In Between: Keun Young Park’s metaphysical paper collages

In Between

A sculptor by training, Korean-born Keun Young Park masterfully arranges shredded paper into textured self-portraits. After photographing herself in various poses, Park digitally manipulates and resizes the images, prints them, then tears them up by hand into thousands of pieces. From there she reconfigures each sliver of the wreckage…

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Dezeen Music Project: A Case of the Yesterdays by Darko and You Haven’t Heard of Him

This nostalgic hip hop track by rapper Darko and producer You Haven’t Heard of Him features soulful samples from I’m Still Waiting by Diana Ross. The track comes from the duo’s Used Heart Salesmen EP that will be released this month on the Curious Absurdities online record label.

About Dezeen Music Project | More tracks | Submit your track

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by Darko and You Haven’t Heard of Him
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"A lot of what we do is about testing public space"– Suzanne O’Connell of The Decorators

Suzanne O’Connell of Hackney studio The Decorators introduces a temporary restaurant in a local market and a community event on top of a multi-storey car park in this movie filmed by Dezeen at our Designed in Hackney Day.

The Decorators

Above: Ridley’s Temporary Restaurant

O’Connell looked back at The Decorators’ work over the past year as part of the day’s Pecha Kucha talks, a presentation format where 20 slides are shown for 20 seconds each.

The Decorators

Above: the site of the temporary restaurant

“A lot of what we’ve done over the past year, because we’re a new practice, is about rehearsals and testing public space,” says O’Connell as she introduces a temporary restaurant in east London’s Ridley Road market. “It’s not just about designing the space, but about designing the programme for that space.”

The Decorators

Above: constructing the restaurant

Collaborating with London studio Atelier ChanChan, The Decorators set up a restaurant that encouraged visitors and locals to exchange raw ingredients for a cooked meal.

The Decorators

Above: section showing the restaurant’s moving table attached to a pulley

“We didn’t really have a brief, so we spent two or three months doing research on the market, speaking to the traders, our core collaborators, and trying to figure out what existed there,” says O’Connell.

The Decorators

“We wanted to find a mechanism where we could bring people together and bring an alternative economy to the market.”

The Decorators

The Decorators came up with a system where diners could look over the shopping list on the restaurant’s blackboard, purchase an ingredient from the market and swap it for their lunch, with enough left over for the restaurant to serve an evening meal.

The Decorators

“With the design, we wanted to highlight the process of what was happening,” says O’Connell, explaining that the studio came up with a table that could be winched up from the ground floor kitchen to the first floor dining room.

The Decorators

“We were playing with the normal etiquette of how you share a meal,” she says, “and we also played with the way the knives and forks were placed, and glasses, so it was a way of having a shared collective experience.”

The Decorators

Above: the first floor of the restaurant with the table seen on the floor below

The second project O’Connell introduces is a collaboration with Croydon Council and Kinnear Landscape Architects to make use of Croydon’s empty car parks before they’re eventually demolished.

The Decorators

Above: kitchen staff prepare plates on the ground floor

“On first investigation of Croydon, all the places seem quite empty,” she explains, “but on further investigation you see there’s actually a buzz of activity – you’ve got Croydon College, you’ve got Fairfield Halls, you’ve got the skaters; so the car park becomes a great opportunity to bring all these people into the public space together.”

The Decorators

Above: the table is winched up to the first floor dining room

The Decorators planned an event for the roof of the multi-storey car park to include a cook-out by a local barbecue chef, five-minute speeches from locals outlining their visions for the town, and a football game. “All of the teams are from various stakeholders and they’re playing for this future idea of what Croydon can be,” explains O’Connell.

The Decorators

Above: Croydon, south London

“This is an experiment, we don’t really know how it’s going to go, but we hope that the results from this event will inform the architectural interventions over the next year,” she concludes. The car park event took place in October last year.

