Taxidermy sheep cabinet joins Salvador Dalí furniture collection

A stuffed lamb with a table on its back and a drawer in its side is the latest addition to a collection of furniture based on the paintings of Surrealist artist Salvador Dalí.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

The Xai side tables have been created from taxidermy lambs by attaching a circular wooden surface onto their backs and inserting a drawer that opens from one side of their abdomens. Hooves have been replaced with decorative rococo bronze feet.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

Their designer Oscar Tusquets Blanca referenced an image of a lamb with a telephone balanced on its spine and sliding storage in its stomach from Dalí’s 1942 painting Interpretation Project for a Stable-Library.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

“We broke up the Interpretation Project for a Stable-Library painting where there appears a characteristic Dalí drawer, made up of a little lamb-table,” said Tusquets Blanca.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

Twenty-one lambs were chosen from a Parisian slaughterhouse and sent to taxidermist Maison Deyrolle, where Dalí was a frequent customer during his lifetime.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

The limited-edition set includes 20 white lambs priced at €36,500 (£30,350) each and a unique black piece costs €72,000 (£59,900).

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

The tables were commissioned by Spanish company BD Barcelona Design.

Taxidermy sheep cabinet joins Salvador Dalí furniture collection

Tusquets Blanca, a close friend of the artist, started the Dalí Furniture Collection in 1972. Other items in the range include the Mae West Lips sofa designed by the artist himself in 1937.

The post Taxidermy sheep cabinet joins
Salvador Dalí furniture collection
appeared first on Dezeen.

Conventional Wisdom: World Taxidermy & Fish Carving Championships: The second installment of Arthur Drooker’s photo series on convention attendees

Conventional Wisdom: World Taxidermy & Fish Carving Championships


We recently took you to the Association of Lincoln Presenters annual assembly, by way of photographer Arthur Drooker’s camera lens. Drooker has been dropping by some of the convention industry’s most eccentric gatherings in an…

Continue Reading…

Link About It: This Week’s Picks: Nicholas Felton’s annual report, train-hopping photography, an underground library and more in our weekly look at the web

Link About It: This Week's Picks

1. Train Hopping Photography After recording over 50,000 miles of train hopping across the United States, photographer Mike Brodie unveiled his series “A Period of Juvenile Prosperity.” The images—taken between 2004 and 2009—offer a glimpse into the adventurous, nomadic lifestyle undertaken by thousands of American youth. 2. The Underground…

Continue Reading…

The Breathless Zoo

The eccentric art of taxidermy explored in a new book
Breathless-Zoo-4.jpg

Taxidermy has risen in the contemporary design scene over recent years, mounted on the walls of shops and restaurants as well as defining a certain throwback aesthetic in modern homes. The venerable form of animal preservation marries actual scientific study with an undeniably eccentric sensibility that has endured across generations, though not everyone decorating with a bust might be fully versed in the origins of the craft. Rachel Poliquin’s “The Breathless Zoo: Taxidermy and The Cultures of Longing” delves into that rich history, exploring the motivations behind the art of taxidermy across cultures and centuries.

Breathless-Zoo-1.jpg

Taxidermy, says Poliquin, poses creatures in such a way that presents the “irresolvable tension” of “animal or object” that characterizes the art. One particularly definitive example comes from the 2004 exhibition “Nanoq: Flat Out and Bluesom” at Spike Island in Bristol, England. The author begins the introduction by describing the show as a culmination of Bryndís Snæbjörnsdóttir and Mark Wilson’s three-year quest to photograph every single mounted polar bear in the UK. The event showcased 10 taxidermic polar bears in a set of glass cases, after, Poliquin writes, they had been “taken from their native landscapes at some stage of life or death and manhandled into everlasting postures.”

Breathless-Zoo-2.jpg

The uneasiness of such an aberrant display of specimens is a function of taxidermy itself. Poliquin ventures to outline the many reasons for the motivation to taxidermy species, from science and fashion to a showcase of virility. Poliquin offers “seven incentives—what I call narratives of longing—that impel the creation of taxidermy: wonder, beauty, spectacle, order, narrative, allegory, and remembrance…As the very word longing suggests, fulfillment is always just beyond reach.”

Breathless-Zoo-5.jpg

Each chapter of “The Breathless Zoo” is devoted to one of these longings and provides historical origins with a fascinating variety of photographs of taxidermic animals. The chapter focusing on “spectacle” as motivation covers Henri Rousseau‘s famous jungle and savage lion attack paintings, which were modeled after taxidermic displays, and continues to explain the anatomical and cultural aspects of the taxidermic lion. Poliquin’s book searches to find and explain truths about an ancient and continuing art that transcends time and place.

