Gram Shoes, Stockholm: Technical and material-driven shoes, made in Hong Kong and designed by three Swedes

Gram Shoes, Stockholm


Swedish footwear label, Gram has been quietly yet persistently gathering a cult following since its arrival in 2005. It’s the creative outlet of designer Hong Kong-based Alexis Holm, Johan Larsson and…

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Void Watches: In an age when we always know the time, David Ericsson offers clean, attractive designs that shape our perception of it

Void Watches


Seven years ago Swedish industrial designer David Ericsson left his industry behind to find himself in Hong Kong, steering one of the most stylistically interesting modern watch brands: Void. It’s a…

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Art Basel Hong Kong: West: Highlights from the Western component of the recent fair

Art Basel Hong Kong: West


More than delivering the caché of the Art Basel name, the inaugural Hong Kong edition contextualized Asian art in the global community. Showcased aside it, an array of Western artists rounded out the festival with grandeur, color and abstraction. Cuban-American …

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Art Basel Hong Kong: East: Highlights from the Asian component of the recent fair

Art Basel Hong Kong: East


After six years of galleries, artists and buyers surging upon Hong Kong’s ART HK festival, Art Basel has taken the reigns to build upon Asia’s creative boom, bring the local market global and take global audiences local. With 50% of the fair required…

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PHUNK + 1956 by Tai Ping Carpets: Singapore-based art and design collective launches a series of carpets inspired by “rule breakers and nonconformists”

PHUNK + 1956 by Tai Ping Carpets


Founded in 1956 to preserve the historical craft of handmade carpets, Hong Kong’s Tai Ping has grown into a global leader in quality carpeting. In recent years the renowned maker of woven Axminster, hand-tufted, machine-tufted, printed carpet and Axminster carpet tile designs introduced…

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Small Sake: Meet the contemporary rice wine that is quickly gaining popularity from east to west

Small Sake

For many Westerners, remembering one’s favorite brand of sake can be difficult due to linguistic differences. Removing that complication marks one of the core ideas behind Small Sake, a new drink from Hong Kong-based Swede, Pontus Karlsson. Karlsson has focused on taste as much as the name of his…

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Kevin Ma

Our conversation with the man behind Hypebeast
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Starting out as an early chronicle of sneaker culture, Hypebeast has distinctly evolved into an online magazine that lives up to the tongue-in-cheek origins of its name as a go-to influence guide. Since 2005, founder and editor-in-chief, Kevin Ma has been a sartorial force in covering streetwear. Reflecting Ma’s own growing interests, Hypebeast soon expanded into coverage of art and entertainment. Collaborating with such style giants as Adidas, Hypebeast soon gave rise to HBTV, an in-depth look at the talent behind the brands.

Operating from its headquarters in Hong Kong, Hypebeast is driven by a sense of good taste uniquely its own; a distinction that has earned it the honor of being one of Time’s ’50 Best Websites’ in 2008 and a digital street cred that has led to the recent launch of its on-line store.

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Hypebeast began as a blog that chronicled sneaker culture. How did you come up with the name and how has Hypebeast evolved since its launch?

I didn’t actually come up with the term “Hypebeast” myself. “Hypebeast” is an existing term used to describe people who are obsessed about following a trend or wearing something only because the product was hyped up. I thought it would be interesting to use the word “hypebeast” for my blog to make fun of the sneaker culture at the time. I liked the irony of it.

I registered the domain “Hypebeast” in 2005 and since then it has evolved into something more than just sneakers. It’s fashion. It’s culture. It’s design. It’s art. It’s everything we are interested in.

See the rest of our interview with Ma after the jump.

What were your interests/influences growing up and what was your background prior to starting Hypebeast?

I have always loved computers and all things digital. I had my first computer when I was 13 and also got into the World Wide Web at a young age. At the time, I was also into basketball. I was never good at it but I guess you can see Hypebeast’s roots there.

Prior to Hypebeast.com, I worked in the financial sector but soon left to pursue Hypebeast as a full time job.

What key design elements do you look for when you’re curating content?

We don’t look for any specific key design elements. No rules. It’ really about what we (Hypebeast Editors) like at that moment. It may be bright colors. It may be prints. We never know. When we come across something we really like and are excited about it, we’ll want to write about it and share it with our readers.

