Just as we layer clothes, U.S. architects finally start layering buildings

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I was in the Arctic Circle last year freezing my butt off, and it never ceases to amaze me that humans have lived up there for eons, well before indoor heat. One “technology” that enabled early cold-climate survival was the simple layering of clothes; Nanook the First was wearing a bearskin and froze to death, but Nanook the Second added another bearskin and was fine.

With the idea of layering clothes to insulate our bodies being such an old principle, it’s rather amazing it’s taken American architects so long to get around to applying it to buildings. (It’s old-hat to Europeans.) According to the Chicago Tribune,

…Federal officials on Thursday unveiled an innovative design that leave the exterior of Cleveland’s aging federal building in place and wrap a new metal and glass skin around it. This type of design, known as a “double wall,” is expected to cut energy costs and give the stolid steel-and-glass building a fresh skyline identity, making its appearance change constantly in the light.

Renovation work already has begun on the 16-story Peter W. Rodino Federal Building in Newark, N.J. It’s laying the groundwork for that building to be “shrink-wrapped,” as the plan’s chief architect, Richard Dattner, puts it, in a new metal and glass skin. As at the Cleveland building, the two walls in Newark will be separated by a cavity of air, about three feet wide.

Such double walls filter out harsh sunlight and create an insulating layer of air that moderates climatic extremes and lowers energy costs. Office buildings in Europe have used double walls for more than a decade, but the technology remains unusual in the U.S.

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Fringe benefits of this type of renovation are that the tenants need not move out during the re-fit, saving some bread there, and the double wall provides more blast protection for would-be terrorist targets (the Cleveland building houses certain Department of Defense offices). Learn more about it here.

A couple of reasons I don’t expect to see this taking off in New York: 1) See that crawlspace between the windows? Just a matter of time before it’s filled with rats and pigeons, and 2) eventually a teenager with a can of spraypaint will figure out how to get into the crawlspace and just tag the crap out of it.

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Live The Language

Une magnifique série de spots pour les stages linguistiques par EF, avec cette déclinaison sous forme de “séquences de vie”. Une direction de Gustav Johansson, et un travail de typographie d’Albin Holmqvist dans les villes de Paris, London ou Beijing. Les vidéos sont dans la suite.



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Payday Splurge (Splash of Color)!

imageWhile we still love the muted tones tones of winter, we’re dying to break free from the monotony and add a little brightness and color into our wardrobes!


Already a hot-trend for the coming spring, candy and citrus colors are to look fresh and lively for the new season! Plus, they complement the neutral tones that are so in now too!


It doesn’t have to cost you the big bucks to try out this colorful trend! Or it can if you’re in the market for something luxe! Whatever your budget, we’ve got a brightly hued piece that’s a must-have!



Jil Sander – Market Leather Bag, $895.00



Kate Spade – Tivoli Flats, $285.00



Rachel Roy – Pleated Solid Scarf, $34.00



TIBI – Carnival Silk Shorts, $89.00



Vanessa Bruno – Cotton Cardigan, $130.00

Japan’s 1960 "Good Design Award" initiative has paid off in Masatoshi Sakaegi

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The Japan Times has got a nice profile up on designer Masatoshi Sakaegi that delves not only into his “origin story,” to borrow a phrase from the superhero world, but also provides little-known footnotes about Japan’s industrial design history. Sakaegi is currently the subject of an exhibition at the National Museum of Modern Art in Tokyo for his ceramics work, and the article reveals how a fifty-year-old, milestone government initiative drove Sakaegi into the industry:

…In 1960, the Japanese Ministry of International Trade and Industry (MITI) established the “Good Design Award,” its mission to select outstanding examples of industrial design based on their form and function. This was an important step in formalizing design as an important cultural endeavor and establishing designers as artists in their own right. [Well-known ceramicist Masahiro] Mori was one of the first to bring this kind of artistry through design to the masses in Japan, and it was the simplicity and accessibility of his designs that appealed to Sakaegi.

“I became immediately interested in industrial design when I saw Mori’s work,” says Sakaegi in a recent interview. “It was amazing to me that, even as a high school student, I could afford something so beautiful and I liked the idea of things of beauty being available to everyone.”

Read the rest here.

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Workspace of the Week: Transparent office

This week’s Workspace of the Week is Louish’s glass and not-glass office:

Okay, okay, I’ll admit — I chose this office strictly because of the monitor background images. I think they’re amazing! What surprises me most is how they disguise the monitors. If you have a workspace in your bedroom or another area of your home where a computer might not always be welcome, creating a wallpaper like this can help to hide it. It’s as if you’re looking through the computer. Thanks, Louish, for submitting your creative workspace to our Flickr pool.

Want to have your own workspace featured in Workspace of the Week? Submit a picture to the Unclutterer Flickr pool. Check it out because we have a nice little community brewing there. Also, don’t forget that workspaces aren’t just desks. If you’re a cook, it’s a kitchen; if you’re a carpenter, it’s your workbench.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Forest Spoon by Nendo

Forest Spoon by Nendo

Japanese designers Nendo have created these spoons with a bird profile on the branched handle, designed to resemble a forest when grouped together.