The Decorators

Above: diagram for an open event on top of a multi-storey car park

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

The Decorators

Above: plan for a social space in Croydon

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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space”– Suzanne O’Connell of The Decorators
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After the Mayan Calendar, Fernando Romero’s You Are The Context

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In the midst of the Mayan calendar predictions, prophecies came and went and on 12-12-12 in New York, the Mexican architect Fernando Romero released his book You Are The Context at the Guggenheim Museum. The launch was a celebration of what comes next, a young career full of potential and a designer with the means to create change in and out of Mexico.

Romero and his firm FR-EE published the book as a catalog of architecture projects erected and for consideration around the world. In an email he writes, “It is a manifesto of today’s context for designers.” The book reads like an architecture self-help guide: a serious investigation of trending topics in building and social design: museums, mixed-use, responsible vertical, cities, convention centers, bridges, etc.

The book starts “Since the mid-1960s, as a reaction against the formalism and functionalism of Modernism, the word context has seen a common and frequently used term in architectural discourse.” Romero and FR-EE are pushing an agenda with regards to careful attention to the key elements of site, culture, time and society. These are considerations for a future architecture.

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You Are The Context is self-published and reads as part calling card/part industry resource. FR-EE hopes to ignite conversations around key issues, shed light on the positive developments in Mexico, and also to bid for some US territory or at least make it’s voice more laudable.

Romero won international acclaim for designing Museo Soumaya in 2011, a sequined hourglass of a museum housing Carlos Slim Helú’s prestigious art collection in Mexico City. Romero is prone to organic shapes and experimental forms. His mentors include Enric Miralles, Jean Nouvel and Rem Koolhaas.

(more…)

The Event of a Thread

Paul Octavious a filmé et photographié la dernière installation magnifique de l’artiste Anne Hamilton baptisée « The Event of a Thread » au Park Avenue Armory. Le résultat, visuellement très fort, met en avant l’œuvre commandée par Armory faisant référence à l’architecture des buildings. Plus dans la suite.

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Passion produces new Linda McCartney Foods ad

A charming new animated ad for Linda McCartney Foods (produced by Passion Pictures) depicts the famous vegetarian as an illustrated character surrounded by a family of happy musical animals in a woodland setting, with music by Paul McCartney and voicover from Elvis Costello

The ad, written by Simon Aboud and directed by Jordan Bruner, is the first TV ad made for the Linda McCartney Foods brand for over 15 years and it looks to celebrate the late singer / photographer / animal lover’s life and values as well as promote a brand new range of chilled products that the brand has just launched.

Plus, the ad also acts as a teaser for Paul McCartney’s forthcoming album (produced by Mark Ronson) as the accompanying track, entitled Heart of the Country, is the first recording from said album to reach the ears of the public. Sharp-eared listeners might just recognise the voice of Elvis Costello providing the spoken word voiceover.

Credits
Writer, creative director Simon Aboud
Producer Lene Bausager

Production company Passion Pictures / Strange Beast NY
Director Jordan Bruner
Creative director Pete Candeland
Producer Angela Foster

 

CR in Print
The January issue of Creative Review is all about the Money – well, almost. What do you earn? Is everyone else getting more? Do you charge enough for your work? How much would it cost to set up on your own? Is there a better way of getting paid? These and many more questions are addressed in January’s CR.

But if money’s not your thing, there’s plenty more in the issue: interviews with photographer Alexander James, designer Mirko Borsche and Professor Neville Brody. Plus, Rick Poynor on Anarchy magazine, the influence of the atomic age on comic books, Paul Belford’s art direction column, Daniel Benneworth-Gray’s This Designer’s Life column and Gordon Comstock on the collected memos, letters and assorted writings of legendary adman David Ogilvy.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878, or buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month.

Workspace of the Week: Stand up and store

This week’s Workspace of the Week is BMeunier’s collapsible standing work desk:

When you live in a small space, you do what you can to make areas serve different purposes and still meet all of your needs. A flat-screen television might also be a computer monitor and an art display. A coffee table might also be a storage unit. In BMeunier’s home, his standing work desk can collapse and simply be part of the wall or it can also be a counter space for making morning coffee. Since it has been hung at standing height, no desk chair is required — saving even more floor space. I like the practicality this collapsible desk brings to this small space. Thank you, BMeunier, for sharing your workspace with us.

