Kevin Ma

Our conversation with the man behind Hypebeast
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Starting out as an early chronicle of sneaker culture, Hypebeast has distinctly evolved into an online magazine that lives up to the tongue-in-cheek origins of its name as a go-to influence guide. Since 2005, founder and editor-in-chief, Kevin Ma has been a sartorial force in covering streetwear. Reflecting Ma’s own growing interests, Hypebeast soon expanded into coverage of art and entertainment. Collaborating with such style giants as Adidas, Hypebeast soon gave rise to HBTV, an in-depth look at the talent behind the brands.

Operating from its headquarters in Hong Kong, Hypebeast is driven by a sense of good taste uniquely its own; a distinction that has earned it the honor of being one of Time’s ’50 Best Websites’ in 2008 and a digital street cred that has led to the recent launch of its on-line store.

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Hypebeast began as a blog that chronicled sneaker culture. How did you come up with the name and how has Hypebeast evolved since its launch?

I didn’t actually come up with the term “Hypebeast” myself. “Hypebeast” is an existing term used to describe people who are obsessed about following a trend or wearing something only because the product was hyped up. I thought it would be interesting to use the word “hypebeast” for my blog to make fun of the sneaker culture at the time. I liked the irony of it.

I registered the domain “Hypebeast” in 2005 and since then it has evolved into something more than just sneakers. It’s fashion. It’s culture. It’s design. It’s art. It’s everything we are interested in.

See the rest of our interview with Ma after the jump.

What were your interests/influences growing up and what was your background prior to starting Hypebeast?

I have always loved computers and all things digital. I had my first computer when I was 13 and also got into the World Wide Web at a young age. At the time, I was also into basketball. I was never good at it but I guess you can see Hypebeast’s roots there.

Prior to Hypebeast.com, I worked in the financial sector but soon left to pursue Hypebeast as a full time job.

What key design elements do you look for when you’re curating content?

We don’t look for any specific key design elements. No rules. It’ really about what we (Hypebeast Editors) like at that moment. It may be bright colors. It may be prints. We never know. When we come across something we really like and are excited about it, we’ll want to write about it and share it with our readers.

Why do you think that streetwear and the culture surrounding it has become so popular over the years? What makes a brand successful?

Streetwear has always been popular because of the lifestyle it perceives as well as the price points. Students can easily afford a t-shirt from a street brand they like, whereas many designer labels are a bit more of an investment. Streetwear is getting more and more popular nowadays because of the accessibility of the Internet. It allows brands to communicate their message and lifestyle at a faster pace to a larger crowd and e-commerce lets people buy it whenever and wherever they are in the world.

A successful brand always represents a certain lifestyle. Some street brands represent the skateboarding lifestyle and some are closely knitted with the basketball lifestyle. People like a brand not only because they like a particular product but because they are interested in the image that the brand embodies.

What prompted you to relocate to Hong Kong and what are some current trends that you’re noticing there?

I grew up in Vancouver. It’s nice and beautiful but it can get a bit slow some times. I thought of coming to Hong Kong for a change since my family is from Hong Kong and I wanted to experience the difference of living in the Asian region.

People in Hong Kong are heavily influenced by a mix of European and Japanese trends.

Who is your audience and how do you distinguish yourself amongst other cultural sites?

Our audience is made up of people who follow the Hypebeast culture and share the same sort of taste and curiosity in fashion. We don’t try to be different from others or distinguish ourselves from other cultural sites. We only focus on doing what we like and share what we feel is interesting.

How did HBTV get its start and what sort of individuals are you interested in covering?

HBTV started as an extension of the Hypebeast editorial. Sometimes, we feel that text and pictures cannot fully express a topic, so we add in videos to make it more engaging for our audience.

We are interested in covering individuals who are different from the norm and are passionate about what they do. They can be fashion designers. They can be chefs. They can be anybody as long as they are different from the norm.

What are some highlights in Hypebeast’s history and what plans do you have in the works for the future?

The launch of our print magazine will be one of the biggest highlights of Hypebeast. We are very excited because it is completely different from what we have ever done before. We have always been digital and now for the first time, we are having a physical editorial.

