The Une Bobine Charging Cable/Stand Coils Its Way to Success

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This invention is the opposite of the Schticky situation we posted about earlier, where you’ve got a mundane product and need to spice it up with a lively video; the Une Bobine coil is such a good idea, with merits so instantly obvious, that the boring video (below) does nothing to increase its appeal.

A great example of exploiting material properties, the Une Bobine takes the segmented, flexible metal cables of the sort used in industrial light fixtures and adapts it for iPhone charging, allowing the cable itself to serve as a stand.

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While the idea is simple, manufacturing it isn’t so easy: “Each end of the connector requires multiple injection molds to create the custom fitting in the housings that we need to securely attach to the flexible cable,” writes designer Jon Fawcett in his Kickstarter pitch. “The connector housings are also sonically welded together, which requires additional tools to produce each end. Your pledges will directly pay for these startup costs required to produce the cable.”

Perhaps he should change “will directly pay for” to “have directly paid for;” at press time this was yet another wild Kickstarter success, with the $25 device garnering $70,000, handily smashing its original sub-$10,000 goal with 29 days to spare.

And now for aforementioned boring video:

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SCALE at Noho Design District

A Cool Hunting, Architizer and Dwell collaboration celebrating the newest in architectural design
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For this year’s Noho Design District, part of New York’s Design Week, we’ve teamed up with our friends at Architizer and Dwell to present SCALE, a collection of objects and prototypes that explore the relationship of furniture and architecture.

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Architects have been known to use furniture as a prototyping method for their creations and with this as our starting point we’ve collected works from architects and designers—some at the top of their game, others just starting out—including Snarkitecture, Bec Brittain, Katie Stout, Seth Keller, Studio DROR, Kiel Mead, Thaddeus Wolfe and more. From Jason Payne’s “Disco Ball” for Hirsuta to the process-driven “Sprue” candelabras by Fort Standard, we think the final collection captures some of the most interesting intersections of architecture and design today.

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SCALE
Friday 18 – Sunday 21 May 2012
12 Noon to 7:00 p.m. daily
The Standard East Village

And don’t forget to stop by the accompanying Sonos Listening Library while you’re there.


Godzilla’s anatomy

Anatomia di Godzilla

Fake shaker assembly kit

Il designer coreano Jaebeom Jeong di Stonewater Studio ha disegnato questo kit da assemblare per comporsi una sedia shaker style. Il concetto è una reinterpretazione moderna delle sedie fatte a mano dagli Shaker, gruppo religioso formatosi nel XVIII secolo in Inghilterra.

Fake shaker assembly kit

Se ti fa pressa per un diamante…

The Blade by Dominique Perrault

The Blade by Dominique Perrault

The next building in our series from the new Yongsan International Business District in Seoul, South Korea, is a skyscraper designed by French architect Dominique Perrault, with faceted glass that will ripple across the surface.

The Blade by Dominique Perrault

Named The Blade, the 300-metre tower will be diamond-shaped in plan, with its sharpest edges at the north-east and south-west corners of the site.

The Blade by Dominique Perrault

Shops will occupy the lowest storeys but the rest of the tower will be dedicated to office accommodation.

The Blade by Dominique Perrault

Voids in the floors will create high ceilings for four separate lobbies, which will provide a variety of meeting places for occupants.

The Blade by Dominique Perrault

Perrault was one of fifteen architects commissioned to design a tower for the business district, which was masterplanned by Daniel Libeskind and is the biggest urban development project in South Korea. Due for completion in 2024, the masterplan was commissioned by South Korean developer DreamHub. See our earlier stories about designs for the district by MVRDV, BIG and Adrian Smith + Gordon Gill Architecture.

The Blade by Dominique Perrault

Here’s some more information from Dominique Perrault Architecture:


Dominique Perrault has been selected to build a tower within the future Yongsan International Business Center in Seoul, whose master plan was designed by Daniel Libeskind.

Dominique Perrault has unveiled on May 2, during a press conference in Seoul, an original silhouette tower reaching 300 meters high: The Blade.