Why do you think that streetwear and the culture surrounding it has become so popular over the years? What makes a brand successful?

Streetwear has always been popular because of the lifestyle it perceives as well as the price points. Students can easily afford a t-shirt from a street brand they like, whereas many designer labels are a bit more of an investment. Streetwear is getting more and more popular nowadays because of the accessibility of the Internet. It allows brands to communicate their message and lifestyle at a faster pace to a larger crowd and e-commerce lets people buy it whenever and wherever they are in the world.

A successful brand always represents a certain lifestyle. Some street brands represent the skateboarding lifestyle and some are closely knitted with the basketball lifestyle. People like a brand not only because they like a particular product but because they are interested in the image that the brand embodies.

What prompted you to relocate to Hong Kong and what are some current trends that you’re noticing there?

I grew up in Vancouver. It’s nice and beautiful but it can get a bit slow some times. I thought of coming to Hong Kong for a change since my family is from Hong Kong and I wanted to experience the difference of living in the Asian region.

People in Hong Kong are heavily influenced by a mix of European and Japanese trends.

Who is your audience and how do you distinguish yourself amongst other cultural sites?

Our audience is made up of people who follow the Hypebeast culture and share the same sort of taste and curiosity in fashion. We don’t try to be different from others or distinguish ourselves from other cultural sites. We only focus on doing what we like and share what we feel is interesting.

How did HBTV get its start and what sort of individuals are you interested in covering?

HBTV started as an extension of the Hypebeast editorial. Sometimes, we feel that text and pictures cannot fully express a topic, so we add in videos to make it more engaging for our audience.

We are interested in covering individuals who are different from the norm and are passionate about what they do. They can be fashion designers. They can be chefs. They can be anybody as long as they are different from the norm.

What are some highlights in Hypebeast’s history and what plans do you have in the works for the future?

The launch of our print magazine will be one of the biggest highlights of Hypebeast. We are very excited because it is completely different from what we have ever done before. We have always been digital and now for the first time, we are having a physical editorial.

In addition, we just launched our Hypebeast Store selling unique items hand picked by myself and our Editors. This is also a new direction for Hypebeast because many of our readers always ask where to buy items posted on our site. We hope this will help bridge that gap.

In the past, we have also done collaborations with brands such as Adidas, and Dr. Martens. Being a fan of these brands, I never thought I would have the opportunity to do such collaborations with them. It’s definitely a huge highlight in Hypebeast’s history.

As for the future-we’ll keep you posted!

The core values of the Jeep Wrangler Unlimited Altitude Edition are edge, power and innovation. Which of these values do you personally identify with in your life and why?

All of them play an important part in my life. Living on the edge is like running Hypebeast. I invest everything, my life, my time and my money to run the Hypebeast business each day hoping we don’t fall off. To do this requires strength and rigor, as I have to customize my lifestyle to run the business. Staying up later than everyone else, working harder than everyone else. Hypebeast is now inseparable from my life. We also have to constantly adapt to new innovations and make use of the new innovations that are out there fueling Hypebeast.


The Enlightenment Series by Boris

Swedish designers in Hong Kong explore sustainability as religion

It’s easy to become “design blind” at the world’s biggest design exhibition, I Saloni, and those rushing around to see the blockbuster names run the risk of missing the small gems hidden throughout. One such discovery for us was Boris, a Hong Kong-based company born of Swedish ex-pats trying to live as close to their suppliers and manufacturers as possible. Founders Katarina Ivarsson and Anna Karlsson started the company in 2009 and have since developed a unique style of work blending design, sustainability and technology in a way which is fast becoming the signature hallmark of Scandinavian output—even if it is based in another country.

This year the company presented its new collection, the Enlightenment Series, which explores the notions of multi-ethnicity and the part played by religion and spirituality in our contemporary lives while also focusing on sustainability. “In the light of different beliefs and with mixed religion touch points we present this series,” says Karlsson. “Religion is about believing in something and this is our reason for the religious perspective—personally, we believe in sustainability and want to show this devotion in our products.”

“We wanted to ask what happens when you dig deeper into the subjects of sustainability and religion from a design perspective,” adds Ivarsson. “What are we actually devoted to? Consumerism or sustainism? How important are the objects around us from a spiritual perspective and can we as designers fabricate spiritual products’?”

