Space Age Lights

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The second half of the 20th Century saw design attempting to unite the tension between the function and wonder of daily objects. A new exhibit, “Space Age Lights,” which opened today at La Triennale di Milano Design Museum, shows how lamps and lighting in particular have helped solve this conundrum.

With a collection of often anonymous and never-before-seen lamps, borrowed from individuals who gathered this eye-catching series of objects both in Europe and the U.S., the show offers a rare opportunity to study even the fringes of the era. While technically the Space Age goes from the late ’60s to the early ’70s, its influence extends to various related styles that have developed over the entire century.

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Curator Gianluca Sgalippa created an exhibit based on meticulous research comparing each piece with paintings, sculptures, movies and graphics that date back to Futurism, Constructivism and Machinism, including science fiction and fashion icons such as André Courrèges and Pierre Cardin.

The display (conceived by Salvo Bonura) makes the upshot of his exploration clear, as does the show’s subtitle, “Between Pop and the Avant-Garde”—these objects always balance edginess with mass appeal.

The accompanying rich catalogue, in Italian and English, compares these masterpieces from the ’60s to the ’70s with the work of many great (though obscure) authors. “Space Age Lights” runs through 5 September 2010. See more images in the gallery below.


Spencer Nugent’s improved scissor design

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pWe always maintain that updating simple tools is always the hardest, and there’s more to this A HREF=”http://www.coroflot.com/public/individual_file.asp?individual_id=110436portfolio_id=1026946″ scissor re-design/A than just a swoopy re-style: San-Francisco-based A HREF=”http://www.coroflot.com/public/individual_profile.asp?individual_id=110436″ Spencer Nugent/A has given scissors a hard re-think and realized it doesn’t make much sense for the bottom blade to be bouncing up and down while trying to cut material laying on a tabletop. His innovative concept thus features a flat bottom that stays put while the top half does the chomping. /p

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pCheck out the rest of A HREF=”http://www.coroflot.com/public/individual_work.asp?individual_id=110436″ Nugent’s book on Coroflot/A./pa href=”http://www.core77.com/blog/object_culture/spencer_nugents_improved_scissor_design_16582.asp”(more…)/a
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I put that Sh@t on everything

The Mediabistro Circus Is in Town

vintage circus.jpgWhat’s better than a great conference? A great conference that gives us an excuse to use vintage circus graphics! Back by popular demand is the Mediabistro Circus. The third annual confab on the covergence of digital and traditional media is set for this Thursday, May 20, at 92YTribeca in New York City. This year’s Circus is focused on media “visionaries and provocateurs” who also happen to be women. Among the speakers are Dwell President Michela O’Connor Abrams, Gilt Groupe CEO Susan Lyne, and Lisa Hsia, senior vice president of new media at Bravo. Click here for the full agenda and then prepare yourself by perusing circusmuseum.nl, our favorite online collection of circus memorabilia. Feeling nostalgic? Check out our design-minded coverage of last year’s Circus here.

New Career Opportunities Daily: The best jobs in media.

Manufacturing and selling through Shapeways: You design, they do everything else

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pWhat do all of these objects have in common? They were all created using A HREF=”http://www.shapeways.com/” Shapeways/A, an RP-for-the-masses website that lets users upload 3D files then receive physical productions of their drawings roughly two weeks later. /p

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pYou can also A HREF=”http://www.shapeways.com/shop/about” opt to sell your items/A through Shapeways’ online marketplace which, presuming the math works out, is kind of a designer’s dream; you design the thing, then they take care of the ordering, payment, production, shipping, and even customer service./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0shapeways02.jpg” width=”468″ height=”605″ alt=”0shapeways02.jpg”//diva href=”http://www.core77.com/blog/object_culture/manufacturing_and_selling_through_shapeways_you_design_they_do_everything_else_16581.asp”(more…)/a
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Label Love: Embrace Your Sexy Glam Side With Paris68

