Quote of Note | Li Edelkoort

LI_edelkoort.jpg“It’s an American misconception that everything should be big and in numbers. I went to Crate & Barrel and wanted some stuff for my new apartment, and everything was too big. Every bowl was like a salad bowl, every mug like a vase, every wineglass like a pitcher. It’s unappealing. Also, if America wants to solve its economic and electricity problems, you should just stop serving ice in everything. Your drink gets watered down. It’s not really good for your brain. It’s just a habit. Americans should go in rehab for all these habits. That would do it.”

-Trend forecaster Li Edelkoort on her advice for America

New Career Opportunities Daily: The best jobs in media.

Lucy visited the Salone del Mobile in Milan for us…

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Dear Lucy from the Design Files went to the Salone del Mobile in Milan last month and when I heard about it I was jealous of course 🙂 but also very curious, why she went, what she liked best and what it was like to go as a professional design blogger to one of the biggest furniture design events of the year….she was so kind enough to answer all my questions and share with us some of her own images



Why going to the Fair?

I have always wanted to attend the fair… especially after last year when my friend, Australia stylist Megan Morton attended the fair and sweetly wrote a little Milan round-up for my blog! After seeing all her incredible photos I knew I had to visit myself!   This year I was lucky enough to finally make it there…



Did you go alone or with some other design lovers?

I went alone, but I did know quite a few other Australian designers, design-lovers, media etc who were also going… so I was never really alone!  Even though nearly 300,000 people attend the fair, I managed to accidentally bump into pretty much every Australian I know!   I think we must be magnetic 🙂

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What were your first impressions?

First impressions – um, it was HUGE!  The main fair, in the Milan fairgrounds at Rho was SO so huge and overwhelming, I got a bit flustered until I accepted the fact that I would never see everything, and just prioritised specific favourite designers and certain areas.  



I was also just amazed at how much effort and expense everyone goes to with their stands and installations… I cannot even imagine how much money is spent on installations by people like the Campana Brothers, Tokujin Yoshioka etc…. it is mind boggling.

 


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Trends, trends …. what are the trends?

Oh that is hard…!  I am not convinced about the idea of ‘trends’ – I feel that a well-designed piece of furniture should be timeless and beautiful forever!  Having said that, I did notice a few common themes… there was lots of coloured / tinted glass used for lighting, tableware and furniture.  I especially loved the Swedish designer Daniel Rybakken‘s stunning wall-leaning Colour light, and Out of Stock’s Hues table. Super beautiful.

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I also noticed the use of Carrara marble by many designers for smaller accessories, lighting, and an incredible marble sculpted coffee table by London-based Ifeanyi Oganwu of Expand Design

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There was also lots of work inspired by nature / plant life – lots and
lots of tables, shelving and garden furniture designed to accommodate
plants, and many installations which made use of vertical gardens and
lush leafy foliage.

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 Which designer or designs are your favorites?

Emerging Swedish designer Daniel Rybakken‘s stunning wall-leaning Colour light was my favourite single piece(see image on top).  I also really loved Grace Winteringham‘s Phase Bureau.  Diesel’s ‘Successful Living‘ range had a brilliantly designed stand inspired by a ‘Moon Landing’ – though not many new designs on show.

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In which way was this Fair useful for you as a professional design blogger?

Oh well I guess the main thing was feeling part of the action – in Australia I often feel very far away from the big design happenings in the world – it was amazing to be part of the first-hand experience, rather than just reading about it all online!  As for being useful to me as a ‘professional blogger’…oh Irene you are too kind!  I think  perhaps the trip was more useful to me as a stylist than as a blogger… although it did afford me the opportunity to change my masthead temporarily which was quite exciting! (Thanks to Kat Macleod!).

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Funniest moment during your trip?

Oh there were many ‘lost in translation’ moments… I speak no Italian at all, so there was much hysterical pointing, miming etc.  I had great great fun with my Italian housemate Paola – she was the BEST host and took me out riding through Milan’s busy streets on her shiny little vespa – that was incredible!   We snuck into a big Audi party in the Tortona area one night, which was very much ‘invite only’ – we pretended to be official photographers using my camera, and I ended up with hundreds of pics of people I don’t even know!  



The Volcano in Iceland also made for some nervous laughter (or hysteria!) towards the end of the trip!

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Which other Fair is on your list to visit?

I would love to attend Maison et Objet in Paris one day!  



Any tips for first time Fair-visitors?

Attend the main far at Rho first – it is the least exciting, good to get it out the way early! Also, do not even CONSIDER seeing everything.  It is impossible.  Relax and take in what you can… it is too easy to be overwhelmed by all that is going on during the fair!



