Les créatifs Ying Zhang et Ida Thonsgaard lancent leur première collection d’inspiration asiatique et scandinave « Playtime ». Modulable grâce à un principe qui rappelle celui des origamis, c’est une collection transformable que proposent les deux designers. Un beau projet à découvrir dans la suite.
Purrrfect Potty
Posted in: litter box, petThe Modkat litter box is for the modern kitty who’s particular about potty-time! The award winning design features “rooftop” access so your cat can do their business in privacy. This complete enclosure also prevents litter and oder from leaving the box. Everything from the lid to the ergonomic scoop have been designed for the owner’s ease. Check out the vid to see how it works!
Designer: Modko
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(Purrrfect Potty was originally posted on Yanko Design)
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Heineken Invites You to Redesign the Beer-Drinking Experience for Your Elders for a Chance to Win a Trip to Amsterdam & More!
Posted in: UncategorizedRetirees may have all the free time in the world, but entrants to the Heineken Ideas Brewery 60+ Design Challenge have just SIX DAYS LEFT to submit their ideas to reinvent the beer-drinking experience for the 60-70 year old demographic. The brief calls for innovative new designs for anything and everything from beer itself to the packaging to the serving experience.
Arctic Monkeys – Do I Wanna Know
Posted in: arctic monkeys, artic, do i wanna know, monkeyDavid Wilson, vainqueur d’un Fubiz Awards 2013 cette année, a réalisé le clip signant le retour des Arctic Monkeys avec le morceau « Do I Wanna Know ? ». Produite par Colonel Blimp, cette vidéo d’animation du plus bel effet propose de découvrir la transformation d’ondes sonores en courbes de femmes.
CR July 2013: type and more
Posted in: UncategorizedThe July issue of Creative Review is a type special, with features on the Hamilton Wood Type Museum, the new Whitney identity and the resurgence of type-only design. Plus the Logo Lounge Trend Report, how Ideas Foundation is encouraging diversity in advertising and more
You can buy the July issue of Creative Review direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money too. Details here.
Rachael Steven recounts how the world’s largest wood type collection, at the Hamilton Wood Type Museum in Wisconsin, was rescued from homelessness with a new location in which to carry on its work
Michael Evamy takes a detailed look at Experimental Jetset’s ‘responsive W’ identity for the Whitney Museum of American Art
And Mark Sinclair explores the resurgence of graphic design that relies solely on type, as documented in a new book from Unit Editions
Plus, we have our annual LogoLounge Trend Report courtesy of Bill Gardner, analysing some key trends in logo design over the past 12 months, from ‘molecules’ to ‘banners’
The Ideas Foundation works with schools to introduce pupils to the advertsing industry and get children working on briefs supplied by real brands. Anna Richardson Taylor attended one of their sessions in Woolwich, London
Jean Grogan reports from Paris on an exhibition dedicated to the history of the Chanel No 5 brand, from Brancusi-influenced advertising to bottles designed by Dalí
In his regular column on art direction, Paul Belford argues that well-crafted advertising is never ‘polluting”, no matter what digital naysayers may argue. And Gordon Comstock claims that copy that apes the language of the web is doomed as it’s just not ownable
Björn Ehrlemark and Carin Kallenberg report from Stockholm on Hall of Femmes first conference, an event dedicated to women in design
And Jeremy Leslie lifts the lid on Container, an intriguing editioned box of curated items which owes much to magazine culture
Plus Daniel Benneworth-Gray ditches his Mac for the joys of a stubby pencil and the great outdoors
For subscribers-only, our Monograph booklet this month brings together a wonderful collection of posters produced by artists-in-residence at the Hamilton Wood Type Museum
You can buy the July issue of Creative Review direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money too. Details here.
