Feilden Clegg Bradley to build glass extension on London’s Southbank Centre

News: British firm Feilden Clegg Bradley Studios has unveiled plans to slot a glazed extension over the brutalist concrete architecture of Southbank Centre in London.

Feilden Clegg Bradley Studios unveils Southbank Centre proposals

The new glass volumes form part of £120m facelift intended to bring the Southbank Centre, which was originally built for the Festival of Britain in 1951, up to the standard of the refurbished Royal Festival Hall, completed in 2007.

Feilden Clegg Bradley Studios unveils Southbank Centre proposals

As the focal point of the proposals by Feilden Clegg Bradley – a firm that was part of the team behind the 2008 Stirling Prize-winning Accordia housing development in Cambridge – the atrium is designed to be used as a rehearsal and performance space for an orchestra of 150 and choir of up to 250.

Feilden Clegg Bradley Studios unveils Southbank Centre proposals

The architects also intend to refurbish existing buildings and create additional arts spaces, including a building alongside Waterloo Bridge for educational activities.

Feilden Clegg Bradley Studios unveils Southbank Centre proposals

From 7 March, the proposals will be shared in a public exhibition in the Royal Festival Hall and on the Southbank Centre’s website. A planning application will be submitted to Lambeth Council in late spring.

Last year architects Softroom built a temporary Mexican restaurant outside the Southbank Centre, while David Kohn Architects and artist Fiona Banner installed a boat on the roof of the Queen Elizabeth Hall.

See all architecture by Feilden Clegg Bradley Studios »

Images are by Feilden Clegg Bradley Studios.

Here’s the press release from the Southbank Centre:


Southbank Centre has today (6 March) unveiled its proposals to transform the Festival Wing – the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex – to create, together with the successful Royal Festival Hall refurbishment, a world-class cultural centre for the 21st century, providing more art for more people in better spaces.

The proposals, by architects Feilden Clegg Bradley Studios, include the refurbishment and renewal of the existing 1960s buildings and the creation of major new arts spaces including a new glass pavilion, a new central foyer and a new liner building. The proposals will enable Southbank Centre to realise its vision to deliver a larger and more ambitious arts, educational and cultural programme across the site for all its visitors to enjoy.

The project will bring the performance spaces and galleries up to the standard of the transformed Royal Festival Hall, completed in 2007, and address current urgent problems including poor access, worn out services and the need to upgrade stages, galleries and back stage areas. In addition, Southbank Centre will build on its heritage from the Festival of Britain in 1951 and its successful festival programme to make the most of these buildings and transform this part of the site to create new cultural experiences for future generations.

The project includes the following:

Queen Elizabeth Hall – refurbishing the auditorium; expanding the width of the stage to create wing space with less impact on sightlines; upgrading artistic and technical facilities; refurbishing back of house; improving disability access; and providing access from the new Central Foyer.

Purcell Room – refurbishing the auditorium and back of house facilities including improved stage access; upgrading technical facilities; improving disability access and creating a new entrance with access from the new Central Foyer.

Hayward Gallery – refurbishing the galleries and improving access through the galleries, to enable a broader exhibition programme, including free shows, which will be open for more weeks during the year. The iconic pyramid roof will be replicated to improve lighting and be made watertight. Back of house improvements include a secure loading bay. Access from the new Central Foyer.

New Central Foyer – a glazed atrium will cover the space between the Queen Elizabeth Hall and Purcell Room, and the Hayward Gallery, to create an artistic and social hub for this part of the site with new entrances to all three venues and BFI Southbank, and improve links to the National Theatre.

Glass Pavilion – a new world-class venue ‘floating’ on top of the Central Foyer. This flexible, flat floor space, with first-class acoustics, is designed to hold a full orchestra of 150 and choir of up to 250 plus small audience. The scale will attract the greatest orchestras and performers across the art forms to rehearse and perform in this new space. It will also be able to host national and international corporate events.

A new ‘liner’ building (along Waterloo Bridge) – bringing together educational, artistic and commercial uses, this large, flexible space will host a broad, year-round education programme for all age groups and abilities. The Saison Poetry Library will move from Level 5 in the Royal Festival Hall to join a literature and spoken word space in a new national literature centre, and two new restaurants will overlook the river.

New undercroft venues – under-used space from the undercrofts will be reclaimed for artistic and cultural uses; including a new venue for gigs, dance, cabaret, music and spoken word events and a space for young people. A

new Heritage and Archive Space – which will enable visitors and the local community to explore the site’s rich history in a welcoming and hands-on environment.