The Blade by Dominique Perrault

In 2008, Dreamhub, a consortium of thirty of the largest Korean companies, has launched an international urban planning competition for the master plan of Yongsan International Business center (587, 000 square meters). Asymptote, Foster & Partners, Jerde Partnership, Daniel Libeskind and SOM are involved. The project named “Archipelago 21″ proposed by Daniel Libeskind was selected following the competition. In September 2011 and for two months, Dreamhub has ordered to fifteen renowned international architecture studios to design towers within the master plan.

The Blade by Dominique Perrault

Today, in the heart of historic Seoul, along the north bank of the Han River, the South Korean capital begins a makeover. At the center of public transportation of Seoul, linking the various parts of the metropolis with one another, the Yongsan International Business District is about to know a metamorphosis and to become a new symbol and growth engine for 21st century.

The Blade by Dominique Perrault

The Yongsan International Business Center, ambitious program of nearly 3 millions square meters, is organized as an archipelago of vertical buildings inter-connected a by large park.

Connected to three other major business centers of the city, the future Business Center is developed away from the large monofunctional complexes, offering beyond the offices areas, housing, shops and many government facilities (cultural facilities, education and transport infrastructure).

The Blade by Dominique Perrault

Dominique Perrault, the only French architected invited, takes part again in Seoul’s transformation. After the completion of Ewha Womans University, the architect, through a unique architectural style, participates to the identity of the future business district.

By its silhouette and its dynamic allure, the tower establishes itself in the area as a geographical landmark. Its mysterious shape appears like a totem, an iconic figure.

The Blade by Dominique Perrault

It is not a square or a round building, but a rhomboid prism, arranged in a way that makes it look different depending on the angle of approach. Inspired by its slender shape and sharp edges, the tower has been named The Blade.

Within the effervescence of the emerging architectural styles, The Blade contrasts by being rooted in the urban reality, in a dialogue of light and reflections with the neighbouring towers. Like an optical instrument, its façade fragments and then reconstructs the neighbouring landscape to create a new one.

The Blade by Dominique Perrault

In the way of a sheath, the skin of the tower is clad with glass, reflecting light and its environment, thus releasing a luminous halo which envelopes the silhouette of the tower. This vibration of the building’s skin appears and disappears according to the viewing angle, creating a living architecture, transforming itself with the movements of the sun and the changes of light.

The project sculptures the void like a luxurious material, offering space, light and views of the grand Seoul landscape. The Grand Lobby, the Business Forum, the Wellness or the Panorama Lobby constitute as many cut-outs in the tower volume, dedicated to promenades and relaxation. This superposition of voids contrasts with the constructed volume of adjacent towers and accentuates the lightness of the tower prism.

The Blade by Dominique Perrault

The voids offer respirations and accommodate collective spaces open to the landscape. At night, they dematerialize the silhouette of the tower, which appears then like a precious carved stone.

Dominique Perrault inaugurated Ewha Womans University, Seoul, in 2008. He has designed in 2011, for Gwangju Design Biennale, Korea, an “Urban Folly”, named the Open Box.

The Blade by Dominique Perrault

Client Dreamhub – Yongsan Development CO., Ltd.
Architect: Dominique Perrault Architecture
Architect of the records: Samoo
Engineering: Bollinger + Grohmann (structures), HL Technik (Building services, security, coordination), Jean-Paul Lamoureux (accoustic).

The Blade by Dominique Perrault

Other architecture studios working on the Yongsan International Business Center: AS + GG – Adrian Smith+Gordon Gill Architecture LLP, Riken Yamamoto & FIELDSHOP, Murphy/Jahn Architects, Tange Associate Architects, COOP HIMMELB(L)AU, SDL – Studio Daniel Libeskind Architect, MVRDV, 5+Design, SOM – Skidmore, Owings & Merrill, Renzo Piano Building Workshop, KPF – Kohn Perdersen Fox Associates , Asymptote Architecture, REX Architecture, BIG – Bjarke Ingels Group

