The Incubator Series by Anke Weiss

The Incubator Series by Anke Weiss

Porcelain containers based on insect eggs by Dutch designer Anke Weiss are on show as part of Eat Drink Design at Dutch Design Week in Eindhoven this week. 

The Incubator Series by Anke Weiss

Called The Incubator Series, the pieces were developed from microscopic photographs of eggs.

The Incubator Series by Anke Weiss

Eat Drink Design is a temporary restaurant furnished with designers’ work. See our story about last year’s Eat Drink Design here.

The Incubator Series by Anke Weiss

Dutch Design Week continues until 31 October.

The Incubator Series by Anke Weiss

See all our stories about Anke Weiss »

The Incubator Series by Anke Weiss

The information below is from Weiss:


Eat Drink Design is presenting the series ‘Incubators’ by Anke Weiss at the Dutch Design Week Eindhoven.

The Incubator Series are a collection of porcelain vessels based on the aesthetics of insect eggs.

Strangely familiar yet very alien these shapes evoke a feeling of unsettling attraction.

In this work science meets imagination. While originally based on microscopic photography, the objects remain products of the mind.

Combining its scientific meaning of developing a life form for a particular purpose or quality, the term ‘incubation’ refers to the development of an idea or a dream as well.

The objects show an offensive expansion resembling prehistoric depictions of fertility gods and the very general impression of potent breeding power.

The elementary and primitive shapes of the Incubator Series create a tension that touches rudimentary emotions while describing the essential process of creation.


See also:

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Table with a View
by Anke Weiss
Bonsai Tree Table
by Anke Weiss
Packaging Lights
by Anke Weiss

Thermal Till Paper Vessels by Philippe Malouin

Thermal Till Paper Vessels by Philippe Malouin

Vienna Design Week 2010: London designer Philippe Malouin made bowls from rolls of till paper at Vienna Design Week Laboratory.

Thermal Till Paper Vessels by Philippe Malouin

Called Thermal Till Paper Vessels, the pieces were created in the Kunsthalle Wien Project Space Karlsplatz as part of a project called Papermania! where designers took over the space and used it to create works out of paper in front of visitors.

Thermal Till Paper Vessels by Philippe Malouin

Malouin’s process involved coiling the paper using an electric drill before pulling up the layers of paper to create dishes.

Thermal Till Paper Vessels by Philippe Malouin

He blackened the paper by rubbing it with sandpaper, as the paper used for till receipts is sensitive to heat so responded to the friction.

Malouin worked in the space 6–9 October.

Watch movies of the process here and here.

Thermal Till Paper Vessels by Philippe Malouin

See all our stories about Vienna Design Week »
See all our stories about Philippe Malouin »

Thermal Till Paper Vessels by Philippe Malouin

Here’s some more information from the designer:


I decided to work with thermal receipt paper rolls. one thing that is important to say is that the results that we obtained are in no way a finished product, they are simply the results of my experimenting with a new manufacturing technique, and they are not objects with an assigned function. just vessels for the time being…

The final vessels that we chose for the pictures used no glue, and were the result of rolling rolls of paper and shaping the vessels by throwing the paper in a similar way to throwing a pot. What we had done was to mix a manufacturing technique and a material that we not meant to be used together… The vessels obtained the black colour patterns solely by sanding them with sandpaper. the heat generated then coloured the thermal paper.

I uploaded the photos and videos onto the press site in the folder : “thermal-till-paper-vessels”

there are quite a few videos that explain how the technique is made as well as how the materials change colour once subjected to heat using a heat gun, etc. have a look, and let me know if we should upload them to vimeo or something like that, I tried to upload the videos to youtube, but the quality is not great.


See also:

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Paper vessels by
by Siba Sahabi
Paper vessels by
Jo Meesters
Paper vessels by
Debbie Wijskamp

Knotted by Judith van den Boom and Sharon Geschiere

Knotted by Judith van den Boom and Sharon Geschiere

The shape of theses vases by designers Judith van den Boom and Sharon Geschiere was derived from knotted rubber tubing.

Knotted by Judith van den Boom and Sharon Geschiere

The porcelain pieces have a rough sandy texture glazed in white, black or grey.

Knotted by Judith van den Boom and Sharon Geschiere

The following details are from the designers:


Vases Knotted, Porcelain

During a series of material brainstorms and try outs between Judith van den Boom and Sharon Geschiere a series of playful designs appeared. Judith and Sharon were experimenting with the fluidity of rubber tubes, creating large and small forms.

Knotted by Judith van den Boom and Sharon Geschiere

This all happened in Jingdezhen, China where the moment of brainstorms could quickly be experienced in porcelain forms. The products in porcelain contain the rubber fluidity and became a serie of vases with the intriguing form flow. They are produced in try out selection but are currenly also produced through a designshop into a new series of 3 larger sizes and colors.