Forest Spoon by Nendo

100,000 of the products, called Forest Spoon, will be given away as lottery prizes to customers of Japanese curry restaurant chain Coco Ichibanya.

Forest Spoon by Nendo

See all our stories about Nendo »

Photographs are by Masayuki Hayashi.

The information that follows is from Nendo:


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Our design for the Japan-wide curry chain restaurant Coco Ichibanya’s annual ‘Grandmother Curry’ campaign, in which 100,000 lucky customers win curry spoons through a lottery.

Spoons are a tool for eating, and our world is full of spoons designed for that function. In contrast, we wanted to make a spoon that would be fun to look at when it wasn’t in use. As part of this, we know that spoons are used on their own, but wanted to create a spoon design that would have a new charm when the spoons were brought together.

When our spoon is lying on its own on a kitchen shelf, it looks like a single tree. But when you assemble a number of spoons, our design creates a ‘landscape’ in the home.


See also:

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Spoons by
Alexa Lixfeld
Cutlery by
Lukas Peet
Cutlery by
Future Systems

Brogen Averill

Lui è Brogen Averill.
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Recession Chic – Romantically Sheer and Gauzy Tops Under $100

imageBlouses and tops have been getting a romantic make-over with the addition of sheer, gauzy materials. Whether it’s the whole garment, or as a style detail, sheer tops have sex-appeal while still being elegant and demure. The hazy translucency is feminine and soft while the peek-a-boo factor will definitely make heads turn for a second look!


A basic tee with lace insets or gauzy panels is immediately more stylish and sexy, looking just as good with your fave pair of jeans or tucked into a floaty skirt. A sheer tunic top or blouse is a striking look to wear over leggings and a cami, or if you’re looking for the right outfit for a wild night out, simple don a lacy bra in black or contrast color for a truly show-stopping look!


A look that works for day or night and doesn’t have to break the bank! We’re loving this versatile trend! Click on the slideshow to see some of our fave picks for sheer tops under $100!

view slideshow

Rewrite by GamFratesi for Ligne Roset

Rewrite by GamFratesi for Ligne Roset

Cologne 2011: the Rewrite desk by Copenhagen designers GamFratesi (see our earlier story) has been put into production by French brand Ligne Roset.

Rewrite by GamFratesi for Ligne Roset

The desk has a cave-like shield on top to create a private working environment.

Rewrite by GamFratesi for Ligne Roset

This fiberglass cocoon is covered in foam and woolen fabric, while the desk itself is made of walnut.

Rewrite by GamFratesi for Ligne Roset

A slit in the back of the surface accommodates cables while a lacquered steel container underneath hides laptop transformers and loose wires.

See the prototype in our earlier story.

The product was shown at imm cologne, which took place 18-23 January. See all our coverage of the event here »

More furniture on Dezeen »
More about GamFratesi on Dezeen »
More about Ligne Roset on Dezeen »

Here’s a little information from Ligne Roset:


GamFratesi is a design agency which was founded in Copenhagen in 2006 by Danish architect Stine Gam and Italian architect Enrico Fratesi. This Italian-Danish coupling brings together two gifted European design traditions: a magical union between Southern and Northern design. And the result: the Rewrite desk, designed like a bubble, a little jewel of modernity and softness.

Those who work from home do not necessarily want their living rooms to resemble an open plan office! At once aesthetic and functional, this astonishing study cocoon, covered in a sound-absorbing woollen material, is perfect for preserving both concentration and intimacy.

AESTHETICS

The soundproofed ball affords protection from both light and external noises and also dampens sounds emanating from within it. The natural, precious materials of which it is composed, walnut and Kvadrat Divina wool, reinforce the overall feeling of softness and security.

The astonishing appearance arises from the unexpected meeting between the déjà-vu and a surprising new element: the desk section is quite traditional in terms of its shape and materials (a wooden table), but when one adds its bubble, it breaks free of all historical or proportional references.

The functional aspect is covered by a lacquered metal chest, fixed beneath the desk, which conceals transformers and electrical cables, and by a slit cable port in the top of the desk. Whist staying connected, the user can isolate himself and construct for himself a very private space which is nonetheless still linked to the outside world…Thanks to its rounded shape, the Rewrite desk can be located as a ‘point’ anywhere in a room, be it living room, bedroom or even a large hallway.

Rewrite has already been displayed at the Danish Museum of Art and Design, Copenhagen.

Desk with legs in solid walnut and top in walnut veneered MDF, with the exception of the slit cable port in the rear section which is made from solid walnut. Ball/screen in fibreglass clad in polyether foam and Divina craie on both its internal and external faces. Chest in white lacquered steel to take transformers and cables, located beneath the top.


See also:

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Jean Nouvel for
Ligne Roset
Ronan & Erwan Bouroullec
for Ligne Roset
Inga Sempé
for Ligne Roset

The Thomas Beale Cipher

Un très bel univers et style graphique dans ce court-métrage “The Thomas Beale Cipher” inspiré des célèbres textes codés et basé sur la légende d’un l’algorithme jamais résolu. Une réalisation d’Andrew Allen récompensé par de nombreux prix. A découvrir en vidéo dans la suite.



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