cucumber plants
Top: relaxation room

The Barking Bathhouse will be open for seven weeks in the heart of Barking’s town centre and will feature a series of treatment rooms, a cocktail bar and a makeshift beach made from piles of pebbles.

The Barking Bathhouse by Something & Son

Above: pebble bays

Homegrown cucumbers will spout from a canopy of plants above the bar and will be used to make drinks, as well as for spa treatments.

The Barking Bathhouse by Something & Son

Above: sauna room

One room will provide a wooden sauna, while another will contain a cool room chilled with dry ice.

The Barking Bathhouse by Something & Son

Above: massage room

The structure is being assembled from a series of prefabricated wooden huts and is one of twelve projects taking place this summer as part of arts festival CREATE.

The Barking Bathhouse by Something & Son

Other projects with imaginative illustrations on Dezeen include a tiny theatre and a row of houses for London’s east end.

The Barking Bathhouse by Something & Son

Something & Son are based on Dalston Lane in the London Borough of Hackney. Scroll down to see their location on our Designed in Hackney map.

Here’s some information from CREATE and Something & Son:


The Barking Bathhouse, Something & Son
27 July – 16 September

CREATE has commissioned Something & Son to design and build The Barking Bathhouse. Focusing on wellbeing, The Barking Bathhouse will experiment in the latest design, health and beauty ideas to help people feel happy and relaxed this summer during perhaps the most hectic period in London’s history. The Bathhouse will open on 24 July in Barking town centre and provide affordable spa treatments as well as a free social space for people to meet. Something & Son are the design practice behind the hugely successful FARM:shop in Dalston which saw the practice create a fully functioning farm within a disused shop. This new project is one of the Mayor’s Outer London Fund projects being delivered for Barking and Dagenham Council.

The Barking Bathhouse will combine a spa with a bar, where visitors will be able to sip healthy cocktails under a canopy of growing cucumbers and sunbathe in seaside-inspired pebble bays. After soaking up vitamins and being pampered with a variety of treatments – using produce grown by local allotment gardeners – visitors will be able to sweat it out or cool down in a traditional wooden sauna or a cold room with a pioneering ‘dry ice’ chiller. The purpose-built design of the Bathhouse is inspired by 20th century working men’s bathhouses, ultra modern spas and Barking’s industrial heritage.

Andrew Merritt of Something & Son said: “Ideally relaxation should be an everyday experience and we wanted to design a space that can increase happiness and explore ideas of relaxation in an urban context. The juxtaposition of traditional spa techniques and the industrial setting will create a raw but very human space.”

Paul Smyth of Something & Son said: “When you travel the world, some of the best, most memorable experiences can happen in a simple massage hut or bathhouse. And many other cultures see visits to a bathhouse as an essential way to de-stress or spend time with others. We hope to recreate that unpretentious but effective philosophy at the Barking Bathhouse.”

The building design

Drawing on the industrial heritage of Barking, as well as the aesthetic of darkened timber farm buildings found in nearby Essex and the wooden beach huts of Kent, Something & Son will combine functional design and new spa technologies to create the Bathhouse building. The clear roofed structure of the bar area will allow high levels of sunlight into the communal space. In the treatment area, strong spotlights will pinpoint areas such as the nail bar, creating some drama in an otherwise low lit, tranquil space. A raw aesthetic throughout will challenge traditional notions of ‘luxury’ while creating a blissful space to relax.

The pod-based structure, to be prefabricated and docked together on site, has been planned with the future in mind, and when the Bathhouse closes at the end of the summer the different pods will be separated with the aim of relocating them locally for continued use by the community, including local allotment owners, playgrounds and youth centres.

The spa

The spa area will consist of a series of massage and treatment rooms in addition to a traditional sauna and a cold room lined with ice blocks will bring traditional bathhouse rituals to the experience. There will also be a relaxation area with loungers. Massages, body treatments, manicures and pedicures will all be offered, and Something & Son are working with local beauticians and local allotment gardeners to develop natural and refreshing treatments. To reduce excessive water use the Bathhouse will not have communal pools or energy-wasting hot tubs.

The bar

In the bar cocktails, smoothies, snacks and spa treatments will all be offered on the bar menu, the cucumber canopy above the bar providing fresh produce for use in beauty treatments. Next door a beach-inspired pebble bay is set aside for socialising and sun bathing under a partially open roof. Shingle dunes will provide the perfect space to relax and unwind between treatments, or just to come and catch some rays over lunchtime.

Events programme

The Bathhouse will also run a rich and varied events programme with workshops, talks and discussions with happiness and wellbeing as the central ethos. From talks on whether money can make you happy to chocolate making and meditation workshops, the programme will focus on establishing personal happiness. A workshop on the beauty myth will offer photoshop makeovers showing how media images of beauty are unattainable, while laughter yoga, clowning workshops and comedy nights will all bring an extra bit of happiness to the day.

Anna Doyle, Producer, CREATE, said: “We have developed a relationship with Something & Son over the past two years and are thrilled to have commissioned The Barking Bathhouse. Working with Barking and Dagenham we hope that the project will reinvigorate Barking town centre, bringing back a social space for local people, as well as providing a place for visitors to escape the crowds in central London during the Olympic period. CREATE is a great place to nurture new design talents like Something & Son, and The Barking Bathhouse is very exciting project for east London.”

