Solbrinken Ordinary House by In Praise of Shadows

Solbrinken Ordinary House by In Praise of Shadows

This wood panelled house and studio in Nacka, Sweden, is by Swedish studio In Praise of Shadows.

Solbrinken Ordinary House by In Praise of Shadows

Called Solbrinken Ordinary House, the residence and studio buildings are separated by a gravel courtyard.

Solbrinken Ordinary House by In Praise of Shadows

Both buildings feature large double-height glazed windows and sky lights.

Solbrinken Ordinary House by In Praise of Shadows

Photographs are by Björn Lofterud.

Solbrinken Ordinary House by In Praise of Shadows

More Swedish architecture on Dezeen »

Solbrinken Ordinary House by In Praise of Shadows

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Solbrinken Ordinary House by In Praise of Shadows

Here’s a bit of text from the architects:


Solbrinken Ordinary House in Nacka

An ordinary single family house with a separate studio. The houses are situated between the forest and the former old garden.

Solbrinken Ordinary House by In Praise of Shadows

We made the most out of the landscape variation and turned the closed walls to the outer world and neighbours.

Solbrinken Ordinary House by In Praise of Shadows

The family wanted to create their own world. A designer and a art director. A living room for skateboard.

Solbrinken Ordinary House by In Praise of Shadows

A high room for kitchen. A sleeping room with roof light and art.

Solbrinken Ordinary House by In Praise of Shadows

In the space between the volumes are an outer room for recreation and play, with a character of Japan or Skåne.

Solbrinken Ordinary House by In Praise of Shadows

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The house for living is a big open space in height as well as lenght with functional interaction between kitchen, living and sleeping areas.

Solbrinken Ordinary House by In Praise of Shadows

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Connected to the double high kitchen is a working studio.

Solbrinken Ordinary House by In Praise of Shadows

The materials are chosen with a simplicity and roughness for an active family; concrete floors, mdf kitchen, outside wood panel in black oil paint.

Solbrinken Ordinary House by In Praise of Shadows

Simple and sustainable Nordic.

Solbrinken Ordinary House by In Praise of Shadows

architect: In Praise of Shadows Arkitektur, Katarina Lundeberg
landscape: Alf Orvesten


See also:

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Resort by Edlund, Palmer
and  Ingman
Container Studio by
MB Architecture
Shingle House by
NORD Architecture

Shelf-Pod by Kazuya Morita Architecture Studio

Shelf-Pod by Kazuya Morita Architecture Studio

This house by Kazuya Morita Architecture Studio in Osaka Prefecture, Japan, is completely lined with with pine shelves to display the owners’ extensive collection of books.

Shelf-Pod by Kazuya Morita Architecture Studio

Called Shelf-Pod, the house features interlocking laminated pine-boards that slot together to form the latticed shelving units.

Shelf-Pod by Kazuya Morita Architecture Studio

The interior has a pyramid-shaped ceiling and wooden platforms of differing heights that form steps, tables and flooring.

Shelf-Pod by Kazuya Morita Architecture Studio

More Japanese houses on Dezeen »

Shelf-Pod by Kazuya Morita Architecture Studio

More residential architecture on Dezeen »

The following information is from the architects:


Shelf-Pod is a private residence located in Moriguchi City, Japan. The client owns an extensive collection of books on the subject of Islamic history, so he requested us to design this architecture not only for living, but would have the maximum capacity for its storage and exhibition.

Shelf-Pod by Kazuya Morita Architecture Studio

In order to satisfy this demand effectively, we designed a lattice structure made from 25mm thick laminated pine-board what serves as book-shelve.

Shelf-Pod by Kazuya Morita Architecture Studio

The dimensions of each shelf are as follows: 360mm height, 300mm width and 300mm depth. All of the architectural elements in this space (stairs, windows, desks, chairs, etc) have been designed on the basis of this shelf scale, with the aim of achieving geometrical harmony that is comparable to Islamic Architecture.