Want to have your own workspace featured in Workspace of the Week? Submit a picture to the Unclutterer flickr pool. Check it out because we have a nice little community brewing there. Also, don’t forget that workspaces aren’t just desks. If you’re a cook, it’s a kitchen; if you’re a carpenter, it’s your workbench.

Need help getting organized? Buy the DRM-free audiobook version of Erin Rooney Doland’s Unclutter Your Life in One Week today for only $8.99.

Wall of skateboard offcuts wins MoMA/PS1 Young Architects Program 2013

News: American studio CODA has won this year’s MoMA/PS1 Young Architects Program competition and will insert a wall made from skateboard offcuts into the courtyard of the PS1 Contemporary Art Centre in New York.

Party Wall by CODA at PS1

The Young Architects Program is an annual contest organised by the Museum of Modern Art (MoMA) that invites emerging studios to propose a temporary installation that can host the summer events of the PS1 Contemporary Art Centre.

CODA‘s winning proposal, entitled Party Wall, is for a linear structure that will incorporate events spaces, seating areas, stages and projections areas, as well as pools of water that will function as “cooling stations”.

Party Wall by CODA at PS1

The installation will have a steel frame weighted down by a system of water-filled polyester pillows. More water will stream along the top of the wall, turning the structure into a large fountain, and clouds of mist will be generated from the water to cool down visitors during the hot summer season.

The interlocking cladding panels will be made from wooden offcuts donated by a skateboard manufacturer and some of them will be removable and used to build tables and benches.

Party Wall by CODA at PS1

“CODA’s proposal was selected because of its clever identification and use of locally available resources – the waste products of skateboard-making – to make an impactful and poetic architectural statement within MoMA PS1’s courtyard,” said MoMA curator Pedro Gadanho. “Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public.”

PS1 director Klaus Biesenbach added: “CODA developed an outstanding, iconic design that will support the many social functions connected to our large-scale group exhibition EXPO 1: New York, while creating a unique and stunning object for our outdoor galleries.”

Party Wall by CODA at PS1

CODA is an experimental design and research studio led by architect and university professor Caroline O’Donnell.

Party Wall is set to open in Long Island City at the end of June.

At Ps1 last year HWKN created a giant blue spiky sculpture that helped to clean the air, which has since been relocated to Abu Dhabi. Other installations at the gallery include a twisted rope canopy and a set of swinging poles.

See more stories about PS1 and MoMA »

Here’s the full press release:


CODA selected as winner of the 2013 Young Architects Program AT MoMA PS1 in New York

CODA’S Party Wall to Provide the Setting for the Warm Up Summer Music Series in the Courtyard of MoMA PS1

The Museum of Modern Art and MoMA PS1 announce CODA (Caroline O’Donnell, Ithaca, NY) as the winner of the annual Young Architects Program (YAP) in New York. Now in its 14th edition, the Young Architects Program at MoMA and MoMA PS1 is committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling. CODA, drawn from among five finalists, will design a temporary urban landscape for the 2013 Warm Up summer music series in MoMA PS1’s outdoor courtyard.

The winning project, Party Wall, opening at MoMA PS1 in Long Island City in late June, is a pavilion and flexible experimental space that uses its large-scale, linear form to provide shade for the Warm Up crowds, in addition to other functions.

The porous façade is affixed to a tall self-supporting steel frame that is balanced in place with large fabric containers filled with water, and clad with a screen of interlocking wooden elements donated by Comet, an Ithaca-based manufacturer of eco-friendly skateboards.

The lower portion of the Party Wall’s façade is capable of shedding its “exterior,” as 120 panels can be detached from the structure and used as benches and communal tables during Warm Up and other diverse events and programs such as lectures, classes, performances, and film screenings.

A shallow stage of reclaimed wood weaves around Party Wall’s base to create a series of micro-stages for performances of varying types and scales. At various locations under the structure, pools of water serve as refreshing cooling stations that can also be covered to provide additional staging space or a shaded area from the direct sunlight.

