Hasta La Ideas

American firm Bohlin Cywinski Jackson designed this wooden lodge as the holiday home for a family at the Kicking Horse Mountain ski resort in Canada (+ slideshow).

Kicking Horse Residence, which was named as one of the ten recipients of the American Institute of Architects‘ 2014 Housing Awards earlier this week, was designed by Bohlin Cywinski Jackson as a weekend retreat that can accommodate the family and their guests, but can also be left unoccupied for long periods of time.

“The clients desired a weekend gathering place for their active family of five that would allow for flexibility to accommodate larger groups of family and friends, and provide a direct connection to the outdoors for seasonal recreation,” said the architect.

A forest of aspen and spruce trees surrounds the site, so timber was chosen as the primary building material. But unlike the typical wooden lodges of the region, the house features an angular structure intended to reflect the clients’ Scandinavian heritage.

“The Kicking Horse Residence is a family retreat that uses evocative forms to embrace the natural world,” said the architect.

The three-storey house is made up of two wings, connected by a central staircase. The largest of the two is an asymmetric volume accommodating the main living and sleeping spaces, while its rectilinear partner contains a family room offering views of the mountain peaks.

The building nestles into the slope of the site, creating entrances on both the lower and middle levels. The first functions as the main access and the second is a landing providing access to nearby ski and bicycle trails.

Bedrooms are scattered throughout the house. Three sleeping spaces are located in the loft, while two master bedrooms sit at opposite ends of the middle storey, creating a cantilever at the front of the building.

The base of the house is surrounded by concrete and contains a garage, a mudroom and a play space for the children.

Here’s a project description from Bohlin Cywinski Jackson:

Kicking Horse Residence

The clients desired a weekend gathering place for their active family of five that would allow for flexibility to accommodate larger groups of family and friends and provide a direct connection to the outdoors for seasonal recreation. They requested careful arrangement of the program to maintain privacy on the narrow lot between two neighbouring residences, while focusing on the views and providing direct access to nearby ski and bike trails.

While Kicking Horse Mountain resort is a relatively new ski destination, the majority of the custom homes in the area still take the form of traditional timber structures. The clients appreciated the intimate scale and warmth of traditional mountain lodges but wished to explore the possibility of creating a Modernist cabin more rooted in their Scandinavian heritage that connected directly to the landscape. The sloping site is adjacent to a ski trail and surrounded by a forest of aspen and spruce trees. Located between two neighbouring residences, the careful arrangement of program maintains privacy through the thoughtful composition of windows, while focusing on the views and providing access to the nearby ski and bike trails.

The house is composed of two primary elements: a dense bar along the northern edge of the site containing the sleeping and bath spaces, and an open shell with living and dining spaces oriented toward the extraordinary mountain views. A central stair volume links these two forms, with the main entrance at the lower level and an upper landing for ski access on the west side.

The linear form of the sleeping spaces cantilevers over a board-formed concrete base containing the garage, mudroom, and playroom. A standing seam metal roof folds over the peak to become an articulated wall with operable vents, bringing light and air into the loft spaces. These lofts contain bunk beds that allow flexible sleeping arrangements for children or guests.

Anchored by a tall concrete fireplace, the geometric form containing the living and dining spaces floats above the forest floor, allowing natural drainage patterns to flow uninterrupted through the site. Plywood-clad walls and ceiling planes extend to the exterior, framing alpine views and sheltering an outdoor deck.

Given its function as a weekend retreat, the house was designed to perform for extended periods without occupancy. The design inherently reduces exposure to natural drainage patterns by limiting the building footprint, and we worked directly with the contractor to detail the below grade drainage system to perform most efficiently for the soils on site. Electrical, heating, and security systems are monitored and controlled remotely so the client is made immediately aware of any issues, and an emergency generator was supplied in case of power outage.

