Runaway lamp by Nika Zupanc

Milan 2013: Slovenian designer Nika Zupanc will present folding lamps powered by little wind-up keys at Spazio Rossana Orlandi in Milan next week.

Runaway lamp by Nika Zupanc

Zupanc designed the Runaway lamp as limited-edition torch to give modern travellers off-grid illumination in an emergency.

Runaway lamp by Nika Zupanc

“This diminutive object breaks the rules of contemporary traveling, bringing back the romance of isolation,” says Zupanc. “In its basic function, a portable lamp now becomes an enchanting companion but also a real saviour in the event of an electricity shortage.”

Runaway lamp by Nika Zupanc

Winding the brass key powers a dynamo hidden inside the simple, vacuum-formed plastic shade to light recessed LEDs.

Runaway lamp by Nika Zupanc

A shallow indent in the shade and a telescopic stand allow the table lamp to fold into a flashlight or pendant. In its torch-state, the circular base becomes a metallic trim to the plastic shade. The glossy shade will be available in a choice of black or white.

Runaway lamp by Nika Zupanc

The project will be on show at Spazio Rossana Orlandi, Via Matteo Bandello 14/16 from 9 to 14 April.

Last year Zupanc presented a set of bubble-like outdoor furniture and lamps called Summertime at the same venue. See all our stories about work by Nika Zupanc.

Runaway lamp by Nika Zupanc

Other lamps launching in Milan next week include pendant lamps by Resident and some angular lamps that form part of Tom Dixon’s Rough and Smooth collection. See all our previews of design at Milan 2013.

The post Runaway lamp by
Nika Zupanc
appeared first on Dezeen.

Faris Jewelry: Minimal brass accessories referencing ’90s hip-hop and mid-century modernism

Faris Jewelry

Growing up in the Pacific Northwest one must find ways to deal with days spent inside due to the dominating rainfall that blankets the region. As a child, Faris Du Graf found herself drawn to design during such times, thanks to her family’s furniture business. “Alver Aalto and Mies…

Continue Reading…

Brassware by Skultuna

Stockholm 2013: Swedish designers Claesson Koivisto Rune, Monica Förster and Folkform have collaborated with 400-year-old fine metals company Skultuna to produce this collection of brass objects.

Brassware by Skultuna

For Stockholm Design WeekSkultuna’s brassworks teamed up with Stockholm studio Claesson Koivisto Rune to produce Face, three coat hooks made of solid brass (above and below).

Brassware by Skultuna

Stockholm-based designer Monica Förster came up with a series of spun brass flower pots in three sizes (top), while design duo Folkform created a bookend based on geometric shapes (bottom).

Brassware by Skultuna

Skultuna was founded in the Swedish town of the same name in 1607, and remains under royal warrant to produce fine metal objects such as chandeliers, candlesticks and cufflinks. In 2011, Venetian designer Luca Nichetto presented a series of brass bowls for the brand.

Brassware by Skultuna

Other products launching in Stockholm this week include a collection of porcelain and wood pendant lamps and a chair that can be dressed up in an assortment of garments – see more products from Stockholm Design Week 2013.

See all coat hooks »
See all brass »

Here’s some more information from Skultuna:


Face wall hangers by Claesson Koivisto Rune

Face is a series of three wall hangers designed by Claesson Koivisto Rune for Skultuna. The wall hangers are cast in solid brass and highly polished to create an almost mirror like surface. The wall hangers are in the last stages of development and will be released during the spring of 2013. Skultuna is one of the oldest companies in the world, founded in the year 1607 as a brass foundry by King Karl IX.

Flower Pots by Monica Förster

Some time ago the Swedish design icon Monica Förster met up with Viktor Blomqvist, managing director of Skultuna and discusses a possible design cooperation. Skultuna is one of the oldest companies in the world, founded in the year 1607 as a brass foundry by King Karl IX. Staying true to the historic production methods of Skultuna, Monica Förster and her design studio came up with a series of three Flower Pots made in the very old method of metal spinning. Metal spinning is a production method that has been in constant use during the last centuries in Skultuna and makes it possible to make large round three dimensional objects out of sheet metal. The Flower Pots resemble classical pots made of terracotta with a small inclination in the lower part. The Flower Pots comes in three sizes and are made of highly polished brass plate.

Bookend by Folkform

The Bookend is the latest product from the red hot Swedish designer duo called Folkform. With its geometrical sharp shapes and the highly polished surface, the Bookend is a striking composition. The Bookend is in the last stage of development and will be released during the spring of 2013. Folkform consists of designers Anna Holmquist and Chandra Ahlsell that began their partnership in 2005. The Stockholm-based studio is already represented in the Swedish National Art collection and the National Museum of Art, Architecture and Design in Oslo. Folkform has previously designed the popular candlestick Collage for Skultuna.