Shelf-Pod by Kazuya Morita Architecture Studio

This innovative structural system affords not only large amount of book storage, but the possibility of flexible floor level which is delivered from height of bookshelf. Each space for different activity rise up helically, giving the impression of exploring a wooden jungle gym.

Shelf-Pod by Kazuya Morita Architecture Studio

The original image of this structure is derived from the Japanese woodcraft of Kumiko. The structural integrity against the earthquake is provided by a panel of plywood board nailed on the shelf. Initially, the horizontal resistant force guaranteed by the panels was examined in a real-scale model.

Shelf-Pod by Kazuya Morita Architecture Studio

Further to this, an analysis of the whole structure was performed in order to determine the placement of the windows and panels.

Shelf-Pod by Kazuya Morita Architecture Studio

The inter-locking laminated pine-board was manufactured precisely in advance and assembled on-site. Similarly, the pyramid-shaped roof was assembled on-site, from 12 pieces of prefabricated wooden roof panel.

Shelf-Pod by Kazuya Morita Architecture Studio

The completed roof has a thickness of only 230mm and sensitively covers the whole space like the dome of a Mosque.

Shelf-Pod by Kazuya Morita Architecture Studio

As oppose to its unique structure, the outer wall employs the construction techniques of a traditional Japanese storehouse Dozou.

Shelf-Pod by Kazuya Morita Architecture Studio

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The bamboo net wall foundation layer was attached to the lattice structure and the clay and straw mixture was applied to the foundation by the trowel. Then the red cedar panels forms exterior wall.

Shelf-Pod by Kazuya Morita Architecture Studio

The interior clay wall was finished with white plaster. These techniques are in accordance with urban fireproofing specifications, as well as maintaining a suitably humid environment for the storage of books.

Shelf-Pod by Kazuya Morita Architecture Studio

DETA

Design : Kazuya Morita Architecture Studio
Structural engineer : Mitsuda Structural Consultants
Date of completion : August 2007

Shelf-Pod by Kazuya Morita Architecture Studio

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1st floor 38.34 square meter
2nd floor 13.44 square meter
total 51.78 square meter


See also:

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Near House by
Mount Fuji Architects Studio
Tree House by
Mount Fuji Architects Studio
House Antero de Quental by Manuel Maia Gomes

Atelier Book Chair by Kana Nakanishi

Atelier Book Chair by Kana Nakanishi for Oiseau

This wooden children’s drawing case by Japanese designer Kana Nakanishi of Oiseau folds out to form a stool. 

Called Atelier Book Chair, the case is made from Japanese cypress and houses a sketchbook in one side and pouches for drawing and painting equipment in the other.

Atelier Book Chair by Kana Nakanishi for Oiseau

A trapezium-shaped piece of wood can be slotted onto pegs in the open case to form a seat.

Atelier Book Chair by Kana Nakanishi for Oiseau

Photographs are by Asaco Suzuki.

The information below is from Kana Nakanishi:


“ABC – Atelier Book Chair”

Oiseau Inc. released a product designed by Kana Nakanishi under the brand called “mother”. The product is called “ABC” standing for Atelier Book Chair. It is a portable “drawing set” that can carry drawing tools and becomes a stool. The user can take ABC anywhere they like and the place will instantly turn into one’s own atelier.

Atelier Book Chair by Kana Nakanishi for Oiseau

ABC is made of hinoki (Japanese cypress) from Nishiawakura village Okayama prefecture. It started as a project to utilize thinned wood from forests which is a big issue in the Japanese forest industry. The production is done by Masakyuki Oshima, a skilled craftsman residing in Nishiawakura.

Atelier Book Chair by Kana Nakanishi for Oiseau

ABC looks like a wooden suitcase which is light enough for a child to carry. Once opened like a book, there are detachable pockets to store drawing tools and a place for a sketchbook. The seat board is also stored inside and when the board is attached to the body, ABC will turn into a stool.

Atelier Book Chair by Kana Nakanishi for Oiseau

Oiseau Inc. established “mother” brand for its range of products. The name “mother” has a philosophy that the products should be used for a long period of time and the designer who produces them should be the “mother” of the product and consider carefully about the whole “life” of a product. ABC became the first product to be released under this brand.

