Concept Cabin by Airbus

Transparent aeroplane by Airbus

Aviation firm Airbus have unveiled a conceptual aeroplane with a transparent cabin and virtual golf course.

Transparent aeroplane by Airbus

Proposed for the year 2050, the plane would offer passengers seats that change shape, aromatherapy and antioxidant-enriched air.

Transparent aeroplane by Airbus

Onboard entertainment would include holographic games of golf and virtual changing rooms for shopping.

Transparent aeroplane by Airbus

The concept was unveiled in London yesterday and will be on show at the Paris Airshow from 20 to 26 June.

Transparent aeroplane by Airbus

Watch our movie about trends in aircraft design on Dezeen Screen »
More stories about transport on Dezeen »

Transparent aeroplane by Airbus

The information below is from Airbus:


Intelligent interiors replace class system for a bespoke flying experience

Leading aircraft manufacturer Airbus, in advance of the Paris Airshow “Le Bourget”, today invited the passengers of 2050 to discover its Concept Cabin – a whole new flying experience inspired by nature.

Personalised zones replace traditional cabin classes to offer tailored levels of experience. While taking a hop between destinations, according to Airbus, passengers in 2050 could join an interactive conference; enjoy a game of virtual golf; read the kids back home a bedtime story; and recharge in a ‘vitalising seat’ whilst watching the planet spread out beneath their feet.

This latest instalment of The Future by Airbus – a vision of aviation in 2050 – follows last year’s unveiling of the revolutionary Airbus Concept Plane, packed with technologies to reduce fuel burn, emissions, waste and noise. The Airbus Concept Cabin now gives further insight into some of the innovations and technologies that will shape future passenger experiences on board.

The aircraft’s bionic structure mimics the efficiency of bird bone which is optimised to provide strength where needed, and allows for an intelligent cabin wall membrane which controls air temperature and can become transparent to give passengers open panoramic views.

The Concept Cabin has an integrated ‘neural network’ creating an intelligent interface between passenger and plane. It can identify and respond to passenger needs and enables bespoke features such as morphing seats which change to your body shape.

New personalised zones replace the traditional cabin classes in the Airbus Concept Cabin to offer new tailored levels of experience. The “vitalising zone” is all about wellbeing and relaxation allowing you to proactively recharge your batteries with vitamin and antioxidant enriched air, mood lighting, aromatherapy and acupressure treatments whilst taking in the infinite view of the world around you.

There are no limits to the kinds of social scenarios in the centre zone of the concept cabin – the “interactive zone”. The virtual pop up projections in this area can transform you to whichever social scene you want to be in, from holographic gaming to virtual changing rooms for active shoppers.

The “smart tech zone” is tailored towards the more functional oriented passenger with a chameleon style offering, to meet individual needs ranging from a simple to a complete luxury service, but all allowing you to continue life as if on the ground. By offering different levels of experience within each zone, airlines would be able to achieve price differentials and give more people access to the benefits of air travel with minimal environmental impact.

Showcasing the innovative interior design, Charles Champion, Airbus Executive Vice President Engineering, said: “Our research shows that passengers of 2050 will expect a seamless travel experience while also caring for the environment. The Airbus Concept Cabin is designed with that in mind, and shows that the journey can be as much a voyage of discovery as the destination. Whichever flight experience is chosen, the passenger of 2050 will step out of the Airbus Concept Cabin feeling revitalised and enriched.”

More than 90 percent of Airbus’ annual research & development investment of over €2 billion has environmental benefits for current and future aircraft. For example, due to advances in technologies the concept cabin will be 100% recyclable. It will have self-cleaning materials made from sustainable plant fibres which reduce waste and maintenance and will harvest passenger body heat to power cabin features.

Such technologies are already being developed and, while they may not be seen in the exact same manner as in the Airbus Concept Plane and Cabin, some of them could feature in future Airbus aircraft programmes.

Visitors to Le Bourget International Airshow in Paris will also be able to experience the Airbus’ Future of Flight film, a 360 planetarium movie – a vision of the transformations in air transport between now and the middle of the century which not only focuses on aircraft designs and innovations, but also addresses passenger expectations. The movie will be part of the planetarium’s programme at the Musee de l’Air et de l’Espace from 20 – 26 June.


See also:

.

Transition Roadable Aircraft
by KiBiSi for Terrafugia
Jet Set by Jaime Hayon
for Bisazza
A380 by Priestmangoode
for Lufthansa

Dezeen Screen: Ian Callum on the Jaguar C-X75

Jaguar

Dezeen Screen: in this interview filmed by Dezeen at Clerkenwell Design Week, design director of car brand Jaguar Ian Callum talks about the C-X75 electric concept car, which is boosted by jet engines. Watch the movie »

C-X75 by Jaguar

C-X75 by Jaguar

Car brand Jaguar are showcasing their C-X75 electric concept car boosted by jet engines at Clerkenwell Design Week in London this week and have announced plans to put the £700,000 vehicle into production.