A new place for Children and Families – which will provide year-round activities such as storytelling and making things as well as exhibitions and a family restaurant. It will also be the new home for the childrens’ collection of the Poetry Library.

Green spaces and new places – creating external public spaces including a new square for public performance and two more roof gardens, with incredible views over London.

New connections – sweeping steps drawing people from the Royal Festival Hall and the new public square up to the Festival Wing, leading through the Central Foyer to Waterloo Bridge. Access to the site will be easier for pedestrians and wheelchair users via two new entrances from Waterloo Bridge. Servicing will be moved to create more space for public use and a more attractive route to the river.

A new riverside area for urban arts – which is visible to the public from Queen’s Walk, will be created with urban artists including skateboarders, BMX riders and graffiti artists.

Cafés and restaurants – will enhance the cultural experience; add to the range of choice along the South Bank; and provide much-needed capacity to meet increasing demand across the site as the South Bank becomes an ever more popular destination for Londoners and visitors to the capital.

From Thursday 7 March, the proposals will be shared in a public exhibition in the Royal Festival Hall and the exhibition will also be available online at Southbank Centre’s website. The physical and online exhibition forms a key part of the public consultation of this project ahead of a planning application being submitted to Lambeth Council in late Spring. The exhibition will be open daily from 10am to 11pm and it will be updated as the plans develop through consultation.

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The Wahaca Southbank Experiment by Softroom

Another pop-up project built of shipping containers: architects Softroom have built a temporary Mexican restaurant outside the Southbank Centre in London (+ slideshow).

The Wahaca Southbank Experiment by Softroom

The restaurant, for Mexican tapas chain Wahaca, comprises eight coloured containers that have been stacked up in pairs to provide a two-storey building with a glass atrium at its centre.

The Wahaca Southbank Experiment by Softroom

A tequila bar occupies the top floor containers, which overhang those below to make room for a terrace in the middle.

The Wahaca Southbank Experiment by Softroom

Each container is furnished differently, using a variety of new and reclaimed pieces.

The Wahaca Southbank Experiment by Softroom

Mexican artists have been commissioned to create a changing series murals for the restaurant, which will decorate the walls and structures that surround it.

The Wahaca Southbank Experiment by Softroom

The temporary restaurant will occupy the terrace outside the Queen Elizabeth Hall for 18 months before moving on to a new location.

The Wahaca Southbank Experiment by Softroom

Shipping containers have also been used recently to create a shopping mall, a hotel, a restaurant, a student commune and emergency housing for earthquake victims in Japan.

The Wahaca Southbank Experiment by Softroom

Other pop-up structures at the South Bank Centre include a boat-like apartment on the roof just overhead, and a rooftop restaurant.

The Wahaca Southbank Experiment by Softroom

See more stories about restaurants »

Here’s some more information from Softroom:


Wahaca Southbank Experiment
Level 2 Terrace, Queen Elizabeth Hall, Southbank Centre

The Wahaca Southbank Experiment is a new two-storey temporary restaurant installation, constructed from eight recycled shipping containers that have been ‘washed up’ on to the outdoor terrace of the Queen Elizabeth Hall at the Southbank Centre this summer.

We developed the idea for using the shipping containers not only to remind visitors to the restaurant of the working history of this part of the river, but also for more practical reasons as their limited height allowed us to be able to fit two floors in to the volume of a single storey space.

The Wahaca Southbank Experiment by Softroom

Situated against the heavy concrete backdrop of the Queen Elizabeth Hall, each container is painted in one of four vibrant colours ranging from deep turquoise to straw yellow, providing a colourful contrast to the restaurant’s grey surroundings. The colour choices make reference to both the painted facades of typical street scenes in Mexico and the colour compositions often seen in container ships and ports.

One of the top floor containers has been cantilevered out over the restaurants ramped entrance to create a canopy above the ground floor. On the upper level, the effect of this cantilevering heightens views from the upstairs bar out over the river towards Westminster.

The Wahaca Southbank Experiment by Softroom

Inside the restaurant the front and back containers are connected via a glazed link, which not only houses the stairway connecting the two floors, but also helps to flood the space with natural light. Each of the containers has then been given its own character with a mix of bespoke, new and reclaimed furniture along with distinct lighting designs.