The evocative forms of the house are oriented to capture daylight and views to the stunning mountain peaks above, but also act to effectively shed snow from the massive storms that move through the area. The client chose a local general contractor, native to the Golden, BC area, with a long history of building in remote areas. They enjoy both the craft involved in building intricate wooden structures from locally sourced timbers and also heading outdoors after a day of hard work.

Wood is a primary natural resource in this region. The local Louisiana Pacific Mill is a lifeline for the town of Golden, and a project goal was to express the natural diversity of wood in the architecture.

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holiday home at a Canadian ski resort appeared first on Dezeen.

News: New York studio SO-IL has won a competition to design an art museum at the University of California’s Davis campus with plans that will unite indoor and outdoor spaces beneath a large steel roof.

Designed in collaboration with architecture firm Bohlin Cywinski Jackson, the Jan Shrem and Maria Manetti Shrem Museum of Art is conceived by SO-IL as a landscape of galleries and workshops that reference the flat plains of of California’s Central Valley.

The 4000-square-metre canopy will stretch out across the entire site, creating varying degrees of shelter in different sections. “Its form and its shape are an abstract patchwork of geometric forms that in a way refers to the agricultural landscape and the vast horizon,” says SO-IL’s Florian Idenburg.

Beneath the roof, the building will contain galleries for the University of California‘s collection of artworks, as well as temporary exhibition spaces, lectures rooms, studios and artists’ residences.

“I think the museum of the future will be one that needs to be able to accommodate a lot of change,” says Idenburg. “A museum on campus, like here, should be a testing ground for new ideas. We see the building itself offering a stage on which all these different things can happen.”

Construction of the museum is set to begin next year.

SO–IL, led by Idenburg and his wife Jing Liu, is based in Brooklyn. Past projects by the studio include the snaking white tent that hosts New York’s Frieze Art Fair and an art gallery draped in chain mail in South Korea. See more architecture by SO-IL.

Here’s a project description from the design team:

Grand Canopy

Davis is an ideal setting for a museum that will sow new ways of thinking about the experience of art. The Central Valley breathes a spirit of optimism. Whether one is influenced by the sweeping views over the flat plains beyond to the horizon, or the sense of empowerment one feels when being able to cultivate and grow freely – the spirit of this place is of invention and imagination. It is precisely this spirit we capture in our architectural proposal for the Jan Shrem and Maria Manetti Shrem Museum of Art.

As an overarching move, the design proposes a 50,000 square-foot permeable cover – a “Grand Canopy” – over both site and building. The distinct shape of this open roof presents a new symbol for the campus. The Canopy extends over the site, blurring its edges, and creating a sensory landscape of activities and scales. The Canopy works in two important ways: first, to generate a field of experimentation, an infrastructure, and stage for events; and second, as an urban device that creates a new locus of activity and center of gravity on campus. The Canopy transforms the site into a field of diverse spaces. At night, the illuminated canopy becomes a beacon within the campus and to the city beyond.

Inspired by the quilted agrarian landscape that stretches beyond the site, the design inherits the idea of diverse landscapes, textures and colors stitched together. Like the Central Valley, the landscape under the Canopy becomes shaped and activated by changing light and seasons. Its unique form engenders curiosity from a distance, like a lone hill on a skyline. Catalyzing exploration and curiosity, the Canopy produces constantly changing silhouettes and profiles as visitors move through the site.

Under the Canopy, the site forms a continuous landscape, tying it in with its context. Lines from the site and its surroundings trace through to shape the design. Interwoven curved and straight sections seamlessly define inside and outside. The result is a portfolio of interconnected interior and exterior spaces, all with distinct spatial qualities and characteristics that trigger diverse activities and create informal opportunities for learning and interaction. Textures and landscape break the program down into smaller volumes to achieve a human, approachable scale. The future art museum is neither isolated nor exclusive, but open and permeable; not a static shrine, but a constantly evolving public event.

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at University of California appeared first on Dezeen.