Fail+Canoe

Simple, rustic jewelry from two Austin artists captures the spirit of the Texas landscape

by Miranda Ward

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Launched last month, Fail+Canoe jewelry brings together two Austin-based designers, Christine Fail of Fail Jewelry and Natalie Davis of Canoe. Fail earned a BFA in studio art and starting creating her own handmade jewelry after spending more than five years with two major designers, while Davis—who works with butcher Ben Runkle to produce goods “crafted with a sartorial eye and workhorse materials to last a lifetime” for her Canoe line—is also a print designer and typography teacher.

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The collection of hammered brass and leather cuffs, necklaces and earrings combines what the designers call their “shared love of the dramatic Texas landscape” with a simultaneously rough and sophisticated aesthetic. Organic shapes and thick leather contrast with delicate details to capture, as Fail describes in a blog post, “the marriage of refined and elegant with rustic and natural.”

Fail+Canoe pieces can be purchased online through Fail or Canoe, as well as their Etsy shop, with prices starting at $56.


1500 Scissors Suspended

Une performance et installation intitulée “Mending” par cette artiste chinoise Beili Liu. Le concept : une jeune femme est assise sous 1500 paires de ciseaux suspendus au plafond, dans un nuage scintillant. Actuellement exposé à la galerie “Women and Their Work Gallery” à Austin.



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UR22 by Vincent Snyder Architects

UR22 by Vincent Snyder Architects

Rainwater slides down into the central folds of a plunging roof at this Dallas house, draining into a collection tank for reuse.

UR22 by Vincent Snyder Architects

The UR22 house was designed by American architect Vincent Snyder and features projecting external walls that have a skin of slate tiles and an underside of timber panels.

UR22 by Vincent Snyder Architects

Hefty timber joists brace the house internally and are exposed inside a sequence of double-height living rooms on the ground floor.

UR22 by Vincent Snyder Architects

A first-floor gallery leading to bedrooms overlooks these timber-framed rooms.

UR22 by Vincent Snyder Architects

None of the windows overlook neighbouring plots, where two new houses are proposed.

UR22 by Vincent Snyder Architects

Snyder previously worked for architect Frank Gehry, whose residential skyscraper New York by Gehry was recently published on Dezeen.

UR22 by Vincent Snyder Architects

Other popular houses on Dezeen this week include twin residences that mirror one another in different materials and a house where cooling pools of water and trees line corridors and roomssee all our stories about houses here.

UR22 by Vincent Snyder Architects

Photography is by Chuck Smith.

UR22 by Vincent Snyder Architects

Here’s some more information from the architects:


UR22 Residence

This project is a 4000 square foot speculative single family residence within the Urban Reserve master planned sustainable development in Dallas, Texas. With Gold LEED and HERS rating of 50, the house uses approximately ½ the energy per square foot of a typical home.

UR22 by Vincent Snyder Architects

Through complex study, potential heat gain – which would require cooling – is substantially reduced by the precise placement of a durable envelope that blocks direct sun intrusion.

UR22 by Vincent Snyder Architects

This protective envelope is clad in Vermont slate on the wall and roofs surfaces, which are naturally ventilated for heat reduction and material integrity.

UR22 by Vincent Snyder Architects

Additionally, extensive reflective daylight is used to create bright, lofty interior spaces and heavy timber frames throughout express the simplicity and dynamics of the primary structural system.

UR22 by Vincent Snyder Architects

UR22 by Vincent Snyder Architects

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UR22 by Vincent Snyder Architects

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UR22 by Vincent Snyder Architects

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UR22 by Vincent Snyder Architects

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UR22 by Vincent Snyder Architects

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UR22 by Vincent Snyder Architects

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See also:

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Providence Chapel
by Jonathan Tuckey
Clay Fields by Riches
Hawley Mikhail
Wooden House
by Atelier Martel

W Austin

A hotel chain tailors their new spot to the world’s “live music capital”

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Even Austin’s airport food—local famed BBQ and Tex-Mex rather than soggy tuna sandwiches—touts the city’s pro-small business attitude. So when the chain known for hipping up the mid-range hotel experience came to town, they had to step up their game to make it in a place known as much for its nocturnal winged residents (there’s even a bat hotline) as for its indie music scene.

The new W Hotel Austin’s design features cater to the cultural phenomenon that put the city on the map with a collection of over 8,000 vinyl records and an extensive four-room bar. Eschewing an ordinary hotel lobby, guests enter in the Living Room, which doles out the hits over a vintage McIntosh sound system. Separate spaces (the Tequila Bar, Records Room, Secret Bar and Screen Porch) reflect the vibrant surrounding streets.

Beyond the mark it makes for urban nightlife, the W Austin has also become a new landmark in city’s skyline. Rising above the generally even horizon line, the primarily glass tower stands just above the heavy, low-lying City Hall building in contrast to nearby architecture.