In addition, we just launched our Hypebeast Store selling unique items hand picked by myself and our Editors. This is also a new direction for Hypebeast because many of our readers always ask where to buy items posted on our site. We hope this will help bridge that gap.

In the past, we have also done collaborations with brands such as Adidas, and Dr. Martens. Being a fan of these brands, I never thought I would have the opportunity to do such collaborations with them. It’s definitely a huge highlight in Hypebeast’s history.

As for the future-we’ll keep you posted!

The core values of the Jeep Wrangler Unlimited Altitude Edition are edge, power and innovation. Which of these values do you personally identify with in your life and why?

All of them play an important part in my life. Living on the edge is like running Hypebeast. I invest everything, my life, my time and my money to run the Hypebeast business each day hoping we don’t fall off. To do this requires strength and rigor, as I have to customize my lifestyle to run the business. Staying up later than everyone else, working harder than everyone else. Hypebeast is now inseparable from my life. We also have to constantly adapt to new innovations and make use of the new innovations that are out there fueling Hypebeast.


Five ways to put fear (emotional clutter) aside and get the help you want

Do you remember your first day in a new position? One of the first things you’re told when you get a new job is that you should ask questions. Your employer realized that though you may have been qualified to do the job you were hired for, you would likely need some help as you transitioned to your new role and got to know the new business culture. And, yet, it’s probably safe to say that many of us shy away from asking questions even when we’re encouraged to do so.

Asking for help, along with some things that we do on our own, is often one strategy that is used to get things done. You’ve probably heard many times that when you’re working on a project, you should involve others and delegate some tasks. Rather than sink under a swell of things to do, you should find someone who can lend a hand. In theory, this seems quite logical.

In practice, however, it can be difficult to do. Though we know that the end result can be a good one (e.g. project or task completion, better understanding of policy or practice), many of us don’t utilize this strategy as often as we should. This could be because:

  • You think you can or should do it on your own.
  • You’re afraid you will come off appearing weak or lacking in skill.
  • You’re afraid no one will be willing to help.

Fear of any kind can hold us back and stop us from achieving even the smallest of goals. It’s possible that our fear of asking for something (rather than giving), in part, stems from cultural customs. Some of us may instinctively put others first, often compromising ourselves in the process. Whatever the reasons are for “going it alone,” there are ways to get past the fear and actually get the help you want.

One of the first things you can do is…

  1. Speak up. When you want to make a change in your life, telling those in your inner circle can provide the support you need to be successful. Similarly, one of the ways to combat your fear of asking for help is to let those around you know that you need a little assistance. You can do this in casual conversation or have a scheduled sit down with a specific person. The key is not to keep it a secret. I’ve often found that saying I need help well in advance of needing it, puts everyone on the alert and gives them a chance to say how they can help.
  2. Stay positive. You might find yourself in a negative tailspin, thinking that no one would be willing to help. But, in reality, the opposite is probably true. Recent studies have found that “people underestimated by as much as 50% the likelihood that others would agree to a direct request for help, across a range of requests occurring in both experimental and natural field settings.” People do tend to want to help, especially when responding to a reasonable request.
  3. Start small. Help others who want to help you by giving them one or two tasks. It’s much easier to say yes when they’re presented with a short list verses a laundry list of to-do items, and it also helps to…
  4. Be specific. Be clear about what you want. Instead of saying, “I want help with stuff around the house when you have some time,” ask: “Can you help dust and vacuum next Thursday afternoon?” Giving the details of what you need help with allows for better understanding of the scope of the job. It also lets the person you’re asking decide if it’s really feasible to pitch in given their own schedule.
  5. Match tasks with skill. Ideally, you will want to match a task with someone who (a) already has a high comfort level with the task and/or (b) has a real interest in doing it. You’ll be more likely to get the result you’re looking for and they won’t feel unduly burdened when you get the right person for the job. If your car broke down, you would hire a mechanic to fix the problem instead of the plumber.

It may take a bit of practice and you might choose to ask for help with only one or two particular things. Keep the end goal in mind and remember that, more often than not, our friends, family members, and coworkers want to see us succeed and are usually willing to contribute to that success. Just remember to thank them when you’ve made it through the weeds and return the favor when requested.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


A Life With The Stove

The Stove is an emergency stove that was inspired by the Great East Japan Earthquake of Japan. It basically is a design that allows you to use it for cooking and charging batteries. As the designer explains, “the wood or wooden pellets for the stove are environmentally friendly type of fuel that is easy to handle.” Although intended for earthquake prone Japan, the stove can find value in many other regions as well.