Councillor Collins, Cabinet Member for Culture, Leisure and Sport, said: “I am thrilled that Barking and Dagenham is taking part in the CREATE festival this year, and in such a big way too. The Barking Bathhouse sounds like a fantastic concept and I am looking forward to seeing it operational. I am sure it will have something of interest to everyone and would like to encourage everyone to visit and take advantage of the facilities on offer.”

Entry

Public areas are free. Treatments can be reserved in advance or ordered on site. Spa: £8, £2 for Barking and Dagenham residents
Events: £4

CREATE in partnership with London Borough of Barking and Dagenham and the Mayor of London. Part of the London 2012 Festival.

The history of bathhouses

While the practice of travelling to hot or cold springs in hopes of curing ailments dates back to pre-historic times, the earliest structured baths are found in the ruins in of the Indus Valley Civilization (present-day Pakistan). These were large communal baths reminiscent of modern day swimming pools. It was in ancient Greece and Rome that public baths became a centre of social and recreational activity. The bathing ritual was developed past immersion or sweating with the development of separate areas for massage and relaxation. Gardens, exercise spaces and even libraries and theatres were added. Meanwhile, in Japan, the historical origins of bathing are based in ritual purification with water, with many early Buddhist temples including saunas for free public use. Bathing in these ancient times was a necessity and socialising and relaxing in these spaces was central to daily life. Roman style public baths were introduced to England in the medieval period but these gained a bad reputation as a front for brothels and many closed during the 15th and 16th centuries. It was not until the mid-19th century that Britain’s first true public bath houses were opened, and by 1915 most towns in Britain had at least one.


Designed in Hackney map:

.

Key:

Blue = designers
Red = architects
Yellow = brands
Green = street art

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

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by Something & Son
appeared first on Dezeen.

The Wahaca Southbank Experiment by Softroom

Another pop-up project built of shipping containers: architects Softroom have built a temporary Mexican restaurant outside the Southbank Centre in London (+ slideshow).

The Wahaca Southbank Experiment by Softroom

The restaurant, for Mexican tapas chain Wahaca, comprises eight coloured containers that have been stacked up in pairs to provide a two-storey building with a glass atrium at its centre.

The Wahaca Southbank Experiment by Softroom

A tequila bar occupies the top floor containers, which overhang those below to make room for a terrace in the middle.

The Wahaca Southbank Experiment by Softroom

Each container is furnished differently, using a variety of new and reclaimed pieces.

The Wahaca Southbank Experiment by Softroom

Mexican artists have been commissioned to create a changing series murals for the restaurant, which will decorate the walls and structures that surround it.

The Wahaca Southbank Experiment by Softroom

The temporary restaurant will occupy the terrace outside the Queen Elizabeth Hall for 18 months before moving on to a new location.

The Wahaca Southbank Experiment by Softroom

Shipping containers have also been used recently to create a shopping mall, a hotel, a restaurant, a student commune and emergency housing for earthquake victims in Japan.

The Wahaca Southbank Experiment by Softroom

Other pop-up structures at the South Bank Centre include a boat-like apartment on the roof just overhead, and a rooftop restaurant.

The Wahaca Southbank Experiment by Softroom

See more stories about restaurants »

Here’s some more information from Softroom:


Wahaca Southbank Experiment
Level 2 Terrace, Queen Elizabeth Hall, Southbank Centre

The Wahaca Southbank Experiment is a new two-storey temporary restaurant installation, constructed from eight recycled shipping containers that have been ‘washed up’ on to the outdoor terrace of the Queen Elizabeth Hall at the Southbank Centre this summer.

We developed the idea for using the shipping containers not only to remind visitors to the restaurant of the working history of this part of the river, but also for more practical reasons as their limited height allowed us to be able to fit two floors in to the volume of a single storey space.

The Wahaca Southbank Experiment by Softroom

Situated against the heavy concrete backdrop of the Queen Elizabeth Hall, each container is painted in one of four vibrant colours ranging from deep turquoise to straw yellow, providing a colourful contrast to the restaurant’s grey surroundings. The colour choices make reference to both the painted facades of typical street scenes in Mexico and the colour compositions often seen in container ships and ports.

One of the top floor containers has been cantilevered out over the restaurants ramped entrance to create a canopy above the ground floor. On the upper level, the effect of this cantilevering heightens views from the upstairs bar out over the river towards Westminster.

The Wahaca Southbank Experiment by Softroom

Inside the restaurant the front and back containers are connected via a glazed link, which not only houses the stairway connecting the two floors, but also helps to flood the space with natural light. Each of the containers has then been given its own character with a mix of bespoke, new and reclaimed furniture along with distinct lighting designs.

Outside, there is a wide variety of areas in which to sit, from the booth seats, built in to the raised timber deck around the building, to the first floor terrace bar, to the street bar overlooking Queen’s Walk.

The Wahaca Southbank Experiment by Softroom

Wahaca also commissioned Tristan Manco to curate an on-site series of street art murals around the timber deck seating area. The first piece that coincided with the restaurant opening was produced by renowned street artist Saner, who travelled from Mexico City to undertake the first of several murals that will be on display throughout the restaurant’s lifespan.