Breathless-Zoo-3.jpg

“The Breathless Zoo” is expected to be published 17 August—other taxidermy galleries and resources are available on Poliquin’s website.


Who’s Afraid of the Big Bad Wolf

New works from Adel Abdessemed feature scorched fur and razorwire crucifixions

Adel_Wolf6.jpg

A collection of new works opens today at the David Zwirner Gallery in New York City, showcasing the creative talents of Adel Abdessemed. The Algerian-born artist tackles a range of materials and mediums in a collection focusing on themes of violence, war and spectatorship. The namesake piece “Who’s Afraid of the Big Bad Wolf” is built to the dimensions of Picasso’s “Guernica,” and is made from a mass of taxidermic animals. Abdessemed has scorched the fur to achieve a blackened effect, a process that actually fills gallery space with a distinct sulfuric smell.

Adel_Wolf1a.jpg Adel_Wolf1b.jpg

The stunning series “Décor” is inspired by the crucified figure from Matthias Grünewald’s 16th-century Isenheim Altarpiece. The violent expression is achieved through the manipulation and welding of razor wire, which also yields a rainbow discoloration from the heating process. Floating alone without the support of a cross, the three figures are built to anatomical scale.

Adel_Wolf3.jpg

“Hope” takes a marooned boat from the Gulf Coast and transplants it into the gallery space. The cavity has been filled with sculptural objects that resemble garbage bags, representing both the people and the possessions that have been transported across the waters. Abdessemed’s experience immigrating to France informs his focus on the immigrant experience and the risks that migrant peoples undertake.

Adel_Wolf4.jpg

The resin sculpture “Coup de tête” channels a historic moment of broadcast violence as French footballer Zinedine Zidane headbutts Italy’s Marco Materazzi. “L’avenir c’est aux fantômes” (“The Future Belongs to Ghosts”) is a reference to Derrida’s concept of phenomena, the title pulled from the philosopher’s own writing. The gorgeous hand-blown sculptures are raised well above eye-level, heightening their spectral appearance as they are framed against the gallery’s skylights.

Adel_Wolf2.jpg

Also on display is a collection of crude sketches of animals bearing dynamite, which intentionally resemble cave drawings. A looped video shows a baboon spelling out in magnetic letters the words “Hutu” and “Tutsi.” This is a reference to the two conflicting factions of the Rwandan genocide, and continues Abdessemed’s recurring theme of violence. “Who’s Afraid of the Big Bad Wolf” marks the build-up to Abdessemed’s major upcoming exhibition at the Centre Pompidou, which opens October 2012.

See more images of “Who’s Afraid of the Big Bad Wolf” in our slideshow of the exhibitition.

Who’s Afraid of the Big Bad Wolf

17 February through 17 March 2012

David Zwirner Gallery

525 West 19th Street

New York, NY 10011


Cool Hunting Capsule Video: Zoomorphic Collection

Our video on London’s most extensive and unusual collection of taxidermic antiquities

by Michael Tyburski

In this video we catch up with Emma Hawkins, co-curator of the 2010 Hawkins Zoomorphic Collection exhibit in London. Put together in association with her father J.B. Hawkins, a 40-year-veteran of the antique industry, the collection contains over 200 animal objects, from hummingbird jewelry to a bull head snuff box. Here Emma shows off some prime examples of functional and entertaining taxidermy that has lasted into the 21st century.


20 Designers at Biologiska

20 Designers at Biologiska

Stockholm 2011: 20 designers presented their work among stuffed animals and dried plants inside the vitrines of the Biologiska museum in Stockholm last week.

20 Designers at Biologiska

Visitors ascended double spiral staircases at the centre of the building, draped with clothing by Katrin Greiling and lighting by David Taylor, before arriving at a 360-degree two-storey diorama filled with taxidermy.

20 Designers at Biologiska

Designers including Fredrik Färg and Staffan Holm presented work on the circular landings and inside glass cases.

20 Designers at Biologiska

Further pieces were on display inside the diorama itself and in the museum’s ground floor hallways, including work by Mark Braun of Germany and Florian Hauswirth of Switzerland.

20 Designers at Biologiska

The exhibition, called 20 Designers at Biologiska, was curated by French designer Emma Marga Blanche and Dutch designer Fredrik Färg in collaboration with museum director Lars-Erik Larsson and Hanna Nova Beatrice of Plaza Magazine.