With the symbolic collection the company has paid close attention to the sustainable details for each piece, whether through efficient energy consumption during production or proper selection of materials. Each piece follows a specific train of spiritual thought—for example, the Seven Piece Mirror centers on a number with many spiritual connotations, from the seven chakras in Buddhism, to Christianity’s seven days of creation, to the more literal like the number of years bad luck you’ll get on smashing a mirror. Boris gives each piece of the mirror an added aesthetic touch to tie in the design elements found in places of worship. On a more directly visual level, the rosary necklace adds its form to the Rosary Lamp, with the beads adding structure to the otherwise slack form.

The Confession Box places a modern twist on the Catholic confessional, combining traditional materials with advanced technology. “When you place your phone into the box it will automatically recharge via inductive charging while also making a backup of your information. By doing so we mimic a procedure not far from the classic ritual of lightening ones load and coming clean,” explains Karlsson.

The ruffled Omikuji carpet references the fortune strips of paper left at Shinto shrines. “Inspired by the process of collecting prayers, we tied 1764 wishes together when we made the carpet,” says Ivarsson.

This combination of strong conceptual narrative and more accessible aesthetic and technique attributes sets Boris apart. For more information on the Enlightenment Series and other collections, visit the website.


Urban Farming

Approaches to sustainable agriculture in several of the world’s largest cities

More than half the world’s population now lives in cities, but when it comes to feeding them, trucking in the necessary amount of food isn’t a sustainable process for any metropolis. Growing out of the need for better solutions, urban farming is becoming an increasingly common approach, whether resourceful groups and individuals are planting vegetables in a container on their back porch or are harvesting land as part of the burgeoning agricultural community.

With Earth Day around the corner, we decided to check in with seven farms in cities from Hong Kong to Cairo to learn more about their methods, and their outlook on the future of the industry.

Brooklyn

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“There have been backyard and rooftop farms here forever, but the current community of farmers, beekeepers, composters, etc., is driving an agricultural renaissance which could significantly change the way this city produces and consumes much of its produce. While urban farms will never replace their rural counterparts, they can contribute to the health of the local ecosystem and mitigate the intensive resource use of growing urban populations.”

The Brooklyn Grange Apiary Project will soon open with 30 hives, led by beekeepers Chase Emmons, director of special projects for the expanding Brooklyn Grange empire and Tim O’Neal of Borough Bees. Emmons and O’Neal will have a team of 12 apprentices working under a pay-it-forward program, wherein they’ll each take on an apprentice of their own to train the following season. Located at the Brooklyn Navy Yard, the forthcoming commercial apiary marks an expansion of the Grange’s four existing hives used to pollinate their acre of crops at the flagship farm in Long Island City. According to communications manager Anastasia Plakias, “bees can exponentially increase crop yield and quality, and the honey we harvested was a delicious added benefit.”

So delicious were the results that the Apiary was born, which aims to meet the demand for local honey and, says Plakias, “provide the city’s beekeepers with a local source of bees more acclimated to New York’s environment.” The challenges of loading hives in close city quarters increases the risk for their handlers being stung, but their hard work pays off for the rest of us—urban honey is known to pack a distinctly tasty flavor. Look out for the sweet stuff at their two weekly farmstands, Smorgasburg on Saturdays and in the Brooklyn Grange building lobby on Wednesday afternoons from 16 May.

Montreal

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“Cities could be self-sufficient in their food production if enough rooftops were utilized. At the very least, the average consumer is far too distant from their food sources, and the link between grower and consumer must be made closer and unshuttered. Consumers should know who their farmer is, how their food is grown, and have every assurance in the traceability and safety of the food they eat.”

Lufa Farms is based around a strong desire to provide local produce to the urban community of Montreal, founded by Mohamed Hage after he discovered the difficulty of finding fresh fruits and vegetables in a large metropolis. As a solution he built a 31,000-square-foot prototype farm on the roof of an office building where all produce is grown organically and chemical-free, and will be the first of many if Hage gets his way. Lufa currently grows tomatoes, cucumbers, eggplants and 22 other varieties of vegetables, including new additions like white pickling cucumber and kohlrabi, but the selection changes regularly.