OH and if you have a blog – write some posts in advance! It is way hard to blog everyday whilst you are away! 🙂 THANKS SO MUCH IRENE! Lucy xxx

May Day

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With new murals in downtown Manhattan and the Bronx, a pop-up store in the works, a project with City Kids, and new limited edition prints, the events surrounding
Shepard Fairey’s
upcoming solo show “May Day” almost amount to more of a city-wide residency. But the internationally-acclaimed artist, whose last major exhibit was a touring museum retrospective and whose Obama poster was one of the most iconic images of the historic campaign, big is nothing new. While Fairey’s fame naturally invites criticism, the show (opening 1 May 2010 at Deitch, and closing the NYC institution) is a reminder of exactly what makes the prolific artist such an important generational voice.

Filled with portraits of cultural and political heroes and images addressing various social issues—all depicted in Fairey’s propaganda-poster-meets-street-art style—his work’s strength lies in its direct Warholian style and unapologetic messages. From his original Obey stickers to his ongoing commitment to human rights, environmentalism, and other pressing issues of our time, Fairey’s art practice has always been about the power of words and images to effect change.

As Antonino D’Ambrosio writes in his essay for the book that will accompany the show, the image of Clash guitarist and lead singer Joe Strummer (a CH exclusive and the first produced for this series) represents a figure like Fairey himself, who D’Ambrosio calls, “a creative-activist who is always FOR and never against. He is about PRODUCING not reducing. He wishes to go FORWARD not fall backward.”

May Day runs through 29 May 2010.


Alila Villas Uluwatu, Bali

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Recent winner of a 2009 Green Good Design Award, Bali’s Alila Villas Uluwatu sets a soaring example of what it currently means to be a luxurious green resort. Stylish clifftop villas, designed and constructed according to a strict Environmentally Sustainable Design (ESD) framework, earn the posh destination the highest level of sustainable certification—a first for any Balinese resort.

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Perched high up on the southern coastline of Bali’s Bukit Peninsula, not far from the area’s famous surf break, the spa resort expertly champions the concept of creating a modern yet unimposing locale that seamlessly blends in with its natural surroundings.

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The Singapore-based architecture firm Woha, a company known for its sustainable housing projects, modeled the Balinese-inspired villas on open-air structures. Guests can adjust the flow of natural breezes via sliding glass doors, while airy wooden cabanas and relaxation pavilions jutting out over the Indian Ocean resemble cubic Bauhaus nests.

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To help sustain local bird and animal populations, indigenous plants are cultivated at an on-site nursery. Other ESD measures include the use of local construction materials such as teak, lava rock and bamboo as well as water conservation through the use of salt water pools and gray water systems help recycle laundry, dishwashing and bathing water for landscape irrigation.

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Villas begin at $800 per night, to book visit Mr and Mrs Smith.

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Laptopogram



Laptopograms are images made by pressing photosensitive paper onto a laptop screen and flashing an image in a manner not unlike contact printing or photograms.

The name ‘laptopogram’ is a misnomer – I reckon they can be made with pretty much any monitor. Perhaps ‘Luminous Screen Emulsion Transfers’ is a better name.

Here, however, the negative is a digital image – and is flashed for a little time onto the paper before developing the image in a darkroom.

These prints were made with an IBM R51 Thinkpad running Lucid Lynx with a resolution of 1024 x 768 pixels.

All prints were developed on Ilford Ilfospeeed RC Deluxe 5 Glossy paper using Tetenal Neofin Blau with water as a stop bath and a fixer of unknown provenance.

-> See more

–> Source

Fear the Deer!

Bango flips off a 16ft ladder and throws down at the Bucks home Playoff Game 4 at the Bradley Center.

[via Moda3]

Scott Campbell: If You Dont Belong, Dont Be Long

The mostly black-and-white collection of works includes ornate latticed designs and cursive phrases “tattooed” with lasers into dollar bills. Stark images of makeshift tattoo pens—inspired by a visit to Mexico’s Santa Marta prison, where Campbell applied his craft to some of the inmates—mark a new visual style for the artist.

-> Read/See more

–> Source

The Last Dragon

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Better known as Ramblin Worker, San Francisco-based artist Steve MacDonald combines sewing and embroidery with tech-savvy techniques to come up with his colorful illustrations, currently showing at NYC’s Fuse Gallery.

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“The Last Dragon” skews towards MacDonald’s interest in pop culture, layering colors and images to play off CMYK printing processes. The graphics, comprised of cut-outs and thread, show off how MacDonald uses a sewing machine as others might wield a spray can or a paint brush.

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MacDonald explains, the show “is a little of everything, from simple clean sewn lines to crazy cityscapes.” But, skateboarding makes a strong thematic statement, taking up a wall in the exhibit with pieces like the artist’s skate-ramp alphabet, as well as several other works featuring the curving form of a ramp.

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Previously featured on CH for his Modest Mouse concert tees, his involvement with the annual Bike Film Festival, and his embroidered cuckoo clocks, who knows what MacDonald will come up with next.

The Last Dragon” runs through 15 May 2010.


