Crap Eyewear

The newest models from a line of shades “designed by some kids in California”

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“Wild sunglasses for wild people,” Crap Eyewear exudes the Southern California beach bum lifestyle with plenty of personality to go with it. What started as a side project among friends several years ago has developed into a complete collection of frames, sported by everyone from fellow surfers to hip-hop collective Odd Future and Lil’ Wayne.

New for 2011 are tons of new colorways and two new frame styles, the Hollywood Lawns and the Lo Max. Dropping next week, the Hollywood Lawns (named for Warhol superstar Holly Woodlawn) have an appropriately glam feel, especially if you opt for gradient lenses. Already snapped up by more than one CH editor, these puppies deliver a clean mix of design without taking themselves too seriously, fitting right at home alongside their current lineup of frames.

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The Lo Max, launched last month, is a big and bold unisex frame available in a flashy reddish tortoise shell. Like several Crap styles, the Lo works best for those with larger noggins or unafraid to rock an attention-getting accessory.

Made using industry-standard polycarbonate injection molds and CR-39 lenses (as opposed to acetate and other more costly materials found in pricier brands), Crap keeps the line affordable without sacrificing style and quality—we particularly like the matte finish on several pairs. Each model also comes with a microfiber-lined case, padded and screen-printed with one of two rad graphics, to protect your investment while not on your face.

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Crap Eyewear sells from their online store and from numerous retailers across California, Australia and Japan for only $54. Snag yourself a pair and go raise some hell.


Never Mind a Panic Room. What You Need is a Panic House

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The nutty Safe House, designed by Polish architecture firm KWK Promes, is a Modernist structure with a James-Bondian trick: Flip a switch and a series of sliding walls and rollgates buttons you up tighter than troops in a bunker.

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Festival of Ideas for the New City Ticket Giveaway!

Four weeks ago, we were pleased to announce the New Museum’s “Festival of Ideas for the New City.” With the multifaceted event just a week away, we’ve got our hands on an all-access pass to the festival—including the buzzworthy Rem Koolhaas keynote next Wednesday, May 4th—for one of our lucky readers in New York City.

All you have to do to enter is tweet your favorite piece of design in the five boroughs—something that defines the city for you—to @core77 AND @IdeasNYC. Sure, it’s easy to love the terraced crown atop the Chrysler Building or the iconic arches of the Brooklyn Bridge, but we’re really looking for someone with a designer’s—if not necessarily a true New Yorker’s—appreciation for the city.

Some personal picks include the fire escapes in Chinatown and the doors to the vault of One Hanson Place (home to Brooklyn Flea in the winter). Or maybe it’s something less concrete, like the MTA’s ubiquitous use of Helvetica or 311 as an example of service design. So let’s hear it, NYC design enthusiasts: what makes the city special for you? Respond (via Twitter) to @Core77 and @IdeasNYC by midnight tomorrow, Thursday, April 28, and we’ll pick a winner on Friday.

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Neil Stewart

Le photographe Neil Stewart est un acteur reconnu dans le domaine de la photographie de mode et de la publicité. Ayant travaillé pour des marques telles que Puma, Levi’s ou Chivas, il parvient à capter avec intelligence les lumières et les silhouettes. Plus d’images dans la suite.



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Previously on Fubiz

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The King of Limbs Newspaper Album by Stanley Donwood

Earlier today, Stanley Donwood gave CR a first glimpse of the special ‘newspaper edition’ he has created for Radiohead’s latest album, The King of Limbs.

The artwork is designed in the guise of a Sunday newspaper, complete with plastic packaging printed with the album name and imagery. It contains two 10-inch clear vinyl records in a sleeve, a CD of the album, a perforated blotting-sheet artwork, and a newspaper containing art and texts by Donwood.

The newspaper was printed in the US, and uses a standard US newspaper format, which conveniently folds down to approximately album size. The initial idea behind the artwork was to turn away from the elaborate packaging Donwood used for the band’s last album, In Rainbows. “In Rainbows was a great big, solid cardboard thing, if you were determined you could probably kill somebody with it, it was very heavy, and almost like a definitive statement,” he explains.

By contrast, Donwood and the band wanted the King of Limbs artwork to express something less conclusive. “It’s not like the news stops when a newspaper comes out,” he continues. “It’s just ‘this is what’s happening today’. So this is released into the world on this day, and this is where this band are right now… it is a continuing thing.”

