Sustainability in 7: Alissa Walker on Walking the Walk

Thumbnail_AlissaWalker.png

90-x-90.jpg The Designers Accord Sustainability in 7 video series delivers a daily dose of design inspiration by today’s leading sustainability experts. Join in the conversation as they share 7 things every designer should consider when integrating sustainability into design practice.

Alissa Walker remains true to her surname in this playful Friday edition of Sustainability in 7, in which she imparts short, sweet bits (or licks, as it were) of practical wisdom. Enjoy!

About Alissa Walker

Alissa Walker is a freelance writer who can most often be found in Los Angeles. She writes about design, architecture, cities, and transportation for many publications, including Fast Company and GOOD, and is the associate producer for the public radio show “DnA: Design and Architecture.” In 2010, Alissa was named as a USC/Annenberg Getty Arts Journalism Fellow for her writing about design and urbanism. She lives in a royal blue house in the Silver Lake neighborhood of Los Angeles where she throws ice cream socials, writes infrequently on her blog, Gelatobaby, and relishes life in L.A. without a car.

The Designers Accord is a global coalition of designers, educators, and business leaders working together to create positive environmental and social impact. Adopters of the Designers Accord commit to five guidelines that provide collective and individual ways to integrate sustainability into design. The Designers Accord provides a participatory platform with online and offline manifestations so that members have access to a community of peers who share methodologies, resources, and experiences around environmental and social issues in design.

(more…)


The Death Star was my idea

Daily Obsesh – Ben Amun Lemon Thick Resin Bangle

imageLucite and plastic jewelry ruled the Spring runways and now the statement making pieces have finally landed in all the hottest shops and boutiques!


Bold beads, baubles and bangles are right on-trend for your warm weather wardrobe and the ladies at the Hive can’t wait to get their hands on all these brightly colored trinkets and treasures.


Add some zest to spring/summer ensembles with Ben-Amun’s lemon hued Thick Resin Bangle. In bright yellow, this chunky charmer will add a pop of 60’s inspired color to all your summery looks.


Made of high quality Italian resin, the bangle is surprisingly lightweight which makes it just perfect for stacking with all your other fave bangles. As we say here at the Hive, more is always better!



Where to Buy – Ben Amun



Price – $145.00



Who – Melimeli was the first to add the Ben-Amun Lemon Thick Resin Bangle to the Hive.

Hidden Gems of LA, an architectural tour

palladium.png

When Palladium Footwear asked Johnny Knoxville to give us a tour of Detroit, we were pretty blown away and inspired by some of the communities and people they profile and the creative energy that comes across in this four-part series. Yesterday, they launched their newest city profile focusing on the architectural gems of Los Angeles including Rosslyn Hotel, a Frank Lloyd Wright property in Malibu, and the Brewery Artist Complex. We especially love the snippet about the Watts Towers, hand-built by Italian immigrant Sam Rodia from bottles and objects largely collected from his neighbors. Check it out after the jump!

(more…)


Impossible Wood by Doshi Levien for Moroso

Impossible Wood by Doshi Levien

Milan 2011: London studio Doshi Levien will present this injection-moulded wooden chair for Italian brand Moroso at the Salone Internazionale del Mobile in Milan next week.

Impossible Wood by Doshi Levien

Called Impossible Wood, the piece is made of a thermoplastic composite comprising 80% wood fibre and 20% polypropylene.

Impossible Wood by Doshi Levien

Perched on metal legs, the seat shell appears to be made from strips of wood but in fact the shape can only be formed by injection moulding.

Impossible Wood by Doshi Levien

More about Moroso on Dezeen »
More about Doshi Levien on Dezeen »

Impossible Wood by Doshi Levien

See all our stories about Milan 2011 »

The information below is from Doshi Levien:


Impossible wood

A chair designed by Doshi Levien for Moroso.

We found a mouldable wood material that has very distinct visual and tactile properties. It is a thermoplastic composite made using 80% wood fibre and 20% polypropylene and it can be processed using conventional injection moulding machines. The pressure and heat from the mould releases moisture from the wood fibre which in turn burns on the surface of the aluminium tool, creating a random, leather-like tarnished effect.

