Squish Studio by Saunders Architecture

Slideshow: here’s another of the six artists’ studios that Norwegian firm Saunders Architecture designed for an island off the coast of Canada, this time a white angular cabin.

Squish Studio by Saunders Architecture

Located on the eastern coast of Fogo Island, Squish Studio has painted wooden walls that extend beyond the limits of the interior to create sheltered triangular terraces at both ends.

Squish Studio by Saunders Architecture

These provide both a south-facing entrance foyer and a north-facing deck with a view out across the ocean.

Squish Studio by Saunders Architecture

The ground beneath the studio is so rocky and uneven that the southern end of the building is raised up by just over six metres to maintain a level floor surface inside.

Squish Studio by Saunders Architecture

Like the other completed studios, Squish Studio provides all its own heating and power, plus facilities to treat its own waste.

Squish Studio by Saunders Architecture

This is the third of the studios that we’ve featured on Dezeen. See the first two here.

Squish Studio by Saunders Architecture

Photography is by Bent René Synnevåg.

Squish Studio by Saunders Architecture

Here’s some more details about the project:


Squish Studio

Tilting, Fogo Island, Newfoundland

The Squish Studio is located just outside the small town of Tilting on the eastern end of Fogo Island. First settled in the mid-18th century, Tilting is known for its strong Irish culture and its recent designation by Parks Canada as a National Cultural Landscape District of Canada.

Squish Studio by Saunders Architecture

The Squish Studio’s white angular form, sited on a rocky strip of coastline, that could rival Italy’s western coast, offers sharp contrast to the traditional vernacular architecture of the nearby picturesque community of Tilting. As its architect, Todd Saunders, has commented on the studio’s siting, “…it is out of sight, but close.”

Squish Studio by Saunders Architecture

The approach to the front entry of the studio is dramatic, as the most southern end of the studio rises twenty feet above the ground, in sharp contrast to its most northern tip that measures only half that dimension. The compact, trapezium-shaped plan of the studio is augmented by the extension of the east and west exterior walls to create a sheltered, triangulated south entry deck and a north terrace that overlooks the ocean. From a distant view, the streamlined form of the Squish Studio becomes apparent with its high back and low (squished) front designed, in part, to deflect the winds from the stormy North Atlantic.

Squish Studio by Saunders Architecture

As we approach the entry of the studio we are greeted by Silke Otto-Knapp, a London-based artist and the first occupant of the Squish Studio. As Silke brings us through the studio, the spatial compression of the tall and narrow entry area gives way to the horizontal expanse of the main room. The downward angled roof leads the eye to the full height oblong glass window focused on a splendid view of Round Head.

Squish Studio by Saunders Architecture

The vertical white planks that line the interior walls are interrupted by a playful series of narrow windows integrated with an expanse of built-in cabinetry. Silke’s quick figurative studies on paper are posted on the walls, as well as, several large scale canvasses. She is delighted to work in such an architecturally inspired space, especially when it is stormy and she can experience the immediacy of the sea and, on some days, observe the dramatic shift of the island’s weather.

Squish Studio by Saunders Architecture

The Squish Studio, like most of its other counterparts, is equipped with a compost toilet, a small kitchenette and wood-burning stove. Power is supplied by stand-alone solar panels, mounted on an adjacent hilltop. Both the interior and exterior of the studio, including the roof, is clad with spruce planks that are painted white.

Squish Studio by Saunders Architecture

At night, the studio, illuminated by the soft glow of its solar-powered lighting, appears as a lantern or a lighthouse placed strategically on a rocky cliff to over- look the North Atlantic. In its isolation, one can also imagine a sole occupant, vulnerable but protected from the elements – inspired to work late into the night, occasionally distracted by the crash of the waves, or perhaps, fully immersed in the work at hand, the first glimpse of the sunrise through the Squish Studio’s slot windows that face the north-eastern horizon.

Squish Studio by Saunders Architecture

Client: Shorefast Foundation and the Fogo Island Arts Corporation
Architect: Saunders Architecture – Bergen, Norway
Team architects: Attila Béres, Ryan Jørgensen, Ken Beheim-Schwarzbach, Nick Herder, Rubén Sáez López, Soizic Bernard, Colin Hertberger, Christina Mayer, Olivier Bourgeois, Pål Storsveen, Zdenek Dohnalek
Associate Architect: Sheppard Case Architects Inc. (Long Studio)
Structural Engineer: DBA Associates (Long Studio)
Services Engineer: Core Engineering (Long Studio)

Squish Studio by Saunders Architecture

Builder: Shorefast Foundation
Construction Supervisor: Dave Torraville
Builders: Arthur Payne, Rodney Osmond, Edward Waterman, Germain Adams, John Penton, Jack Lynch, Roy Jacobs, Clarke Reddick
Construction photos: Nick Herder
Text: Michael Carroll