Beyond the physical location Lufa offers a unique distribution program. Similar to Community Supported Agriculture programs that bring food from farmers outside an urban center, Lufa grows its food on an urban farm and then directly distributes its produce to recipients at drop-off locations in the city. This leads to a situation where, the company promises, “everything for customer baskets is harvested the same day as it’s delivered and is delivered directly to consumers at drop-off points,” for a system that truly embodies the most direct farm-to-table system possible in an urban space.

Manhattan

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“We’re very conscious of the materials we use, so aside from hand cultivators, shovels, gloves and hoses, we try to build what we can from recycled materials.”

Riverpark Farm grows out of Alexandria Center in New York City, utilizing all 15,000 square feet of their available space to accommodate a year-round growing season. Riverpark Restaurant serves up the farm’s bounty under the vision of chef Sisha Ortúzar, and chefs commune with farmers to get a huge variety of seasonal ingredients from soil to plate. While still a fledgling effort, the union has produced a cornucopia of foodstuffs from shishito peppers and watermelon to pickling cucumber and tri-star strawberries. Challenged with space and a fickle clime, Riverpark uses space-saving techniques such as intercropping and advanced seeding to increase yield.

Noting that the team is mostly composed of urbanites, Riverpark is nevertheless ready to employ the materials at hand. “We compost using our clean food scraps from the kitchen along with egg shells, oyster shells and coffee grounds, using both traditional hot and vermi-composting systems.”

Milwaukee

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“We encourage more and more people to not only support businesses that are using good, locally grown produce but to also grow their own. We are supportive of all the other endeavors in our region and have shared our expertise and experience and hope to see urban farming displace the need for giant agri-business and food importation.”

Sweet Water Organics started with the humble lettuce sprout. The exponentially growing outfit now farms four acres that sprawl over an old crane factory and adjacent land in the Bay View neighborhood of Milwaukee. While very much focused on greens (they produce 15,000 pounds per year), the farm also grows mushrooms and other produce in the summer months. The fruits of their labor is peddled off to co-ops, restaurants, groceries and sold at the local farmers’ market.

“Our main systems are aquaponic raft set-ups,” explains Todd Leech. “We also used raised beds, and coir medium sprout planting.” Sweet Water is dedicated to staying “as native as possible with all plants,” TK says, providing local consumers with crops outside of the standard fare. The farm also produces fish, a native species of perch acting as star of the operation.

Berlin

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“We are still amateurs on an adventure to find out what we can manage to do on our own. This urban garden is for us a form of living in the city, it is not just about nature and the countryside, it is also about places with a high density of exchange, different cultures and  forms of knowledge.”

Prinzessinnengärten is a 6,000-square-meter farm in the middle of Berlin focused on the aspect of biodiversity. “We have a lot of old and rare varieties, for example, 16 varieties of potatoes that you will not find on the market any more,” co-founder Marco Clausen tells us. “This we do also to make people aware of the problems of global industrialized farming, of monopolies of seed distribution and the rapid decline of diversity.” Plants grow in industrial vessels like recycled crates and rice bags, in a vertical garden or potentially soon, an aquaponic system.

For Clausen and the 20-person Prinzessinnengärten team, urban farming isn’t so much a solution for the demand for food, it’s more of a place for social learning. They feel the farm “functions as a catalyst of cultural change”, and by showing practical alternatives, they can “make people living in the city aware of the food production system they depend on.”

Cairo

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“Urban farms create green spaces that are scarce in cities, hence contributing to the oxygen production in the micro climate. Additionally plants grown on rooftops absorb a large amount of heat that would otherwise be absorbed by gray rooftops and black asphalt roads which is transmitted as radiation back into the environment increasing the temperature in the city.”

Schaduf is comprised of seven small, vegetable-focused rooftop farms in Cairo, run collectively by brothers Sherif and Tarek Hosny. Using hydroponic and aquaponic systems, their five-person team grows leafy greens—they’ve produced about 2,000 heads of lettuce in the past year—strawberries, red cabbage, local peppermint and a foreign variety of chicory endives, among other crops. While they do sell at local farmers markets, their greater goal is to move low-income individuals out of poverty by providing them the opportunity to own a profitable rooftop farm. Each is roughly 6×6 meters square, the micro farms allow them to detect problems more easily, and more carefully manage the irrigation systems. “It’s crucial that we do not have any water leakages to the rooftop,” Sherif explains.