Inspired by the characteristics of this material, we decided to create a chair that references the genre of light, graceful, bent wood frame chairs but would be impossible to make in any other way than by injection moulding, hence the name “impossible wood”. We were intrigued by the depth and texture of the material that is the opposite of slick, homogenous, surface perfect plastic, currently used for most moulded chairs.

‘Impossible wood’ chair has a used, worn, raw and earthy quality that is timeless and natural. It also smells of wood. We looked at the work of Martin Puryear, an African American sculptor who made a piece called Cedar Lodge in 1977. This installation is constructed using thin, overlapping parallel strips of timber, bound together with horizontal rings. This informed the way we made our first prototypes for “Impossible wood”. We adopted an improvised and constructed language to escape the controlled and fluid process usually applied to generating plastic forms.

The prototype for Impossible wood will be launched Salone and can be found at the Moroso stand. (Hall 16 Stand C23/D22)


See also:

.

Rocker by Doshi Levien
for Richard Lampert
Ananda by
Doshi Levien
My Beautiful Backside by
Doshi Levien

Street Advertising Takeover

Des artistes de rue à Madrid ont décidé de s’attaquer à 106 emplacements publicitaires pour les remplacer par des messages rappelant les intentions mercantiles. Une idée ingénieuse réalisée en 1 heure par plus de 100 personnes sur une organisation de PublicAdCampaign.



takeover_07

madrid-street-advertising-takeover

trustocorp1

remed

takeover_05

takeover_04

takeover_03

takeover_01

madrid-street-advert-takeover

madrid-advert-takeover

gallery16













Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook

Book Review: Hella Jongerius: Misfit

misfit-book-01.jpg

Phaidon’s new monograph of Hella Jongerius, Misfit, is a text and photographic extension of her love of “misfit” products that defy appearances of mass production despite being mass produced. Its quirks are apparent from right off of the bat, from the non-traditional binding to the transparent shapes on the cover that the user can employ to “customize” the cover image vase. We immediately turned the vase into a “bug” by deploying the transparencies as “wings.” Even the simple line-drawn vase on the cover has depth, which isn’t immediately apparent until you touch it. Like enamel on a vase, the lines have weight and are echoed in the string used to hold the book together.

misfit-book-04.jpg

The unorthodox design is beautiful, but whether you’re a reviewer hellbent on viewing absolutely every page or you’re simply a coffee table book-lover, the binding makes the pages slightly hard to turn. Even so, you’ll want to see the work on each page, because it’s lovely. Perhaps the difficult pages are simply the cost of interacting with beauty. The cover is basically a version of her “Coloured Vases,” but we were particularly knocked out by her larger scale furniture and intrigued by the level of insight and detail the book provides on her process. Irma Boom’s layout is visually striking and includes several “conversations that might have taken place” with design luminaries such Louise Schouwenberg, Paola Antonelli and Alice Rawthorn. We’re glad that apparently they actually did take place because through those interviews readers can find that Jongerius follows her philosophy in craftsmanship in her own life.

misfit-book-11.jpg

(more…)


Ask Unclutterer: Emptying a storage unit

Reader Allicia submitted the following to Ask Unclutterer:

I recently moved to Minnesota from New Mexico. I didn’t have a job at first so I moved most (almost all) of my stuff into a storage unit. Now that I am settled, I have a plan to go to New Mexico to unload and organize my storage unit and get rid of stuff I no longer need, etc. I am sitting here in Minnesota and cannot fathom an idea of how to sort through the stuff packed away. I also wonder how to deal with family who will be helping me and may not want me to get rid of stuff. They have more attachment to things than I usually do. Can you help me devise a plan to attack my storage unit?

Storage units are great resources when you temporarily need a place to put your things for three to six months, like you needed to do with this move. Storage units, however, are not where things should go to live for years. When you abandon things in storage units you end up spending more money storing the items than you would selling everything and buying replacement items in the future. Additionally, the storage units are much more likely to be infested with bugs, rodents, mildew, mold and other possession-ruining things than they would be in your home.

It’s not exactly clear in your question if you plan to move your items to your new place in Minnesota or if you just want to organize the unit and leave your things in New Mexico. Whatever your current thoughts, I’m advocating that you completely get rid of the need for your storage unit. I think you’ll find that you don’t want or need the majority of the things you left in New Mexico when you headed to Minnesota.