C-X75 by Jaguar

Around 250 of the cars will be produced in collaboration with Williams F1, with the jet engines replaced by a four-cylinder turbocharged petrol engine.

C-X75 by Jaguar

Four electric motors will be mounted on the car’s axles.

C-X75 by Jaguar

The concept car was first shown at Paris Motor Show in October last year.

C-X75 by Jaguar

Dezeen are media partners for Clerkenwell Design Week and our Dezeen Watch Store pop-up is open at the Farmiloe Building until 9pm tonight. More details »

C-X75 by Jaguar

More transport design on Dezeen »

C-X75 by Jaguar

More design on Dezeen »

C-X75 by Jaguar

Here are some more details from Jaguar:


Jaguar C-X75 Overview

“Performance through innovation has always been a Jaguar hallmark. From the beginning, cars such as the C-Type and D-Type pioneered aluminium construction, aerodynamic design, racing monocoques and disc brakes. The C-X75 demonstrates that the company is still leading the field in automotive design and technology.” Dr Ralf Speth, Chief Executive Officer, Jaguar Land Rover.

C-X75 by Jaguar

The C-X75 concept is both a celebration of 75 years of iconic Jaguar design and a look into the future of automotive technology. Designed as a range-extended electric two-seater supercar, it explores the outer limits of both performance and sustainability. With plug-in capability the car can achieve a zero tailpipe emissions range of 110km (68 miles) – three times round Paris’s Péripherique – when running under battery power alone, plus a potential top speed of 330km/h (205mph) and blistering acceleration. The car demonstrates that it is possible to retain Jaguar’s core values of performance, design and luxury using technology that will make environmentally responsible performance and electric vehicles a practical proposition.

C-X75 by Jaguar

The aim was to produce not only the most innovative but also one of the most beautiful Jaguars ever; one which hints at an exciting evolution of the marque’s award-winning design language while paying homage to some of its most admired cars of years gone by.

C-X75 by Jaguar

Advanced design features such as a ground-breaking propulsion system and active aerodynamics allow for an elegantly simple fuselage section that remains stable at very high speeds.

C-X75 by Jaguar

“The C-X75 is a tribute to the people who shaped the iconic Jaguars that are revered to this day. By making it an innovative test-bed for the technologies of tomorrow, it also ensures that our reputation for engineering excellence will continue for another 75 years and beyond.” Mike O’Driscoll, Managing Director, Jaguar Cars

C-X75 by Jaguar

The C-X75’s 580kW propulsion system combines powerful 145kW (195bhp) electric motors at each wheel for outstanding performance. At the centre of the car sit state-of-the-art, mid-mounted micro gas-turbines. These can either generate 140kW (188bhp) to charge the batteries and extend the range of the car to a remarkable 900km (560 miles) – enough to drive from London to Berlin on a single tank – or when in Track mode provide supplementary power directly to the electric motors. The four electric motors provide torque-vectored, all-wheel drive traction and grip, essential in a car that produces 580kW (778bhp) and 1600Nm (1180lb ft) of torque.

C-X75 by Jaguar

The car’s interior is equally impressive, with the driver and passenger seated ahead of a sealed airbox that houses the micro gas-turbines. The seats are fixed to the bulkhead as in a single-seater racing car, and air to feed the turbines passes smoothly around them via channels in the structure of the body. With the seats anchored in place, the steering wheel, controls, main binnacle and pedal box all adjust towards the driver.

C-X75 by Jaguar

Dramatic theatre lighting is activated as the driver approaches the car; phosphor blue electro-luminescent wire lights illuminate the perimeter of the cabin and the turbines. When the car is started, additional blue LED lighting gently floods the door and bulkhead speaker cavities, highlighting the car’s lightweight construction. Bespoke interior materials include cream and grey leathers, polished and vapour-blasted aluminium and a soft-feel textured neoprene.

C-X75 by Jaguar

A new interface for the driver has also been created for the C-X75 using high-resolution TFT screens. Building on Jaguar’s 10-year expertise in touchscreen technology, the Jaguar Co-Pilot display in the centre console supports the driver in extracting the full potential of the C-X75 by seamlessly managing information.

Exterior Design

“The C-X75 is everything a Jaguar should be. It possesses remarkable poise and grace yet at the same time has the excitement and potency of a true supercar. You could argue this is as close to a pure art form as a concept car can get and we believe it is a worthy homage to 75 years of iconic Jaguar design.”
Ian Callum, Design Director, Jaguar Cars

Finished in Jetstream Silver, the C-X75’s beautiful proportions, sculpted lines and powerful stance have been created, in the words of Julian Thomson, to “pull at the same emotional heartstrings as classic Jaguars such as the D-Type and XJ13 racers.”