Product name: ABC – Atelier Book Chair-
Materials: hinoki /wild cherry tree / leather
Size: W390xH260xD70 SH=270 (Weight 2000g)
Production: Masayuki Oshima (wood working shop: Youbi)
Design: Kana Nakanishi (Product Designer/Oiseau.,Inc)
mother Brand Art Director: Chikako Oguma (Graphic Designer/Oiseau.,Inc)


See also:

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Bookinist by
Nils Holger Moormann
Monster by Tomáš Král
and Camille Blin
Het Kruikantoor
by Tim Vinke

LL Bean Cutting Board



Little example of utility expressed through form. Basically, I just like it.

Baga Protective Serpents


Baga

Baga

Baga


Baga Protective Serpents


The serpent or snake from the Baga tribe of Guinea is used to ward off evil spirits at initiation ceremonies of young men, as well as to protect the village from evil spirits. Often these tall sculptures would be worn by dancers as a head or shoulder-supported figure.

from africanart.com

Egungun Headdress


Yoruba Egungun

Yoruba Egungun

Egungun Headdress


The word Egungun refers to masking associated with honored male lineage ancestors. While each mask has a personal name, it does not usually refer to a specific ancestor. Rather, Egungun masks embody the “collective force of the ancestors. All of the Egungun in a community appear annually during a joyful festival that celebrates the distinguished dead. During the festival, the ancestors bless the living, promote physical and spiritual health, settle disputes, enforce tradition and morality, and cleanse the community of witchcraft.

from African Shapes of the Sacred: Yoruba Religious Art by Carol Ann Lorenz, Senior Curator, Longyear Museum of Anthropology, Colgate University.

via Hamill Gallery, Boston

Österlen by Inga Sempé for Gärsnäs

Osterlen by Inga Sempe for Garsnas

French designer Inga Sempé will present this ash chair and table for Swedish brand Gärsnäs at the Stockholm Furniture Fair in Sweden next week.

Osterlen by Inga Sempe for Garsnas

Called Österlen, the chair has slices cut out of the bent back and round legs to make a comfortable backrest, create neat joints with the square plywood seat and sharpen the line of the legs.

Osterlen by Inga Sempe for Garsnas

Corresponding cuts in the table legs soften its corners.

Osterlen by Inga Sempe for Garsnas

Stockholm Furniture Fair takes place 8-12 February 2011.

Osterlen by Inga Sempe for Garsnas

More about Inga Sempé on Dezeen »

Osterlen by Inga Sempe for Garsnas

Photographs are by Lennart Durehed.

Osterlen by Inga Sempe for Garsnas

The text below is from Inga Sempé:


The name of the chair and table is Österlen, to support the fact that this collection is built in this historically strong part of south Sweden called Österlen and designed by an even more southern person. Working with Gärsnäs was a great opportunity for me to design wooden furniture, – a thing that is not possible to do in France where no wood factory would ask contemporary designer to work for them. I knew that it would be nicely built with the high knowledge of this historical company.

Osterlen by Inga Sempe for Garsnas

I wanted to mix the typical bent technics and high skills for fine assemblies of Gärsnäs. My aim was to create a simple, light and quiet – but not minimalist- chair and table, that would be nice in contemporay homes or in older ones, good for domestic purposes as well as for contracts.

Osterlen by Inga Sempe for Garsnas

The main characteristic of the chair is the U cuts made into the legs and bent parts. These cuts flatten the curves of the round legs so the light hits the pieces in a different way, which gives a soft rythm to the chair with shadowed or enlightened reliefs.

Osterlen by Inga Sempe for Garsnas

The bent back’s cuts are made to bring confort by increasing the angle with the seat. In the back support, those cuts allow it to be assembled with the the bent back part.

The front legs are cut and flattened to join the seat in a nice diagonal assembly. On their lower parts, the cuts sharpen the shape of the legs and give lightness to the Österlen chair and table and a kind of an elan.

