Jameson House by Foster + Partners

Jameson House by Foster + Partners

Architects Foster + Partners have attached a 35-storey tower onto the side of two renovated 1920s buildings in Vancouver’s financial district.

Jameson House by Foster + Partners

Nestled alongside the restored Ceperley Rounsfell Building and the retained facade of the Royal Financial Building, Jameson House provides 23 floors of apartments above offices and shops on the floors below.

Jameson House by Foster + Partners

The glazed tower’s northeast elevation is articulated as four vertical tubes, which begin at the cornice height of neighbouring buildings.

Jameson House by Foster + Partners

Other projects we’ve featured in Canada include an interesting canoe store and a set of plywood skating shelterssee them all here.

Jameson House by Foster + Partners

Photography is by Nigel Young.

Jameson House by Foster + Partners

Here’s some more information from Foster + Partners:


Jameson House, Foster + Partners first mixed-use project in Canada

Jameson House is a new 35-storey mixed-use tower in the heart of Vancouver and includes the first residential development to be completed by the practice in North America – completed at the end of last year, already the building is now almost fully occupied. The project combines the restoration of heritage buildings with new construction: the lower level offices and shops knit with the existing streetscape to reinvigorate the downtown neighbourhood, while the apartments above face dramatic views of the bay and create a new landmark on the skyline.

Jameson House by Foster + Partners

Fusing old and new, the site connects the city’s financial centre with its emerging creative hub, and the scheme integrates two 1920s Beaux Arts structures: the entire internal double-height volume of the A-listed Ceperley Rounsfell Building has been returned to its original configuration and the facade of the B-listed Royal Financial Building has been retained.

Jameson House by Foster + Partners

The development comprises eleven storeys of offices and shops, topped by twenty-three storeys of apartments. The tower’s form articulates these different functions: the first two storeys continue the row of shop units at street level, while the uppermost office floor aligns with the cornice line of the adjacent building. Contrasting with the flush facade of the offices, the residential floors curve outwards in four wide bays, which are staggered to allow daylight to reach neighbouring buildings and oriented to provide uninterrupted views of the landscape.

Jameson House by Foster + Partners

The tower’s flexible plan supports a variety of apartment types, with interiors by Foster + Partners and living spaces in the deep curve of the window bays. At the top of the tower are two-storey penthouse apartments and landscaped roof terraces.

Jameson House by Foster + Partners

The design was developed in response to the local climate, seasonal sun paths, prevailing winds, humidity levels, air temperatures and precipitation rates specific to Vancouver.

Jameson House by Foster + Partners

Foster + Partners’ in-house engineering group – formerly PHA Consult – has been involved in the project from the outset, in a fully integrated approach to environmental engineering and architectural design.

Jameson House by Foster + Partners

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This has led to innovations such as chilled floors and a mechanised valet parking system, which reduces the number of parking levels and associated excavation, lighting and ventilation requirements.

Jameson House by Foster + Partners

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Lord Foster said:
“Vancouver has a spectacular location, surrounded by mountains and the sea. The design makes the most of the city’s fantastic natural setting, with balconies and deep bay windows looking out towards the landscape. Jameson House further develops a number of key themes that have been integral to our work for many years. The project combines restoration with new construction; it is high-density and mixed-use, offering a sustainable model for urban living; and it demonstrates innovation, both in its evolution of the high-rise building and its progressive environmental agenda.”

Jameson House by Foster + Partners

Click above for larger image

Nigel Dancey, a senior partner at Foster + Partners, said:
“Jameson House was the result of a team effort: we worked closely with environmental engineers, as well as the city, from the outset. This collaborative approach led to innovations, both in the tower’s design and in our interrogation of the brief – we were able to significantly increase the density of the scheme to create a highly sustainable mixed-use development. And by combining these different functions within a compact footprint, we can further balance energy usage with the mixture of daytime and night-time activity.”

Jameson House by Foster + Partners

Click above for larger image

Colin Bosa, CEO of Bosa Properties:
“Foster + Partners has created a unique building for Vancouver, which combines high-quality finishes and a strong design sense with a clear commitment to sustainability. We are most pleased with the architectural legacy that Jameson House offers to our city.”

Here & There Series

Découverte de l’artiste Marisa Seguin avec cette superbe série d’illustrations colorées représentant des villes du monde. Ces créations réussies se veulent représenter Paris, Venise, San Francisco ou encore Vancouver. L’ensemeble est à découvrir en images dans la suite.



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Prototypes

Vancouver designers put their process on display
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In conjunction with Vancouver’s Interior Design Show West last week, local design firm Burnkit launched Prototypes, showcasing the process of a group of notable Vancouver-based designers. The smartly-curated exhibit, impeccably staged within Burnkit’s hip studio, was touted as the first event of its kind in North America to explore the unique role of prototypes in designing and building products.