The C-X75 borrows more than simply elegant looks from previous classic designs, however, for those cars were equally respected for the purity of their engineering. C-X75 has been created to indicate the future for luxury carmakers such as Jaguar. It shows that it is possible to retain core brand values while offering zero emissions motoring for much of the time, as well as range-extending technologies that will make electric vehicles significantly more practical.

Aerodynamic Purity

Shorter, slimmer and lower than the current crop of supercars, its exterior design is about pure performance with a simple central fuselage surrounded by prominent wheelarches. Thanks to the packaging efficiencies provided by the absence of a conventional piston engine, the car’s designers had maximum freedom in placing the mechanical components and creating the most elegant engineering package available. Consequently the car has the most perfect proportions and sense of balance possible with a compact cabin placed centrally between the dramatic wheel arches. Unusually for this type of car, the lines of the supercar are purposeful and agile, suggesting a sense of movement and poise.

Aerodynamics are a key factor in designing a supercar capable of accelerating to speeds in excess of 320km/h (200mph). Yet, as Thomson explains, the designers weren’t prepared to sacrifice the car’s beauty when it came to creating downforce and stability at high speeds:

“Because we want this to be one of the most beautiful Jaguars ever, we took a much more elegant approach to the C-X75’s aerodynamics and exploited the benefits of having an electrically-powered drivetrain.”

Using an underbody Venturi and directional exhaust gas control kept the car as sleek, compact and low as possible while still generating immense amounts of grip and downforce. Indeed, the movement of air itself was one of the principal drivers behind many of the design cues that were incorporated into the bodywork. Principal designer Matt Beaven reveals how the airflow into the turbines helped to shape the surfaces of the car itself: “We wanted to emphasise how the air makes its way not just over the car but is also channelled into the rear airbox. When operating at 80,000rpm, each gas-turbine requires 35,000 litres of air a minute which means we needed a series of carefully honed intakes.”

The two beautifully sculpted sill-mounted aluminium intakes have a striking two-tone finish, with polished inner surfaces emphasising their functionality. Above them sit two further intakes that feed cold air to a separate turbine cooling system.

The turbine theme is also echoed in the stunning 21-inch front and 22-inch rear alloy wheels which appear to have been cut from a single block of aluminium with a spoke design inspired by the fan blades of the engines themselves. The tyres have been custom-made by Pirelli with an asymmetric tread pattern, bold green F1-style wear indicator running around their circumference and are 265/30 ZR21 and 365/25 ZR22 front and rear respectively.

Forward-hinged doors are opened using Jaguar Sense touch technology, raising outwards and upwards for excellent cabin access. To maintain the purity of the side profile, the designers replaced conventional door mirrors with cameras housed in a tailfin which is a miniaturised echo of that of the D-Type – images are displayed on screens inside the cabin. Behind the doors, fuel fillers sit either side of the cockpit – reminiscent of the twin-tank system on the original XJ6 – which on the C-X75 access respectively the fuel tank for the turbines and the plug-in battery charging point.

The eye is then drawn towards the sealed compartment which houses the twin micro gas-turbines and the beautiful structural bracing that supports them. Exposed through the rear window – much like with the XJ13 – the remarkable turbines are showcased by their elegant aluminium housing and Texalium woven fabric lining the engine bay.

The compact packaging of the turbines allowed the designers further freedom at the rear of the car, which is shaped like the trailing edge of an aircraft wing. This is both functional – incorporating the Venturi aerofoil – and beautiful with a sharp swage line and dramatic, slim full-LED rear lights.

Interior

Jaguar has a long tradition of using the finest materials to create a cosseting and luxurious cabin that allows the driver to concentrate on the experience of driving, culminating in the award-winning interior of the current XJ. With the C-X75, Jaguar has blended beautiful leathers with innovative materials and finishes to create an elegantly tailored and driver-focused cabin that is defined and inspired by the technology that powers this sustainable supercar.

The twin micro-turbines provided great inspiration when designing the interior architecture. The turbines themselves require vast amounts of air and driver and passenger are placed in the calm centre of this storm. The soft shapes and surface changes of the cabin reflect the movement of air, unseen and unheard by those inside, within the channels surrounding it.

The seats are fixed into the rear bulkhead that forms part of the airbox feeding the turbines, integrating driver and passenger not only into the structure but also the function of the car. A beautifully formed aluminium spar directs air into the turbines which are supported by spiral-shaped cast brackets that appear to flow directly from the seats’ headrests.

Driver-focused cabin

While Jaguar cabins have always been calm, comfortable sanctuaries for passengers, their focus has remained centred on the driver. The C-X75 takes this commitment to its logical conclusion by placing the driver as close as possible to the centre of the car. As a result the cabin tailors itself perfectly and uncompromisingly to the driver. A rocker switch on the steering wheel brings the wheel and instrument panel towards the driver, revealing a beautifully polished aluminium surround to the binnacle. The pedal box is likewise fully adjustable to create the perfect driving position.