20 Designers at Biologiska

Stockholm Design Week took place 7-13 February. See all our coverage of the event here »

20 Designers at Biologiska

More animals on Dezeen »

20 Designers at Biologiska

The information that follows is from the curators:


INTERNATIONAL DESIGN IN THE SWEDISH NATURE.

WELCOME TO A MAGICAL & DIFFERENT DESIGN EXPERIENCE IN A FANTASTIC MUSEUM.

An exhibition that is about evolution, diversity, and universality, where contemporary design, art and light is housed in an unexpected context. A magical place of historical and emotional value that creates a dialogue between the stationary artificial scenery and the always variable design stage. Curated by Fredrik Färg, Emma Marga Blanche and Hanna Nova Beatrice.

20 Designers at Biologiska

The French-born designer Emma Marga Blanche visited ”Biologiska” Museum for the first time Christmas 2009. She was immediately mesmerized by the fantastic scenery. Even the inhabitants of Stockholm know more about the outside of the Museum than the magic inside, that revealed itself for Emma like a frozen treasure of nature from 1893. The idea of showing the location to others began to germinate.

20 Designers at Biologiska

In April 2010 Emma visited the site with Fredrik Färg and met Lars-Erik Larsson, the head of the museum, who vividly described the museum and its interesting history. The idea of a design exhibition within the premises was born and Fredrik who likes anything but white boxes as the backdrop for his work engaged himself.

20 Designers at Biologiska

In the autumn of 2010, it became clear that Lars-Erik of “Biologiska” and Hanna Nova Beatrice from Plaza Magazine together with Emma and Fredrik would create the event: ”20 designers at Biologiska” at Stockholm Design Week 2011.

20 Designers at Biologiska

It includes, as its name implies, 20 national and international designers from more than 15 countries. From the Netherlands to Italy, Sweden and Canada. Designers like Duilio Forte, Valantin Loellman, Cate & Nelson, Cooper & Gorfer as well as the curators themselves will have their contemporary design represented in the dioramas of Biologiska. Biologiska, which in principle is a daylight museum will be shown in new and exciting ways made possible by the main partners, lighting companies Cardi and Elektroskandia Belysning.

20 Designers at Biologiska

The “Biologiska museet” is situated at Djurgården and was built in 1893. The architecture is inspired by the medieval Norwegian stave churches.

20 Designers at Biologiska

The pioneering educational aspect of the museum was the use of the diorama for the first time on a grand scale in order to present the natural habitat. The perspective of the diorama unites foreground and background. The large, painted backgrounds are the work of Bruno Liljefors who is famous for his dramatic painting of birds and animals.

20 Designers at Biologiska

The vast diorama, which can be viewed from two levels, presents the different types of landscape from inland Sweden as well as from the coast.


See also:

.

Avifauna by Maarten Kolk
& Guus Kusters
Taxidermy artwork
by Idiots
Jewellery and objects
by Kelly McCallum

Avifauna by Maarten Kolk Guus Kusters

Stuffed animals covered in fabric by Dutch designers Maarten Kolk #38; Guus Kusters will be presented at Pierre Bergé #38; Associés in Brussels next week.

A grey heron, tawny owl and blackbird were stuffed without plumage then wrapped in fabric and mounted on oak.

The pieces, called Avifauna, will be on sale at an auction of objects […]div class=”feedflare”
a href=”http://feeds.feedburner.com/~ff/dezeen?a=zVAQKnQF0kg:3SX1W6WTKCo:yIl2AUoC8zA”img src=”http://feeds.feedburner.com/~ff/dezeen?d=yIl2AUoC8zA” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/dezeen?a=zVAQKnQF0kg:3SX1W6WTKCo:V_sGLiPBpWU”img src=”http://feeds.feedburner.com/~ff/dezeen?i=zVAQKnQF0kg:3SX1W6WTKCo:V_sGLiPBpWU” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/dezeen?a=zVAQKnQF0kg:3SX1W6WTKCo:gIN9vFwOqvQ”img src=”http://feeds.feedburner.com/~ff/dezeen?i=zVAQKnQF0kg:3SX1W6WTKCo:gIN9vFwOqvQ” border=”0″/img/a a href=”http://feeds.feedburner.com/~ff/dezeen?a=zVAQKnQF0kg:3SX1W6WTKCo:D7DqB2pKExk”img src=”http://feeds.feedburner.com/~ff/dezeen?i=zVAQKnQF0kg:3SX1W6WTKCo:D7DqB2pKExk” border=”0″/img/a
/div