Think of the first step of your storage unit clean out like a treasure hunt. Go through the unit on your own and find the irreplaceable things you truly value — photographs from your childhood, your favorite pieces of jewelry, and whatever else you would feel truly crushed about if they were destroyed by a fire. For most people, these items fit in one medium-size box.

Tape up the box and carry it with you on your flight or drive back to Minnesota.

For the next step of the process, have your family come in to help you sort through the remaining stuff. Before opening the storage unit door, let your family know that you plan to close the unit by the end of the day. This goal should be crystal clear in everyone’s mind, including yours.

Then, clearly mark four areas near the storage unit for your objects — trash/recycle (these are things everyone agrees are ready to be purged), sell (these are items you can post to Craigslist or take to a consignment shop), donate (these are things in good shape that a local charity could benefit from having), and family stash (these are items your family members will take with them at the end of the process).

The family stash pile is going to be the most controversial pile you create (or, rather, don’t create). What will likely happen is that someone in your family will say, “Oh, you can’t give that away!” about an object in your storage unit. In response to their declaration, you can respond, “I will gladly give it to you if you would like it.” If the person says she wants it, then it will go into the family stash pile for that person to take home. If the person says, “I don’t want it, but I think you should keep it,” the object will then go into the donate or sell pile. If someone doesn’t want an object enough to want to care for it themselves, they have no leverage to try to guilt you into keeping it.

Have a truck or trucks available at the end of your sorting process to immediately haul the four piles to their appropriate destinations. If you are selling objects on Craigslist, you will likely need to store these objects in someone’s garage for a few days so potential buyers can come by and view the items. Give yourself a strict deadline that any objects that haven’t sold by the day before you leave will be donated to charity.

With the money you get from selling items on Craigslist or through consignment, you can buy things (if you want) for your new place in Minnesota.

Finally, I strongly recommend thanking your helpers by providing them with drinks and snacks as they work and dinner when you are all finished. People tend to be more level-headed and easy going when they’re well fed and hydrated.

Thank you, Allicia, for submitting your question for our Ask Unclutterer column. I hope I was able to help you navigate this process, and congratulations on your move. Be sure to check out the comments for even more suggestions and different perspectives from our readers.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


FitFlop store by Sybarite

FitFlop store by Sybarite

London studio Sybarite have designed a modular display system for shoe brand FitFlop.

FitFlop store by Sybarite

Round pods can be adapted to form shelving, hooks, signage, mirrors and containers as required in each store.

FitFlop store by Sybarite

The first stores have opened in the Philippines and FitFlop plan to roll out the design internationally.

FitFlop store by Sybarite

More retail stories on Dezeen »

FitFlop store by Sybarite

More about Sybarite on Dezeen »

FitFlop store by Sybarite

Photographs are by Marco Zanta.

FitFlop store by Sybarite

The information that follows is from Sybarite:


FitFlop Concept

Sybarite’s new shop concept for FitFlop reflects the the fresh, fearless, fun and functional ethos of the bright booming footwear brand. With a product offer that has expanded from one original namesake sandal to year-round boots and shoes, FitFlop asked for a concept that was modern but timeless, interactive, refreshable, easy to merchandise and identifiable via its architecture – for an imminent worldwide rollout.

FitFlop store by Sybarite

The response is a design that carries the brand’s energy anywhere, is fast and easy to install, and will look as good in LA as it does in Shanghai, whether in a standalone, pop up, or multibrand shop.

FitFlop store by Sybarite

Composed mainly of convertible ‘pods’, the interchangeable kit adapts easily to individual locations while maintaining a distinct FitFlop identity. Acting variously as shelves, hanging displays, mirrors and bins for accessories, the moulded pods can be custom-placed to create perfectly flexible space functionality.

FitFlop store by Sybarite

Product diplays can be broken up, allowing for visual merchandising that is uncluttered, logical and shoppable. Layering builds rhythm, activating a sense of discovery and curiosity.

FitFlop store by Sybarite

A language of playfulness engages the shopper. Bijoux nail polish bins sit next to giant campaign images, creating an unexpected contrast in scale while quirky bespoke seating invites the shopper to stay and relax. Bold frit patterns integrate FitFlop graphics into the rounded design and anchor freestanding items.