The sense of occasion and driver experience engendered by the C-X75 is unsurpassed. Electro-luminescent micro-wires and LEDs use vibrant light to create two very different environments within the cockpit, making it feel incredibly dramatic and highlighting the car’s width. As the driver approaches the car, a bright ring of phosphor blue wire lighting outlines the extreme plan shape of the car by leading the eye around the monocoque tub and into the turbine chamber.

When the driver enters, the electro-luminescent wire illumination is replaced by LEDs emitting a phosphor blue light that dims as the occupants settle themselves into the cockpit. This gentle illumination from inside the doors and bulkhead cavities creates a translucency inspired by lightweight aircraft structures and exposes the Bowers & Wilkins nano-speaker panels behind the micromesh. Additional LEDs behind the dashboard and underneath the turbines make both installations appear to ‘float’ inside the structure of the car.

The car is started using a switch mounted in the aircraft-inspired overhead control panel. Twin needles indicating turbine functionality sweep dramatically around the edge of the main dials and back to rest.

When driven in Track mode the cabin changes character once again – taking inspiration from fighter aircraft in combat mode. The Jaguar Co-Pilot touchscreen system switches to stealth and all ambient cabin lighting fades to minimise driver distraction. The electro-luminescent wire now forms blades of blue light which outline the driver’s seat and controls.

The lighting however is not the only feature which lends a sense of theatre and uniqueness to the experience of piloting the C-X75. The gear-selector is modelled on a fighter jet’s throttle control and includes a manual override for the turbines, allowing them to run continuously for maximum charge.

Unique Materials

A unique, sustainable performance supercar, the C-X75 utilises materials that reflect its design and engineering ideals. A luxurious cream Ceramic semi-aniline leather was chosen for the dashboard to complement the purity of the polished aluminium. In contrast, a more technical full-aniline Storm Grey leather was used for the seats. The leathers themselves have their own sustainability story, having been sourced from Scottish company Bridge of Weir, one of the most modern and environmentally efficient leather producers in the world.

To highlight the main driver interfaces, the instrument binnacle, gear selector and certain areas of the steering wheel are covered in a soft-feel textured neoprene. This malleable material allowed the designers to sculpt soft, flowing surfaces that encase the technical hardware. The leading edges of the instrument binnacle have a satin smooth finish while further back the material is covered in grains subtly shaped like the traditional Jaguar ‘lozenge’ logo.

Reflecting the polished working surfaces on the exterior of the car, the air vents also feature a dual finish although this time it is reversed, with mirror-finished external surfaces and vapour-blasted matt interior. Inside the vents can be found an aluminium honeycomb structure similar to that used in aircraft construction.

PERFORMANCE – 0-100km/h (62mph) in 3.4 seconds, top speed of 330km/h (205mph) and 80-145km/h (50-90mph) in just 2.3 seconds

PROPULSION SYSTEM – A Range-Extended Electric Vehicle (RE-EV) using a unique combination of electric motors and micro gas-turbines to increase its range to 900km (560 miles)

EMISSIONS – A zero tailpipe emissions range of 110km (68 miles) while running solely on battery power

SUSTAINABILITY – By capitalising on its plug-in charge capability the C-X75 will produce just 28 grams of CO2 per kilometre on the EU test cycle

CONSTRUCTION – Jaguar’s advanced lightweight aluminium construction techniques provide great weight-saving and economy benefits. Additionally, up to 50 percent of the metal content is recycled

ACTIVE AERODYNAMICS – Drag coefficient of 0.32Cd and active downforce created through the use of an underbody Venturi

THEATRE – A dramatic entrance to the car is created by striking electro-luminescent wire lighting which alters to enhance the driving experience

UNIQUE USER INTERFACE – The touchscreen Jaguar Co-Pilot interface manages the information workload by predicting the needs of the driver

BESPOKE MATERIALS – Interior seamlessly blends traditional, hand-tailored leathers with textured neoprene panels and two different aluminium finishes.


See also:

.

GINA Light Visionary
Model by BMW
Spaceship by Ora-Ïto
for Citroën
Transition Roadable
Aircraft by KiBiSi

Mutation by Ora-Ïto for Citroën

Mutation by Ora-Ito for Citroen

French designer Ora-Ïto has designed a spaceship and a sedan chair for car manufacturer Citroën.

Mutation by Ora-Ito for Citroen

The Mutation project was presented in Milan last month.

Mutation by Ora-Ito for Citroen

The two objects, named UFO and Evo Mobil, have design features based on the styling of contemporary Citroën cars.

Mutation by Ora-Ito for Citroen

See all our stories about Milan 2011 »

Mutation by Ora-Ito for Citroen

More stories about transport design on Dezeen »

Mutation by Ora-Ito for Citroen

Here is some more information from Citroën:


Mutation Exhibition
Milan 2011

On the edge of the hypothesis and the contemporary art, this hybrid object is based on the fulfillment of child’s dream with an obvious commitment for the ecology.