Daily Obsesh: Weekend Getaway Bags
Posted in: UncategorizedTaking a trip sometime soon? Or at least sometime over the summer? This bag is a great size and style. It has two straps so you can either wear it on your forearm or throw it over your shoulders. This bag is all about traveling in style as well as functionality! We are loving the very cool snake print throughout the bag. Also, look carefully and see that the leather straps are actually a navy blue. That’s a very unique twist away from your ordinary black leather. You can fit plenty of bathing suits and cover ups in this bag. |
Studio Akko Presents Artifacts, a Salon-Style Gathering ‘Where You Can Meet Someone Who Doesn’t Do What You Do’
Posted in: UncategorizedBy Ron Goldin / Studio Akko
CONTEXT
This February, Studio Akko, a NYC user experience and design agency, kicked off a quarterly event series we’ve billed as “Artifacts.”
Instead of a fluorescent-bathed conference center with endless rows of chairs or a homogenous “networking mixer” at a bar with likeminded people, we sought to create an intimate happening where creative and innovative people, especially those whose work has transcended the box of traditional disciplines, can drop the pretense and posturing and connect and inspire others with short, visual bursts of inspiration, using the rich and diverse content as an excuse for libation-fueled people engage with people that “don’t do what you do.”
Slide of curator Elizabeth Lapp‘s featured artists’ work
Our practice has many names depending on who you ask—user experience design, interaction design, technology innovation. At its core, our work is about connecting with people, and taps into the social sciences, creative and technical disciplines. At the convergence of left brain and right brain, people that are great in this field have to widen the pool from where they seek inspirations.
When I went to school, I studied design, art history, the fine arts, psychology, computer science, and didn’t know there was a job that in the world that encompassed all of those things. I wanted to create an event that not only showcases work that doesn’t fit into a discipline box, but also sparks new opportunities for people who would typically never cross paths to have a conversation and maybe make an interesting creative connection.
Norwood’s sultry, quirky vibe feels both mysterious and cozy
We chose Norwood as the venue because of its distinct vibe. As a members-only arts space, it is frequented by a mixed crowd of creative types such as commercial directors, actors, designers, writers, entrepreneurs and visual artists in a restored multistory Chelsea townhouse. Norwood founder Alan Linn calls the space “a home for the curious,” noting that “we wanted it to seem that when you walk in the door, you’re somewhere else.”
Ellen Gallagher: Don’t Axe Me: Meticulous layering breaks through the canvas to reinvent visual contexts and explore future possibilities in the New Museum exhibition
Posted in: newmuseum
by LinYee Yuan Those familiar with the work of American artist Ellen Gallagher often view her delicate works on paper and canvas through the lens of racial and gender politics—Gallagher’s “DeLuxe” series famously abstracted African-American beauty and…
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A too-small house?
Posted in: UncategorizedToday’s guest post is by Amanda Scudder, Organizing Consultant with the company Abundance Organizing. Please give her a nice welcome.
There is a Yiddish folktale about a man whose house is too small and noisy. Seeking a solution, he consults the wise woman of the village. She advises him to bring a chicken into his house. He does, but it makes his house seem even smaller and louder, so he again seeks her council. She tells him to add a goat. Not surprisingly, the goat makes the situation worse, not better. Each time he returns to complain, she tells him to bring another animal into the house. Finally, in exasperation, he returns to the wise woman and tells her that he can’t stand another minute of living in this increasingly cramped, cluttered, and noisy house. She smiles and tells him to go home and let all the animals out. He does so and as he shoos the last goat and chicken out the door he looks around at his now spacious dwelling and savors the calm quiet that surrounds him.
Not unlike this man, many of us find ourselves living in a space that feels cramped and chaotic. Our closets are overflowing, our children’s toys are everywhere, and our basements are jam-packed. So we add more — bigger closets, a larger house with a playroom, a storage unit to hold the overflow. But the more we add, the more chaotic things seem to get. Take a minute to think about the “animals” that have come into your home over the years, be they more stuffed animals than there are days in the year, clothes that no longer fit or flatter, gadgets that sounded good on TV but now sit in a corner collecting dust, equipment from hobbies long forgotten, or more activities and commitments than you can reasonably accomplish. Some of the “animals” might even be day planners or organizing products you’ve brought home hoping they would make your life less busy and cluttered.
