OFFF Cincinnati 2013 Titles

Focus sur le réalisateur turc Onur Senturk qui a imaginé cette nouvelle et superbe vidéo, introduisant les différents noms présents à la conférence créative ‘Cincinnati OFFF 2013′. Une séquence et une animation 3D visuellement maîtrisée sur un sound-design de Cypher Audio à découvrir en images et en vidéo HD.

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Skyfall – Opening Titles

Voici la mise en ligne du superbe générique du 23ème volet de la saga James Bond « Skyfall ». Un générique d’ouverture produit par Rattling Stick et conçu par l’artiste Daniel Kleinman. Le tout sur la bande son de l’artiste Adele, qui interprète le single du film. A découvrir en vidéo HD dans la suite.

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Mad in Spain Titles

L’agence Süperfad a pu réaliser à l’occasion du festival Mad in Spain 2012 une séquence pour annoncer les intervenants. Nando Costa a pensé des créations typographiques autour de lettre en céramique peintes à la main. Un rendu en time-lapse à découvrir.



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Dark Knight Rises Titles

Focus sur Doğan Can Gündoğdu, un étudiant en design turc qui a imaginé les crédits d’ouverture du prochain film The Dark Knight Rises (Christopher Nolan). Le rendu, sur une musique de Massive Attack, est simplement impressionant. A découvrir dans la suite.



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Flash On The Beach 2011

Un très beau travail sur la séquence des titles de la conférence Flash On The Beach édition 2011. Un concept de grille de lumière LED comme source de lumière réagissant avec la musique et la chorégraphie de danse moderne. Une production de Black Swan et Gmunk à découvrir en images.



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Saul Bass: A Life in Film & Design

The first retrospective book on the 20th century’s film title master

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Saul Bass, best known for transforming the way movies begin, was in fact a designer of incredible versatility. As design historian Pat Kirkham shows in his forthcoming book on Bass (co-authored with Bass’ daughter Jennifer), the legendary “visual communicator” also applied his graphic wizardry to album and book covers, typefaces, packaging, retail displays, a hi-fi system, toys and a postage stamp. He also illustrated a children’s book, collaborated with architects, directed films and developed identities for companies including Quaker, United Airlines, Dixie, AT&T, Kleenex, the Girl Scouts and more.

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For much of his prolific career Bass worked side by side with his wife Elaine. Together, they came up with beautifully simplified concepts—many that still serve as benchmarks for intelligent design—and led the duo to work with and be revered by masters in their fields like Martin Scorsese, Milton Glaser, Massimo Vignelli, Otto Preminger and Alfred Hitchcock.

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Defining himself simply as “a creative person in the deepest sense of the word,” Bass allowed his imagination to guide the way, toying with metaphors and abstract symbols until he reached a point where it would make sense to his audience, yet purposely leaving out one element for the viewer to fill in. “The ambiguous is intrinsically more interesting, more challenging, more involving, more mysterious and more potent,” he explains. “It forces reexamination, adds tension, gives it life.”

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Perhaps Bass’ most significant contribution was his ability to make Modern Art relatable to everyone. While his style experimented with abstraction and other contemporary tropes, his artistic interpretations were still easily digestible, having emotional impact no matter the project or medium.

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Despite being one of the most sought-after designers of the 20th century, he never denied how terrifying a blank page can be. His tenacity, trying idea after idea even when they weren’t working, was a significant part of his process. “A modest amount of imagination with a great ability to persevere can produce an important work,” Bass proposed. The approach also speaks to the advantages of working on a range of projects. “By simultaneously working on a variety of problems, I find that one creative problem helps me solve another.”

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With more than 1,400 illustrations—including many never-seen-before storyboards—”Saul Bass: A Life in Film & Design” is an incredible look at the inner workings of his genius. The monograph will be available beginning October 2011 from publisher Laurence King, where you can sign up to be notified of its availability. You can also pre-order it from Amazon.


Insomnia Festival 2010 Titles

Une superbe séquence “Opening Titles” pour le festival Insomnia 2010 spécialisé dans la musique expérimentale et électronique, et basé en Norvège (Tromsø). La vidéo est dirigée par Kim Holm et Christian Ruud, produite par Toxic. Le tout sur une musique de Kim M. Jensen.



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Flash On The Beach Titles 2009

Les studios Garth+Ginny et Artillery se sont unis pour travailler sur cette séquence d’introduction de 2 minutes pour le festival Flash on the Beach qui vient de s’achever. Une vidéo colorée, peuplée de créatures étranges sous forme d’ombres, sur une bande-son réalisée par Meducktions.



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