Mutation by Ora-Ito for Citroen

In the vocabulary of Ora-Ïto, we find a real assertion expressing and realizing the imagination. Inspired by the fluid curves of the Citroën « Traction Avant » monocoque structure and based on his designer’s competences, Ora-Ïto reflects on the ergonomics of the interior of the first mobile module.

Mutation by Ora-Ito for Citroen

He has worked on the codes, the DNA and the philosophy of the car industry to modernize it with the possibilities and the existing technologies.

Mutation by Ora-Ito for Citroen

Associated to the research and innovation department of dynastic Citroën, he has developed a surprising and unexpected sculptures joining all the parameters and the technologies appropriate for the universe of car manufacturers.

Mutation by Ora-Ito for Citroen

Baptized Evo Mobil, he creates a monotypic kind, which possesses only single specie.

Mutation by Ora-Ito for Citroen

The term « genetic transformation » is used to indicate an irreversible modification of the genetic and hereditary information. If the transformation arrives up to cells then, it is passed on to the descendants of the mutant individual.

Mutation by Ora-Ito for Citroen

This change can get a selective advantage. This is the base of the evolution’s process.

Mutation by Ora-Ito for Citroen

Ora-Ïto has naturally imagined other modules to join the initial project. A continuity of the imagination allowing to multiply actions and give another reflection to « Evo Mobil ». He has created « UFO » which is inspired by an iconic car from Citroën.

Mutation by Ora-Ito for Citroen

The DS model commonly used by the president is now enrolled into the « genetic transformations » from Ora-Ïto artistic vision that play on the strong and iconic details.

Mutation by Ora-Ito for Citroen

The vehicle is based on the future of transport mixed with one of the most famous cars in the world.

Mutation by Ora-Ito for Citroen

UFO sculpture allies the dream to the formal, the future to the technology. The idea to work with several entities allows all the « genetic transformations » to spread a universal message to the car industry through his artistic vision and new directions never investigated before.


See also:

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MINI Rocketman ConceptArtikcar by Ben WilsonVision EfficientDynamics
by BMW

Dezeen Screen: Nader Faghihzadeh of BMW

Dezeen Nader Faghihzadeh BMW

The latest video up on Dezeen Screen is this interview we filmed with car designer Nader Faghihzadeh of car brand BMW at the launch of the new 6 Series Convertible in Spain last month. Faghihzadeh, who created the vehicle’s exterior, explains the design concept and talks about the process of designing a car. Watch the movie »

University of Naples Metro Station by Karim Rashid

Naples Metro Station by Karim Rashid

New York designer Karim Rashid has renovated the University of Naples subway station in Naples, Italy.

Naples Metro Station by Karim Rashid

Commuters pass between huge columns with the profiles of faces towards a shifting lenticular wall of graphic patterns.

Naples Metro Station by Karim Rashid

Sculptures and graphic artworks line the escalators, leading to platforms with backlit patterns on the walls.

Naples Metro Station by Karim Rashid

More about Karim Rashid on Dezeen »

Naples Metro Station by Karim Rashid

The information below is from Karim Rashid:


The University of Naples subway station is highly trafficked by a multi-cultural, academic community of thousands of passengers a day.

Naples Metro Station by Karim Rashid

A creative concept that communicates and embodies knowledge in the new digital age, language in the shrinking global landscape, innovation and mobility in this third technological revolution.

Naples Metro Station by Karim Rashid

Naples is no longer a historic southern city of Italy but instead now is an integral intellectual information haven that extends itself throughout the rest of the world.

Naples Metro Station by Karim Rashid

This is the changing Italy and the station is a metaphor of this new wired global condition. It integrates the station with its surroundings, as well as provides a platform for innovative, cutting-edge design strategy.

Naples Metro Station by Karim Rashid

We utilize the descension from the piazza to the subway platforms to represent a metaphorical shift from the conscious brain to the spiritual mind. Experiencing this journey, the commuter is able to define one’s own experience by interpreting the individual shift from a busy “brain state” to a focused “mind state”.

Naples Metro Station by Karim Rashid

Entering into the station from the piazza to the subway station, the visitor will walk though a space clad with tiles, each one with is printed with new words created in this last century. Once the visitor arrives in the station lobby, he/she is impacted by the soft nature of the space, the striking palette of colors and patterns.

Naples Metro Station by Karim Rashid

Along the back wall of the station lobby level, lenticular iconography changing colors and perspective provides an interesting siteline as commuters proceed to the platforms below. Intersecting the space between the heads profile benches (metaphorically intersecting the dialogue) is an abstracted, SYNPOSIS sculpture reflecting the nodes of the brain and the synapses which occur within.

Naples Metro Station by Karim Rashid

When descending to the subway platforms via escalator, a visitor experiences a transition from the busy piazza to a more intimate, focused environment. It is here where we display various artworks and other graphic art as a focal point. These abstract images invoke the user to shape the environment according to his/her own creative interpretations.