“The last thing Austin needs is another beige building,” says Heather Plimmer, half of the local team behind the hotel’s design. Plimmer, along with architect Arthur Andersson, are responsible for the design of five components of the block—on the aptly named Willie Nelson Boulevard—a development which in addition to the hotel includes office and retail space, condos and some of the best acoustics the city has to offer at Austin City Limits.

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The color doesn’t just define the W visually but elegantly takes the effects of harsh Texas weather into consideration, particularly evident in the way the designers dealt with the intensity of the sun. Anything bright or white can be blinding and the average brown building blends in with the surrounding landscape. “I think that came from a tradition of the Spanish adobe, and all that kind of stuff,” says Andersson. “It’s really bizarre to try and translate that into 500-ft tall structures.” Opting instead for a dark gray palette that takes on the color of the sky, the LEED-certified structure also reflects the clouds at night.

Andersson also used a Swiss Pearl material to serve as a ventilated façade over the exterior of the building. An air space runs through the entire outer exterior, creating shadows to help cool the building while large windows catch the breezes coming over from Lady Bird Lake.

Unlike some other conspicuous glass buildings downtown, the W appears both graceful and understated. “I think it has its own kind of presence,” says Andersson. “It’s like this sort of little, calm poem.” The Zen balance shows up in the hotel’s wabi-sabi style interiors too, with exposed concrete support beams.

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Overall the feeling of staying at the hotel is not unlike a sense of being at home, as the designers took cues from typical residential decor. But the cozy feeling most clearly comes through in the breaking up of space in the hotel’s rooms, which creates an entry moment. Creating the illusion of a larger space, a burlap-covered tower separates the sleeping chamber from the rest of the hotel room. “What happens when you walk into a typical hotel room,” says Andersson, “you look at some crappy piece of furniture, and a side of a TV. We flipped it.” The burlap-covered tower is reminiscent of a Barnett Newman canvas; the minimalist painter’s work was a major source of inspiration for the designers.

Austin’s strong musical story plays a role too, making a literal nod with original signed Scott Newton photos in each room, as well as vanity mirrors encircled with guitar strap patterns. “We grabbed onto kind of the Bohemian lifestyle, of the laid back rock and roll feel,” says Plimmer. “We really wanted it to be an oasis. The colors in there are really calm, with the exception of the red pop of the chaise.”

This summer one more obvious addition to the lyrical architecture—a statue of the man himself, Willie Nelson, at the entrance to the neighboring Austin City Limits, will make its debut, keeping Austin weird in more ways than one. Make reservations online with prices varying depending on rooms and availability but rack rates starting around $300 per night.


Rainbow Thread Installations

Des superbes installations par l’artiste Gabriel Dawe actuellement au “Dallas Contemporary” du Texas. La construction est constituée de fils, de bois et de clous fixés à chaque extrémité. L’effet global a été généré par ordinateur, pour un rendu très impressionnant.



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Dans le même esprit : Thread Installations

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Decoder

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Sweet work by Austin-based design firm Decoder.

I especially love the identity work they did for King Airways (above), intended to hark back to the ‘golden days of airtravel’. Check out more here.

MARS Turbine

The next floating, more efficient step in wind turbine technology

by Gregory Stefano

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Wind energy in itself isn’t a novel concept, but the MARS Turbine (Maggen Air Rotor System) puts a new spin on conventional wind turbines with its Goodyear Blimp otherworldliness and innovative operating system.

Designer Fred Ferguson created MARS as an energy source in remote areas—like scientific expeditions to the Arctic—that need consistent power but lack resources to build a 200-foot tall wind turbine. Essentially a blimp covered in fins, Ferguson’s turbine flies 1,000 feet high, connecting to the ground with a tether that doubles as an energy conductor.

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Like conventional wind turbines, MARS uses magnetic induction to produce energy, but the difference comes with increased altitude. Catching wind 800 feet higher than its traditional counterparts, there’s much less resistance and greater wind speed, ultimately allowing the MARS access to a superior crop of wind. Another advantage, the turbine can produce energy in winds as low as seven mph and as high as 63 mph whereas contemporary turbines shut down around 35 mph and with little or no wind, they become useless.

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This innovative solution solves a lot of the existing problems with mining wind energy, avoiding the hazardous carbon footprint standard turbines leave behind when built initially, producing more energy and universally being more versatile. The MARS Turbine will be commercially available early 2011, and they are also currently working on a backpack-sized version for charging your iPad on your next Yosemite backcountry adventure.

via Stuff You Should Know


Chris Korbey

Un excellent travail par le photographe Chris Korbey, après plusieurs années de graphisme et de design. Basé au Texas, il collabore pour plusieurs clients tels que Print Magazine ou New York Art Directors Club. Une sélection de mise en scène est à découvrir dans la suite.



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Previously on Fubiz