Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

This social housing block on the Spanish Canary Islands was designed by local studio Romera y Ruiz Arquitectos with a pleated facade and three hidden courtyards.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Located in Las Palmas, the five-storey building contains eight apartments, each with at least three bedrooms. There are two per storey and the first pair is located on the first floor.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

The pleated facade integrates a series of shutters, which fold back to reveal pastel-coloured undersides. Each pleat creates a small recess, helping to shade the windows from sunlight and shelter them from prevailing winds.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Romera y Ruiz Arquitectos added three separate courtyards within the plan and gave each one a different colour. A blue-painted courtyard sits at the centre of the building, while a green space is on one side and a yellow ocre courtyard is positioned at the back.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

All three courtyards can be overlooked from the windows of the apartments above.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

To deal with the intense temperatures on the island, the ground floor and facade integrate ventilated chambers, while air conditioning units are housed in the basement.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Other recently completed social housing projects include a pile of buildings outside Paris and a 16-storey tower in Barcelona. See more housing projects on Dezeen.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Here’s a project description from Romera y Ruiz Arquitectos:


Eight Inscribed Houses and Three Courtyards

The inscribed houses, with their small boundaries, are thought and built as a microcosm. The term inscribed, borrowed from geometry, induced us to find new qualities. The confinements of the irregular and broken limits of party walls, far from being perceived as a negative quality, heightened forms and bodies to us.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Conferring them the quality of limitless consequently made them infinitely manipulable in the interior.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Controlled spaces where container and contained elements establish dialogues which create a sequence of border spaces. These articulate a route that gently discovers three courtyards that filter natural light, dyeing it with shades of blue, ocher and green. Almost monochrome atmospheres. The diagonal relations between the common spaces frame cuts and fragments of the sky and are naturally ventilated and brushed with natural light.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Above: site plan

Every element plays a significant role. From the street to the deepest stay, one circulates along vestibules, courtyards, corridors, footbridges and slots of light. Telescopic houses, inscribed one on each other.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Above: floor plan concept diagrams – click for larger image

We formulate a dialogue to formalize the found tensions: between lines and thickness (those offered by the mismatch of alignments and party walls); between inner glances and outer tangencies. Thus, a vertical sequence of broken planes is drawn up, where light slides and shadows become more expressive throughout the day. We turn the only façade into a changing game. Simple origami, fold, unfold, that speaks thickness.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

Above: cross section – click for larger image

Users, according to their needs or customs, will configure the image to the street within the possibilities of the proposed game.

Eight Inscribed Houses and Three Courtyards by Romera y Ruiz Arquitectos

 Above: facade design concept – click for larger image

The post Eight Inscribed Houses and Three Courtyards
by Romera y Ruiz Arquitectos
appeared first on Dezeen.

Macbook Keyboard Super Hero Skin

Time to light your eyes up with the Super Hero key board skin for Macbook. Its like the comic book a..(Read…)

ActiVIZm™ Polarized Lenses

"ActiVIZm™ Polarized Lenses are designed from the inside out to give you exceptional opti..(Read…)

In Which Letterpress Prints Help to Save Hamilton Wood Type Museum

Wisconsin’s Hamilton Wood Type and Printing Museum is the only museum dedicated to the preservation, study, production, and printing of wood type. Admission is free, thanks in part to the all-volunteer staff, and the collection includes 1.5 million pieces of wood type and more than 1,000 styles and sizes of patterns. In addition to a 145-foot wall of wood type–the world’s largest–the museum even has its own Matthew Carter-designed typeface, Carter Latin Wide. “I’m not a printer, least of all a letterpress printer,” the famed typographer has said of first foray into wood type. “But I tried to think like one and imagine a typeface that allowed me to print something in a way that I could not otherwise do.”

The museum recently moved into a new home in Two Rivers, and the race is on to reopening day, planned for this summer. According to director Jim Moran, Hamilton desperately needs funding–and an army of volunteers–to physically move millions of pieces of type, plates, presses, tools, and raw materials. Enter letterpress-loving Neenah Paper, which has launched a “Help Save Hamilton” campaign that will donate to the museum all money raised from a series of limited-edition prints. First up is “Form & Function” (above), designed by Two Paperdolls. “I scanned the back of some wood type to achieve an authentic texture,” says Jennifer James of the Philadelphia-based studio, “and adorned the letterforms with ornaments you might find in an ‘old school’ letterpress shop.”

New Career Opportunities Daily: The best jobs in media.

Fly Orchid

The Fly Orchid, also known as Ophrys insectifera, has come up with an ingenious way to ensure that i..(Read…)

Whistle case

Whistle case is a product that whistle is rolled into an iPhone5 case for actual whistle use. The wh..(Read…)

Concentré de Vie by Matali Crasset for Campeggi

Milan 2013: French designer Matali Crasset has designed a sofa that breaks down into a bed, two armchairs and two footstools.

Concentré de Vie by Matali Crasset for Campeggi

Called Concentré de Vie, the system by Matali Crasset comprises two upholstered chairs and two pebble-like cushions, housed in a triangular base that doubles as a single bed.

Concentré de Vie by Matali Crasset for Campeggi

The elements are upholstered in neutral fabric with orange highlights and can be rearranged to accommodate different numbers of guests or activities as required.

Concentré de Vie by Matali Crasset for Campeggi

Italian brand Campeggi showed the design at Salone Internazionale del Mobile in Milan. The brand has produced a few interesting pieces of furniture for house guests, with past products we’ve covered including a sofa wrapped in a fabric wall, a chair that transforms into a single bed and a coat stand that conceals a spare bed by Crasset.

Concentré de Vie by Matali Crasset for Campeggi

See all our stories about design by Matali Crasset »
See all our stories about furniture by Campeggi »
See all our stories about design at Milan 2013 »

Here’s some more information from Campeggi:


Concentré de Vie is a project allowing diversity to express itself thanks to a set of elements that can be moved everywhere within the domestic landscape. It’s a mutant structure able to welcome from two to seven people turning from sofa to living room and proposing, at the same time, a different kind of comfort.

Concentré de Vie by Matali Crasset for Campeggi

A team among which each member plays a main role: two square elements that become, one after the other, armrest, footstool or pouf; a box element acting as a binding agent that can be used as a single bed and finally two relaxing elements, real core of the whole system, which can be used together or separately.

The post Concentré de Vie by Matali Crasset
for Campeggi
appeared first on Dezeen.

Paper jewels

CREAZIONI ZURI is a line of jewelry entirely made of paper and cardboard. Chiara and Manuela have decided to develop their creations by combining indu..

Wringing out Water in Space

CSA Astronaut Chris Hadfield performed a simple science experiment designed by grade 10 Lockview Hig..(Read…)

Quote of Note | David Tang

“The Riedel stemless wine goblet is foul to look at and fouler to drink wine from. Calling it a ‘goblet’ is an insult to me as a good Catholic altar-boy who is used to gleaming silver grails at Mass. If you are so antsy about wine glasses having stems, you should get some old ones without stems–especially those with a square crystal base. The idea that you should worry endlessly about glasses of red wine being knocked over is typically one of those irritating middle-class anxieties best consigned to oblivion. If a glass of red wine is knocked over, then it’s knocked over. We will just have to clean it up. Blotches on tablecloths and carpets are the marks of stylish nonchalance and confidence.”

Sir David Tang, responding to a reader question concerning Riedel wine tumblers, in his most recent “Agony Uncle” column for the Financial Times

New Career Opportunities Daily: The best jobs in media.