Hasta La Ideas

Milan 2014: a series of talks will launch this afternoon in Nike’s Aero-static dome at Palazzo Clerici, forming part of the FOMO algorithmic publishing project organised by Joseph Grima with Dezeen.

Three afternoons of talks called On The Fly will kick off today with Clemens Weisshaar, Atelier Bow Wow, Folder, Linda Fregni and Bart Hess discussing the theme of weightlessness in design.

The talks will take place at Palazzo Clerici inside a dome created by Arthur Huang, founder of MINIWIZ, which uses Nike’s Flyknit technology to create a temporary events space.

They are free to attend and each afternoon the speakers will tackle a different theme related to design practice, presenting a minimum of two images to accompany their talk.

During the talks a real-time publishing algorithm – developed by Joseph Grima’s design research group Space Caviar and called Fear of Missing Out (FOMO) – will automatically create written articles from live speech and social media streams using the #OnTheFlyMilan hashtag.

These will be collated in a PDF that will then be printed and saddle-stitched on the spot from the FOMObile – a roving publishing press with its own built-in power generator and solar-powered wi-fi hotspot. The resulting publication will be distributed for free in Milan and made available on the Dezeen website.

The On The Fly talks will be FOMO’s first test in a real-world environment. Anyone, anywhere will be able to take part by using the #OnTheFlyMilan hashtag on social media on Wednesday 9, Thursday 10, and Friday 11 April between 5.00 and 7.30pm CET.

Today’s event will be moderated by Joseph Grima, founder of Space Caviar and the former editor of Domus.

Talks on Thursday will be hosted by Gianluigi Ricuperati and will include Ianthe Roach, Pier Nucleo and Italo Rota, who will all discuss the theme “seamlessness”. On Friday, Marco Velardi will host Formafantasma, Martino Gamper and Anna Meroni talking about sustainability in design.

Scroll down for the full schedule for On The Fly:

9 April, Weightlessness with Joseph Grima

17:00 Clemens Weisshaar
17:30 Yoshi Tsukamoto, Atelier Bow Wow
18:00 Folder: Marco and Elisa
18:30 Linda Fregni
19:00 Bart Hess

Weightlessness will explore how external masses and strains, or lack thereof, shape the thinking and production of design. How does the experience of our environments impact on the design process? What does this mean for the final product? With a shifting landscape of outside forces, what does this mean for practice? What would freedom, or weightlessness, from this mean for our work and for us?

10 April, Seamlessness with Gianluigi Ricuperati

17:00 Olimpia Zagnoli
17:30 Italo Rota
18:00 Pier Nucleo
18:30 Marco Raino
19:00 Ianthe Roach

Seamlessness will ask whether consistency is good for design. Is a process, or product, designed without interruption a good thing? Is a perfectly consistent object or idea something positive? What can the messy convergence or merging of technologies, processes or people add to a project? How do these transitions and interfaces of design change or challenge us for the better?

11 April, Sustainability with Marco Velardi

17:00 Formafantasma
17:30 Brent Dzekciorius
18:00 Anna Meroni
18:30 Martino Gamper
19:00 Arthur Huang

Sustainability will take the practice of contemporary practitioners and explore the social, political, economic, and environmental aspects of sustainability. What is the impact of designing sustainably? How do we sustain interdependence between process, products and disciplines? These conversations will attempt to understand the life cycle of design, and the flows of work systems.

The post Formafantasma and Martino Gamper among
speakers announced for Milan FOMO talks appeared first on Dezeen.

London Design Festival: Edward Barber and Jay Osgerby, Jasper Morrison and AL_A are among the designers who have created benches with British design brand Established & Sons for the central courtyard of the V&A museum (+slideshow).

Each of the one-off benches is made from a different material and produced in collaboration with a company specialising in that material. After being on display for the festival they’ll be auctioned off and the money fed back to fund next year’s London Design Festival commissions.

Edward Barber and Jay Osgerby, the designers of the Olympic torch, made a marble bench with holes bored through (above) in collaboration with Italian studio Tor Art. They were inspired by shrapnel marks left in the V&A museum’s western facade after the Second World War. “It’s something that always fascinated me and Ed on the way from South Kensington tube up to the Royal College when we were students, and so when this project came up we thought it was a nice way to reference that,” explained Jay Osgerby at the opening.

AL_A, the architecture practice led by Amanda Levete, worked with Barcelona ceramics company Ceramica Cumella to come up with a bench (above) made of overlapping tiles, glazed with colours inspired by the museum’s ceramics collections. AL_A is also designing a new subterranean gallery for the museum.

British designer Alexander Taylor made a bench from mirror-polished stainless steel cylinders (above) with steel specialists Caparo. He explained that making perfect cylinders in steel is tricky because “the material is extruded with an oval profile so it has to be cut and put back together again.”

Italian designer Martino Gamper built a wooden bench (above) from slanted planks of thermally modified hardwood, treated to improve its stability and resistance to decay. The angled stripes of red oak, maple, ash, yellow birch and tulipwood provided by the American Hardwood Export Council create an “optical illusion” and “somehow give the impression of animation” said Gamper, adding that the modular system can be extended to any length.

British designer Jasper Morrison collaborated with concrete specialists lowinfo to create a concrete bench (above) with narrow runnels along the seat that allow rain water to drain away despite the seat being curved for comfort, while German designer Konstantin Grcic worked with Italian company Bisazza on a glass mosaic bench (below).

Portugese designer Fernando Brizio created a cork bench in the shape of a pig’s foot (below) with Amorim Cork.

British designer Felix de Pass produced a cream-coloured sheet-steel bench (below) with perforations that help water drain away and disperse heat from the sun. It’s an adaptation of his bench that’s already in production with Established & Sons.

Sam Hecht and Kim Colin from Industrial Facility worked with Corian, a material often used for kitchen worktops, to create two benches (below) that mimic the marble plinths found inside the museum.

Sadly the final bench in the collection, created by Italian designer Luca Nichetto and glass manufacturer Nardo Vetro, was broken in transit.

Other installations at the V&A during the London Design Festival include Keiichi Matsuda’s data visualisation and chairs by Nendo scattered around the museum.

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at the V&A museum appeared first on Dezeen.