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Bensen
founder and featured designer Niels Bendtsen offered insight into prototyping as part of concept development. “Although people may be aware of prototyping as a way to try out new ideas,” he explained, “they often forget, or aren’t aware of, the industrial aspect of industrial design.”

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He went on to clarify that while it’s interesting to explore how a new piece will look and function, the step “is essential to resolving the huge number of hidden details and problems in order to be ready for mass production.” He adds that these details, “are often as fascinating and beautiful as the finished product itself.”

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Highlights of the show included Bendtsen’s own prototype for the evolution of a chair design, as well as
Omer Arbel
‘s stunning sand-cast copper and sand-cast iron
bowls
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23.2 by Omer Arbel

23.2 by Omer Arbel

The corners of this Vancouver family home by Canadian architect Omer Arbel can be completely opened up to the surrounding garden by pushing back glazed concertina doors. 

23.2 by Omer Arbel

The roof is made of douglas fir beams reclaimed from burned-down warehouses and its structure was dictated by their dimensions.

23.2 by Omer Arbel

Bent steel columns inset the structural support, further blurring the boundaries between living spaces and the garden.

23.2 by Omer Arbel

Photographs are by Nick Lehoux.

23.2 by Omer Arbel

More residential architecture on Dezeen »
More architecture on Dezeen »

23.2 by Omer Arbel

Here’s some more information form the architect:


23.2 by Omer Arbel

Designed by Omer Arbel, 23.2 is a house for a family built on a large rural acreage outside Vancouver in the West Coast of Canada. There is a gentle slope from east to west and two masses of old growth forest defining two “outdoor rooms” each with a its own distinct ecology and conditions of light; the house is situated at the point of maximum tension in between these two environments, and as such acts at once to define the two as distinct, and also to offer a focused transition between them.

23.2 by Omer Arbel

The design of the house itself began, as a point of departure, with a depository of one hundred year old Douglas Fir beams reclaimed from a series of burned down warehouses. The beams were of different lengths and cross sectional dimensions, and had astonishing proportions – some as long as 20 meters, some as deep as 90 cm.

23.2 by Omer Arbel

It was agreed that the beams were sacred artefacts in their current state and that they would not manipulate them or finish them in any way.

23.2 by Omer Arbel

Because the beams were of different lengths and sizes, the architect needed to commit to a geometry that would be able to accommodate the tremendous variety in dimension, while still allowing the possibility of narrating legible spaces.

23.2 by Omer Arbel

He settled on a triangular geometry. He folded wood triangular frames made of the reclaimed beams to create roof which would act as a secondary (and habitable) landscape, drapping this artificial landscape over the gentle slope of the site. Folds were manipulated to create implicit and explicit relationships between indoor and outdoor space, such that every interior room had a corresponding exterior room.

23.2 by Omer Arbel

Click for larger image

To maximize ambiguity between interior and exterior space, he removed definition of one significant corner of each room by pulling the structure back from the corner itself, using bent steel columns. Also large accordion door systems were introduced in these open corners so that the entire façade on both sides of each significant corner could retract and completely disappear.


See also:

.

Casadetodos by
Veronica Arcos
PL House by Fernando Maculan and Pedro MoraisBahia House by
Studio mk27

Zero Gravity

Un bel exercice vidéo intitulé “Zero Gravity” de la part de l’étudiant de la Vancouver Film School, Andrew Juano. Un mélange d’effets visuels et d’animation 3D grâce à l’utilisation des logiciels Maya, Nuke, After Effects ou Photoshop afin de faire flotter le jeune homme dans l’air.



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Shaun White oro nell’halfpipe

Si può dire tutto ma alla fine, il risultato è sempre lo stesso! Shaun White si riconferma medaglia oro con due run da paura. Già alla prima aveva praticamente fatto capire di chi era l’oro, ma riesce ad azzerare la concorrenza e superare se stesso con una seconda run impressionante. Rimane il rammarico per Manuel Pietropoli che con una mano fratturata in allenamento, di sicuro non ha potuto gareggiare al meglio delle sue potenzialità fermandosi alle qualificazioni.
[Via]

Shaun White oro nell'halfpipe

Su le mani per Manuel Pietropoli

Oggi ore 22:05 inizieranno le qualifiche per la run di Halfpipe Maschile e Manuel Pietropoli è il nostro rappresentante più illustre. Alla Rai non fanno che ripetere del nuovo fanta-trick che proverà Shaun White ma speriamo che anche il nostro azzurro dica la sua!
[Via]

Vancouver 2010 Olympic Winter Games iPhone Guide

Ottima app per non perdersi nulla di queste Olimpiadi Invernali 2010 a Vancouver. Scaricatevela qui.
[Via]

Vancouver 2010 Olympic Winter Games iPhone Guide

Vancouver 2010 Campaign

Une très belle campagne print destinée aux prochains Jeux-Olympiques d’Hiver de Vancouver 2010 qui auront lieu à partir du 12 février. Un travail d’illustration réussi par le studio Vanoc Canada. Plus de visuels sont à découvrir dans la suite.



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