FitFlop store by Sybarite

Energised by splashes of colour, an otherwise neutral palette works well with merchandise of any season. The modularity of the system offers unlimited scope to grow and adapt, making the concept future-proof.

FitFlop store by Sybarite

The first locations opened in the Phillipines in January 2011, with several more in the works for the coming year including London and Los Angeles.

Client: FitFlop
Architect: Sybarite, London (Simon Mitchell, Torquil McIntosh, Petra Jenning)
Specialist Fabricator: Soozar, Shanghai (Susan Heffernan, Doukee Wang)


See also:

.

Harrods Shoe Salon
by Shed
Camper store in London
by Tomás Alonso
La Roca by Bailo+Rull
ADD Arquitectura

Thinking with Google

Known for its intelligent coverage of both film and surf/skate culture, The Church of London has a new quarterly magazine in its stable. It comes as a handsome hardback book and is a different kind of venture for a different kind of client: Google…

TCL has been developing Think Quarterly with the internet giant since December last year. The first issue is themed as Think Data and has been sent to 1,500 of the company’s UK partners and advertisers. As the name implies, Think Quarterly will be published four times a year, alongside TCL’s already successful titles Little White Lies and Huck, its portfolio of contract magazines and the studio’s print, web and motion graphics work.

TCL were kind enough to have an edition of Think Quarterly printed up for us (well, me) and having had a chance to pore over it, it’s a very encouraging start to what could potentially have been an overwhelming project for a small creative company.

While clearly a Google project, the design of TQ only subtley references the company’s branding; there’s a wax seal, a debossed logo on the box cover and a foiled one on the book itself. Inside, the subject matter is clearly related to the business of data. Guy Laurence, CEO of Vodaphone UK is interviewed on the subject of information overload (and what to do about it); while statistician Hans Rosling is duly probed on the importance of data study in business. Journalists involved include Guardian Datablog editor, Simon Rogers, and WE magazine editor, Ulrike Reinhard.

Google claim that TQ’s intention is to offer some breathing space in our ever-increasing world of data. And certainly, slowing the intake of information down via the printed page is an interesting direction for a digital company. Indeed, when images of TQ first hit the web, the rumour was that Google had launched an online magazine. Not so: while readers can access some of the articles online at thinkquarterly.co.uk, TQ is resolutely a physical printed object, and blatantly celebrates that fact.

There are numerous elements at work here. Each edition is boxed and 1,200 copies of the run of 1,500 arrive with a bespoke cover, tailored to each individual recipient. Housed in its red slipcase, the cover depicts a brain made out of the letters in ‘Think Quarterly’. When this is removed, a light bulb (ding!) made up of sections of the recipient’s name appears, as above, à la Sagmeister’s schizophrenic canine on his Made You Look book.

It’s a sweet touch that will no doubt be a hit with recipients but compared to TCL’s usual fare, which relishes illustration and impactful cover design, the box-and-cover concept feels a little staid, if aimed at the limited edition look. Of course, TQ isn’t necessarily designed to appeal to the average design-literate snowboarder, or indie film lover, so perhaps this is merely more of a compromise, but a subtly crafted one at that.

That said, TCL’s design of the contents inside is a real treat. The studio has used an array of illustration talent to fill these pages and there are particularly strong contributions from Geoff McFetridge, Adrian Johnson, Matt Taylor and Mike Lemanski alongside photography by Spencer Murphy and Jonnek Jonnekson.

There’s also a gatefold infographic in the centre of the publication that opens out to reveal a visual history of data capture, from sundials to the Hubble telescope. Yes it’s geeky, but it’s also golden, too.

Similarly, a pop-up construction detailing usage data captured from the ‘Boris Bike’ scheme in London works brilliantly (designed with help from specialists David Carter and David Pelham). It’s difficult to get pop-ups right – let alone convey data about a bike hire scheme creatively – but this unexpected spread mixes statistics with involving, far from dry presentation. And you can’t convey the physical possibilites of print much better than that.

Think Quarterly isn’t available to buy but some of the content is also published on thinkquarterly.co.uk (also designed by The Church of London). The next issue will be out in May.

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our April issue features our Top 20 logos of all time. You can buy it today by calling +44(0)207 292 3703. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.