Barefoot Brainwaves – Nike Presents ‘Nature Amplified: The Art & Science of Feeling,’ an Interactive Experience in NYC This Weekend Only

NikeNYC-LucianaGolcman-1.jpgPhoto by Luciana Golcman

The emerging field of biometrics, a.k.a. the Quantified Self, is giving 3D printing a run for the money as a contender for the next big thing in consumer electronics. Just as the former is a subcategory of digital fabrication, so too do wearable technologies represent the anthropomorphic side of augmented reality and the burgeoning Internet of Things. We’ve seen a couple variations on consumer-friendly brainwave-meters of late—the Kickstarted Melon and craft-meets-tech Knitic come to mind, as does the conceptual Bio Circuit vest—but given the backlash to Google Glass, the most visible wearable (pun intended), we’re still a ways off from mass adoption.

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Even so, I was excited to have the opportunity to experience brainwave biometry firsthand at a pop-up installation in Manhattan’s Meatpacking District. Billed as “The Art & Science of Feeling,” Nike has put their formidable marketing budget into a remarkably cerebral launch event for the new Hyperfeel shoe; the immersive art installation, housed inside a mysterious black box, is open to the public for one weekend only, through Sunday, September 8 (NB: Guests must make reservations in advance). Yes, the sportswear innovators are in the business of selling shoes—there is, in fact, a limited-edition colorway exclusively available at pop-up shop—but you wouldn’t know it as you remove your own footwear and are outfitted with a curious-looking headset. No Glass-shame here: every participant signs a waiver before gearing up and setting out into the unknown.

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Apartment Apinagés by Zoom Urbanismo

Perforated yellow cupboards and drawers resemble slices of Swiss cheese inside this apartment in São Paulo by Brazilian architects Zoom Urbanismo (+ slideshow).

Apartment Apinages by Zoom Urbanismo

Zoom Urbanismo renovated the flat for a young couple, moving partitions to create an open-plan kitchen, living room and dining area with an original parquet floor and an exposed brick wall.

Apartment Apinages by Zoom Urbanismo

“The big windows, high ceiling and the good quality of the wooden floor showed that the apartment had potential,” said the architects, “but the closed spaces, divided by the walls, had poor lighting and ventilation, and deteriorated wall coverings.”

Apartment Apinages by Zoom Urbanismo

Bright yellow cupboards unite the various spaces and are dotted with holes that mimic star constellations. These holes can also be used as handles.

Apartment Apinages by Zoom Urbanismo

Thick concrete pillars frame the walls and high ceilings in the dining area and are lined with bookshelves on one side.

Apartment Apinages by Zoom Urbanismo

Sliding glass doors lead out from the living room to a terrace with a view over the city.

Apartment Apinages by Zoom Urbanismo

A corridor leads back towards two bedrooms, bathrooms, and a laundry room. These spaces also include perforated cupboards, but feature wooden and white-painted surfaces rather than yellow.

Apartment Apinages by Zoom Urbanismo

Other apartments we’ve featured include one in the Ukraine with a combined bookshelf and staircase, a 1950s inspired flat in Tel Aviv and a renovated residence in the Prenzlauerberg district of Berlin.

Apartment Apinages by Zoom Urbanismo

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See more architecture and design in Brazil »

Apartment Apinages by Zoom Urbanismo

Photography is by Maíra Acayaba.

Here’s a description from the architects:


Apartment Apinagés 

In the neighbourhood of Perdizes, in São Paulo, a young couple (an executive and a graphic designer) purchased the top apartment in a four-storey charming and old building.

Apartment Apinages by Zoom Urbanismo

The big windows, the high ceiling and the good quality of the wooden floor (all common in old constructions) showed that the apartment had potential, but the closed spaces, divided by the walls, had poor lighting and ventilation and deteriorated wall coverings.

Apartment Apinages by Zoom Urbanismo

The internal distribution of the apartment was reorganised in order to optimise and integrate the spaces. The social area became wide and articulated with the kitchen and the back balcony, which also contains the laundry.

Apartment Apinages by Zoom Urbanismo
Floor plan – click for larger image

A big shelf/cabinet/stand, with a dynamic set of full and empty spaces, links the living room with the kitchen.