Outside, there is a wide variety of areas in which to sit, from the booth seats, built in to the raised timber deck around the building, to the first floor terrace bar, to the street bar overlooking Queen’s Walk.

The Wahaca Southbank Experiment by Softroom

Wahaca also commissioned Tristan Manco to curate an on-site series of street art murals around the timber deck seating area. The first piece that coincided with the restaurant opening was produced by renowned street artist Saner, who travelled from Mexico City to undertake the first of several murals that will be on display throughout the restaurant’s lifespan.

With space for 130 diners, the Wahaca Southbank Experiment opened its doors on the 4th of July and will remain open for at least 18 months, providing an exciting and unique dining experience to compliment the Southbank Centre’s Festival of the World which is taking place from June until September.

The Wahaca Southbank Experiment by Softroom

Design Team
Client: Wahaca Group
Architecture and design: Softroom
Structural Engineer: Price and Myers
M&E Engineer: TR Mechanical Services Ltd
Principal Contractor: du Boulay
Lighting design: Kate Wilkins
Project Manager: Bright Spark Ltd, for and on behalf of Wahaca Group

Project Information
Project Name: The Wahaca Southbank Experiment
Location: Queen Elizabeth Hall, Southbank Centre
Completion: July 2012

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A Room for London by David Kohn and Fiona Banner

A Room for London by David Kohn and Fiona Banner

London studio David Kohn Architects and artist Fiona Banner have won the A Room For London competition to design a temporary one-bedroom apartment on top of London’s Southbank Centre.

A Room for London by David Kohn and Fiona Banner

The winning design resembles a boat beached on the roof of the Queen Elizabeth Hall.

A Room for London by David Kohn and Fiona Banner

A Room for London was a design competition instigated by Living Architecture and arts organisation Artangel, as part of London 2012 Festival, to create a room for two people to spend the night on a visible site or building in London. Visitors will be able to stay in the room during 2012 and bookings can be made from 8 September this year.

Images are courtesy of David Kohn Architects and Fiona Banner.

See also: Skyroom by David Kohn Architects.

All our stories on the Living Architecture project »

Here’s some more information about the project:


David Kohn Architects and artist Fiona Banner have been selected to design A Room for London, a temporary installation that will sit on top of the Queen Elizabeth Hall at Southbank Centre, London and be part of the London 2012 Festival.

The design competition for A Room for London, which attracted entries from around 500 architects and artists from across the world, was instigated by Living Architecture, and Artangel, in association with Southbank Centre. The brief was to create a room on one of the most visible sites in the British capital, where up to two people at a time could spend a unique night in an exemplary architectural landmark.

Kohn and Banner’s winning design is for a boat which, perched on the Queen Elizabeth Hall roof, will appear to have come to rest there, grounded, perhaps, from the retreating waters of the Thames below. From the lower and upper ‘decks’ of this beautifully crafted timber structure, there will be extraordinary views of a London panorama that stretches from Big Ben to St Paul’s cathedral.

On arrival ‘aboard’, a nautical flag will be raised to signal occupation, with the visitors invited to fill in a logbook on the ‘bridge’ of the boat, detailing what they have experienced during their stay, out of the window as much as within themselves. This is contemporary architecture at its most playful, beguiling and thought-provoking.

Alongside public booking, the Room will play host to a guest programme of special visitors – artists, writers and cultural commentators of all kinds. These ‘thinkers-in-residence’ will be invited to stay and encouraged to muse on the city at a moment in time, through writing, image-making, online postings or live webcasts from the Room itself as their own idiosyncratic entries in the logbook. Some contributions will be instantly experienced by the public; others developed slowly during the course of the year. All visitors will be offered a chance to share experiences of a night in the Room.

Bookings for A Room for London – for no more than one night – will be available through the website from 1 January – 31 December 2012 with advance bookings going live on the website from 8 September 2011.

A Room for London is a cultural collaboration between Living Architecture and Artangel in association with Southbank Centre and the London 2012 Festival. The London 2012 Festival is the finale of the Cultural Olympiad. It will be a 12-week UK-wide cultural celebration from 21 June 2012 that brings leading artists from all over the world together to celebrate the London 2012 Olympic and Paralympic Games through dance, music, theatre, the visual arts, film and digital innovation.


See also:

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Skyroom by
David Kohn Architects
Studio East by
Carmody Groarke
Nomiya temporary restaurant by Pascal Grasso