With space for 130 diners, the Wahaca Southbank Experiment opened its doors on the 4th of July and will remain open for at least 18 months, providing an exciting and unique dining experience to compliment the Southbank Centre’s Festival of the World which is taking place from June until September.

The Wahaca Southbank Experiment by Softroom

Design Team
Client: Wahaca Group
Architecture and design: Softroom
Structural Engineer: Price and Myers
M&E Engineer: TR Mechanical Services Ltd
Principal Contractor: du Boulay
Lighting design: Kate Wilkins
Project Manager: Bright Spark Ltd, for and on behalf of Wahaca Group

Project Information
Project Name: The Wahaca Southbank Experiment
Location: Queen Elizabeth Hall, Southbank Centre
Completion: July 2012

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by Softroom
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Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Bright yellow spectator stands line the edge of this timber-framed sports hall in the Netherlands by Dutch firm Koppert + Koenis Architects (+ slideshow).

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Above: photograph is by Bart Solinger

Named Sportcentrum Nieuw Zuilen, the centre is located at a riverside park in Utrecht and contains changing facilities to serve six neighbouring football pitches, as well as a multi-purpose hall, a daycare centre and a bowling alley.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

The two-storey building is set into the ground and has a cafe on its first floor, which is connected to the sports field by brick bleachers.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Glazed facades are shaded beneath the overhanging roof.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

We also recently featured changing rooms for London’s amateur football leagues, which you can see here.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Above: photograph is by Bart Solinger

See more stories about design for sports »

Sportcentrum Nieuw Zuilen by Koppert and Koenis Architects

Above: photograph is by Bart Solinger

Photography is by Mark Prins, aprt from where otherwise stated.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Here’s some more information from Koppert + Koenis Architects:


Sportcentrum Nieuw Zuilen

The sports hall will become the new social and functional heart of the sports park Zuilenselaan in Utrecht. The building is located at the bottom of a tree lined lane.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

With its eye catching wooden pitched roof that references the barn typology, high quality masonry and large glazed facades the sports hall has manifests itself as a modern friendly building with artisanal details.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

The pitched roof and the fact that its partly sunken ground floor level gives the building a modest look and embeds it naturally in its green surroundings.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

The connection with the sport fields is made through sloping surfaces.

Sportcentrum Nieuw Zuilen by Koppert and Koenis Architects

The fact that the ground floor is lowered makes it possible to create generous stairs and stands that mediate between the level of the outdoor fields and the restaurant on the second floor.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

The materialization of the interior spaces support the overall concept. Especially the wooden roof structure gives the building a robust but friendly image and its cantilever provides shade for the transparent facades.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

The building is fitted with a heat pump and to a great extent built with materials from renewable sources and recycled materials.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

This, together with a high thermal mass, makes the building highly sustainable while providing an excellent climate for sports and relaxation.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Apart from the main sports hall the building provides spaces for numerous social functions serving the surrounding neighborhood such as a daycare centre, multifunctional areas, cafeteria, dressing rooms for the football club and a skittle alley, thus becoming a valuable addition to the Nieuw-Zuilen area.

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Location: Utrecht, Nieuw Zuilen
Area: approx 4.200 sqm

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects
Click above for larger image

Design/Construction: July, 2006 – December 2011
Architect: Koppert + Koenis Architects

Sportcentrum Nieuw Zuilen by Koppert + Koenis Architects

Chief Designer: Erik Slangen
Team: Herman Tweeboom, Peter Baas, Sjef Vosters, Aad van den Berg, Bas Vogelpoel

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Koppert + Koenis Architects
appeared first on Dezeen.

“Is the Centre Court roof the real star of Wimbledon 2012?” – Telegraph

Wimbledon Centre Court sliding roof by Populous

Dezeen Wire: as the sliding roof on Wimbledon’s Centre Court was closed today to allow the men’s singles final between Andy Murray and Roger Federer to continue despite heavy rain, The Telegraph argues that the Populous-designed cover is the real star of this year’s championships.

Wimbledon Centre Court sliding roof by Populous

The Telegraph interviews the lead designer, Rod Sheard, who said: ““Grass is much more delicate than human beings. We can take off our coats or jumpers to cool down. Grass can’t, so if we just put the roof over, it would sweat and turn the court into a skating ring. The air conditioning we put in at Wimbledon is all about the grass, not the crowds.”

Wimbledon Centre Court sliding roof by Populous

The roof was completed in 2009 and cost an estimated £80-£100 million.

Wimbledon Centre Court sliding roof by Populous

See all our stories about sports design | See all our stories about tennis | Grimshaw to design new masterplan for Wimbledon

Here’s some text from Populous about the roof:


CHALLENGE. Populous are privileged to have been working with the AELTC for a decade now, helping the Club to evolve and stay at the very forefront of Grand Slam tennis. To accommodate increasing visitor levels and give players and members the level of facilities they expect while maintaining the unmistakable atmosphere has required a careful balance of innovation and tradition – nowhere more so than with the retractable roof at Centre Court. The specifics were scientifically demanding, yet the internal environment with a closed roof had to keep the feel of ‘tennis in an English garden’, with players and spectators alike feeling comfortable.

