A to Z by YeahNoYeah

A series of single letter prints in black and white make for an eye-catching debut screen-print project from YeahNoYeah. (24 other letters are of course available)…

“Our alphabet posters are lovingly designed and screen-printed in the UK using water based inks and recycled paper,” says YNY on its website. “[The] posters are all 40×50 cm and are sold unframed allowing you to choose your own off the shelf frame.” All prints are £40 each. The full set is at yeahnoyeah.co.uk – a few zingy tasters are below.

 


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CR in Print
The May issue of Creative Review is the biggest in our 32-year history, with over 200 pages of great content. This speial double issue contains all the selected work for this year’s Annual, our juried showcase of the finest work of the past 12 months. In addition, the May issue contains features on the enduring appeal of John Berger’s Ways of Seeing, a fantastic interview with the irrepressible George Lois, Rick Poynor on the V&A’s British Design show, a preview of the controversial new Stedelijk Museum identity and a report from Flatstock, the US gig poster festival. Plus, in Monograph this month, TwoPoints.net show our subcribers around the pick of Barcelona’s creative scene.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

Marble Lights by Studio Vit

Marble Lights by Studio Vit

Milan 2012: Stoke Newington designers Studio Vit showed these glass lamps with marble cuffs as part of Salone Satellite at the Salone Internazionale del Mobile this month.

Marble Lights by Studio Vit

Referencing the look of incandescent light bulbs, the Marble Lights combine blown glass spheres with marble cylinders to create table, floor and pendant lights, plus floor weights that can be looped over a flex to secure the pendants.

Marble Lights by Studio Vit

Back in London Studio Vit are based close to Dezeen’s own office on Sanford Terrace in Stoke Newington. We interviewed them for Dezeen Platform in the autumn:

Watch this movie on Dezeen Screen »

Marble Lights by Studio Vit

See our story about their 11 Boxes project presented at Dezeen Platform here.

Marble Lights by Studio Vit

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here, plus photos on Facebook and Pinterest.

Marble Lights by Studio Vit

The information below is from Studio Vit:


Marble lights is a collection in marble and glass.

Marble Lights by Studio Vit

Originating from an archetypal bulb and socket, it consists of glass spheres and cylindrical marble lamp holders in various sizes which can be freely combined.

Marble Lights by Studio Vit

Marble lights include table, floor and pendant lights, as well as three floor weights which can be used as counterweights to the suspended lights.

Marble Lights by Studio Vit

The aim of the collection is to create a product that is simple yet refined and generates a juxtaposition of volumes, materials and weights.

Key:

Blue = designers
Red = architects
Yellow = brands

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

For One Class of Architecture Students at the RDAFA, It’s One Chair a Week

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“There is no way to understand making, other than going through the process of making,” writes Anders Brix, Head of Studies for Architecture, Design and Industrial Form at the Royal Danish Academy of Fine Arts. To that end, a class of fourth-year students led by associate professor Nicolai de Gier were tasked with making chairs. Lots of them. Specifically, each student would have to physically make one chair every week, for the duration of the five-week course.

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What we love about this is the gradual way the assignments were unfolded—for example Week 1 they could use only slats to build a chair, Week 2 they could use slats and plywood, Week 3 was only plywood, and so on—and the great variety produced within these gradual steps.

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Writes de Gier,

There can be many approaches to designing a chair. Typically students start out by making sketches, drawings and models before making final full-scale prototypes. Usually the period of time spent on the small-scale explorations expand to leave only a limited and flustered period of time to develop full-scale pieces. Many of the limitations of the design are not actually encountered until the full-scale chair is constructed. In recognition of these concerns, we were very interested to explore possibilities to speed up and intensify the design and realization process. For us, it was extremely important to have some physical material at 1:1 scale to inform a series of ongoing discussions in the studio, to improve the skills in the workshops and to develop a synthesis between the material, the tectonics, and the form of the chair.

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Nighthawk Bicycle

Focus sur le vélo BME X-9 Nighthawk voulant symboliser la nouvelle génération de bicycles. A la fois très léger et tres simple tout en possédant un design sobre et futuriste, cet objet pensé par Brano Meres totalement noir se dévoile dans la suite de l’article.



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Previously on Fubiz

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Braun Digital vs. Braun Analog

A showdown of heritage alarm clocks

This past year saw the relaunch of a slew of throw-back designs to the so-called golden age of Braun. Joining the analog clocks and minimal wristwatches is a line of digital clocks inspired by the clean look favored by designers Dietrich Lubs and Dieter Rams. Seen side-by-side, both the analog and digital options are enviable design objects, but we imagine two camps must form around the digital and the analog.

Sizing up the two lines, there’s a lot of crossover: both are controlled by radio signal available in select countries; both feature a crescendo alarm and a snooze function; both are designed to be easily read; both light up in the dark. In short, they have all the specs you might expect from a classically reliable alarm clock.

