Ipera 25 by Alataş Architecture & Consulting

Timber louvres and shutters form a protective shell across the exterior of this apartment building in Istanbul by Turkish studio Alataş Architecture & Consulting.

Ipera 25 by Alataş Architecture & Consulting

Screening the upper levels of a glazed curtain wall, the timber cladding cloaks the facade of the six-storey-high Ipera 25 housing block, creating a system of solar shading for the nine apartments contained inside.

Ipera 25 by Alataş Architecture & Consulting

Alataş Architecture & Consulting divided the wall into four long vertical strips, which project forward and backwards at different points to allow slices of glass to emerge from between each of the timber panels.

Ipera 25 by Alataş Architecture & Consulting

“The fractures and surface variations on the facade – wider than the architectural structures in the area – not only emerge as a contemporary interpretation of the bay windows of the surrounding buildings, but also allow the facade to be perceived in a more fragmented and ergonomic manner,” architect Ahmet Alataş told Dezeen.

Ipera 25 by Alataş Architecture & Consulting

Two one-bedroom apartments are contained on each of the first four floors. Living rooms are positioned at the front of every home and residents can open and close different shutters independently.

Ipera 25 by Alataş Architecture & Consulting

“The wooden elements allow a view of the street and create a bay window effect that establishes a link between home life and life on the street,” said Alataş.

Ipera 25 by Alataş Architecture & Consulting

A two-storey penthouse is located on the uppermost floors of the building, beneath an angled ceiling that follows the pitch of the roof.

Ipera 25 by Alataş Architecture & Consulting

Other recently completed housing blocks include a building with a pleated facade on the Canary Islands and an apartment block with diagonally stepped floors and ceilings in Japan. See more housing on Dezeen.

Ipera 25 by Alataş Architecture & Consulting

Here’s some more explanation from Alataş Architecture & Consulting:


The building is located on Tatarbeyi Sokak, is one of the most virginal and underdeveloped streets of the rapidly transforming Galata District under conservation. Comprised of eight 80-m2 studio flats and one 190-m2 penthouse up for sale, it has a total surface area of 1000 m2.

Ipera 25 by Alataş Architecture & Consulting

The building is a residential project that extends beyond the conventional codes of the already-built environment, yet manages to reproduce these codes, respecting the existing architectural fabric.

Ipera 25 by Alataş Architecture & Consulting

In this regard, it continues to find new solutions to the existing problems of architecture by utilizing contemporary technologies and taking into consideration the newly burgeoning socio-economic structure of the region, as well as the infrastructure, environmental conditions, climate, and solar movements.

Ipera 25 by Alataş Architecture & Consulting

The building is comprised of a wooden shell that covers the largely transparent living area in an uncompromising manner and set between two blind and extremely thin exposed concrete curtain walls.

Ipera 25 by Alataş Architecture & Consulting

The wooden components on the front elevation run parallel to the glass facade that evolves into a saddle roof and entirely cover the front and back of the building. Perceived as a gigantic blind facade from one perspective, yet appearing as a translucent veil from the other, the wooden surface also functions as a sun filter.

Ipera 25 by Alataş Architecture & Consulting

Comprised of parallel horizontal laths that angle at various points, the wooden element divides the facade into four as the middle segments expand outwards, towards the street; leaving the sides exposed, the wooden elements thus allow a view of the street and create a bay window effect that establishes a link between home life and life on the street.

Ipera 25 by Alataş Architecture & Consulting

While the building almost disregards the relationship with the street by refusing to repeat the conventional window spans in the neighborhood, it nonetheless revives its place within the context by reinterpreting the traditional bay window structure on the street.

Ipera 25 by Alataş Architecture & Consulting

Behind its impressive presence on the street, the building displays a plain and statuesque appearance that simultaneously blends into and stands out against the context without competing with the neighboring historic buildings in its critical approach.

Ipera 25 by Alataş Architecture & Consulting

As the design is concretized, the concept of the transparent surface of the wooden veil covering the two facades and the roof between two walls is maintained throughout without any qualms. The dilapidated appearance of the neighbouring building at arm’s length is perceived as part of the view and the transparent surface is not even partially compromised.

Ipera 25 by Alataş Architecture & Consulting

While this attitude and the spatial relationship of the interior and the exterior expands the interior volumes of the 80-m2 flats – born out of the new lifestyle needs and culture – towards the facade of the buildings across the street, the translucent nature of the building’s shell allows the street to feel broader and more spacious.