Wimbledon Centre Court sliding roof by Populous

INNOVATION. The hydraulically operated roof measures 65×75 metres and is a ‘folding fabric concertina’ with steel trusses supporting a translucent fabric skin. This skin allows natural light to reach the grass on the court, while an airflow removes condensation from within the bowl. In this way optimum player performance and spectator comfort is maintained and the sense of tradition that pervades the historic 1922 show court remains undisturbed. Beneath the roof, extra rows of seating, new wider seats, lifts and new members facilities enhance the experience even further.

Wimbledon Centre Court sliding roof by Populous

IMPACT. Guaranteeing a schedule of play avoids major disruption to the event programme, which in turn ensures Wimbledon retains its status as the premier Grand Slam tennis event within the tennis calendar, with broadcast coverage of the tournament going out to an audience of millions worldwide.

 

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Stöðin Roadside Stop by KRADS

Drivers along a coastal road in Iceland can now stop at a curved concrete service station styled like an American diner by architects KRADS of Iceland and Denmark.

Stodian Roadside Stop by KRADS

Designed for the Icelandic branch of fuel company Shell, the Stöðin accommodates a restaurant and drive-through, as well as a shop and petrol station.

Stodian Roadside Stop by KRADS

A thick concrete band wraps around the top of the exterior walls to create a canopy with an illuminated underside.

Stodian Roadside Stop by KRADS

The ceiling inside the building is also exposed concrete, while cushioned panels of red, orange and yellow provide seating inside the restaurant.

Stodian Roadside Stop by KRADS

Other interesting service stations from the Dezeen archive include a roadside restaurant in Spain and an alpine petrol station in Switzerland.

Stodian Roadside Stop by KRADS

See all our stories about service stations »

Stodian Roadside Stop by KRADS

Photography is by Kristinn Magnússon.

Here’s some more text from KRADS:


Stöðin – Roadside Stop

“Stöðin”, a roadside stop in the Icelandic countryside, is a conjoined restaurant, drive-through, convenience store and gas station. Icelandic culture is in many ways shaped by American influences due to the 65-year long presence of an American army base in the country.

Stodian Roadside Stop by KRADS

Stöðin addresses this cultural relationship by incorporating architectural elements from the American diner that contrast the traditional Icelandic building method of in situ cast concrete.

Stodian Roadside Stop by KRADS

The exposed concrete of the exterior bestows the diner with a permanence unknown by its American counterparts creating a friction between its streamlined aesthetics and the rustic materiality’s gravity. An elongated bar-desk transforms into seating arrangements and characterizes the semicircular restaurant, which offers panoramic views of the scenic fjord Borgarfjörður.

Stodian Roadside Stop by KRADS

Location: Borgarnes, Iceland.
Size: 312 m2
Building lot: 4.840 m2
Year compl.: 2012
Client: Skeljungur, the Icelandic arm of Shell.
Collaborators: Aok-design (on interior), Ferill (engineering, structural/HVAC),
Mannvit (electrical engineering).

Fábrica Moritz by Jean Nouvel

Fabrica Moritz by Jean Nouvel

French architect Jean Nouvel has renovated a nineteenth century brewery in Barcelona to make way for restaurants, bars, a bakery and a museum.

Fabrica Moritz by Jean Nouvel

The renovated Fábrica Moritz is the home of Catalan brewer Moritz, which was first started up in 1856 and relaunched by the Moritz family in 2004 after a 26 year hiatus.

Fabrica Moritz by Jean Nouvel

The main production now takes place in Zaragoza but the renovation at Ronda de Sant Antoni contains a small underground brewery with a 25-metre-long tin bar.

Fabrica Moritz by Jean Nouvel

Metal brewing tanks are on show inside glass display cases, beside a wall of plants that climb up one side of the building.

Fabrica Moritz by Jean Nouvel

Other recent projects by Jean Nouvel include designs for a police headquarters in Belgium and a stacking metal chair.

Fabrica Moritz by Jean Nouvel

See all our stories about Jean Nouvel »

Fabrica Moritz by Jean Nouvel

See more projects in Barcelona »

Fabrica Moritz by Jean Nouvel

Photography is by Iñigo Bujedo Aguirre.

Fabrica Moritz by Jean Nouvel

Nanshan Marriage Registration Centre by Urbanus

Chinese firm Urbanus has created a cylindrical registry office in Shenzhen that looks like it’s been showered with confetti.

Nanshan Marriage Registration Centre by Urbanus

The architects wanted to create a more romantic environment for marriage registration, which they claim has lost its sense of ceremony due to the setting of most registry offices in China.

Nanshan Marriage Registration Centre by Urbanus

Wedding parties at the Nanshan Marriage Registration Centre arrive and depart ceremoniously across long narrow bridges, which oversail a pool of water in front of the building.

Nanshan Marriage Registration Centre by Urbanus

Small square panels speckle the building’s gridded aluminium skin to create the confetti-like exterior.

Nanshan Marriage Registration Centre by Urbanus

Inside the building, all the partitioning walls are curved and the metal facade is visible behind a glazed curtain wall.

Nanshan Marriage Registration Centre by Urbanus

Other wedding venues on Dezeen include a pop-up chapel made of cardboard and a coin-operated marriage machine.