Squish Studio by Saunders Architecture

Size: 130 m2
Location: Fogo Island, Newfoundland, Canada
Status: Finished 2011


Here are the other two Fogo Island studios we’ve featured:

Tower Studio by Saunders Architecture

Tower Studio by Saunders Architecture

Long Studio by Saunders Architecture

Long Studio by Saunders Architecture

Salone Milan 2012: Ilide Lighting Launches at Superstudio Piu

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ILIDE, a loose acronym for “Italian lighting design,” was founded to revive traditional Italian craftsmanship through modern design. Their debut at the Temporary Museum for New Design at Zona Tortona’s Superstudio Più included two distinct series: “Unicità,” a capsule of four lamps inspired by major Italian cities, and just over a dozen ‘experimental’ pieces “obtained by pushing technology, materials and artisans’ skills to the limit.” The inaugural collections are remarkably diverse, the result of a design contest in which 20 designers were paired with as many craftsmen to create the 17 final pieces.

Milan12-Tortona-Ilide-2.jpgThe colors of the “Matera” lamp by Davide-Giulio Aquini come from the different kinds of clay, not a surface treatment. Image courtesy of Ilide

Milan12-Tortona-Ilide-3.jpgThe “Venezia” by Davide-Giulio Aguini and Daniele Gualeni is a modern update to the traditional Venetian chandeliers. Image courtesy of Ilide

In addition to invoking the romantic spirit of “traditional handcrafted products”—indeed, it often seemed like the majority of new work was described as such—Ilide’s offerings are also locally manufactured. Yet the new company has a legitimate claim to a truly artisanal heritage: the new generation of stateside DIYers has nada on the maestros who collaborated with established designers to create beautifully-crafted, often sculptural lamps and lighting fixtures.

Milan12-Tortona-Ilide-AlfonsoMontaltoMariagiovannaRuiu-Soffio.jpgThe “Soffio” lamp by Alfonso Montalto & Mariagiovanna Ruiu is a tribute to hand-blown glass technique

Milan12-Tortona-Ilide-NahuelVega-LightToMe1.jpgNaheul Vega’s “Light to Me” lamp uses natural coarse salt as a diffraction surface for embedded LEDs

Milan12-Tortona-Ilide-NahuelVega-LightToMe2.jpgThe unconventional concept is made intuitive in the hourglass form.

Milan12-Tortona-Ilide-AndreaCosta-Tick1.jpg“Tick” by Andrea Costa

(more…)


Lumiotec

Al Fuorisalone di quest’anno ho conosciuto Lumiotec, un’azienda giapponese leader nella produzione di pannelli OLED, che ha presentato la lampada Hanger, nata per valorizzare questa tecnologia.
I pannelli OLED sono una fonte luminosa che presenta diversi vantaggi: sono sottilissimi (circa 2 mm), leggeri, non contengono un materiale inquinante come il mercurio, non si riscaldano eccessivamente e hanno un basso consumo energetico. Una materiale favoloso, che farà la gioia di tanti utenti e designer ma che ha ancora un costo di produzione molto, troppo, alto.

Per fare un esempio, la simpatica lampada Hanger che può essere facilmente trasportata e appesa per la casa grazie al gancio e al suo peso piuma, costa ben 450 euro!
Per rassicurare il pubblico, nel sito di Lumiotec è pubblicata una tabella che illustra il prevedibile sviluppo dei pannelli OLED, il cui prezzo entro il 2017 dovrebbe ridursi a un sesto, migliorando allo stesso tempo l’efficienza e la durata della sorgente luminosa.
Attendo con curiosità le novità che riguarderanno i pannelli OLED, perché le loro caratteristiche possono rivoluzionare il design degli apparecchi luminosi.
Puoi trovare altri informazioni in questo articolo di Engadget.

Monday’s quick start: nala pillows and wishes

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Last week we shared a lot of images from the Milan furniture fair 2012 and I will do so later today and tomorrow… but the person who made these images for us is Lisette Scheers, creative director from company La Scheers&Co and Nala designs.

Nala designs is the name of her label of accessories, stationery, totes and pillows. The patterns for all of these are Lisette’s hand drawn illustrations. I really love them and am happy to share them on Bloesem today. 

You can find them all in the webshop right here

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Nalla_pillows Nalawishes Nala    

Nalla_pillows

Nalawishes

Nala

..nala designs

All images by me, Irene.

Private Residence by Garcia Tamjidi

Slideshow: Californian architects Garcia Tamjidi have completed a studio apartment in San Francisco that looks more like an art gallery or showroom.

