Frank Gehry: ‘There’s a backlash against me’ – Observer


Dezeen Wire:
architect Frank Gehry discusses how the success of the Bilbao Guggenheim sparked an inevitable backlash against iconic architecture in an interview with architecture critic Rowan Moore, but says expression is still a fundamental quality of his buildings – Observer

You can see more stories about Frank Gehry here, including the rippled steel skyscraper he completed in New York last year.

Folding plug by Min-Kyu Choi goes into production


Dezeen Wire:
Min-Kyu Choi‘s folding electrical plug has gone into production and will be on sale in the UK from next week under the name Mu.

The bottom two pins, live and neutral, pivot 90 degrees to align with the earth pin and allow two flaps to close either side into a neat block that’s just 14x55x60mm.

Min-Kyu Choi designed the plug while studying at the Royal College of Art after getting annoyed that his new lightweight laptop came with an enormous plug, the design of which hadn’t changed since the 1970s, was heavy to carry and scratched the laptop’s case.

He went on to win Design of the Year at the Design Museum in London in 2009 – read more about his story here.

The Mu is a USB adapter so can be used to charge phones, tablets and cameras but not laptops, although Min-Kyu Choi plans to develop a laptop charger to solve his original problem.

Priced at £25, the Mu adapters will be available to buy from themu.co.uk or from the Design Museum shop.

Thierry Henry rebuilds his home to fit four-storey fish tank – Daily Mail


Dezeen Wire:
French footballer Thierry Henry has submitted plans to demolish and rebuild his £5.9 million home in north London to accomodate a four-storey-high fish tank – Daily Mail

The existing house was designed in 1999 by British architect Sir Richard MacCormac, founder of British firm MJP Architects. You can see a couple of projects by MJP on Dezeen here.

“Confidence concerning future workloads is now reasonably stable” – RIBA Future Trends Survey


Dezeen Wire:
the Royal Institute of British Architects‘ Future Trends Survey for January indicates that larger architecture practices in the UK are more confident about future workloads than medium and small-sized studios.

The survey also reports that architects in London are more confident than those in the north of England and Northern Ireland that the number of new projects coming in will continue to grow.

See past RIBA Future Trends Survey results here

RIBA Future Trends Survey results for January 2012

The Royal Institute of British Architects (RIBA) Future Trends Survey for January 2012 has revealed that overall confidence concerning future workloads is now reasonably stable. RIBA Future Trends Workload Index for January 2012 stands at -2 rising significantly from -11 in December 2011.

Large practices (51+ staff) are now more confident about future workloads, returning a balance figure of +20, than medium sized practices (11 – 50 staff) with a balance figure of 0 and small practices (1 – 10 staff) with a balance figure of -2. This provides further evidence that workloads are reasonability stable, but also that there is no real sign of significant medium term growth prospects for overall levels of work for architects.

Practices in London are the most optimistic about the future whilst those in the North of England and Northern Ireland remain much more pessimistic about future prospects.

The RIBA Future Trends Staffing Index for January 2012 is -7 compared to -5 in December 2011. Employment levels continue to remain subdued, however it is clear that overall staffing levels have stabilised with practices reporting that permanent staffing numbers remain unchanged from last year.

Adrian Dobson, RIBA Director of Practice, said:

“RIBA practices continue to report a high degree of uncertainty about future workloads and on-going intense fee competition; many remain concerned about fair access to public procurement, with the use of frameworks and turnover thresholds seen as a significant barrier to bidding for publically-funded work for many practices.

“Whilst funding for some major public sector infrastructure projects is being maintained, cuts to mainstream housing, education and health programmes, areas which potentially have a more immediate social and economic benefit appear to be much more extensive. Many RIBA practices continue to question whether a better balance could be struck in terms of current Government capital investment.”

Damien Hirst plans 500 eco-homes for Devon – North Devon Journal


Dezeen Wire:
 London architect Mike Rundell of MRJ Rundell + Associates has revealed in a local meeting that he is working with artist Damien Hirst on proposals to build over 500 sustainable homes in Devon, England – North Devon Journal

Ai Weiwei documentary screening in Berlin


Dezeen Wire:
a documentary about controversial Chinese artist Ai Weiwei filmed by American journalist Alison Klayman is now screening at the Berlin International Film Festival. The movie follows the artist from 2009, when he was preparing for the Sunflower Seeds installation at Tate Modern, up until his release from 81 days of detention.