The post Brassware by
Skultuna
appeared first on Dezeen.

Dressed collection by Jens Praet

Design Miami: Belgian designer Jens Praet used bronze drapes cast from sheets of cloth to dress these pieces of brass furniture.

Dressed by Jens Praet

Jens Praet created the Dressed collection in collaboration with his father, artist Jan Praet. “What I did is take leftover fabric and cut it in a triangular shape,” Praet told Dezeen at the Industry Gallery booth at Design Miami. “All the fabric is then dipped in hot wax, and when it’s still hot you drape it over the under-structure.”

Dressed by Jens Praet

The finished piece is then cast from this wax model in bronze and given an oxidised copper patina, before being placed on top of the brushed brass under-structure.

Dressed by Jens Praet

Previous projects by Praet we’ve featured on Dezeen include a table made from shredded paper and resin and a collection of Corian tables with grooves worn into their sides.

Dezeen was at Design Miami last week reporting on the highlights from the fair, including Snarkitecture’s bundle of inflatable sausages over the entrance and Glithero’s Gaudí-inspired inverted domes – see all our stories about Design Miami.

See all our stories about Jens Praet »
See all our stories about furniture »

Photographs are by Jiri Praet.

Here’s some more information from the designer:


Dressed is a series of contemporary furniture items composed by bronze dresses and brass under-structures, designed in collaboration with Jens’ father and artist Jan Praet.

Leftover and discarded fabric has been immortalised in functional art objects. To this end triangular shaped fabric is being dipped in hot wax, draped and shaped by hand over a rigid under-structure and cast in bronze.

The bronze dresses, patinated in a reminiscent oxidised green color, are placed over a contrasting geometrical brushed brass under-structure in order to complete the functionality of each furniture item.

Each item is the result of different production steps, and in order to preserve the tactile feeling of the fabric, most is done by hand. The bronze patina and brushed brass surface may slightly vary in color over time, a beautiful aspect that is characteristic to the ageing process of these archaic materials. Each Dressed piece is unique.

Materials:
Oxidised green patinated bronze, brushed brass

Dressed Chair
Dimensions:
800 x 450 x 500 mm (h x w x d)

Dressed Table
Dimensions:
760 x 1950 x 950 mm (h x w x d)

Dressed Bench
Dimensions:
450 x 1710 x 400 mm (h x w x d)

Dressed Stool
Dimensions:
450 x 400 x 400 mm (h x w x d)

The post Dressed collection
by Jens Praet
appeared first on Dezeen.

Best Wishes Key

Tell off the jerks around you with a cheeky little tool from Good Worth & Co.

Best Wishes Key

Putting the proper patina into the age-old ritual of flipping the bird, the Best Wishes Key is a solid brass key for doing just that. The clever, ironically named little trinket comes from the creative minds at Good Worth & Co. More than just a keepsake to clutter your…

Continue Reading…


Fort Standard Jewelry

The Brooklyn-based makers add accessories to the mix

Fort Standard Jewelry

Having built a repertoire of supremely simple, thoughtfully crafted contemporary furniture, lighting and home objects, Brooklyn-based design pair Gregory Buntain and Ian Collings of Fort Standard take their ethos in a new direction with a line of jewelry. “Jewelry allows us to explore the more sculptural side of design…

Continue Reading…


K/LLER Collection

Beautifully tough jewelry by a Brooklyn-based design duo
kller-7.jpg

Between the walls of an old nunnery in downtown Brooklyn work two designers who bonded over a shared interest in exploring the insides of things. Katie deGuzman and Michael Miller bring their line K/LLER Collection to live by tearing apart found materials and objects and deconstructing them to reveal the skeletal structure as a standalone aesthetic before reinterpreting it in their studio.

klller-3.jpg

Their latest collection builds on that broken-down aesthetic to combine sturdy brass casting with delicate shapes like porcupine quills and petals, for a look that is at once androgynous yet surprisingly feminine.

klller-1.jpg
klller-2.jpg

The duo’s necklaces, earrings, bracelets and rings are infused with a tangible spirit of renewal that deGuzman and Miller want people to feel when they wear their pieces. After meeting at Parsons in 2000, they started K/LLER in 2010 to mark their own artistic reinvention, saying, “We both had just left unhappy jobs and wanted to start fresh. We knew that we had similar aesthetics and work ethics, and got excited with the idea of working together.” Hard work and trial-and-error culminated in the collection that now appears in countless editorials, as well as the models at Helmut Lang and the characters on the HBO series True Blood.

kller-8.jpg

K/LLER’s latest line seamlessly combines sharp edges with fanciful, hand-engraved patterns. The strong character of the collection is clearly designed for those with a penchant for layering statement pieces over more subtle amulets for a look that is entirely unique.

kller-2.jpg
kller-1.jpg

When asked about their most recent collection, the pair says that they “experimented with burnouts of deerskin lace cast into metal, and got some stunning results. The new designs play with the contrast between soft and hard, round and angular, telling the story of the original objects we deconstructed without literally defining them.”