The album artwork is released following the free giveaway by Donwood and Radiohead of the newspaper The Universal Sigh, which was recently conducted all over the world. The King of Limbs paper is a larger and more elaborate offering than The Universal Sigh, though contains some of the same texts and artworks. The newspaper giveaway was inspired by Donwood witnessing the free paper mayhem that often takes place on the London Underground. “It was the biggest art project I’d ever engineered really,” he says. “To persuade a lot of people that doing it was a good idea in the first place, and then following it up and making sure that it happened. I think it happened in 61 cities around the world in roughly the same 24-hour period.”

Donwood is drawn to the throwaway nature of papers. “Newspapers are eminently disposable,” he continues. “Every newspaper is at least 30% a newspaper that’s been before, they’re 30% recycled… They will fall apart very, very quickly, unlike a Kindle or an iPad that’s going to end up on the shores of some subcontinent somewhere. They’re almost harmless things to me. And I love the heritage of them, and what newspapers have done to change the world from being a really class-based, almost feudal system to people being able to get information cheaply.”

Donwood is conscious, however, that fans are likely to cherish the packaging, despite its ephemeral nature, and also enjoys the idea of it being something that might be protected and well looked-after. He was in part inspired to make the works after discovering a box of old copies of Oz and other 60s radical newspapers that was left, unacknowledged, on Radiohead’s Colin Greenwood’s doorstep. “They were printed really cheaply and in a real hurry,” he says of the discovery, “and they were sort of decaying, they’d lost their corners. You had to open them quite carefully… they’d become this archive that doesn’t exist anywhere else, it’s not on the internet. So all of these flyers and newspapers and fanzines had acquired a value. Because they rot and they fall to bits, they’d acquired a value that they wouldn’t have had. And it was really interesting to read something that was meant for the moment, but had been looked after.”

The 60s link continues in the blotting-paper artwork Donwood has created, which could be seen as a large sheet of LSD tabs. “I wouldn’t like to push any of those associations,” Donwood says coyly, before going on to muse on the idea of someone turning the innocent sheet into the drug. “In theory, not that I would propose such an illegal thing, but somebody could…,” he says. “And I don’t think that’s been done as a marketing thing before.”

The humble nature of the artwork for The King of Limbs flies somewhat in the face of the overly elaborate record packaging that has been in fashion of late, particularly for album reissues (this topic was recently covered by Gavin Lucas on the CR blog, here). “It’s gone into this almost King James Bible sort of thing,” says Donwood of the products. “Where the music is elevated by the packaging into something almost spiritual, almost holy… I wanted to get away from that thing where you elevate the music into something it isn’t. Because it’s just something you hear, it’s in your head. [Previously], the technology to record music has driven what the packaging is, but now that’s no longer relevant, you don’t really have to have the music in packaging at all. You could just make a whole bunch of art, and if you buy the music, you might want to buy the art.”

Donwood has a particularly aversion to CDs and CD packaging, which explains why, of the King of Limbs pack, the CD design is a touch underwhelming compared to the rest of the contents. “If it could have been any worse, it would have been,” he says. “There were difficulties with making it any worse. The original idea was to put ‘X Format’ on it and nothing else. Because I’ve hated them ever since I started doing record cover designs.” The vinyl cover sleeve, by contrast, is beautifully designed, featuring details from a series of oil paintings that Donwood worked on while the band was creating the album.

The newspaper element of the packaging was designed by Donwood, alongside “a certain band member”, presumably Thom Yorke. It features fonts scanned from 1930s Depression-era American newspapers, which were compiled by Andrew Leman, of the H P Lovecraft Historical Society of America. “So they’re all old fonts in there from the American Depression, the worldwide Depression – the last one, before the one we’re apparently in, or hovering around, or are about to enter, or have just left, or whatever it is,” says Donwood. “I wanted to make it look old-fashioned rather than like a new graphic-designed, minimal thing.”

The King of Limbs Newspaper Album will be shipped to those who’ve already ordered it on May 9. It costs £30 and can still be purchased online here.

CR’s current issue is The Annual, our biggest issue of the year featuring an additional 100 pages of the best work of the past 12 months. If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine. If you subscribe before Wednesday April 27 you will receive the May issue/Annual as part of your subscription.

ReadyMade 100 Project Manual

DIY publishing for a DIY book

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When ReadyMade magazine recently hosted a DIY project contest, there was an overwhelming response. Enter the ReadyMade 100 Project Manual, a do-it-themselves response to making a book containing their favorite 100 reader submissions. This ingenious manual is chock full of DIY ideas both big and small to get you moving (and making) soon after reading.

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Once the decision was made, ReadyMade’s editor Andrew Wagner approached NYC’s McNally Jackson bookstore to collaborate on the project of projects with their beautiful print-on-demand Espresso Book Machine. The boutique printing press allows for each book to be made-to-order, preventing excess printing while keeping the process both economical and sustainable. By keeping printing costs down, the book sells for just $10, further proving a benefit to both the potential reader and publisher.