Here’s the trailer:

In a review of the documentary, journalist Andrew Pulver claims that the movie’s merits lie within the luck of Klayman to have been “in the right place at the right time” but that the editing “has been done with lucidity and no little degree of intelligent sympathy” – Guardian.

Jonathan Glancey leaves the Guardian


Dezeen Wire:
British architecture critic Jonathan Glancey has announced his departure from newspaper the Guardian. In a departing article published on Sunday the writer summarises his favourite buildings and stories from a fifteen-year stint with the publication – the Guardian.

You can see our pick of Glancey’s most interesting articles here.

Cité Radieuse by Le Corbusier damaged by fire


Dezeen Wire:
the Cité Radieuse housing estate in Marseille, one of the most famous works by Swiss architect Le Corbusier and the first building in his influential Unité d’Habitation project, has been damaged by fire in a blaze that began in a first floor apartment yesterday afternoon – Guardian

Herzog & de Meuron and Ai Weiwei to design 2012 Serpentine Gallery Pavilion


Dezeen Wire:
Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei will collaborate on the design of this year’s Serpentine Gallery Pavilion in Kensington Gardens, London, which will tunnel underground.

They plan to install a series of columns below the surface of the lawn to represent each past pavilion as well as the present one, supporting a floating roof just 1.5 metres above the ground.

In accordance with the selection rules the temporary pavilion will be the pair’s first joint commission in the UK, although it won’t be the first building by Herzog & de Meuron in London.

Herzog & de Meuron and Ai Weiwei famously teamed up to co-design the Beijing National Stadium for the 2008 Olympic games.

The twelfth annual pavilion follows previous structures by architects including Peter Zumthor, Jean Nouvel, SANAA and Frank Gehry. You can see images of them all here, watch our interview with Peter Zumthor at the opening of last year’s pavilion on Dezeen Screen and read even more about the pavilions in our Dezeen Book of Ideas.

See also: more stories about Herzog & de Meuron and more stories about Ai Weiwei.

Here’s the full press release from the Serpentine Gallery:


Revealed: Herzog & de Meuron and Ai Weiwei to design Serpentine Gallery Pavilion 2012

The Serpentine Gallery is proud to announce that Herzog & de Meuron and Ai Weiwei will create the 2012 Serpentine Gallery Pavilion. It will be the twelfth commission in the Gallery’s annual series, the world’s first and most ambitious architectural programme of its kind.

The design team responsible for the celebrated Beijing National Stadium, which was built for the 2008 Olympic Games and won the prestigeous RIBA Lubetkin Prize, will come together again in London in 2012 in a special development of the Serpentine’s acclaimed annual commission which will be presented as part of the London 2012 Festival, the culmination of the Cultural Olympiad. The Pavilion will be Herzog & de Meuron and Ai Weiwei’s first collaborative built structure in the UK.

This year’s Pavilion will take visitors beneath the Serpentine’s lawn to explore the hidden history of its previous Pavilions. Eleven columns characterising each past Pavilion and a twelfth column will support a floating platform roof 1.5 metres above ground. Taking an archaeological approach, the architects have created a design that will inspire visitors to look beneath the surface of the park as well as back in time across the ghosts of the earlier structures.

Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery, said: “It is a great honour to be working with Herzog & de Meuron and Ai Weiwei. We are delighted that our annual commission will bring this unique architectural collaboration to Europe to mark the continuity between the Beijing 2008 and the London 2012 Games.”

Describing their design concept Herzog & de Meuron and Ai Weiwei said: “Every year since 2000, a different architect has been responsible for creating the Serpentine Gallery’s summer Pavilion for Kensington Gardens. That makes eleven Pavilions so far, our contribution will be the twelfth. So many Pavilions in so many different shapes and out of so many different materials have been conceived and built that we tried instinctively to sidestep the unavoidable problem of creating an object, a concrete shape.