Betacup Showcase: Going strong at three weeks

pimg alt=”” src=”http://www.core77.com/blog/images/2010/04/betacup-live.jpg” width=”468″ height=”250″ class=”mt-image-none” style=”” //p

pAfter three weeks, the a href=”http://www.thebetacup.com/”Betacup Challenge/a is approaching the halfway point and going strong with over 152 ideas, 348 revisions, 941 comments, 1195 votes and over 1500 pending submissions. The challenge is asking designers to invent a means to dramatically reduce the wastage resulting from unrecyclable paper coffee cups, with a $20,000 prize to the two winners./p

pThe competition will continue to accept entries until early June. Register a href=”http://bit.ly/bBEKJL”here/a to submit an idea, or simply to browse and rate./p

pSo far, entries have mostly gone one of two ways: either directly addressing the problem of the cup or suggesting ways to change consumer behavior through new corporate policies and structures. Last time we discussed a few of the non-cup solutions. But, as many competition entrants have pointed out, behavioral change is often slow, and a better, less wasteful cup is worth looking into./p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/04/bc-une.jpg” width=”468″ height=”430″ alt=”bc-une.jpg”//div
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pOf all the cup-based ideas so far, the a href=”http://www.jovoto.com/contests/drink-sustainably/ideas/4795″Une Coffee Cup/a, submitted by Tom Fereday, is one of the most convincing. It doesn’t attempt to do anything beyond being a recyclable coffee cupmdash;this is what makes it good. The cup is 100% recyclable, made as one component, in one mold with one material, black polypropylene. The lid hinges, and plastic ribs around the cup’s circumference create a cool outer surface. /p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/04/bc-noside1.jpg” width=”468″ height=”468″ alt=”bc-noside1.jpg”//div
div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/04/bx-noside.jpg” width=”468″ height=”385″ alt=”bx-noside.jpg”//div

pWe also like a href=”http://www.jovoto.com/contests/drink-sustainably/ideas/4778″No-Side/a, by Mac Funamizu. Instead of designing a collapsible cup, the portable system includes only a lid and a bottom, with an elastic band to hold a disposable cup body, provided by the coffee vendor. These cup bodies pack flat, expanding into a cylinder that fits on the base of the No-Side cup system. This paper element can be collected for a discount on your next coffee or easily recycled on the go./p

div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/04/bc-coffee.jpg” width=”468″ height=”450″ alt=”bc-coffee.jpg”//div
div style=”align: right;”img src=”http://www.core77.com/blog/images/2010/04/bc-coffee2.jpg” width=”468″ height=”357″ alt=”bc-coffee2.jpg”//div

pFinally, Manueldr’s a href=”http://www.jovoto.com/contests/drink-sustainably/ideas/4587″Coffee Cup/a is made from coffee grounds, pressed into a vessel by a special machine on the spot. Soy wax, a biodegradable material, would hold it together and provide a waterproof seal. Afterwards, the cup can biodegrades and can be added to a compost pile. /p

pa href=”http://www.jovoto.com/contests/drink-sustainably/landing”img alt=”” src=”http://www.core77.com/blog/images/2010/04/betacup-button.jpg” width=”270″ height=”74″ class=”mt-image-none” style=”” //a/pa href=”http://www.core77.com/blog/competition/betacup_showcase_going_strong_at_three_weeks__16466.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/6tzvPKz83whf7qBIKOugiS-GHNg/0/da”img src=”http://feedads.g.doubleclick.net/~a/6tzvPKz83whf7qBIKOugiS-GHNg/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/6tzvPKz83whf7qBIKOugiS-GHNg/1/da”img src=”http://feedads.g.doubleclick.net/~a/6tzvPKz83whf7qBIKOugiS-GHNg/1/di” border=”0″ ismap=”true”/img/a/p

If You Don’t Belong, Don’t Be Long

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Scott Campbell, who’s inked the skin of celebrities, supermodels and Hell’s Angels, opens his first solo NYC show this week at Ohwow Gallery with an all-new series of sculptures, paintings and intricate drawings under the title “If You Don’t Belong, Don’t Be Long.”

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Owner of Brooklyn’s vaunted Saved Tattoo studio and the artist behind tattoos gracing the skin of Marc Jacobs, Lily Cole, Courtney Love, as well as the late Heath Ledger and Dash Snow, Campbell’s fascination with the various cultural treatments of tattoos carries through to his fine art practice. From folklore to prison life, he likens the art of tattooing to that of storytelling, with each piece representing a memorialized tale. On paper and other mediums, Campbell’s signature illustrative style translates seamlessly.

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The mostly black-and-white collection of works includes ornate latticed designs and cursive phrases “tattooed” with lasers into dollar bills. Stark images of makeshift tattoo pens—inspired by a visit to Mexico’s Santa Marta prison, where Campbell applied his craft to some of the inmates—mark a new visual style for the artist.

His second solo show with Ohwow, “If You Don’t Belong, Don’t Be Long” opens this Thursday, 29 April 2010, and runs through 30 May 2010.