The digital line features a quick-set function and a crisp reverse LCD readout. The radio model—not available in analog—also includes a speaker and six presets for a standard alarm-clock setup. On the analog side, the classic alarm has been updated with a voice-activated snooze feature for groaning sleepers. While the digital models do their best to imitate the original designs, there’s something gimmicky about an alarm clock that is made to look “vintage”. The analog models have a more honest heritage appeal, and the readout the only major difference. Points would be given to digital for ease of use, although the spare face of the analog clock isn’t exactly difficult to read.

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At the end of the day, it’s a matter of personal taste. While the new digital clocks may be milking the last ounce of cool out of the Rams and Lubs heritage, we’re still won over by the sleek look, which was developed under the direction of Markus Orthey. For fans of the old-school vibe, it makes a bit more sense to search around for the original and iconic AB1 alarm clock, which can be found around the web in limited stock. We’re not sure why Braun opted not to recreate a perfect facsimile of the original with the new analogs; it seems like authenticity would trump voice-controlled snooze any day.

Whichever way you swing, both the digital and analog models look great on a nightstand—which, after all, is what you’re really after.


John Derian Brings His Analog Charms to E-Cards

Virtual decoupage? It’s an oxymoron come true thanks to John Derian. The New York-based purveyor of whimsical plates and paperweights, who has proven his range (and boundless appeal) in previous collaborations with the likes of Astier de Villatte and Target, has taken to the web with a collection of ephemeral yet fine stationery for Paperless Post. “My artistic vision of textures and colors has been translated into this collection of digital stationery in an amazing way,” said Derian in a statement announcing the collaboration. “I’m excited that people who enjoy my work will now be able to experience it so beautifully online.” His signature eclectic imagery—jaunty letters, sea creatures, ferns, a possibly enchanted frog—appears on 65 digital notecards, save-the-date cards, and invitations that Paperless Post users can customize and send (for a small fee). Derian joins a growing stable of guest designers that includes Thornwillow, Boatman Geller, and calligraphy god Bernard Maisner.

New Career Opportunities Daily: The best jobs in media.

Guest Post: Melanie Biehle

Monday, April 23 at 8:00 AM 

I’m working on my blog post for Bella Umbrella before my husband and I spend the day exploring Seattle on our third wedding anniversary. I’m looking through art deco images for inspiration for tomorrow’s post while Drew is walking our nearly 21-month-old son Nathaniel to day care.

I’m thinking about how we’re going to spend the day together. I love that this day is basically unplanned. The only thing that we know for sure that we’re going to have a “city day.” We’ll explore Seattle unencumbered by a toddler’s whims and see where that takes us. Our only definite destination is Pike Place Market.

On this day I’m reminded of our honeymoon. We spent two weeks traipsing around Italy, exploring different cities at a leisurely pace. Our favorite stop was Siena. Everyone seemed to be so proud of their city, but not in an arrogant way.

I feel so grateful to be married to Drew, and lucky that we get to have lots of adventures together.

Up next: 10:00 AM Toothbrushes and tattoos

Fast-Forward at DesignInquiry 2012: Process and Product, by Bobby Campbell

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“And I wanna know
The same thing
We all wanna know
How’s it gonna end?”

– Tom Waits

A designer is constantly enticed to mentally “fast-forward” to that magical moment when the design emerges wholly formed as an object to be worshipped by all. The designer envisions this holy relic, the perfect design, as granting her the respect of her peers, at last. The design client is in awe, or at least subdued, by the rightness of this image the designer has produced. An adoring public understands this pristine visual, the radiant pinnacle of communicative imagery, deeply and implicitly.

Writing it out this way reveals that the quest for a final, perfect “object” of design is highly illusory. Our mainstream culture, however, is driven by consumerism, media, politics, instant access and instant gratification, phenomenon that promote the product over the process. This is practically a given. What it means for the designer is a nagging temptation to focus on the outcome rather than the inputs.

Over the course of my design career, I have learned and continued to re-learn, that the core of what I do is found in the pleasure I take in the slow and steady pace of practicing my craft. At the micro level, I enjoy the sketching and thinking that occurs at the outset of a new design project. I value the spontaneous leaps that happen as a design challenge begins to reveal a solution. I look forward to meticulously honing the imagery into forms that best reflect my design thinking. At the macro level, I have learned to reflect on and appreciate the twists and turns introduced into a project because the client is learning alongside me. Since I have become a design teacher, it has become much easier to put myself in the client’s position, to empathize with their fears and frustrations with the creative process and to try to address those concerns honestly, directly and patiently. The client is not my student, but he or she is a person with legitimate reactions to the visual work we are doing together.