Party Wall’s steel-angle structure is ballasted by water-filled “pillows” made of polyester base fabric that will be lit at night to produce a luminous effect. Party Wall acts as an aqueduct by carrying a stream of water along the top of the structure. The water is projected from the structure, via a pressure-tank, into a fountain that feeds a misting station and a series of pools.

The other finalists for this year’s MoMA PS1 Young Architects Program were Leong Architects (New York, NY, Dominic Leong, Chris Leong); Moorhead & Moorhead (New York, NY, Granger Moorhead, Robert Moorehead); TempAgency (Charlottesville, VA, and Brooklyn, NY, Leena Cho, Rychlee Espinosa, Matthew Jull, Seth McDowell); and French 2D (Boston, MA, and Syracuse, NY, Anda French, Jenny French).

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Young Architects Program 2013
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TYPOGRAPHIC STAR WARS POSTERS

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England based freelance designer Pete Ware has constructed Star Wars characters out of words and quotes that describe each one of them. Included in the series is Yoda, Darth Vader, Boba Fett, Han Solo, and Luke Skywalker. These are currently available for purchase on Ware’s online store.

Smart Forjeremy by Jeremy Scott

American fashion designer Jeremy Scott has designed a special edition for car brand Smart, with wings that shoot out from the back to form the rear and brake lights (+ slideshow).

Smart forjeremy by Jeremy Scott

Wings are a common motif in Jeremy Scott‘s designs and the pair he has added to the car are made from translucent carbon fibre.

Smart forjeremy by Jeremy Scott

“For me, wings mean freedom, a sense of weightlessness,” says Scott. “Because of this, I definitely wanted to have them for the Smart electric drive in order to convey the way it frees the environment of noxious emissions and symbolises the new lightness of mobility.”

Smart forjeremy by Jeremy Scott

Based on the current Smart Fortwo Electric Drive, this version has wider rear tyres and wheel arches, custom wheel rims and chrome protrusions above the headlights.

Smart forjeremy by Jeremy Scott

White is used throughout the interior, with nappa leather covering the instrument panel, seats and door trim, and chrome door handles and details.

Smart forjeremy by Jeremy Scott

The white steering wheel is open at the top and racing seat belts clip into chunky chrome buckles.

Smart forjeremy by Jeremy Scott

The car will be launched as a limited edition later in 2013.

Smart forjeremy by Jeremy Scott

We’ve recently featured concepts for driverless cars and shape-shifting headlights by Audi and ran an interview with their head of exterior design Achim Badstübner. We also recently interviewed MINI’s head of design Anders Warming.

Smart forjeremy by Jeremy Scott

Jeremy Scott was in the news last year when trainers with shackle-like ankle cuffs he designed for sportswear brand Adidas were withdrawn.

See all our stories about car design »

Scroll on for more information from Smart:


An electrifying encounter between the internationally renowned fashion designer Jeremy Scott and the smart fortwo electric drive has produced a fascinating smart fortwo. An electric car, ready for lift-off into a new era of mobility – full of lightness and joie de vivre. The unique smart forjeremy has wings – a familiar trademark of the American star designer. The wings light up like igniting rockets to form avant-garde rear lights. The smart forjeremy showcar, which will be launched next year as a limited special edition, was unveiled on the eve of the LA Auto Show at Jim Henson Studios in Los Angeles, with music provided by the artist M.I.A.

Smart forjeremy by Jeremy Scott

“We were totally enthusiastic about the first sketches that Jeremy presented to us”, said Dr. Annette Winkler, Head of smart, during the world premiere. “Both smart and the wings represent a bit of freedom on the crowded streets of major cities. In their respective disciplines, both the fashion designer Jeremy Scott and the smart brand are pioneering trendsetters, venturing into uncharted territories and challenging the status quo.”