Killer-1.jpg

DeGuzman and Miller’s hammered-brass bangles and spiky rings emit an androgynous industrial vibe that reflects their desire to see K/LLER’s spirit of reinvention permeate as many scenes, styles and aesthetics as possible.

kller-11.jpg
kller-12.jpg

Check out K/LLER Collection’s new website to shop the line and learn more.

Collection images by Graham Hiemstra


Furniture by Carl Hagerling

Stockholm 2011: Swedish designer Carl Hagerling presented his collection of brass objects with design collective Landet as part of the Greenhouse at Stockhom Furniture Fair earlier this month.

Pieces by Carl Hagerling

The series includes a free-standing radio shaped like a little dog, a kerosene lamp that can be removed from its stand and a candle holder with a wing nut and bolt to move the candle up as the wax burns down.

Pieces by Carl Hagerling

Also included is a wooden trivet made up of seven faces connected by magnets, which can be separated and used as coasters, and a table-cloth clip in the shape of a hand.

Pieces by Carl Hagerling

Stockholm Furniture Fair took place 8-12 February. See all our coverage of the event »

Pieces by Carl Hagerling

Captions are provided by Hagerling

Pieces by Carl Hagerling

Above and: Sju Vackra Flickor i en ring. Trivet designed after a Swedish summer song; “sju vackra flickor i en ring” = “seven beautiful girls in a circle”. Is connected with small magnets and could be separated and used as coasters. Made in black (MDF, wood) walchromat

Pieces by Carl Hagerling

Above: Sommarprataren Radio furniture inspired by my pugs. -”drink your coffee, read your favorite book listen to the radio”. Made in brass, electronics, white painted MDF

Pieces by Carl Hagerling

Above and below: Fotogen. Flexible kerosene lamp inspired by workshop-tools; industrial lamp, chemistry, a shaped foot, coulter and broom. The lamp is docked to the support and could easy be moved and be docked or placed for example next to the bed. Made in white painted pine, brass, glass

Pieces by Carl Hagerling

Below: Prästkrage Candle-holder, in Swedish “stumpljusstake”. Inspired by a leaf of a water-lily and melting stearine. Made in brass

Pieces by Carl Hagerling

Below: Duk hand. Cloth clip shaped as a hand. Made in brass.

Pieces by Carl Hagerling

Below: Landet stand in the Greenhouse at Stockholm Furniture Fair

Pieces by Carl Hagerling


See also:

.

Timeline by Luca Nichetto
for Skultuna
Point and Dot by David Taylor at BiologiskaCeramic radio by
Studio Lama

Timeline by Luca Nichetto for Skultuna

Timeline by Luca Nichetto for Skultuna

Venetian designer Luca Nichetto will present this series of brass bowls for Swedish brand Skultuna at Stockholm Furniture Fair next week.

Timeline by Luca Nichetto for Skultuna

Called Timeline, the dishes are scored with grooves that will darken over time as the brass oxidises but isn’t cleaned away from the depressions.

Timeline by Luca Nichetto for Skultuna

Stockholm Furniture Fair takes place 8-12 February.

More about Luca Nichetto on Dezeen »

The information below is from Nichetto:


Timeline embodies the articulation of time. In the Timeline collection of brass bowls, the very passage of time itself becomes a decorative element: a pattern of circles incised in the surface of the objects undergoes an increasing process of oxidation with each passing day, thereby generating a contrast of light and dark.

The idea behind these small multi-use bowls came from Luca Nichetto’s childhood in Venice. When he has little, he would watch his grandmother polish the traditional brass door knockers on her front door. After being cleaned, these objects, which took a variety of forms and were typical of Venetian homes, always remained darker in the grooves and incised areas where the cleaner’s hand or brush could not remove the oxidation.

Design: Luca Nichetto
Client: Skultuna
Exhibition: Stockholm Furniture Fair (Stand AG:34B);
Designgalleriet (Odengatan 21), Stockholm


See also:

.

Paper dishes by
Philippe Malouin
Plastic dishes by
Studio Sjoerd Jonkers
Bread dishes by
Studio Formafantasma