Chair, h83 × w43 × d49, seat : h49 cm. Natural ash, veneer seat.
Table, h73 × 70 × 70. Natural ash.


See also:

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Ruché by
Inga Sempé
Dual-directional lamp
by Inga Sempé
Sempé w103
by Inga Sempé

Wood & Faulk

A Portland DIY guru’s bags, aprons and more
wood-faulk6.jpg

Like a younger Martha Stewart based in Portland, OR, Matt Pierce’s wide range of skills—from sewing to woodworking and furniture-making—keeps him busy tinkering in the house (that he renovated) and his garden workshop. “I used to worry that because I was so interested in so many different things, that I could never become an expert in any one thing,” he said. “Then I learned to embrace it. It’s just my style to do a lot of different things.”

wood-faulk1.jpg

But Pierce hasn’t always been a chronic tinkerer; he also works as a graphic, interior and web designer (with clients like Adult Swim on his roster). It’s perhaps this background that gives his all his work—from bags to doors and aprons—a distinctly utilitarian feel that doesn’t detract from its handsomeness. “I like looking at Army-Navy stores, and using materials in ways that they weren’t intended to be used,” he said, sitting at the table that he made from metal, red Kevlar and wood given to him by his grandfather in Kansas (Pierce’s native state).

wood-faulk2.jpg

Pierce’s beautifully photographed site Wood & Faulk does perfect justice to his sturdily made and affordable products, which he produces in small batches and rotate frequently. “I think my next project might be a DIY lamp kit,” he said. “I’d provide the die-cut pieces and tubing.” Some of his other items for sale include a handsome heavy cotton carpenter’s bag and pocket notebooks for when you have some inspirations of your own.

wood-faulk7.jpg wood-faulk8.jpg

Wood & Faulk products sell online. To learn about ongoing projects, check out the blog.


Hobby Panton chair by Peter Jakubik

Hobby Panton chair by Peter Jakubik

Slovakian designer Peter Jakubik has carved the rough shape of an iconic Panton Chair into a tree trunk with a chain saw.

Hobby Panton chair by Peter Jakubik

Called Hobby Panton chair, Jakubik’s design seeks to encourage others to create their own Panton chair, simply by arming themselves with an image of the original, a tree and the essential DIY tools.

Hobby Panton chair by Peter Jakubik

More furniture on Dezeen »

Hobby Panton chair by Peter Jakubik

Here’s a little bit of text from the designer:


Hobby Panton chair by Peter Jakubik – designer classic tutorial

Panton DIY Chair created by Peter Jakubik.

Hobby Panton chair by Peter Jakubik

The Chair incites users fabricates their own original fake according to famous chair designed by Verner Panton.

Hobby Panton chair by Peter Jakubik

All what you need is a picture of Panton chair, a tree, DIY tools and passion for designer classics.

Hobby Panton chair by Peter Jakubik

And now we can start manufacture genuine copy of the Panton chair for your holiday cottage or garden party.


See also:

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Lo Res by
United Nude
Upside Down by
Floris Wubben
Him and Her by
Fabio Novembre

Upside Down by Floris Wubben

Upside Down by Floris Wubben

This chair by Dutch designer Floris Wubben was made by binding and splinting the branches of a willow tree, forcing them to grow into four legs. 

Upside Down by Floris Wubben

A seat and backrest were then cut into the trunk and the whole thing inverted.

Upside Down by Floris Wubben

The chair was designed in collaboration with artist Bauke Fokkema.

Upside Down by Floris Wubben

More furniture on Dezeen »

Upside Down by Floris Wubben
More green design »

Upside Down by Floris Wubben

Here’s a tiny bit of text from Wubben:


Upside down

This chair is made of a (inverted) willow tree. The legs have been obtained by twisting and splinting its branches and letting it dry into the final shape. 
The seat and back were naturally kept in line with the bole’s silhouette. This project had been put in practice jointly with the artist Bauke Fokkema.


See also:

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Briccole Venezia by
Matteo Thun for Riva 1920
Christmas Tree Furniture by Fabien CappelloHarvest by
Asif Khan