With the new Espresso Book Machine, McNally Jackson aims to give the power of publishing back to the author. The EBM is capable of printing library quality paperbacks in a matter of minutes. This invaluable resource can print anything in the public domain, as well as any book the publisher has granted access to, thus expanding McNally Jackson’s in store inventory to over four million potential titles. Plus allowing everyone and anyone to publish a single to hundreds of copies of their own novel or memoir.

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With a fine supply of DIY projects from food to furniture, ReadyMade 100 Project Manual has something to inspire the creative side within each and every one of us. So turn off your computer and pick up a hammer. Well, first purchase the book here, then go make something.


… And The Winners For The PIXI Beauty Giveaway Are …

imageJust last week, we introduced all natural, good-for-your-skin cosmetic line, PIXI Beauty.


Found at your favorite retailers, like Target and Urban Outfitters, PIXI Beauty features smooth glosses and liners, saturated colors and intuitive, must have makeup sets.


Three lucky Hivers won through our Twitter entry (@Stylehive_Buzz) and, without further adieu, here they are! –



MsMorev



AnnajYu



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CONGRATS!



And good news! Everyone is a winner! Simply enter discount code ‘PixiStyleHive’ for 30% off all purchases on the PixiBeauty.com! (Expires May 1st)

Bellows by Benjamin Hubert for Nava

Bellows by Benjamin Hubert for Nava

Designer Benjamin Hubert has created this laptop bag which expands to become an overnight bag, in collaboration with Nava.

Bellows by Benjamin Hubert for Nava

Called Bellows, the bags are made from nylon with wool finish on the outside, and hand finished with cotton and leather details.

Bellows by Benjamin Hubert for Nava

More on Benjamin Hubert on Dezeen »

Bellows by Benjamin Hubert for Nava

See our videos with Benjamin Hubert in Ventura Lambrate earlier this month and as part of our [D3] Design Talents late last year.

More bags on Dezeen »

The following is from Benjamin Hubert:


Benjamin Hubert x Nava

Bellows

A collection of nomadic luggage created around the ability to carry a range of technology products.

Bellows by Benjamin Hubert for Nava

The concept is driven by the idea of providing a dual storage state for the nomadic traveler.

Bellows by Benjamin Hubert for Nava

The user can simply use the bag as a streamlined laptop case holding a laptop and accessories or expand it using its innovative pleated bellow construction to become an overnight bag.

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Allowing for flexible usage in a single product. In addition a distinctive visual language has been created with flowing joints and softened geometry.

Bellows by Benjamin Hubert for Nava

Nava are a technical luggage manufacture, therefore the material research and selection reflect this approach.

Bellows by Benjamin Hubert for Nava

This technical feeling has been softened with hand crafted fixing details and construction inline with Benjamin Hubert’s materials and process led design approach.Bellows by Benjamin Hubert for Nava


See also:

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Loom by
Benjamin Hubert
Crane by
Benjamin Hubert
Heavy Desk Light by
Benjamin Hubert

Daily Obsesh – Golden Hourglass Necklace

imageHow much time does it take to find the right necklace‘ to throw on with your outfit? Well, with this one, you only have eight seconds (seriously, that’s how much time this hourglass measures) so you better be quick.


Luckily, it’s so darn cute, you won’t have any problem deciding whether you want to wear it or not. It’s just a given.


Plus, it comes on a dainty, gold beaded chain that makes it look delicate and sweet when paired with a t-shirt. So what are you waiting for? Quit wasting time and hop to it – time to get yourself this necklace before time runs out (how many times can we say time?) because it won’t be around forever.



Where to BuyFredFlare.com



Price – $20.00



Who Found ItSusanY was the first to add the ‘Golden Hourglass Necklace‘ to the Hive.

Walls of Art and Commerce


Supermarket Sarah is a interesting concept for a webstore. Sarah and other collaborating artists create walls—large-scale still life arrangements—of products for sale. You click on the item that interests you to purchase. The wall above features work by Manchester-based artist Tasha Whittle.

 

“Sarah’s “walls” started in her living room but have now spread into public spaces; galleries, shop fronts, bars, receptions and most recently Sarah curated a 30ft high wall at Selfridges London Concept Store.

The walls have taken on collaborative formats and so far Sarah has worked with brilliant designers including Fred Butler, Patternity, Donna Wilson, Tatty Devine and many more, forming a super network of young talent. Supermarket Sarah has become the place to go for inspirational delights and is regularly featured in media across the board from Style Bubble to the BBC news.”