Bob Kramer by Zwilling

A master craftsman’s line of carbon steel knives for at-home chefs
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The term “Master Bladesmith” may stir images of medieval men hammering steel on anvils, preparing for battle. Yet visit the workshop of Bob Kramer, one of only a hundred certified such experts in the world, and you’ll find a modern craftsman at work, renowned for his custom-made carbon steel blades—which regularly sell for up to $26,000 per knife. For those without Batali-deep pockets to afford the $400 per inch his one-offs typically run, Kramer will release a new knife in collaboration next month with Zwilling J.A. Henckels to arm today’s cooking aficionados for skirmishes on cutting boards.

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The partnership was born from a recognition that many Americans are returning to the kitchen with a desire for high-quality ingredients and and the tools to match. Not for the amateur culinary enthusiast, Kramer’s blades require a much higher level of care then their more widespread cousin stainless. But if you are serious about cooking and can commit to the maintenance, the rewards are plenty—carbon steel can hold a keener edge, will retain that sharpness much longer and will develop a patina over time giving each blade a totally unique look.

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Kramer designed the series of blades from tip to handle and, by taking advantage of Zwilling’s scale and technological capabilities, was able to create a product that meets his standards but at a more realistic price point for the average domestic chef. Lightweight, precise and with grenadille wood handles, the hand-finished knives feel amazing in the palm, and make an impressive addition to any kitchen.

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The series ranges from a 3.5″ paring knife to the classic 10″ chef’s knife. They will be available in June, exclusively from Sur La Table and ranging from $140-350.

Also on Cool Hunting: Cut Brooklyn


Palo Samko

Sinewy surrealism handcrafted from reclaimed Brooklyn wood

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Woodworker
Palo Samko
‘s impressive showing at ICFF has created a high level of buzz, and rightly so. Working out of his Brooklyn Navy Yard studio, Samko has been hand-crafting furniture and other housewares for years, lately turning out a whole new array of clocks, lamps and mirrors.

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By integrating metal with wood in several of his creations, Samko brings an intriguing element to woodworking and furniture-making in general. His latest and most interesting clock designs, the Salvatore Clock and Dali’s Clock, give a three dimensional nod to famed surrealist Salvador Dali and look just as stunning (and confusing) lying flat on a table as they do hanging on the wall. Also worth noting is the Walnut side table and its elegant, hand-cast bronze legs. The craftsmanship and creativity in these three pieces alone brings something new to the often stale market of furniture design.

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Sustainable practices and unconventional designs are central to Samko’s production process, using salvaged wood from surrounding neighborhoods as much as possible. When asked about the approach, the designer points out that reclaiming joists and structural beams from old demolished buildings is a great and underused resource. As an active collector of unique antiques, he often incorporates findings into his work to create completely one-of-a-kind (and sometimes interactive) pieces.

Larger tables start at $8,000, going up from there depending on size, material and details, while clocks run $300-850, and mirrors start at $650 depending on diameter. Contact Samko through his site for details.


Los Tres Juanes

Master Spanish craftsman showcase their geometrically intricate woodworking styles

Using a combination of modern machinery and historical woodworking techniques, Los Tres Juanes create beautifully-intricate roof frameworks in styles unique to the south of Spain. These exceptionally skilled craftsman create Alfarjes (polygon-shaped painted ceilings) and Mudejar-style coffered ceilings made entirely of finely-intertwined wood. Check out their short video above, detailing their workshop and the process of creating their geometric works of art.


Fatto a Mano for the Future

Fendi and architects Aranda/Lasch interpret organic algorithms through craftsmanship

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Technology and craft are common buzzwords these days, but the recent collaboration between Fendi and architecture duo Aranda/Lasch explores the duality with an unusual concept. Dubbed
“Modern Primitives,”
the project started with Aranda/Lasch’s sculptural installations based on a crystal structure and its “forbidden symmetries”, which debuted at the 2010 Venice Biennale before landing stateside at Design Miami last December.

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The sculptures, the result of the architects’ obsession with the way the modular shape “programs” the faceted patterns, may look futuristic and high-tech but were dictated by the organic formations of the crystals. Defining the project, this tension between order and looseness sets the stage for an interplay between high and low (the pieces are coated with a truck bed liner called Line-X), as well as craftsmanship and the digital world. In addition to lining one of Fendi’s Peeakaboo bags in Japanese medicinal Washi fabric woven with a design based on the crystals, there’s an iPad app to simulate how the crystals grow.

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In Modern Primitives’ latest incarnation, “Fatto a Mano for the Future,” Fendi brought the craft side to life in a live demonstration. Using the tetrahedrons and leathers from the Spring collection, Roman craftspeople worked alongside Aranda/Lasch at an event yesterday in their Fifth Avenue Store to meticulously hand-stitch covers.

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From there, the exhibit will travel to other store locations before becoming part of the Fendi Foundation.

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Photos by
Gregory Stefano