Nanshan Marriage Registration Centre by Urbanus

See all our stories about weddings »

Nanshan Marriage Registration Centre by Urbanus

Photography is by MengYan and Wu Qiwei.

Nanshan Marriage Registration Centre by Urbanus

Here’s some more details from Urbanus:


Nanshan Marriage Registration Centre

In China, the marriage registration office’s image is closely linked with the Government. In reality, the Registry is an office of the civil affairs department, so it is normally perceived as a common and dull place, as part of the bureaucracy. This situation turns the supposedly romantic and exciting idea of marriage registration into a routine and boring experience.

Nanshan Marriage Registration Centre by Urbanus

Nanshan Marriage Registration Center is a new architectural type, for which the architects hope to bring new life experiences to new couples, and to create a medium for information display, recording of newly registered couples, and also retain for the city a permanent memory of the journey of marriage.

Nanshan Marriage Registration Centre by Urbanus

The site of the project is in Lijing Park in Nanshan district, located in the Northeast corner of the park, approximately 100 meters long and 25 meters in width. The main building is placed in the northern side of the site, close to the street corner.

Nanshan Marriage Registration Centre by Urbanus

A small pavilion on the southern side is connected with the main building by two bridges floating on a reflecting pool. The overall arrangement reveals this series of ceremonial spaces gradually. At the same time, it also makes the main building a symbolic civil landmark.

Nanshan Marriage Registration Centre by Urbanus

A key point of this design is to discover how to organize the personal ceremonial experience. A continuous spiral shows part of the process in the whole sequence—“arriving, approaching to the wedding hall with the focus of relatives, photographing, waiting, registering, ascending, overlooking, issuing, descending slope, passing the water pool, and reuniting with relatives”.

Nanshan Marriage Registration Centre by Urbanus

For the design of the building, the whole volume is divided into smaller spaces to achieve relative privacy. The remainder of the whole building is full of a flow that creates a rich spatial effect.

Nanshan Marriage Registration Centre by Urbanus

The building’s skin is separated into a double layer structure, with the first layer using a floral mesh aluminum to reveal the interior, and the second layer using glass walls to provide a weatherproof structure. The overall inside space and the outside facade are all white in order to show the saintly atmosphere of marriage registration.

Nanshan Marriage Registration Centre by Urbanus

Location: The intersection of Changxing Rd.and Nantou St.,Nanshan Distrit, Shenzhen
Design Period: 2008-2011
Construction: 2009.11-2011.10
Site Area: 3002.5m2
Floor Area: 977.5m2
Description of Structural System: Steel Structure
Principal Materials Used: Steel, Aluminum plate, Glass, Stone, etc.

Nanshan Marriage Registration Centre by Urbanus

Project Designers:
Design Director: Meng Yan
Technical Director: Zhu Jialin ,Wu Wenyi
Project Director: Fu Zhuoheng, Zhang Zhen,Wei Zhijiao

Nanshan Marriage Registration Centre by Urbanus

Architecture Designers: Wang Jun, Hu Zhigao,Yin Yujun, Li Qiang, Zhang Xinfeng
Landscape Designers: Liao Zhixiong, Lin Ting, Yu Xiaolan, Liu Jie

Nanshan Marriage Registration Centre by Urbanus

Collaborator: Guoqun Studio (Interior Design);
Shenzhen Keyuan Construction Group co.,Ltd (Curtain wall Design)
Client: Public Works Bureau of Nanshan District
Construction Bureau of Nanshan District

Nanshan Marriage Registration Centre by Urbanus

(LDI) Structure/ MEP (Mechanical, Electrical, Plumbing):
Guangzhou RBS Architecture Engineer Design Associates
General Contractor: Shenzhen Decoration and Construction Industrial co.,Ltd
Guangdong 8th Construction Group co.,Ltd

Nanshan Marriage Registration Centre by Urbanus

Hackney Marshes Centre by Stanton Williams

Here are some photographs of the Stanton Williams-designed Hackney Marshes Centre, which provides facilities for London’s amateur football leagues and won an RIBA award last week.

Hackney Marshes Centre by Stanton Williams

Completed last year, the Corten steel-clad centre contains changing rooms for teams competing on one of the 82 grass pitches at the park, as well as a cafe and toilets that can be used by spectators.

Hackney Marshes Centre by Stanton Williams

Gabion walls line the sides of the two-storey building to encourage the growth of climbing plants, while the interior walls are constructed from exposed concrete blocks.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by Jim Stephenson

Perforated hatches fold up from the facade to reveal windows, while a glazed entrance leads into a double-height reception that is overlooked by the cafe above.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by Jim Stephenson

Stanton Williams were announced as the winners of three RIBA awards last week. The other two were for an art and design college campus and a botanic laboratory.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by Jim Stephenson

See all our stories about Stanton Williams »

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

Photography is by Hufton + Crow, apart from where otherwise stated.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

Here’s some more words from Stanton Williams:


Project Description

Hackney Marshes is a unique place. With its origins in ancient woodland and medieval common land, it remains a vast open space. It is a place set apart from the city by a boundary of trees and by the River Lea. Yet it also connects communities, being an important green space in a densely-populated area.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