The Blade by Dominique Perrault

Location: Yongsan International Business Center – Sky Island, Seoul, Korea
Concept design: December 2011
Schematic design: April 2012
Estimated beginning of the construction: January 2013
Estimated end of the construction: December 2016

The Blade by Dominique Perrault

Tower height: 292,50 m
Number of levels: 56 above ground 8 underground

Surfaces
Tower: 128’400 sqm
Average surface per floor: 2350 sqm gfa
Pavilion: 3’300 sqm
Total: 131’700 sqm

The Blade by Dominique Perrault

Click above for larger image

Footprint
Tower: 2’570 sqm
Pavilion: 875 sqm
Sunken plaza: 780 sqm

The Blade by Dominique Perrault

Click above for larger image

Program
Business forum: business room, banquet room, meeting room pools, business bar and cafe, conciergerie service and amenities
Wellness lobby: sports and fitness club, running track, water bar, wellness center and spa
Offices: state-of-the-art office space, meeting room pools, executive duplex floor including executive board room
Panorama lobby: world class restaurants, bars and shops, rooftop french botanical garden observation deck

Three Interventions Create Public Space in Los Angeles

laciclavia1.JPGDuring the recent CicLAvia, cyclists stretch as far as the eye can see on 7th St. from MacArthur Park into Downtown. All images by the author.

Los Angeles is a city of cars. This we know. Public space is few and far between, taking the form of long streets like Melrose Ave or the Venice Beach Boardwalk. Public-private spaces like the Grove and the Third Street Promenade create the illusion of a walking city, but most people first have to drive to get there.

But Angelenos are yearning for public space, and recent interventions are pointing at a way to create that space. The most prominent, certainly, is CicLAvia, a biannual event that celebrated its fourth installation this month.

CicLAvia is inspired by the ciclovías of Latin America, a tradition started by Bogotá, Colombia, a traffic-heavy city which shuts down streets every Sunday. In Los Angeles, this means shutting down over 10 miles of streets, stretching west from Beverly and Vermont, through to MacArthur Park, Downtown and Boyle Heights, with a north-south trail from Olvera Street to Central and Olympic. The distance pales in comparison to Bogotá’s 85 miles of street closures, but as any Angeleno would attest, 10 miles alone would have been impossible to imagine just a few years ago.

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It was my first CicLAvia this year, and it was stunning. The city that I grew up in suddenly felt smaller, more free, disentangled from the traffic that makes it so infamous. I could feel the city air, see the smiles on my fellow cyclists, gaze up at the buildings and notice details I never had time for when driving by. Key areas created an open public space on the streets for cyclists and non-cyclists alike—in MacArthur Park, for example, you could sit down, listen to live music, eat tacos, and just people watch.

CicLAvia’s success has been a thrill to witness, but its ambitions and scale are also difficult to reproduce. Costing about $100,000, mostly for street closures and the accompanying safety presence, CicLAvia represents the extraordinary collective effort of a 13-person board, whose talents range from social media strategy to arts organizing to civil engineering. A recent piece in LA Weekly described the original founders, “As if casting for some kind of prisoner-of-war escape film, the group’s initial members each had the exact higher-order specialties you would need to produce an impossible-sounding seven-mile, open-air, closed-streets, public event in Los Angeles.”

laciclavia3.JPGCicLAvia raises much of its funds through donations. In a quieter section on the northern trail, a sign asks cyclists to text in a donation to keep the project going.

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Super x 10 Corso Como

Per il 4°anniversario dell’apertura dello store di Seul, Corso Como 10 ha realizzato in collaborazione con SUPER questo modello in edizione limitata. Packaging illustrato da Claire Duport.

Super x 10 Corso Como

Super x 10 Corso Como

Super x 10 Corso Como

Super x 10 Corso Como

Super x 10 Corso Como

Yum Yum Toys

I rumors sono confermati. I nuovi toys di Yum Yum passano dal 3D alla prevendita.
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Yum Yum Toys

Yum Yum Toys

Stanno per finire i felini per OS X

Stanno per finire i felini per OS X