Designer: Kazuaki Hibino


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(A Life With The Stove was originally posted on Yanko Design)

Related posts:

  1. I’m Going Behind The Stove
  2. Cozy Cooking Stove
  3. When Miss Table and Mr. Stove Meet

Delight Lamp

Delight Lamp is a kitchen lamp that creates an intimate illumination for folks who enjoy homemade meal together with friends. As Xiao explains, “The design is generated based on people’s sensorial stimulation and behavioral demands.” The lights are controlled by a mobile app that allows you to control the intensity, color, direction as well as height of the illumination and creates a comfy atmosphere.

Designer: Tianyu Xiao


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Delight Lamp was originally posted on Yanko Design)

Related posts:

  1. Swing Delight!
  2. Squeezing Delight!
  3. Wallet Delight

High concept meets low materials in BoomBox

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No, it’s not an unseen CG image from Inception, though it’s certainly cool enough to be. These are pictures of BoomBox, an installation made entirely out of cardboard boxes by French architect, Stephane Malka. Created for the 2011 EME3 International Architecture Festival in Barcelona, Boombox somehow escaped everyone’s notice, including ours, until now. We think that’s a real shame because it’s rare to see such an immersive, experiential installation made from such simple materials. By simply projecting various lighting configurations onto a wall of cardboard boxes, Malka completely transforms an everyday object into a powerful environment.

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The concept for BoomBox stems from Malka’s belief in democratizing architecture. He calls it his “eulogy to cardboard, a cheap material symbolizing nomadism [in] contrast to stone, a noble material representing longevity in all its static weight. Although separate entities, there is nevertheless an exchange between two bodies, a cultural and social fusion between the academic and contemporary, at the crossroads between a work of art and a work of architecture.”

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Dezeen Olympics: most tweeted Olympic designs

London 2012 Olympic street art by Banksy

The London 2012 Olympics continue and so do the Dezeen Olympics, awarding medals to the design and architecture of the games. Today’s competition is for the most tweeted stories about our coverage and we give the gold medal to Banksy’s Olympic-inspired street art.

NLA chair launches T-shirt protest  against Olympic marketing rules

New London Architecture chair Peter Murray wins the silver medal for his t-shirt protest against the marketing agreement set out by the London 2012 organisers that prevents architects publicising their work.

Underground Supporter  posters by Rizon

Along a simliar theme, the bronze medal is awarded to unofficial posters for the games that allow businesses to sidestep the strict marketing rules.

See the winners of most popular, most commented and most liked on Facebook, and have a look at all our stories about the London 2012 olympics here.

The post Dezeen Olympics: most tweeted
Olympic designs
appeared first on Dezeen.

Hackney Wick’s The Walls Have Ears mural

Collaborating with the local community, Bread, a creative collective based in East London, has just completed a 100 metre long typographic mural along a street that leads to London’s Olympic Park…

Bread essentially wanted to brighten up an unloved, bleak street called White Post Lane and managed to secure funding from the London Legacy Development Corporation to paint the mural which is, according to Bread’s Victoria Walmsley, based around the industrial past of the area (Hackney Wick). “The six-month project involved various workshops, interviews, research and a blog-style website and social media to engage the local community,” she explains.

The mural, entitled The Walls Have Ears, features words and phrases suggested by local residents that hint at the area’s history. ‘Parkesine’, for example was the name of a company established in Hackney Wick back in 1866 which has the trademark for the first man-made plastic.

‘Fridge Mountain’ references the area’s biggest landmark pre-Games: a 20-foot high pile of defunct domestic appliances which had the dubious honour of being the biggest heap of fridges in Europe.

‘Mint Creams’, in case you were wondering, references Hackney Wick-based company Clarnico which was the biggest confectioner in Britain just after the second world war. The word ‘pickles’ appears because of the “wonderful aroma of pickles in the air” which used to greet residents before the Brother Bungs factory was demolished in the early 1970s to make way for a council estate.

