Dezeen Music Project exclusive: binaural mix of Woven Ancestry by Max Cooper

To mark the release of his debut album Human, which came out last week, techno producer Max Cooper has exclusively shared a binaural mix with us, which features the new album’s lead track Woven Ancestry.

Binaural recordings create a 3D sound experience: music seems to come from multiple different directions, as if you were sitting in the room with the musicians. The effect only works if you’re listening with headphones, though. So put on a pair of cans, close your eyes, and immerse yourself in the music!

Cooper recorded the mix, which also features the tracks Meadows and Gravity Well, as part of his 4DSOUND performance in Amsterdam last year. You can watch a video of Cooper explaining the project here.

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Nick Cobby visualises sounds with billowing rings and angular shapes

Dezeen Music Project: in this music video by animation designer Nick Cobby, billowing forms are used to visualise a gentle piano solo and spiky geometric shapes appear when electronic sounds are played over the top.

Max Cooper Fragments of Self music video by Nick Cobby

Nick Cobby created contrasting visuals for the different styles heard in the track Fragments of Self, created by musician Max Cooper and featuring pianist Tom Hodge.

Max Cooper Fragments of Self music video by Nick Cobby

Circular forms expand one after another in time with the piano keys and disperse into alien-like tentacles, lines and dots as the notes resonate.

Max Cooper Fragments of Self music video by Nick Cobby

When the electronic glitches kick in, the visuals dramatically change into sharp, spiky shapes that pulse and distort with the beat.

Max Cooper Fragments of Self music video by Nick Cobby

“The track hit me as having two very different styles to it, so I wanted to create two polar opposite visuals – one that followed the piano and one that came in with the glitch effects,” Cobby told Dezeen.

Max Cooper Fragments of Self music video by Nick Cobby

“The piano was more of a free-flowing sound so I wanted some kind of natural or organic element, while the harsh glitch needed to be mechanical, sharper and more defined.”

Max Cooper Fragments of Self music video by Nick Cobby

The movie is purely black and white until muted colours appear as the piano is reintroduced on its own. The colour flickers off again towards the end of the track.

Max Cooper Fragments of Self music video by Nick Cobby

“It didn’t strike me as a video that should have lush colour,” Cobby said, “except for the middle part of the track when the piano comes back in after all the glitch. It sounds so peaceful and I wanted some colour to subtly come in to help signify that.”

Max Cooper Fragments of Self music video by Nick Cobby

Cobby used Adobe After Effects and Trapcode Particular software to create the visuals in time with the music.

Max Cooper Fragments of Self music video by Nick Cobby

“I used a plugin [for visualisation software Particular] called Sound Keys to monitor the waveform of the piano to create the pulses – but with a lot of manual keyframing as well to tweak it,” he said. “I’m a big fan of just using one or two methods to create a whole video, as I think the restriction helps me to be more creative.”

Max Cooper Fragments of Self music video by Nick Cobby

“I wanted the viewer to feel very calm at one point then really on edge the next,” Cobby added. “That’s how I felt when I heard the track and what I really liked about it, so hopefully that comes across.”

Max Cooper Fragments of Self music video by Nick Cobby

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Numb music video by Henning Lederer for Max Cooper

Dezeen Music Project: our featured music video this week is an animation for techno producer Max Cooper’s track Numb, which depicts the pressures of modern life in the style of an infographic. 

Numb music video by Henning Lederer for Max Cooper

Juxtaposing glitchy drums and bass lines with a freestyle jazz vocal by Kathrin deBoer of Belleruche, Numb is the lead track on Max Cooper’s Conditions Two EP, released earlier this year.

“I wanted to make something quite deep and intense, to create an almost numbing experience by overloading [the listener] with the details on the drums and big, noisy drops,” Cooper told Dezeen. “I was trying to numb by intensity, musically.”

Numb music video by Henning Lederer for Max Cooper

Cooper approached German animator Henning Lederer to produce the video for the release after seeing Lederer’s MA project, an animated representation of a machine called Machinatorium.

For the Numb video, Lederer added the running figure of a man to the centre of the machine, surrounded by whirring cogs and pistons.

Numb music video by Henning Lederer for Max Cooper

“I thought that infographic style would work really well if we applied the concept to a man numbed by the capitalist machine,” Cooper explained.

“Whenever I write a piece of music I’m always trying to communicate some sort of idea and the addition of the visual aspect is a way of strengthening the communication of that idea.”

Numb music video by Henning Lederer for Max Cooper

Listen to more tracks by Max Cooper on Dezeen Music Project »
Watch more music videos featured on Dezeen »

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Dezeen Music Project: Fracture by Max Cooper and Nicolas Bougaïeff

This richly textured techno track is a collaboration between British electronic producer Max Cooper and software developer Nicolas Bougaïeff, who built the controllers for techno legend Richie Hawtin’s 2010 live show.

Fracture is taken from their joint EP Movements, which is Cooper’s twelfth release on Cologne techno label Traum Schallplaten.

Listen to more techno tracks we’ve featured on Dezeen Music Project here.

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Max Cooper – Micron

Le créatif Dmitry Zakharov a pu réaliser le dernier clip de Max Cooper pour le morceau “Micron”. Autour d’une création en 3D étrange composée de formes humaines en mutations, ce travail minimaliste et hypnotique est à découvrir dans la suite.



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