Naples Metro Station by Karim Rashid

Rolling LED programming situated behind frosted glass displays universally recognized words, referencing knowledge and the multicultural university setting.

Naples Metro Station by Karim Rashid

Descending and ascending the stairwells on each respective platform, the steps have abstracted portraits of Dante and Beatrice. Once the commuter arrives at the end of the escalator, transformational digital art follows he/she to the platform stairways. The accent colors, lime and pink, indicates the direction and guide visitors through the descent to the final destination.

Naples Metro Station by Karim Rashid

Airframe surfaces speak about the beauty of our airframe voxels of the flux and ever dynamic multidimensional information and data age (infostethiks).

Naples Metro Station by Karim Rashid

The platform level of the subway station is where the people spend the most static time. One’s experience while waiting for the subway is enhanced by the tranquil, imaginative environment of the “mindstate”. Seating is provided in the form of landscape forms.

Naples Metro Station by Karim Rashid

The back wall of the subway platform is a backlit artwork, providing a continuous soft glow in the space. Across the platform, digital artwork creates an entertaining distraction. In addition to related iconography, the piece could include a shadow of an oncoming train, etc. to signify a train’s arrival.

Naples Metro Station by Karim Rashid

A subway station is a temporal, transitional space, yet the commuter is contained for a short period of time before continuing his/her journey.

Naples Metro Station by Karim Rashid

As he/she transitions from one environment to another, he/she is most likely reviewing the day’s previous events, or preparing for the next task. Our concept focuses on the commuter experience within the train station, and how the surrounding environment can serve as a respite in a day’s schedule.

Naples Metro Station by Karim Rashid

Globalove, Karim Rashid

PROJECT TEAM: KARIM RASHID, CAMILA TARIKI, DENNIS ASKINS.


See also:

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Switch Restaurant by
Karim Rashid
Fluxus by Karim Rashid
and Michela Vianello
Snoop and Woopy by
Karim Rashid for B-Line

Neo Collection by Made.com

Neo Collection by Made.com

Crowd-sourcing design brand Made.com of London have launched these simple bikes with coloured wheel rims.

Neo Collection by Made.com

The designers at Made.com showcase their ideas on the website and ask visitors to vote for their favourites.

Neo Collection by Made.com

Only the winning designs are manufactured and those who voted can buy the resulting products at a discount for taking part in the process.

Neo Collection by Made.com

The bikes in the Neo Collection function as either single or fixed-gear cycles and are available in black and orange, white and blus or silver and black.

Neo Collection by Made.com

See also: Dezeen’s top ten bikes.

Here’s a bit more information from Made.com:


MADE.COM’s Latest Product Release: The Neo Bike Collection

MADE.COM, a company that offers quality designer products at factory prices, is proud to announce their latest product range, the Neo Bike Collection.

The Neo Single-Gear Bikes are sporty, contemporary bikes that can be used as single or fixed-gear. With a strong steel frame, they are both durable and lightweight. The range comprises the black frame with orange rims and white frame with blue rims, both £199, as well as the premium silver frame with black rims, £249.

This collection was chosen for its modern functionality and affordability. Bikes are also extremely popular in the current interior market and the Neo Collection will be at the forefront of a new generation of single-gear bikes. Another designer product with its price stripped bare.

About Made.com

Made.com cuts out the middlemen to drastically reduce the prices of designer furniture. It works by showcasing furniture designs on the website and asking people to vote for their favourites. The crowd-sourced designs go into production and the people who voted can go on to buy them at a discount as a thank you for their part in the selection process. Orders are then placed direct with a manufacturer for mass production in container quantities. Once completed, the orders are shipped to the UK and their progress is traceable in real time on the web site. The upside of this business model is no unsold inventory and no wastage as the factory only manufactures the exact number of items ordered.

Made.com is the brainchild of 28 year-old serial entrepreneur Ning Li who co-founded the firm with Julien Callede and Chloe Macintosh. Made.com has raised a 2.5M£ round in early 2010 with some successful European entrepreneurs such as Brent Hoberman and Michael Birch (through their VC fund PROfounders Capital), Marc Simoncini (owner of Meetic.com and match.com in Europe), John Hunt (the Seattle Coffee Company sold to Starbucks, Syzygy)


See also:

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Veloheld by
neongrau.id
Moof by Sjoerd Smit
for Areaware
Alta One bike by Frost Produkt, Norway Says and Bleed

MINI Rocketman Concept

MINI Rocketman Concept

Car brand MINI present the Rocketman concept car at the International Geneva Motor Show, which opened yesterday.

MINI Rocketman Concept

The design features wide-opening doors with double-hinge joints, allowing easier entry into the rear passenger seat of the three-door car.

MINI Rocketman Concept

The luggage compartment can be adapted by pulling out a drawer at the back of the car to store larger items.

MINI Rocketman Concept

Integrated fibre-optics illuminate the interior and glass roof, which is imprinted with the Union Jack.