Private Residence by Garcia Tamjidi

Designed for a couple who race motorcycles in their spare time, the apartment has yet to be furnished and currently features a motorbike as its central showpiece.

Private Residence by Garcia Tamjidi

Other pieces of art and sculpture are sparingly located around an open-plan living room that is split into two tiers.

Private Residence by Garcia Tamjidi

A group of closets are clustered at the centre of the space to provide storage for the entire apartment.

Private Residence by Garcia Tamjidi

We’ve noticed a trend in minimal white apartments recently. Find all our stories about apartments here to see for yourself.

Private Residence by Garcia Tamjidi

Photography is by Joe Fletcher.

Private Residence by Garcia Tamjidi

Here’s some more information from the architects:


Private Residence, San Francisco, California

Designed for a couple whose hobby is racing motorcycles and setting world land speed records, this flat becomes a private retreat from an adrenaline charged lifestyle.

Private Residence by Garcia Tamjidi

Originally a two bedroom, one and a half bath condominium, the floor plan was stripped of all but completely utilitarian necessities.

Private Residence by Garcia Tamjidi

Organized around a very long double-sided storage wall, retracting fabric scrims are used to create more private areas.

Private Residence by Garcia Tamjidi

The interior view, a place to relax, meditate and dream, provides a counterpoint to the openness of city and water views.

Private Residence by Garcia Tamjidi

Project Size: 1,325 square feet
Project Completed: January 2012

Private Residence by Garcia Tamjidi

Architect: Garcia Tamjidi Architecture Design
General Contractor: M J Moore Design and Construction

Furniture: B&B Italia Terminal 1 Day Bed by Jean-Marie Massaud
Art: Sleep 25, Sleep 26 by Gottfried Helnwein, courtesy of Modernism, San Francisco, California

Private Residence by Garcia Tamjidi

Fixtures:
Sink: Sabbia by Boffi
Faucet: Liquid by Boffi
Watercloset: Aquia by Toto
Shower: Just Rain by Dornbracht
Bathtub: Iceland Monoblock by Boffi Bathtub Filler: Liquid by Boffi
Powder Room Sink: Zone by Boffi
Powder Room Faucet: Square Rub by Agape Kitchen Sink: Super Single by Blanco Kitchen Faucet: Vela by MGS
Oven/Range: by Meile

Arab Seasons by Bokja

Arab Seasons by Bokja

Lebanese design duo Bokja have created embroidered maps of the Arab world that present a tapestry of changing politics and traditions.

Arab Seasons by Bokja

The first of the two embroideries is entitled Arab Fall,while the second is named Arab Spring and shares its name with the wave of demonstrations and protests that began in 2010.

Arab Seasons by Bokja

On the Arab Fall map, the sea is made from pairs of imported jeans to demonstrate how the rise of imported cultures has led to the replacement of native traditions.

Arab Seasons by Bokja

The Arab Spring map is woven onto the centre of an old carpet, which is intended to represent the worn-out but cherished values of the Arab countries.

Arab Seasons by Bokja

Both tapestries also contain a range of symbolic imagery, which includes a genie eating fast food and a flying elephant.

Arab Seasons by Bokja

Hoda Baroudi and Maria Hibri of Bokja often use vintage Middle Eastern fabrics in their work. See a couple more of their projects here.

Arab Seasons by Bokja

Here’s a few more words from the designers:


Bokja’s map of the “Arab Fall” interweaves imported jeans as a backdrop for the sad reality of an Arab world where imported fads and fast foods have replaced timeless traditions and native delicacies.

The flying elephant serves as a reminder of all the inane slogans that have been forced upon generations of an incredulous citizenry across the region.

It is this awakening that delineates Bokja’s Arab Spring map.

The background is an old valuable carpet (representing our core values) that should be the basis of any new start.

The carpet is in a dilapidated state, like many of our discarded ideals and is in need of resurrection.

The mood is that of optimism and rejuvenation.

The symbols are many, among them a woman riding a horse on the road to a new and unknown world.

Zhang Kechun

Offrant des excellents clichés d’une poésie et d’une beauté envoutante, Zhang Kechun est un photographe chinois installé et originaire de Chengdu. Nous vous proposons de découvrir dans la suite de l’article une série de photographies illustrant tout son talent.



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Previously on Fubiz

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Tour Phare

Focus sur la Tour Phare, une œuvre architecturale de grande envergure, afin de relancer le quartier de La Défense. Un projet de l’architecte américain Thom Mayne de l’agence Morphosis. Avec 297 m de hauteur, elle sera la plus haute tour de France.



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Previously on Fubiz

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affordable ads

Smallads

I would like to share with you some sponsor information.

Bloesem  now offers small size ads like the ones above for very affordable prices. Would you like to receive our media kit than please email me. Thanks for your support. 