In addition, as the London home of amateur Sunday League football, it draws people from across the capital. Stanton Williams was commissioned in 2008 to provide a new ‘Community Hub’ at the South Marsh.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

New changing rooms, plus facilities for spectators and the local community, will be housed in a welcoming, inclusive structure that recognises the special qualities of this place by bridging the boundary between the natural and artificial. It will connect not only with its immediate surroundings and the local community, but also the adjacent Olympic Park and the rest of the Lea Valley.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

The Marshes as they exist today are the product of a series of interventions in the natural environment, and in this respect they recall Cicero’s ‘second nature’ – a landscape shaped by human hands. Part of the ancient Waltham Forest, the Marshes had become common pasture by the Middle Ages. Early twentieth-century maps show the area as a recreation ground, and, after having been used as a dump for rubble during the Second World War, the site was levelled. The result is an open landscape of mown grass, punctuated by the regular rhythm of goalposts and edged by a seemingly more ‘natural’ boundary of woodland and the River Lea. Even here, though, natural and artificial and interlinked, for the river’s course has been straightened to minimise the risk of flooding.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

The Marshes have long been known as the home of grassroots amateur football: the site holds the record for the greatest number of pitches in one place, with over 900 matches played per year. However, by the start of the twenty-first century, the facilities provided for the hundreds of players who come with their supporters each week were in need of urgent overhaul. The London Borough of Hackney therefore developed an ambitious vision for the site, recognising its community value and its pivotal location adjacent to the Olympic Park. The authority sought a piece of high quality, well designed architecture that would recognise the unique qualities of the site, that would instil a sense of pride and ownership, and which could increase participation in sport. Education and community facilities were required in addition to those for players.

Hackney Marshes Centre by Stanton Williams

Above: photograph is by David Grandorge

The Hub has been developed after discussion with local stakeholders and consideration of the needs of users. It is firmly embedded within its landscape setting: it is not an ‘object’ at odds with the surrounding environment. It is located on the south-eastern boundary of the pitches, defining a threshold between the South Marsh and the car park beyond by plugging the gap between an avenue of trees to the south and a coppice to the north. The Hub’s overall massing minimises its impact on the site. Its height has been kept as low as possible, creating a pronounced horizontal emphasis that complements the open, flat nature of the site.

Hackney Marshes Centre by Stanton Williams

The changing rooms are located at ground-floor level. A number of possible layouts were developed in order to arrive at the linear arrangement of the final structure. This option has the advantage that it avoids undue encroachment on the pitches, as would be the case for a more compact, back-to-back layout. The entrance has been located part-way along the structure to avoid excessively long corridors within. The community and spectators’ facilities, located at first-floor level, are placed at the northern end of the Hub, close to the tall trees of the coppice, into which they merge.

Materials have been chosen for their ability to weather into the surrounding landscape and also for their durability, as there is a particular need to secure the building given the lack of natural surveillance that results from its isolated location.

Hackney Marshes Centre by Stanton Williams

The ground floor envelope is treated as a landscaped wall. Gabion blocks, more usually associated with landscaping or civil engineering projects, are deployed in a fashion that recalls agricultural dry stone walls. They will weather well, are resistant to vandalism, and form a good structure for climbing plants.

The result will be a living, ‘green wall’, through which light will filter into the changing rooms beyond. Elsewhere, weathered steel is used. This is an industrial material that recalls the manufacturing traditions of the Lea Valley and which, in its contrast with the more ‘natural’ landscaped wall of the lower level, recalls the combination of nature and artifice that gives the site its particular character. But it, too, has a natural quality.

Hackney Marshes Centre by Stanton Williams

As a material which changes over time, weathered steel has a lively appearance and a rich textural finish. It will be deployed not only to clad the upper level of the structure, but also to form secure gates, louvres and shutters. Punched openings will allow light to enter by day and will also create controlled night-time views into the building, which will glow welcomingly as light emerges through the shutters and the gabion walls.

Entering and using the building will celebrate the acts of arrival, changing and spectating. The main entrance opens into a double- height reception area with views through to the pitches beyond. A corridor to each side leads to the changing rooms. The ends of the corridors are glazed, not only bringing in natural light but also allowing further views out.

Hackney Marshes Centre by Stanton Williams

The changing rooms themselves are configured so that they can be connected or separated as required. They have been designed to be suitable for use by groups of different ages and genders, with provision for disabled players. The principal finish is fairface concrete, left exposed in the interests of robustness and honesty.

The café is visually connected to the entrance by the double-height reception area; panoramic views out provide a link to the pitches. External shading will prevent overheating whilst passive ventilators on the roof provide natural ventilation.

Hackney Marshes Centre by Stanton Williams

Click above for larger image

The flexible teaching spaces, meanwhile, have an aspect toward the coppice and the River Lea, emphasising the rich local biodiversity. An acoustic screen can be folded back to create a larger space for conferences or seminars.

The way in which the Hub seeks to reconcile the natural and the artificial through its massing, materials and location embodies a broader aim to synthesise sporting activity and the natural environment. Sports venues often demonstrate something of the tabula rasa in their approach, replacing natural materials with tarmac or artificial hard surfaces, and permeable boundaries with fences.