“Our path to an alternative solution involves digging down some five feet into the soil of the park until we reach the groundwater. There we dig a waterhole, a kind of well, to collect all of the London rain that falls in the area of the Pavilion. In that way we incorporate an otherwise invisible aspect of reality in the park – the water under the ground – into our Pavilion. As we dig down into the earth we encounter a diversity of constructed realities such as telephone cables and former foundations.

Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011. Their shape varies: circular, long and narrow, dots and also large, constructed hollows that have been filled in. These remains testify to the existence of the former Pavilions and their greater or lesser intervention in the natural environment of the park.

“All of these foundations will now be uncovered and reconstructed. The old foundations form a jumble of convoluted lines, like a sewing pattern. A distinctive landscape emerges out of the reconstructed foundations which is unlike anything we could have invented; its form and shape is actually a serendipitous gift. The three-dimensional reality of this landscape is astonishing and it is also the perfect place to sit, stand, lie down or just look and be amazed. In other words, the ideal environment for continuing to do what visitors have been doing in the Serpentine Gallery Pavilions over the past eleven years – and a discovery for the many new visitors anticipated for the London 2012 Olympic Games.”

On the foundations of each single Pavilion, we extrude a new structure (supports, walls) as load-bearing elements for the roof of our Pavilion – eleven supports all told, plus our own column that we can place at will, like a wild card. The roof resembles that of an archaeological site. It floats some five feet above the grass of the park, so that everyone visiting can see the water on it, its surface reflecting the infinitely varied, atmospheric skies of London. For special events, the water can be drained off the roof as from a bathtub, from whence it flows back into the waterhole, the deepest point in the Pavilion landscape. The dry roof can then be used as a dance floor or simply as a platform suspended above the park.

The Serpentine Gallery Pavilion will operate as a public space and as a venue for Park Nights, the Gallery’s high-profile programme of public talks and events.

Connecting to the archaeological focus of the Pavilion design Park Nights will culminate in October with the Serpentine Gallery Memory Marathon, the latest edition of the annual Serpentine Marathon series conceived by Hans Ulrich Obrist, now in its seventh year. The Marathon series began in 2006 with the 24-hour Serpentine Gallery Interview Marathon; followed by the Experiment Marathon in 2007; The Manifesto Marathon in 2008; the Poetry Marathon in 2009, the Map Marathon in 2010 and the Garden Marathon in 2011.

Zaha Hadid to design headquarters for Central Bank of Iraq


Dezeen Wire:
architect Zaha Hadid is to design new headquarters for the Central Bank of Iraq in Baghdad.

Hadid, who was born in Iraq, signed an agreement at a ceremony held at the Victoria & Albert Museum in London.

See more projects by Zaha Hadid here, including the aquatics centre for the London 2012 Olympic Games.

Here’s some more information from Zaha Hadid Architects:


Zaha Hadid Architects and Central Bank of Iraq sign agreement for new headquarters

Zaha Hadid joined H.E. Dr Sinan Al-Shabibi, Governor of the Central Bank of Iraq (CBI) at a ceremony to sign the agreement between the CBI and Zaha Hadid Architects (ZHA) for the design stages of the new CBI Headquarters building. The ceremony was hosted at the Victoria & Albert Museum by H.E. Dr Muhielddin Hussein Abdullah, Charges d’Affaires of the Iraqi Embassy.

ZHA have already completed the client’s Brief Development and will immediately commence the design process for the new CBI Headquarters to be built on the shores of the Tigris River in Baghdad. ZHA will lead the international team of specialist consultants including: Adams Kara Taylor, Max Fordham, Newtecnic, DEGW, Gross Max, Davis Langdon, Arup, Warringtonfire, Winton Nightingale and A2 Project Managers.

Dr Sinan Al-Shabibi said: “The new building shall be a symbol of the Bank’s role in the economic development of Iraq and a reflection of the determination to rebuild the country.”

Zaha Hadid said: “I am deeply touched that I have been asked to design the new headquarters for the Central Bank of Iraq. I was born in Iraq and I still feel very close to it. I feel very privileged to be working in Iraq on a design of such national importance.”