Ipera 25 by Alataş Architecture & Consulting

Architects: Alataş Architecture & Consulting
Location: Galata, İstanbul, Turkey
Design Team: Ahmet Alataş, Emre Açar

Ipera 25 by Alataş Architecture & Consulting

Architectural Group: Özge Güngör Ülüğ, Dilan Yüksel, Emir Elmaslar, Gabriella Colacicco
Area: 1,100 sqm
Year: 2011

Ipera 25 by Alataş Architecture & Consulting

Site plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Ground floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

First-third floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Fourth floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Fifth floor plan – click for larger image

Ipera 25 by Alataş Architecture & Consulting

Cross-section – click for larger image

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Ro armchair by Jaime Hayón for Republic of Fritz Hansen

Milan 2013: wingback armchairs by Spanish designer Jaime Hayón for Danish brand Republic of Fritz Hansen were unveiled in Milan earlier this month (+ slideshow).

Ro armchair by Jaime Hayon for Fritz Hansen

Ro, meaning “tranquility” in Danish, features a curved seat shell that swoops out on both sides to form armrests and dips inward at the neck to follow the shape of the user’s body.

Ro armchair by Jaime Hayon for Fritz Hansen

Separate rounded cushions for the headrest, back and seat are covered in a slightly different texture to the shell they sit in.

Ro armchair by Jaime Hayon for Fritz Hansen

Two small buttons at chest height provide small details on the otherwise uninterrupted surfaces.

Ro armchair by Jaime Hayon for Fritz Hansen

The chair is supported on four smooth, rounded legs that can be chosen in different coloured woods or metals.

Ro armchair by Jaime Hayon for Fritz Hansen

Nine different fabric colour options and a variety of materials including leather and velvet are available.

Ro armchair by Jaime Hayon for Fritz Hansen

Jaime Hayón debuted the chairs at the Republic of Fritz Hansen showroom in Milan and also presented a series of outdoor furniture for BD Barcelona during the city’s design week.

Ro armchair by Jaime Hayon for Fritz Hansen

Other chair launches from the event we’ve featured include Konstantin Grcic’s Parrish collection for Emeco and Stefan Diaz’s trio of chairs for e15.

Ro armchair by Jaime Hayon for Fritz Hansen

See more designs by Jaime Hayón »
See all our coverage of Milan 2013 »
See more chairs on Dezeen »

Read on for more information from Republic of Fritz Hansen:


Ro – the new comfort zone

The world-renowned Spanish designer Jaime Hayon has worked together with Republic of Fritz Hansen to create today’s answer to tomorrow’s easy chair. A chair where you can find room for your inner space and take a break from the hectic bustle of everyday life. The chair is called Ro and will be launched at Salone del Mobile 2013 in Milan.

Ro armchair by Jaime Hayon for Fritz Hansen

Time for reflection is a luxury in today’s world. We are all busy and always short of time to create a moment for quiet contemplation. The new easy chair springs from a desire to create a piece of furniture that offers an opportunity for reflection in our busy lives.

However, Ro is much more than an easy chair. It’s a 11⁄2-seater where you can relax, change positions and have your newspaper, computer or child next to you and create a new comfort zone.

Ro armchair by Jaime Hayon for Fritz Hansen

The design of the shell is elegant and simple, pleasing to both the eye and the body and offers the promise of tranquility in both its visual expression and its comfortable functionality. Furthermore, the form of the shell gives you the choice of being part of what goes on in the room or relaxing in your own private space.

Fritz Hansen’s design brief to Jaime Hayon was “… to create a comfortable seat for one person”. “We put a great deal of effort into the form of the chair, which is inspired by the human body. We wanted a chair that was comfortable as well as beautiful. My goal was to create a slim and elegant chair that encourages reflection and comfort,” says Jaime Hayon.

Ro armchair by Jaime Hayon for Fritz Hansen

“Ro” means tranquility in Danish. The name was chosen because it captures the point of the chair in just two letters, thus reflecting the Nordic approach and concept of beauty.

Ro is made with great craftsmanship and in the highest sustainable quality. Combined with the sculptural and elegant design, the result is a functional and aesthetic chair that fascinates its surroundings. One seems to fall in love with it. Ro does not compromise on either comfort or aesthetics.

Ro armchair by Jaime Hayon for Fritz Hansen

The easy chair is available in nine colours: three traditional options (black, grey and taupe), three bright colours (violet, blue and yellow) and three soft colours (light pink, sage-green and sand). For a more vibrant look, the chair features two different textures: one for the seat shell and one for the cushions, which supports the contrasted expression of the hard shell and the warm and soft interior.

Ro is launched in the Republic of Fritz Hansen’s showroom in Milan during Salone Internazionale del Mobile in April 2013. The easy chair will be available from Republic of Fritz Hansen and authorized retailers from September 2013.

The post Ro armchair by Jaime Hayón
for Republic of Fritz Hansen
appeared first on Dezeen.

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