Apartment Apinages by Zoom Urbanismo
Section A – click for larger image

The shelves and cabinets have different heights, so that many objects could be stored and shown. The cabinet doors have small holes that, combined, form the geometry of constellations. The holes are also handles for the cabinets.

Apartment Apinages by Zoom Urbanismo
Section B – click for larger image

Location: Brazil, Sao Paulo
Status: constructed
Started: February 2012
Finished: June 2012
Area: 109,00 sqm
Architects: Guilherme Ortenblad, Samira Rodrigues, Augusto Aneas, Fernão Morato (authors), Fabiano Reis, Kathleen Chiang and Lígia Lupo.

Apartment Apinages by Zoom Urbanismo
Section C – click for larger image

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Coke-crate entrepreneur abandons award-winning design concept

Kit Yamoyo

News: the creator of an anti-diarrhoea pack for the developing world that was named product design of the year for the way it fits inside Coca-Cola crates has admitted that “hardly any” kits have been shipped this way, and has dropped the strategy in favour of more conventional packaging and distribution.

Kit Yamoyo

“Putting the kits in the crates has turned out not to be the key innovation,” admitted social entrepreneur Simon Berry in a radio interview broadcast last weekend.

Berry, founder of the ColaLife charity and the brains behind the Kit Yamoyo medicine pack, conceded that despite winning the Design Museum’s Product of the Year award last April for his idea, the strategy of piggybacking on Coca-Cola’s distribution network to get the remedy to remote villages hadn’t worked.

Instead, he said he is now focussing on creating a “value chain” to incentivise distributors and retailers across Africa. “That pack, sitting in that Coca-Cola crate, gets everyone very excited but it is quickly becoming a metaphor for what we’re doing.”

Berry travelled to the village of Kanchele in Zambia, where the product is being trialled, with BBC global business correspondent Peter Day as part of the programme broadcast on BBC Radio 4.

“I have to say Simon though, this is a bit of a con,” Day said on discovering the innovative strategy had been dropped. “You got this award for the design product of the year, very ingenious, very clever, because it fitted into a crate of bottles. You’ve abandoned the crate of bottles distribution now, so it comes in very conventional, ordinary packs. You’re nothing to do with cola now. In other words, the design is almost incidental.”

Berry replied: “We are piggybacking on Coca-Cola in the sense that we’re using their ideas, we’re using all their wholesalers, who are very well respected and know how to look after stuff, but putting the kits in the crates has turned out not to be the key innovation.”

Berry also conceded that the concept of delivering the kits in Coca-Cola crates hadn’t worked in an interview with New Scientist magazine last month.

“In the end, hardly any of our kits have been put into [Coca-Cola] crates,” he said. “Instead, what has worked is copying Coca-Cola’s business techniques: create a desirable product, market it like mad, and put the product in a distribution system at a price so that everyone can make a profit. If there is demand and retailers can make a profit, then they will do anything to meet that demand.”

Kit Yamoyo means “kit of life” in several African languages.  The pack contains oral rehydration salts and zinc to treat diarrhoea, and a bar of soap. The plastic outer shell, which was originally designed to fit in the gaps between bottles in a Coca-Cola crate, doubles as a measure and cup for the medicine.

Diarrhoea kills more children in Africa than HIV, malaria and measles combined. Last April, Berry’s kit was named winner of the product design category in the Design Museum’s Designs of the Year awards.

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In the Details: The Cantilever Arms of James Smith’s Wooden Task Lamp

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In the Details is our weekly look at one especially smart, innovative or unusual detail of a new design.

About a year ago, James Smith set out to design a lamp with what turned out to be a challenging set of parameters. With a bachelor’s degree in product design and sustainability, and an apprenticeship in cabinetmaking, Smith, who is based Cornwall, England, aimed for something with a simple, stripped-down appearance that was made sustainably. “I wanted to try and create a lamp that has the same sort of functionality as angle pulleys—and to do it all using timber and as many natural materials as possible,” Smith says. “It was an exercise in structure and engineering to see what I could achieve without any mechanical components.”

Smith chose ash wood as the base material—not only because it’s fast growing and indigenous to the UK, but also because he could source the strips from a place he has a connection to: his parents’ farm, which has some forestland as well as livestock. When a tree needs to come down, Smith buys the lumber from his father.