Concerned with Egypt’s rapidly increasing water shortage, they use a no-soil system that consumes less water than traditional agriculture methods. They are also developing another system “based on permaculture techniques and philosophies”, says Sherif, that they will share with families already growing livestock on rooftops—a popular method in Cairo. Sherif affirms, “We want to try to integrate that existing practice with growing healthy vegetables.”

Hong Kong

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A stable city must be sustainable in every sense. It is extremely important that developed cities still produce their own food and support local agriculture. Imported foods is an unstable system that depends on a lot of external factors beyond an everyday person’s control.”

HK Farm is a flourishing new community-driven urban farming collective founded in March 2012 by former Brooklyn Grange farmer Michael Leung and a team of aspiring farmers, artists and designers. Focusing on rooftop farming and the important benefits of locally grown food, HK Farms is in the process of expanding the presence of urban farms in Hong Kong. Currently operated by a team of three, their 4,000-square-foot farm is getting off the ground growing a variety of herbs, with plans to expand with new vegetables to the lineup.

With a strong focus on DIY projects, all the growing containers were designed and built by the staff and ecologically conscious elements are being installed from the start, including a rainwater collection system. But as with any labor of love it is a long and extensive process according to the founders, “It was extremely hard work to accomplish the initial building of the farm, whilst balancing our own personal work and projects, and normal lives….We don’t consider ourselves farmers (yet).”

See more images of the farms in the gallery below.


Cathay Pacific Premium Economy

Test-driving the airline’s new Premium Economy hybrid flight experience

by Joanna Prisco

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Aiming to bridge the gap between the sophistication of business class and the cramped quarters of coach, Cathay Pacific recently launched Premium Economy class in its 747 and 777 aircraft, available on flights between New York and Hong Kong from April 2012.

I had the opportunity to test drive the new seats and amenities on a delivery flight out of Seattle last month, and at a 60% increase in fare—or approximately $1,600 versus $1,000 from JFK to HKG—the upgrade is worth the perks.

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To start, there is priority check-in at dedicated counters and priority boarding before regular economy passengers, which means less waiting in line and more time for duty-free shopping. Speaking of shopping—one of the great Hong Kong pastimes—Premium Economy passengers also receive an increased baggage allowance from 20kg to 25kg, so there’s no need to leave behind that extra pair of shoes.

Onboard the plane, Premium Economy is housed in its own private cabin behind Business Class. With just 26-34 seats depending on the plane, the section automatically feels more intimate than Economy—a pleasant plus for me, and many other travelers. To add to the upscale ambience, flight attendants stand ready and waiting with complimentary champagne or juice that rests on its own retractable cocktail table from the armrest. Even more crucial was the pair of noise-canceling headphones, which allowed me to sip in silence while the rest walked past me toward Economy.

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While the seats themselves will never achieve the luxury and comfort of the flatbeds available in every Cathay Business Class pod, customers will be pleased to find that the Premium Economy seat pitch is 38 inches—a full six inches more than Economy. The seats are wider and cozier, and come outfitted with plush pillows and blankets. Add to that an amenity kit filled with soft grey socks, an eye mask, a tiny tube of toothpaste and a travel toothbrush, and you’re ready for bed.

Some may find themselves too excited by the entertainment options to fall asleep right away, however. Each Premium Economy seat is equipped with a 10.6-inch personal TV screen featuring more than 200 movie options and other entertainment. If you’re somehow dissatisfied with the selection in the viewing catalog, you can also connect your iPod or iPhone to the seat’s port and stream personal videos from that device. Plus, if you need to write an article about the flight while you’re on said flight, there’s also an in-seat power source for your devices.

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If you’re less of a technophile than a food lover, you’ll be more than pleased with the added menu options offered to you in Premium. From a seasonal salad with grilled prawns to braised e-fu noodles with assorted dim sum, har gow and siu mai or century egg and salted pork congee, you can start your overseas experience before you even arrive. And though the service details in Business—warmed nuts, post-dinner gourmet chocolates—were slightly more over-the-top, the snack offerings in our cabin still abounded.

Maintaining its proven track record of signature service at this in-between price point, Cathay opens up a new level of comfortable travel to a segment of the population we imagine has been waiting for such an option, and won’t be disappointed.