This short film shows the mural being painted:

The Walls Have Ears – Hackney Wick 2012 from Bread Collective on Vimeo.

Find out more on Bread’s site here and also at the-walls-have-ears.tumblr.com.

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here

 

CR in Print
The August Olympic Special issue of Creative Review contains a series of features that explore the past and present of the Games to mark the opening of London 2012: Adrian Shaughnessy reappraises Wolff Olins’ 2012 logo, Patrick Burgoyne talks to LOCOG’s Greg Nugent about how Wolff Olins’ original brand identity has been transformed into one consistent look for 2012, Eliza Williams investigates the role of sponsorship by global brands of the Games, Mark Sinclair asks Ian McLaren what it was like working with Otl Aicher as a member of his 1972 Munich Olympics design studio, Swiss designer Markus Osterwalder shows off some of his prize Olympic items from his vast archive, and much more. Plus, Rick Poynor’s assessment of this year’s Recontres d’Arles photography festival, and Michael Evamy on the genius of Yusaku Kamekura’s emblem for the 1964 Tokyo Olympics.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

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Tomboxes: Quirky, Repurposed Portable Speakers from Germany

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Tombox is a line of portable speakers produced in Germany, and their retro looks are not the result of imitative design; each speaker is an actual loudspeaker of yore, cleaned up and repurposed by a duo known only as Laudahn and Holldobler.

We reuse discarded loudspeakers and give them a second chance as portable amplifiers. The built-in, rechargable battery will keep the system running for a period of up to two weeks (depending on volume). [Each] comes with a charging device, a 3.5mm cable and plug, suitable for laptops, mp3 players and much more.

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Eraserhead soundtrack

Bleak and unsettling, David Lynch’s film Eraserhead certainly has a soundtrack to match. New York’s Sacred Bones is behind the design and release of a new deluxe edition of the recording, which remains something of an industrial classic…

The reissued LP edition is designed by the label’s own Sacred Bones Design and includes a 16-page booklet filled with imagery from the film, three 11″ x 11″ prints, and a limited edition Peter Ivers 7″ recording of the soundtrack’s most recognisable (and covered) track, In Heaven, presented with a newly unearthed Ivers recording taken from the original soundtrack audio tapes.

Featuring throughout the recording is Alan Splet’s sound design which matched the claustrophobic, nightmarish quality of Lynch’s late 70s vision, blending noise with piano and organ, and a little bit more noise.

Eraserhead: Original Soundtrack Recording is available from sacredbonesrecords.com and also Boomkat in the UK (though it currently appears to be out of stock).

CR for the iPad
Read in-depth features and analysis plus exclusive iPad-only content in the Creative Review iPad App. Longer, more in-depth features than we run on the blog, portfolios of great, full-screen images and hi-res video. If the blog is about news, comment and debate, the iPad is about inspiration, viewing and reading. As well as providing exclusive, iPad-only content, the app will also update with new content throughout each month. Try a free sample issue here

 

CR in Print
The August Olympic Special issue of Creative Review contains a series of features that explore the past and present of the Games to mark the opening of London 2012: Adrian Shaughnessy reappraises Wolff Olins’ 2012 logo, Patrick Burgoyne talks to LOCOG’s Greg Nugent about how Wolff Olins’ original brand identity has been transformed into one consistent look for 2012, Eliza Williams investigates the role of sponsorship by global brands of the Games, Mark Sinclair asks Ian McLaren what it was like working with Otl Aicher as a member of his 1972 Munich Olympics design studio, Swiss designer Markus Osterwalder shows off some of his prize Olympic items from his vast archive, and much more. Plus, Rick Poynor’s assessment of this year’s Recontres d’Arles photography festival, and Michael Evamy on the genius of Yusaku Kamekura’s emblem for the 1964 Tokyo Olympics.

Please note, CR now has a limited presence on the newsstand at WH Smith high street stores (although it can still be found in WH Smith travel branches at train stations and airports). If you cannot find a copy of CR in your town, your WH Smith store or a local independent newsagent can order it for you. You can search for your nearest stockist here. Alternatively, call us on 020 7970 4878 to buy a copy direct from us. Based outside the UK? Simply call +44(0)207 970 4878 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.