JamesSmith-TaskLamp-7.jpgAll photos by Artur Tixliski

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The Fountain of Life

A great example of human-centered design, the Fountain of Life birth pool combines hi-tech hygienics with thoughtful ergonomics to calm and comfort soon-to-be new parents. A friendly and easy to use interface helps monitor water quality and temperature as well as controls the built-in water cycling filtration system that disinfects water before flushing out. The hexagonal shape was adapted for the birthing posture and tactile handles and foot pedals add grip so users can hold on and let er’ rip!

Designer: Yu Liu


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(The Fountain of Life was originally posted on Yanko Design)

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“We made a lot of mistakes with this building” says Walkie Scorchie architect Viñoly

"We made a lot of mistakes with this building" says Walkie Talkie architect Viñoly

News: architect Rafael Viñoly has admitted he knew the facade of his curvy Walkie Talkie skyscraper in London would focus an intense beam of sunlight onto a neighbouring street, but says that he “didn’t realise it was going to be so hot”.

Speaking to Guardian architecture critic Oliver Wainwright, Viñoly said that his curvaceous 37-storey tower at 20 Fenchurch Street was originally designed with horizontal sun louvres that would prevent a glare strong enough to melt the paint and bodywork of parked vehicles on Eastcheap Street, but that they were removed to cut costs.

“We made a lot of mistakes with this building,” he said, “and we will take care of it.”

The architect claims to have identified the problem during the design stages, but says he was without appropriate tools or software to analyse the precise effect.

“When it was spotted on a second design iteration, we judged the temperature was going to be about 36 degrees,” he said. “But it’s turned out to be more like 72 degrees. They are calling it the ‘death ray’, because if you go there you might die. It is phenomenal, this thing.”

He also suggested that the problem could be down to changing climate. “When I first came to London years ago, it wasn’t like this,” he said. “Now you have all these sunny days. So you should blame this thing on global warming too, right?”

"We made a lot of mistakes with this building" says Walkie Talkie architect Viñoly

This week developers installed a two-storey netted shield to cover the facade of the building, now nicknamed “Walkie Scorchie”, while city officials have suspended three parking bays until a more permanent solution can be found.

Reports first surfaced at the start of the week that the building was damaging vehicles. Since then it has been reported to have cracked pavement tiles, started a fire and even been used to fry an egg.

This isn’t the first time that Viñoly has had complaints about sun reflecting from one of his buildings. In 2010, guests at the Vdara Hotel in Las Vegas complained of scorched hair and melted drinks glasses.

“That was a completely different problem,” Viñoly told the paper, stating that the brief for that project had called for curvy towers. “We pointed out that would be an issue too, but who cares if you fry somebody in Las Vegas, right?”

The Walkie Talkie is scheduled to complete next year.

See more architecture by Rafael Viñoly »
See more skyscraper news »

Images of the Walkie Talkie are courtesy of Shutterstock.

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The Art + Science of Feeling NYC: Brainwave data is used to make Nike’s temporary installation an aural, visual and tactile experience

The Art + Science of Feeling NYC


During Milan Design Week 2013 Nike introduced The Art + Science of Super Natural Motion, a live body-mapping exhibition developed by digital artists Universal Everything, Daniel Widrig and Quayola + Sinigaglia to interpret Nike Free…

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A Lotus in the Desert

Le Desert Lotus Hotel est situé entre les dunes du désert Xiangshawan, en Mongolie intérieure. Création du studio PLaT Architects, c’est un système innovant qui s’intègre parfaitement à son environnement tant du fait du système que des matériaux de construction utilisés. Une réalisation pour le moins audacieuse à découvrir.

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Job of the week: lead designer (interiors) at Paul Smith

Dezeen Jobs architecture and design recruitment

This week’s job of the week on Dezeen Jobs is a position for a lead designer (interiors) to join Paul Smith, whose newly extended Albemarle Street store is pictured. Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.

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(interiors) at Paul Smith
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Seletti Wears Toiletpaper: The Mantua-based design firm collaborates with the off-beat magazine for a line of dinnerware

Seletti Wears Toiletpaper


Toiletpaper is one of the best examples of how a niche magazine done right can become a mass phenomenon. This photography-only publication was born in 2010 from a collaboration between artist );…

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