MINI Rocketman Concept

The International Geneva Motor Show continues until 13 March.

MINI Rocketman Concept

More vehicles on Dezeen »

Here’s some more information from MINI:


Driving fun in a new dimension: The MINI Rocketman Concept.

The creation of innovative concepts for urban mobility has seen MINI grow into the successful brand we know today. A constant stream of new ideas from its beginnings more than 50 years ago to the present day have ensured that driving fun has continued to grow even though space on our roads has become ever tighter.

MINI Rocketman Concept

Underpinning this success has been the creative use of space, a principle that enters new territory with the MINI Rocketman Concept. The study car, which will be revealed to the public worldwide for the first time at the International Geneva Motor Show (3 – 13 March 2011), harks back to the classic Mini in terms of its exterior dimensions, while its technology points to thefuture of automotive design.

MINI Rocketman Concept

A 3+1-seater with 3 doors and a length of just over 3 metres (approx. 10 ft.), the MINI Rocketman Concept responds to the fundamental requirements of mobile lifestyles in the big cities of the future by pooling the brand’s core values in concentrated form. Ingenious functionality, smile-inducing agility, exceptional efficiency and irresistible design come together into an extraordinarily attractive and groundbreaking, yet typically MINI, subcompact car concept for the premium segment.

MINI Rocketman Concept

Displaying both an awareness of tradition and talent for innovation, the MINI design team developed the vision of a car that takes up impressively little space on the road but boasts an enviably spacious interior. The MINI Rocketman Concept therefore carries over the classic virtues of the brand into a pathbreaking vehicle concept. It offers a fresh interpretation of unmistakable MINI design features, and uses cutting-edge construction and manufacturing technology to create unique solutions in body and interior design.

MINI Rocketman Concept

The innovative character of the study is defined by the systematic application of lightweight design principles and a pure-bred interior geared to maximum driving fun and unbeatable variability. A carbon spaceframe construction, whose striking surface structure is visible at the front end of the car, around its doors and in the interior, forms the basis for a weight-minimising construction. Indeed, the MINI Rocketman Concept offers the ideal platform for achieving outstanding efficiency.

MINI Rocketman Concept

To this end, it is designed to allow the integration of a MINI drive system which combines further enhanced sprinting ability with average fuel consumption of just three litres per 100 kilometres (94 mpg imp). Wide-opening doors with double-hinge joints and integrated sills facilitate entry into the MINI Rocketman Concept. The lightweight seats are contoured in customary MINI style and can be arranged in a variety of different positions.

MINI Rocketman Concept

This allows owners to choose between maximum driving fun two-up, a comfortable amount of room for three occupants, or even an exceptionally efficient division of space accommodating four seats. The capacity of the luggage compartment can be adapted to passenger requirements just as flexibly.

MINI Rocketman Concept

The two-part tailgate consists of one section which is attached to the roof and opens extremely high, and a lower section which extends out of the body in the form of a drawer. The operating logic of the MINI Rocketman Concept is also geared to the multi-layered demands of a contemporary target group, whose mobility needs are shaped by their desire for driving fun, flexible usage possibilities and extensive connectivity with their lives outside the car.

MINI Rocketman Concept

The MINI Rocketman Concept body is shaped by an avant-garde interpretation of time-honoured brand features. Innovative construction techniques allow the principle used in the classic Mini of providing the maximum amount of room on the smallest possible footprint to be carried over to the mobility challenges of urban areas in the 21st century. The MINI Rocketman Concept measures 3.419 metres (approx. 11 ft. 3 in.) in length, adding just a few extra centimetres to the front and rear of the brand’s founding father born in 1959.

MINI Rocketman Concept

The new study is 1.907 metres (approx. 6 ft. 3 in.) wide, including the exterior mirrors, and stands 1.398 metres (approx. 4 ft. 7 in) tall. Its proportions also display clear symmetries with both the classic Mini and the brand’s present day line-up. The brand’s familiar appearance is therefore concentrated into a new set of dimensions, with the concept for a new vehicle segment remaining unmistakably recognisable as a MINI.

MINI Rocketman Concept

Large, circular headlights and a radiator grille with chrome surround dominate the front end. While the exterior contours of the headlights fit the familiar visual template, their inner structure has been further developed for the new study. The centrally positioned LED units generating full beam are bordered by an eye-catching light ring for dipped-beam mode. Direction indicators integrated into the headlight units are a feature shared with the current range of series-produced MINI models.

MINI Rocketman Concept

The dimensions of the headlights reflect those of the current MINI, which means they come across as particularly large when set against the smaller face of the study car. As stand-out features of MINI design they symbolise the core values of the brand, which remain reassuringly intact in the new vehicle concept represented by the study.

MINI Rocketman Concept

While the study showcases a new format, MINI still remains true to its bloodline. More than 50 years ago the brand’s first car triggered a revolution in the small car segment. The classic Mini met the needs of urban mobility more comprehensively than any other vehicle before it, while at the same time offering the driving fun and individual style that sealed its legendary status.

