Let Us Make Things Clear

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The crystal clear Canon camera from last week is a novelty, but the transparent motorcycle gas tank above got us thinking: Wouldn’t it be nice if we made more things transparent? One of the main tenets of interaction design is providing visual feedback. What better way to provide this than to give the eyes unfettered access?

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Though done more for purposes of exhibition than interaction, GM was way ahead of us with their crazy Plexiglas Plymouth, unveiled at the 1939 World’s Fair. At the same year’s fair, Western Electric displayed one of their Henry-Dreyfuss-designed model 302s cast in clear resin. But these were, of course, mere exercises that went unrepeated.

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We realize not everything lends itself to being clear: Those transparent backpacks on the market are a terrible idea for riders of the New York subway system, and those transparent Playstation controllers don’t add anything to the gaming experience.

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A clear Canon 7D would be cool to see in action, but would ultimately distract the photographer when he ought be focusing his or her visual acuity on the subject.

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Clear seems great for storage, though. As I tried to wrangle the unruly, accidentally-gathered collection of vintage thread above, I looked into these cool polycarbonate drawers from Muji below. (Sadly, they proved too individually expensive for me to house the entire collection.)

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Ice Cream Posters

La designer Renata El Dib a pensé ces posters fantastiques pour la marque de crèmes glacées Kibon. Ces posters ont été pensés en double impression, avec d’un côté un imprimé rappelant la texture de la glace et de l’autre côté un imprimé faisant référence au cornet de glace. Une idée simple mais très bien exécutée.

Ice Cream Posters
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Jump From Paper Bags Are For Real

Yes they’re for real. How do I know? I’ve seen them in person. Jump From Paper bags just released several new products and STILL I have a hard time believe they exist. I mean that in the tangible sense because every photo looks like a doctored up shot. That’s part of the charm. It’s like your touching a cartoon every time you reach for your bag. In fact, wouldn’t be cool if have the world were a cartoon we could interact with? Cool World much?

Designer: Jump From Paper


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(Jump From Paper Bags Are For Real was originally posted on Yanko Design)

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High Fashion Low Countries

Emerging designers from The Netherlands and Belgium showcase their best efforts in contemporary design

High Fashion Low Countries

Over the last year or so a number of smaller nation players in the global fashion game have gotten a creative boost from new cultural institutions funded by their respective government organizations. In the Netherlands, a new venture called High Fashion Low Countries has been initiated by the Dutch…

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“I was obsessed by the idea of making things myself” – Marc Newson

In the first of five movies Dezeen filmed with industrial designer Marc Newson to coincide with the publication of a major book on his work by Taschen, he talks about the early days of his career when he made everything himself – including one of his most famous pieces of work, the Lockheed Lounge chaise longue.

Early Lockheed Lounge by Marc Newson

The fibreglass and aluminium chaise (an early version of which is shown above) featured in his first exhibition in 1986 and went on to sell for a record £1.1 million at auction in 2009. Below: Newson welding the Lockheed Lounge.

Marc Newson making Lockheed Lounge

Flicking through a proof of the new book entitled Marc Newson – Works, Newson notes that he was forced to make pieces like the Lockheed Lounge as one-offs and limited editions in the early days simply because he couldn’t manage to make any more of them by hand, while later editions like his marble pieces for the Gagosian Gallery (below) were restricted to suit the design-art market.

Marc Newson Gagosian

He also describes interior design projects he has worked on such as the Azzedine Alaia Boutique in Paris (below), as well as his work with Qantas airlines.

Azadine Alaia Boutique by Marc Newson

Marc Newson – Works is published by Taschen and comes out in September.

Marc Newson - Works

See all our stories about Marc Newson »

The post “I was obsessed by the idea of making
things myself” – Marc Newson
appeared first on Dezeen.

Two Beautiful Products From 11+

I often go into one of those modes when I do nothing but look for the hottest products around the world. Literally weeks on end of just surfing the net, contacting studios and manufacturers. I came across a new Korean studio called 11+ who are about to launch two products – a case for the MacBook Air or any tablet sized device and a case for the Samsung Galaxy S III. Hit the jump.

The Felt Case reminds me of Hard Graft but this feels lighter – effortless whereas the Hard Graft cases/bags feel quite engineered. Neither is better, just different strokes for different folks. It’s made mostly of felt designed to hold an iPad, MacBook Air, Galaxy Tab or any device within those dimensions. I’m particularly fond of how the offset sleeve provides a perfect surface for an external mouse. Just clever.

The Color Case for the Samsung S III threw me for a loop because it never occurred to me anyone would want to spend time/money of producing a case for the “other” phone. Yes, I’m guilty of letting my own bias for the iPhone sometimes ignore all the peripherals created for Samsung smartphones. The Color Case is beautiful and as its name suggests – there are seven to choose from. Made of polycarbonate and treated with a scratch resistant finish, each case features an interesting set of alphanumerics inside which I’ve yet to decipher.