Hackney Marshes Centre by Stanton Williams

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As a result, playing becomes a solely physical experience. Instead, the Hub emphasises the ritualistic nature of sport. Within it, individuals are fused into teams, emerging onto the pitch to demonstrate their collective and individual skills, and to gain sensory and even spiritual stimulation from this rich location.

Hackney Marshes Centre by Stanton Williams

Project Team
Client: London Borough of Hackney Project Manager: Arcadis AYH
Main Contractor:John Sisk & Son Architect: Stanton Williams
Civil and Structural Engineer: Webb Yates
Building Services Engineer: Zisman Bowyer & Partners Cost Consultant: Gardiner & Theobald
Landscape Architects:Camlins
CDM Coordinator: PFB Consulting
Lighting Design: Minds Eye


Designed in Hackney map:

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Key:

Blue = designers
Red = architects
Yellow = brands
Green = street art

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

Knoll Ridge Cafe by Harris Butt Architecture

This cafe by Harris Butt Architecture is perched on the edge of an active volcano in New Zealand’s oldest national park (+ slideshow).

Knoll Ridge Cafe by Harris Butt Architecture

Also located beside a ski resort, Knoll Ridge Cafe is built to withstand sub-zero temperatures, wind speeds of up to 125 miles per hour and heavy snowfall in the winter season.

Knoll Ridge Cafe by Harris Butt Architecture

Despite its heavy-duty specification, the building had to be constructed from prefabricated modules light enough to be carried to the site and assembled by a helicopter.

Knoll Ridge Cafe by Harris Butt Architecture

The base of the building is a system of concrete panels, while the angled roofs and glass curtain walls are supported by a chunky timber frame.

Knoll Ridge Cafe by Harris Butt Architecture

Dining areas for up to 400 visitors occupy most of the ground floor level and spill out onto terraces that face down towards the foot of the mountain.

Knoll Ridge Cafe by Harris Butt Architecture

For more architecture featuring volcanos, see our earlier stories about an observation deck in Chile and the entrance to a volcano park in Spain.

Knoll Ridge Cafe by Harris Butt Architecture

See more projects from New Zealand »

Knoll Ridge Cafe by Harris Butt Architecture

Photography is by Simon Devitt.

Here’s some extra information from Harris Butt Architecture:


Knoll Ridge Cafe

Knoll Ridge Cafe by Harris Butt Architecture

Knoll Ridge Café is located at Whakapapa Ski Field on Mt. Ruapehu, Tongariro National Park. Situated on the side of a mountain the commercial ski field is also sited on what is New Zealand’s largest active volcano.

Knoll Ridge Cafe by Harris Butt Architecture

The café replaces the original Knoll Ridge Chalet which was destroyed by a fire in February 2009. As a result an ambitious design and build programme was initiated to replace the chalet with a temporary prefabricated facility for the 2009 winter season.

Knoll Ridge Cafe by Harris Butt Architecture

Once the debris of the original chalet were removed, a 220sqm temporary cafe was erected on the remaining floor slab. This tested the methodology which was later adopted for the construction of the café.

Knoll Ridge Cafe by Harris Butt Architecture

Rapidly changing weather is typical of the conditions encountered on New Zealand mountains, with Mt. Ruapehu no exception. Designing a building for such a severe environment provided its own set of unique challenges.

Knoll Ridge Cafe by Harris Butt Architecture

Limited road access to site and stringent requirements meant extensive planning and logistics were required just to get materials to site.

Knoll Ridge Cafe by Harris Butt Architecture

Prefabricated concrete floor panels had to be rapidly constructed and delivered before the snow melted, these were then hauled over snow 700m up to site before construction began the following summer.

Knoll Ridge Cafe by Harris Butt Architecture

A major consideration in the design of the building was the issue of the remote location. The entire building, from foundation beams/floor panels to roof sections and windows was broken down into a modular panelised system, which allowed for delivery, placement and erection by helicopter on site.

Knoll Ridge Cafe by Harris Butt Architecture

Insulated sandwich panels constructed of plywood and LVL form a large extent of the walls and roof of the café. These like most of the buildings components had to be designed with careful consideration not exceed the helicopters 800kg max load limit.

Knoll Ridge Cafe by Harris Butt Architecture

A 100% thermally broken purpose built glass curtain wall was designed for what is possibly one the most challenging environments to build in.

Knoll Ridge Cafe by Harris Butt Architecture

The glass and framing system had to withstand wind speeds of up to 200km/ph and temperatures well below freezing. Twenty-five tons of glass was used in the 415m2 of glass façade which was all predetermined and ordered from calculations without a site measure.

Knoll Ridge Cafe by Harris Butt Architecture

All the glass units were fitted with 3 equalizing tubes to facilitate onsite argon gas filling, equalizing tubes were also used as a precaution for rapid altitude acceleration during flight.

Knoll Ridge Cafe by Harris Butt Architecture

In the summer season the eastern face of the building can be seen set above the volcanic rock formations located on the edge of the drop off to the Te Heuheu Valley. The north face looks back down the mountain whilst to the west is the chair lift and ski area.

Knoll Ridge Cafe by Harris Butt Architecture

The form of the building reflects the strong geological features of the mountain. The “gull wing” roof was to appear to “cradle” the mountains peak. On a practical level is used to manage the snow. The building is designed to cover with up 3.0m of snow.