 

Dream Downtown Hotel by Handel Architects

Dream Downtown Hotel by Handel Architects

American firm Handel Architects have completed a New York hotel with porthole windows that give it an uncanny resemblance to children’s game Connect Four.

Dream Downtown Hotel by Handel Architects

Comprising one seven-storey block adjoined to another that is twelve storeys high, the Dream Downtown Hotel occupies a renovated former annex of the National Maritime Union of America.

Dream Downtown Hotel by Handel Architects

Overlapping layers of perforated metal clad the smaller of the two blocks, where the circular openings create juliet balconies for the guest rooms behind.

Dream Downtown Hotel by Handel Architects

Porthole windows also feature on the taller block, which has a slanted exterior of stainless steel tiles.

Dream Downtown Hotel by Handel Architects

The architects split the building into two during the renovation, when they removed the middle sections from four floors to create a screened pool terrace at the centre.

Dream Downtown Hotel by Handel Architects

The hotel building also contains two restaurants, a gym, an event space and shops.

Dream Downtown Hotel by Handel Architects

See more stories about hotel architecture in our dedicated category.

Dream Downtown Hotel by Handel Architects

Photography is by Bruce Damonte, apart from where otherwise stated.

Dream Downtown Hotel by Handel Architects

Here’s some more information from Handel Architects:


Dream Downtown Hotel is a 184,000 SF boutique hotel in the Chelsea neighborhood of New York City. The 12-story building includes 316 guestrooms, two restaurants, rooftop and VIP lounges, outdoor pool and pool bar, a gym, event space, and ground floor retail.

Dream Downtown Hotel by Handel Architects

Dream sits on a though-block site, fronting both 16th and 17th Streets, and is adjacent to the Maritime Hotel, which sits adjacent to the west. In 1964, the National Maritime Union of America commissioned New Orleans-based architect Albert Ledner to design a new headquarters for the Union, on Seventh Avenue between 12th and 13th Streets.

Dream Downtown Hotel by Handel Architects

Two years later, he designed an annex for the headquarters on the site where Dream currently sits. A few years later, Mr. Ledner designed a flanking wing for the annex, which would eventually be converted to the Maritime Hotel.

Dream Downtown Hotel by Handel Architects

In the 1970s, the Union collapsed and the buildings were sold and used for various purposes in the years that followed. In 2006, Handel Architects was engaged to convert the main annex into the Dream Downtown Hotel.

Dream Downtown Hotel by Handel Architects

The otherness of Ledner’s 1966 design for the National Maritime Annex was critical to preserve. Along the 17th Street exposure, the sloped façade was clad in stainless steel tiles, which were placed in a running bond pattern like the original mosaic tiles of Ledner’s Union building.

Dezeen Dream Downtown Hotel by Handel Architects

New porthole windows were added, one of the same dimension as the original and one half the size, loosening the rigid grid of the previous design, while creating a new façade of controlled chaos and verve.

Dream Downtown Hotel by Handel Architects

The tiles reflect the sky, sun, and moon, and when the light hits the façade perfectly, the stainless steel disintegrates and the circular windows appear to float like bubbles.

Dream Downtown Hotel by Handel Architects

The orthogonal panels fold at the corners, continuing the slope and generating a contrasting effect to the window pattern of the north façade.

Dream Downtown Hotel by Handel Architects

The 16th Street side of the building, previously a blank façade when the building served as an annex, was given new life. The skin is constructed of two perforated stainless steel layers, its top sheet of holes a replication of the 17th Street punched-window design and the inner sheet a regular perforation pattern.

Cellar – click above for a larger image

The outer rain screen is punctured with porthole-shaped Juliet balconies for the guestrooms and peels up at the ground level to form the hotel canopy and reveal the hotel entrance.

Ground floor – click above for a larger image

The original through block building offered limited possibilities for natural light.

Dream Downtown Hotel by Handel Architects

2nd floor – click above for a larger image

Four floors were removed from the center of the building, which created a new pool terrace and beach along with new windows and balconies for guestrooms.

3rd floor – click above for a larger image

The glass bottom pool allows guests in the lobby glimpses through the water to the outside (and vice versa) connecting the spaces in an ethereal way.

7th floor – click above for a larger image

Light wells framed in teak between the lobby, pool and lower level levels allow the space to flow.

8th floor – click above for a larger image

Two hundred hand blown glass globes float through the lobby and congregate over The Marble Lane restaurant filling the space with a magical light cloud.

9th floor – click above for a larger image

Fixtures and furnishings were custom designed for the public spaces and guestrooms to complement the exterior design and to continue the limitless feeling of space throughout the guest experience.

12th floor – click above for a larger image

Handel Architects served as both architect and interior designer for the project.

Click above for a larger image