Both will be hitting retail soon and I have exciting news about that when they do launch. Keep your eyes peeled this October.

Designer: Cloud and co for 11+ (Yeongkyu Yoo, Youngduk Song, Sunman Kwon, Sungmin Kim) Facebook


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Two Beautiful Products From 11+ was originally posted on Yanko Design)

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Design Jobs: Coastal Living, The Washington Post, McMurry

This week, Coastal Living is hiring a designer, while The Washington Post needs a graphics director. McMurry is seeking a senior art director, and the Daily Journal Corporation is on the hunt for an art director. Get the scoop on these openings and more below, and find additional just-posted gigs on Mediabistro.

Find more great design jobs on the UnBeige job board. Looking to hire? Tap into our network of talented UnBeige pros and post a risk-free job listing. For real-time openings and employment news, follow @MBJobPost.

New Career Opportunities Daily: The best jobs in media.

A Different Kind of Concept Bike

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Back in March, we caught a tantalizing glimpse of “FLIZ,” an unconventional (to say the least) concept bicycle that was on view at the first annual Munich Creative Business Week. With nary a project page (their current site remains scant on details) to follow up with the design team, we were pleasantly surprised to see that they published the project earlier this month, as an entry for the James Dyson Award:

FLIZ comes from the German “flitzen” and means speeding… with your feet… Based on the very first bike—the “Laufrad”—it is a velocipede concept of healthy, ecological mobility in overcrowded urban space. Its laminated, innovative frame with 5 point belt system does not only mark the outstanding appearance, but first of all it provides a comfortable, ergonomic ride between running and biking. The frame integrates the rider and due to its construction it works like a suspension whereas the belt replaces the saddle and adjusts your position. These aspects reduce pressure in the crotch and distribute the body weight while running, which is a unique feature. On the bottom of the rear stays special treads are located to place and relax the feet.

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That takes care of what; as for why:

After analysing the original running machine constructed by Karl Freiherr von Drais, the inventor of the velocipede that was basic to the bicycle, we liked to revive that principle. So we put some questions: “Does the running machine make any sense for adults nowadays? If yes, how and where could it be useful?” “How can we offer a certain amount of mobility to people, who are by any reason not able to ride a bike (or drive a car)?”

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With Fab Lab Wellington, CNC Comes to NZ Via MIT

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New Zealand has done well for themselves in terms of attracting Hollywood productions and the resultant job-creating support clusters. Now, as the result of a collaboration between Massey University’s School of Design and MIT’s Center for Bits and Atoms, they’re hoping to put themselves on the map for another industry: Digital fabrication.

The ribbon’s been cut on Fab Lab Wellington, a digital fabrication facility stocked with CNC laser cutters, milling machines, 3D printers and the like. By joining MIT’s Fab Lab network, which seeks to spread Fab Labs worldwide, Fab Lab Wellington will now be part of a projected 130 other Fab Labs worldwide all sharing information. And local designers will of course benefit from having access to production machinery too expensive for small design firms to acquire.

“We can provide access to technology,” says MU Industrial Design Lecturer Chris Jackson, “but also help people make connections between disciplines and industries, and that should be a catalyst to more innovation in New Zealand.”

From their home base in the Boston area, MIT’s CBA has Fab Labs as far-flung as India, Norway and South Africa. Fab Lab Wellington is the first in the Australasia region but, Jackson hopes, will not be the only. “We want to be a hub to get labs across New Zealand, Australia and the South Pacific,” he explains. “We’re already talking to other universities, wananga [Maori schools], secondary schools and public libraries.”

Fab Lab Wellington isn’t limited to designers, by the way; it will also be open to the general public and will feature workshops by Massey industrial designers.

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Massey industrial design lecturer Chris Jackson and MIT Professor Neil Gershenfeld prepare to cut the ribbon at the inauguration of Fab Lab Wellington.

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Restoring Jesus

Inspired by the recent news story of amateur art restorer Cecilia Giminez’ botched restoration of Spanish church mural Ecce Homo by Elías García Martínez, a creative team at BBH has created the The Cecilia Prize website which allows all and sundry to have a go at “restoring” the destroyed painting…

Created by Viv Yapp and Ak Parker, the site (screengrab above) shows Giminez’ “restored” version of the work (which, despite my horror at the work’s destruction still makes me bust out laughing every time I see it) on the left while in the centre the mural appears as it did before Giminez took it upon herself to “restore” it. Choose your colour, brush size and paint over the masterpiece…

Of course, it’s entirely up to you as to how you proceed. I’ve tried a few times to be irreverent in my approach, but try as I might I can’t produce an image as side splittingly ridiculous looking as Giminez’ image.

Get involved at ceciliaprize.com. Or look up the #ceciliaprize on Twitter. View the gallery of works created using the site at pinterest.com/ceciliagimenez0/www-ceciliaprize-com.

If you missed the story in the news, read the Guardian’s coverage here.

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