Knoll Ridge Cafe by Harris Butt Architecture

Timber has been used extensively inside and out to create the warm “feeling” of the “traditional” mountain chalet without adopting the traditional form.

Knoll Ridge Cafe by Harris Butt Architecture

The glass exterior (particularly to the east wall) is the other feature of the building – allowing full exposure to the magnificence view to the Pinnacle Ridge.

Knoll Ridge Cafe by Harris Butt Architecture

The new café is located approximately 50m down the mountain from the original chalet site, with the main café floor at approximately 2010m ASL.

Knoll Ridge Cafe by Harris Butt Architecture

The new building accommodates café seating for approx 400 people with servery, kitchen and support facilities all on one level.

Knoll Ridge Cafe by Harris Butt Architecture

At this same level, a deck area for approximately 200 people is provided.

Knoll Ridge Cafe by Harris Butt Architecture

The main public toilet area, staff facilities and storage are on the level below with separate access from the outside as well connection to the café via an internal stair.

Knoll Ridge Cafe by Harris Butt Architecture

Architects: Harris Butt Architecture Ltd.
Location: Whakapapa Ski Field, Mt. Ruapehu, Tongariro National Park, New Zealand

Knoll Ridge Cafe by Harris Butt Architecture

Architecture Team: Grant Harris, Ian Butt, Kerry Reyburn, Ben Brown
Completion: 2011
Building Size: 1,516 sqm

Centro Multiusos de Lamego by Barbosa & Guimarães

Slideshow: granite bleachers climb the exterior of this sports centre in Portugal by architects Barbosa & Guimarães, while a cantilevered, rusted-steel cafe looms over its entrance (photographs by José Campos).

Centro Multiusos de Lamego by Barbosa & Guimaraes

This sunken entrance leads visitors down into the lowest floor of the three-storey Lamego Multipurpose Centre, towards a sports hall and separate auditorium.

Centro Multiusos de Lamego by Barbosa & Guimaraes

Either side of this entrance, the tiered platforms stagger all the way up to the roof, in line with the sloping levels of the surrounding hillside.

Centro Multiusos de Lamego by Barbosa & Guimaraes

A series of Corten steel follies are also scattered across the rooftop to accomodate large skylights punching through to the interior.

Centro Multiusos de Lamego by Barbosa & Guimaraes

This time last year Barbosa & Guimarães had just completed some concrete law courts – take a look here.

Centro Multiusos de Lamego by Barbosa & Guimarães

Here’s some more information from Barbosa & Guimarães:


LAMEGO MULTIPURPOSE PAVILLION 2006 – 2012

Overlooking the entire city, the leafy park of mount Santo Estêvão is directly related to the centre of the city of Lamego through the imposing Escadório do Santuário de Nossa Senhora dos Remédios, which threads its way along the Avenida das Tílias.

Centro Multiusos de Lamego by Barbosa & Guimarães

Located at the foot of the park, together with the monumental 18th century complex, the Multi-purpose Pavilion mellows the hillside of mount Santo Estêvão, taking advantage of the natural gradient to nullify its volume, through a plaza and an amphitheatre installed on its roof.

Centro Multiusos de Lamego by Barbosa & Guimarães

The current fair space, which now acts as an anteroom for the new Pavilion, was out of character.

Centro Multiusos de Lamego by Barbosa & Guimarães

Its limits were redesigned, transforming it into a more controlled space, establishing a new relationship with the surrounding streets.

Centro Multiusos de Lamego by Barbosa & Guimarães

On the south elevation, where the main accesses to the building are located, the great amphitheatre allows a connection to be made between the two plazas, the new one at a high level above ground and the other at a low level.

Centro Multiusos de Lamego by Barbosa & Guimarães

The urban park gains a new orientation, the new Plaza over the Pavilion merging at its northern end.

Centro Multiusos de Lamego by Barbosa & Guimarães

These three new spaces, Park, Fair and Plaza, in direct conjunction with the urban axis defined by the Alameda and Escadório de Nossa Senhora dos Remédios, significantly reinforce and upgrade the public space of the city of Lamego.

Centro Multiusos de Lamego by Barbosa & Guimarães

The Pavilion, the anchoring facility in the intervention, allows various uses, the fruit of the multi-purpose nature of the arena and of the foyer, which their 50-metre span and ceiling height of 10 make possible.

Centro Multiusos de Lamego by Barbosa & Guimarães

The Pavilion also offers shower facilities and changing rooms, a multipurpose room and auditorium for 120 people, which complements its versatility.

Centro Multiusos de Lamego by Barbosa & Guimarães

With the Pavilion there will be a car park, with four underground floors, allowing streets with high and low levels to be connected.

Centro Multiusos de Lamego by Barbosa & Guimarães

Granite, present in the subsoil and in the architecture of Lamego, coats the new public spaces, strengthening the character of continuity and integration that the project seeks.

Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

Click above for larger image

Centro Multiusos de Lamego by Barbosa & Guimarães

Click above for larger image

Centro Multiusos de Lamego by Barbosa & Guimarães

Click above for larger image

Centro Multiusos de Lamego by Barbosa & Guimarães

Click above for larger image