Today MINI continues to fulfil in its own unique way the desires of demanding target groups with a sense for the creative use of space, inspiring handling and premium quality. The MINI Rocketman Concept offers a glimpse of how these features may look in the future. Using innovative technology and creative solutions, the study reflects the brand’s unsurpassed expertise in the development of vehicle concepts producing maximum interior versatility within minimal exterior dimensions and all while delivering unbeatable driving fun.


See also:

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Coupé Concept by
MINI
New MINI
Clubman
MINI Scooter E
Concept

Christmas Tree Sledge by Tom Hatfield

Christmas Tree Sledge by Tom Hatfield

Still not sure what to do with your left-over Christmas tree? Royal College of Art student Tom Hatfield has turned a few of them into a sledge.

Christmas Tree Sledge by Tom Hatfield

Made from discarded trees Hatfield found around London, the sledge was made using a traditional woodworking technique know as bodging, where wood is worked ‘green’, without drying or seasoning first.

Christmas Tree Sledge by Tom Hatfield

See also: Christmas Tree Furniture by Fabien Cappello (July 2009)

Christmas Tree Sledge by Tom Hatfield

See more bodging on Dezeen here.

Here’s a little text from Hatfield:


Christmas Tree sledge

This Sledge is made from Christmas trees found in on the streets of London. With roughly 1.7 million trees bought for this recent Christmas period, these two-week trees are just discarded every year.  With snow in London becoming a more frequent occurrence, it seemed an appropriate item to use for the season.

Christmas Tree Sledge by Tom Hatfield

Using the primitive skills of a bodger, it opens up an inventive feeling of seeing the resources that are around us. People are not as resourceful as they once where. This sledge can give an excitement to a process that can give confidence that appeals to our creative side.


See also:

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Bodging Milano at
Designersblock
Inserper-able by
Rolf Sachs
Christmas Tree Furniture
by Fabien Cappello

Tableware by Marcel Wanders for KLM

Tableware by Marcel Wanders for KLM

Amsterdam designer Marcel Wanders has created a dinner service for Dutch airline KLM.

Tableware by Marcel Wanders for KLM

The project involved creating new porcelain, glassware, cutlery, linen and a tray.

Tableware by Marcel Wanders for KLM

The service will be in use on World Business Class flights from March 2011.

Tableware by Marcel Wanders for KLM

More about Marcel Wanders on Dezeen »
More tableware on Dezeen »

Tableware by Marcel Wanders for KLM

Here are some more details from Marcel Wanders:


New tableware by Designer Marcel Wanders for KLM World Business Class

KLM Royal Dutch Airlines will begin serving meals on a new service for World Business Class passengers effective 27 March 2011.

Tableware by Marcel Wanders for KLM

Leading Dutch designer Marcel Wanders has created porcelain, glassware, cutlery, linen and a tray.

Tableware by Marcel Wanders for KLM

The entire presentation of meals and drinks has been completely renewed to reflect the journey of inspiration KLM strives to offer its passengers.

Tableware by Marcel Wanders for KLM

In designing the new service elements, Marcel Wanders has, at the behest of KLM, taken into account the wishes of its customers, the working procedures of cabin crew, as well as environmental considerations.

Tableware by Marcel Wanders for KLM

Typically Dutch

Customers have indicated that they appreciate KLM’s typically Dutch character.

Tableware by Marcel Wanders for KLM

KLM has therefore decided to embrace this by working with Dutch chefs and designers.

Tableware by Marcel Wanders for KLM

Our partnership with Marcel Wanders reflects this philosophy.

Tableware by Marcel Wanders for KLM

Less weight

KLM reduces environmental impact by reducing the weight of the service.

Tableware by Marcel Wanders for KLM

The lighter the load on board an aircraft, the less fuel it burns, resulting in lower CO2 emissions.

Tableware by Marcel Wanders for KLM

“We are proud to offer our World Business Class passengers a fresh, new product.

Tableware by Marcel Wanders for KLM

We are investing in this class and are constantly striving to further improve our products and services,” says Erik Varwijk, Executive Vice President of KLM Commercial.

Tableware by Marcel Wanders for KLM

“With the introduction of this new service, a longstanding wish of mine has been fulfilled,” says Marcel Wanders.

Tableware by Marcel Wanders for KLM

“As a frequent flyer with KLM, I found it quite easy to get a feel for the assignment and to bring about a metamorphosis of the existing service elements.

Tableware by Marcel Wanders for KLM

Owing to the ergonomic, technical, economic and logistic guidelines for this design, the new service matches the quality standards of top restaurants.”

Tableware by Marcel Wanders for KLM


See also:

.

Zlin cutlery by
Future Systems
Shape/Form cutlery
by Lukas Peet
Qantas First Lounges
by Marc Newson