Smart forjeremy by Jeremy Scott

Wings – the symbol for carefree driving fun

True to form, the cooperation itself was out of the ordinary, smart being the first car brand to permit a fashion designer to make changes to the vehicle’s body. As Head of Mercedes-Benz and smart design Gorden Wagener explains: “Cooperations with fashion designers are normally limited to selecting interior materials and interior and exterior colour schemes. With Jeremy Scott, however, we wanted to go one step further and integrated the typical wings as a central design element in the vehicle body. This was quite a challenge, because it was not just a case of creating a showcar, but rather of creating a near-series study with the potential for licensing it for road use in the future.”

Smart forjeremy by Jeremy Scott

Wings are one of the recurring design elements used by Jeremy Scott to great effect. Be it sweatshirts, sunglasses or sneakers, winged motifs crop up again and again in his collections. “For me, wings mean freedom, a sense of weightlessness. Because of this, I definitely wanted to have them for the smart electric drive in order to convey the way it frees the environment of noxious emissions and symbolises the new lightness of mobility”, explains Jeremy Scott, who, in addition to his fashion collections, also creates unique costumes for pop stars such as Lady Gaga, Madonna, Katy Perry and Rihanna.

Smart forjeremy by Jeremy Scott

smart forjeremy – an electrifying love story

Within eight months, Jeremy Scott had developed the smart forjeremy together with designers of the “smart Design Division” at the Mercedes-Benz Cars Advanced Design Studios in Carlsbad, California. Gorden Wagener says: “Working with Jeremy was fantastic – he is a veritable fireball of creativity”. With the typical stylish design of the smart fortwo to inspire him, the international fashion giant came up with a whole host of visionary ideas.

Smart forjeremy by Jeremy Scott

All of which results in an avant-garde and futuristic smart with loving details based on the overriding wing theme. The smart forjeremy is painted in bright white, against which the chrome-plated tridion cell glistens like a jewel. On either side of the vehicle is a wing made of transparent fibreglass and decorated with rocket-shaped elements that light up red, serving as rear and brake lights. “Transparency was a very important factor for me, since it represents lightness and space”, explains the designer. The vehicle’s dynamic, self-assured look is further enhanced by means of wider rear tyres and wider rear wheel arches. The wheel rims are shaped like aeroplane propellers, giving the impression that the electric smart might take off at any minute. With the elegantly curved “eyebrows” above its front headlights, the smart forjeremy conveys both untamed curiosity and unbridled joy. Complementing the tridion cell, the eyebrows are bright chromium plated, as are the top half of the mirror caps and the frame around the radiator grille.

Smart forjeremy by Jeremy Scott

Luxurious interior – a dream in white

The exclusive and elegant marriage of white and glistening chrome accents is continued in the interior of the vehicle, creating an undeniably luxurious look. Together with interior designers of the “smart Design Division” in Sindelfingen, Jeremy Scott chose fine white nappa leather for the instrument panel, seats and door trim. Whilst the instrument panel features minimalist seams, the seat insert areas and the centre panels in the doors boast extravagant diamond stitching. The gleaming chrome surfaces of the main door trim and typical smart elements such as the closing handles, the side boomerangs of the instrument panel and the characteristic rings on the dashboard instruments form an elegant contrast to the matt white.

Smart forjeremy by Jeremy Scott

Shaped like a jet engine, the bright chromium plated side air inlets complete the wing theme on the exterior. The white steering wheel with two chrome spokes is open at the top, further enhancing the sporty, sweeping impression of lightness. “We will also launch a limited special edition of the smart forjeremy in 2013″, Winkler said. “And I really look forward to cruising the city in this item of haute couture.”

Smart forjeremy by Jeremy Scott

Exciting and stylish driving fun – without any emissions

The smart forjeremy is based on the current production version of the smart fortwo electric drive. With its 55 kW electric motor the smart fortwo electric drive accelerates from 0 – 60 km/h in 4.8 seconds, and with a maximum speed of 125 km/h driving pleasure is also guaranteed on urban motorways. The 17.6 kWh lithium-ion battery enables the urban two-seater to travel approximately 145 kilometres in city traffic without producing any local emissions.

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by Jeremy Scott
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