imageThere are a few invitations to this past New York Fashion Week that still have me convinced that they got lost in the mail. (Ahem: Marc Jacobs & Alexander Wang…) Another invite I missed out on was Paris68, a debut line by Marcella Lindeberg who has also been the creative director for William Rast. Her debut was welcomed by famous faces from Justin Timberlake, Jessica Biel, and Carine Roitfeld sitting in the front row. In fact, I can see many Parisian editrixes and celebs like Rihanna wearing the entire collection when it’s available in stores. The collection featured a mix of strong shoulders, short hemlines, and plenty of shiny embellishments. Fun fact: the name Paris68 refers to the time and place of a period of protest. Perfect for the chic rebel, I say. Take a look at my slideshow to see my favorite looks.

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Revolving Door: New Orleans Museum of Art Hires Former Princeton Director, Susan Taylor

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While New Orleans, along with the rest of the Gulf States region, are experiencing and/or preparing for the worst with oil still spilling into the ocean, it might be of some small comfort to know that at least their art museum will be taken care of. The New Orleans Museum of Art has announced that they’ve hired Susan Taylor as their new director (pdf), who will come on board on September 1st, following the retirement of their long-time current director, E. John Bullard. Taylor comes from Princeton University, where she led the Princeton Art Museum up until 2008 when she left and was replaced by James Steward; prior to that, she spent more than a decade as the director of Wellesley College’s Davis Museum. Here’s a bit:

“Susan Taylor was selected from a field of strong candidates thanks to Laurie Nash of Russell Reynolds Associates,” said Donna Rosen, trustee and member of NOMA’s Search Committee. “I spoke to many museum directors around the country about Susan. Words that came up most often while describing her were ‘imaginative, encyclopedic knowledge of the history of art, high standards, seizes opportunities, visionary, intelligent and of our time.’ In fact, through the search process, all of these accolades were revealed.”

New Career Opportunities Daily: The best jobs in media.

Alter Ego by Studio Job

Artists Studio Job of Belgium have installed pieces from their iconic collections in the rooms of a Belgian stately home. (more…)

Squiddy Table

With their multitude of dangling legs, the Squiddy Tables may appear more like invading aliens than furniture! But don’t worry – they don’t bite.

New York Design Week 2010: Carte Blanche at DuPont Corian

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img alt=”” src=”http://s3files.core77.com/blog/images/2010/05/carte-blanche2.jpg” width=”468″ height=”335″ //p

pIn ema href=”http://www2.dupont.com/Surfaces_Commercial/en_US/news_events/events/CarteBlanche_event_2010.html”Carte Blanche/a/em, a href=”http://www2.dupont.com/DuPont_Home/en_US/index.html”DuPont/a and a href=”http://www.intramuros.fr/”Intramuros/a have asked 25 international designers to make works from an A4 sheet of white Corian on the occasion of Intramuros’ 25th anniversary. The designers were selected because they have all (at one time or another) been on the cover of the magazine./p

pThe show also introduces emDesigner White/em, a new color created “at the request of architects and designers.” Funny that designers are so particular about the absence of color that they need a special shade of it./p

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pOur favorites were the pieces that moved away from the format of the sheet. Stefan Dietz embedded the material in a rearview mirror, Thierry Gaugain made a small lightbox, and Todd Bracher filled a volume with the Corian shavings. We’ll hear more from Todd in an upcoming post and video. /p

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pIn emFAST and FURIOUS/em, Mathieu Lehanneur created paddles for a new game called Corian Ball. Each paddle behaves differently, depending on the pattern milled into its surface. FAST is perforated to increase striking speed and FURIOUS is grooved for more power. /p

pThe show is open at the New York’s Corian showroom through July 2, 2010. /p

pMore shots after the jump./pa href=”http://www.core77.com/blog/ny_design_week_10/new_york_design_week_2010_carte_blanche_at_dupont_corian__16580.asp”(more…)/a
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