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Small spaces: Custom closet using Ikea bookshelves

One of my favorite places for small living inspiration is Ikea Hackers. If you’re unfamiliar with the site, it’s a collection of reader-submitted modifications to pieces of furniture from Ikea. The hacks range from relatively small (like adding paint to a Lack table) to extremely involved (like turning a Spar butcher block into an electric guitar). The site has been around since 2006 and is teeming with ways to personalize Ikea furniture.

Earlier this month, the site featured Regina’s amazing closet for her itty bitty Swedish apartment. Under what I think is her lofted bed, she has five modified Expedit bookcases (in the 2×2 configuration) that she added a piece of wood to the base and then attached four casters to the bottom of the piece of wood. In the U.S., these Expedit shelving units are just $40 a piece and the Besta casters are $10 for two, so the whole system probably cost less than $350 to create, which isn’t bad for a custom closet that could easily cost four times this price. Visuals from the article:

The rolling bookcases not only hold her clothes, but also her hobby supplies (such as the sewing machine and fabric stash pictured above) and other necessities for her apartment. I like that she can roll the sewing Expedit directly to her sewing table, and then roll it all back into the closet when she’s done. The storage system is ideal for this small space, and I think could easily be utilized in other homes — small or large.

Note: There are casters that are specifically made to hold the Expedit bookcase, but they stick out beyond the base of the bookshelf, so you can’t nest the shelves directly next to each other. They’re also $5 more for two casters, which adds $50 to the cost of casters, but gets rid of the need to attach a piece of wood to the bottom of each bookcase. If you don’t need the items to nest next to each other, the Expedit casters might be a good alternative for you.

If you are unfamiliar with Ikea Hackers, spend some time perusing it for even more ideas. Most of the hacks are inexpensive and easy to do.

Images by Regina as posted to IkeaHackers, and thanks to reader Shalin for bringing this closet to our attention.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Sean Woolsey

Handmade furniture, pipe lamps and otherworldly art

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Quality is at the core of everything Sean Woolsey makes. From laser-cut wooden coasters and handmade furniture through to carefully crafted lighting and paintings on sheet metal, Wolsey creates pieces that effortlessly fuse form and function. Two years ago the former apparel designer left his work in the action sports industry in order to carve out a career from his craft. CH caught up with Woolsey in his Costa Mesa workshop to discuss furniture, fads and the freedom that results from owning less.

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When did you start creating?

I have been creating art for about 10 years now. However, for about seven years I owned and designed my own apparel line and then worked in the action sports industry. Both sides of my family tree contain artistic people. My father has been one of my biggest influences: he had a career in architectural art and also was a talented photographer. My latest works of art are “other-worldly” paintings done on sheet metal using patinas, paints and solvents. The resulting paintings are ethereal images reminiscent of photos of outer space from the Hubble telescope. My more recent expansion into producing furniture and lighting began about two years ago, after I constructed pieces for myself. I discovered that I enjoy doing it and that there are people who desire better quality, hand crafted furniture and accessories made in the USA.

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What was the first proper piece of furniture you made?

I made an escritoire for my girlfriend (now wife) which we still have in our house today. It is made of two-by-fours, four-by-fours, a piece of butcher block and oak casters. I recently completed a famous George Nakashima chair design known as the Conoid chair. The chair is black walnut and it took about 60 hours to make. It is absolutely beautiful. This was the first chair I ever made. It is definitely my favorite piece and I will probably own it forever.

What else have you been working on?

Right now I am working with several clients to furnish their entire workspace or house. It has been exciting developing a palette and tone that reflects the personality of the clients, and then designing and building with that in mind. There is something about creating for an entire space that is very special for me. It is a way for me to connect with other people’s subconscious.

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How did the coasters come about?

Wanting to preserve the finish on my handmade furniture, I decided I wanted to design a set of coasters. I wanted them to look cool, yet be classic and substantial enough to use proudly for years. With that in mind, I produced laser-engraved wooden coasters with a manly feel to them. They come as a set of four, each one being labeled with one of my favorite beverages: coffee, bourbon, whiskey, and scotch. I also made 50 limited-edition black walnut cases for the coasters. Each case is hand numbered and branded with my “SW” logo. The walnut makes a classy little home for the coasters to live in on your table.

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Given your furniture business, what are your thoughts on places like IKEA?

We live in a world and an age in which most consumers buy things for the moment; we exist in a disposable consumer society, where a lot of people make impulsive, trendy buys. I am subject to this as well, but consciously I have decided to try and only buy things I need and buy things of lasting value, that I may be proud to own. Right now there is a paradigm shift with some consumers consciously avoiding overseas, mass production items to searching out high-quality and locally made, sustainable objects, and luckily my customers understand this very well and support me. One of the best parts of what I do is actually interacting and developing a relationship with my customers.

Images by Braedon Flynn, Ryan Haack and Aaron Young