I suggest that today is the day to start shooing those animals out. You don’t need to evict all of them at once. Even a few less chickens and goats will make a big difference. Where to start? Pick a number — any number — and find that many items in your home to let go. You make the rules — it could be 23 things from the junk drawer (bread ties count) or 8 unused condiments from your refrigerator or 16 items of clothing or 5 things from under your sink. The trick is just to do it. I’m willing to bet that when you are done, your drawer or refrigerator or cabinet will seem a little bit bigger. You will feel a little bit lighter. Commit to repeating this exercise on a regular basis and you will soon find that your house is calmer and less cluttered. You might even discover that you don’t need a bigger closet, house, or storage unit once the excess has been removed.
When you first start practicing this exercise, you may worry you will regret giving some of your “animals” the boot. If so, here is a strategy to help: Put the items you are evicting into a bag or box marked with the date. Put the bag or box in a closet, basement, garage, under the bed, or any other out of the way place. On your calendar, mark a date one to three months down the road. If, by that date, you haven’t needed anything in the bag or box, commit to letting it go without looking in it. You may even have forgotten what is in there.
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Mass Extinction Memorial Observatory by Adjaye Associates
Posted in: UncategorizedSpiralling stone walls will be carved with images of extinct species – with space reserved for future extinctions – at this observatory and education centre designed by Adjaye Associates for the Isle of Portland, England.
The Mass Extinction Memorial Observatory (MEMO) will function as an information and exhibition centre dedicated to the 860 species of animals, birds, insects and sea life that have been identified as extinct since the demise of the dodo in the seventeenth century.
Positioned on the edge of a cliff, the 30 metre-high structure will also house an observatory overlooking Bowers Quarry, one of the main producers of Portland Stone since the late eighteenth century.
Adjaye Associates based the spiralling form of the building on the gastropod fossils commonly found in the quarry. The structure will be built from Portland Stone, with a rough surface intended to echo the rugged cliffside.
The plan is to add more carved stones in the future, if and when more creatures become extinct. These occasions will also be marked by a toll from a bell at the centre of the building.
Floors inside the MEMO building will follow the corkscrew shape. Stone models of extinct species will be displayed around the circular route, leading up to the observatory on the uppermost floor.
Adjaye Associates, led by architect David Adjaye, also recently unveiled designs for a silk-weaving facility in India and a fashion hub in Hackney, London.
Dezeen caught up with David Adjaye at Design Indaba, where he described his relationship with Africa and why he believes the continent provides a great opportunity for architects. See more stories about David Adjaye.
Here’s some more information from Adjaye Associates:
Memo
Portland, UK
The Mass Extinction Memorial Observatory (MEMO) will comprise a monument to the world’s extinct species and an adjacent biodiversity education centre. Conceived as a continuous spiral of stone, it will be carved with images of the 860 species assessed as extinct since the dodo. It will be an on-going monument, with more stones added into the future if more species become extinct. The bell of biodiversity, placed in the centre of the monument, will be rung annually on the international day of biodiversity and to mark further species becoming extinct. Sited on the Isle of Portland on the south coast of Britain, each creature will be immortalised in stone along the circular ramp that leads to the top of the 100 foot-high Bowers Quarry observatory. Visitors will then walk down the outside of the ramp to ground level.
A fitting insertion into the landscape, the project presents an opportunity to revitalise the old Bowers Quarry and to draw attention back to the natural beauty and craftsmanship of Portland. Rather than a building or shelter, MEMO is devised as a journey, exploring the relationship between interior and exterior, landscape and enclosure. The circular form resonates with Portland’s three lighthouses near Portland Bill as well as the remains of the windmills at Perryfields to the south east of Weston. The spiralling arrangement is inspired by a turreted gastropod fossil, found in particular abundance in Bower’s Quarry, the ‘Portland Screw’ (Aptyxiella portlandica). The material palette is predominantly Portland Stone to reinforce a sense of the landscape, echoing the character of part of the cliff with its exposed stone strata. The sizes of the blocks and the rhythm of the joints are alternating with an accent on the horizontal joints, while the surface of the stones is rough – like the face of a Quarry Block. The development will promote the use of local and recycled material.
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by Adjaye Associates appeared first on Dezeen.