Knotted by Judith van den Boom and Sharon Geschiere

Fluid shape, form and glazes form with the soft and rough sand textures covering the skins of knotted vases. Ceramic knotted vases are grey black and white sand glazed, 15×15x10cm, waterproof with setup edition of 30 pieces.


See also:

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Qing Zuo! by Judith
van den Boom
Blasted Vase
by Kai Linke
Reversed Volumes
by Mischer’Traxler

Vindobona by Claesson Koivisto Rune

Vindobona by Claesson Koivisto Rune

Vienna Design Week 2010: Stockholm designers Claesson Koivisto Rune present a series of engraved carafes that can be converted into vases by adding various precious metal collars at the Liechtenstein Museum in Vienna.

Vindobona by Claesson Koivisto Rune

Called Vindobona, the Roman name for Vienna’s location, the series was created in collaboration with Viennese glass company J. & L. Lobmeyr and silversmiths Wiener Silber Manufactur.

Vindobona by Claesson Koivisto Rune

The collars and drinking cups are handmade in gold and silver with hammered, polished or brushed finishes, while the carafe is engraved with patterns from J. & L. Lobmeyr’s archives, plus two new patterns created by Claesson Koivisto Rune.

Vindobona by Claesson Koivisto Rune

The installation remains on show until 9 November.

Vindobona by Claesson Koivisto Rune

See all our stories about Vienna Design Week »

Vindobona by Claesson Koivisto Rune

Photographs are by Kollektiv Fischka.

Vindobona by Claesson Koivisto Rune

Here’s some more information from Claesson Koivisto Rune:


Vindobona
Three vases and a carafe in one

The new Vindobona vase and carafe collection was presented for the first time on September 30th, at Liechtenstein Museum. The presentation, in the form of an installation in the special exhibition gallery, continues until November 9th, 2010.

The architects and designers Claesson Koivisto Rune created the Vindobona project through a special collaboration between the high quality crystal glass manufacturer J. & L. Lobmeyr and the exclusive silver manufacturer Wiener Silber Manufactur. The collaboration was initiated by Vienna Design Week through Tulga Beyerle and Rüdiger Andorfer.

The brand new Vindobona objects are a series of handcrafted, crystal glass carafes with engraved patterns. They can either be paired with handmade silver and gold drinking tumblers or can be adapted in to three different vases by adding one of three different precious metal collars.

Each collar has been designed for a type of flower or bouquet. There is one for a lily, one for a bouquet of poppies and one for a bouquet of tulips. Add any of the collars to a carafe to create one of three different vases. The collars have a refined selection of surface finishes, hammered, brushed, polished or gold, showing off the expertise of Wiener Silber Manufactur.

The carafe, in mouth-blown crystal glass, is available with a selection of engraved patterns from Lobmeyr’s archives. Furthermore, Claesson Koivisto Rune designed two new patterns specifically for the Vindobona collection.

The name of the collection, ‘Vindobona’, is the Roman name for the settlement originally sited where the modern city of Vienna now stands. It is still used as a jovial term for Vienna city by its residents.

“The table is a powerful thing. We sit down, we eat and we drink. We gather, talk and discuss. We socialise. At the table life-long love bonds have started and wars have ended.

The way we see it, as long as time, the table has been no less than a centrepoint for human interaction. Like the people that gather around the table, the things we put on the table each have their own background and personality. And right there lies the beauty of it: how the parts are assembled creates the dynamic, always unique.


See also:

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More tableware
stories
More stories about
Claesson Koivisto Rune
More about Vienna
Design Week

Grand Crus Cup Parade by Dottings

Grand Crus Cup Parade by Dottings

Vienna Design Week: Vienna designers Dottings presented a series of coffee cups made of recycled aluminium coffee capsules for coffee brand Nespresso in Vienna last week.

Grand Crus Cup Parade by Dottings

Called Grand Crus Cup Parade, the pieces are each made of recycled aluminium and styled to resemble Nespresso’s range of capsules in sixteen colours.

Grand Crus Cup Parade by Dottings

The designers propose a system where customers return their used capsules for recycling in order to collect points, which they can exchange for the set.

Grand Crus Cup Parade by Dottings

The design was one of three winning entires in a competition entitled SUSTAIN.ABILITY.DESIGN, sponsored by Vienna Design Week organisers Neigungsgruppe Design and Nespresso Austria.

Grand Crus Cup Parade by Dottings

See all our stories about Vienna Design Week »

Here’s some more information from the designers:


dottings was invited to present their idea concerning the theme Nespresso & Sustainability for a Vienna Design Week Exhibition.
What was developed is a Vision – from the used Nespresso capsule to a designed Recyclingproduct.

“Grand Crus Cup Parade” is produced from 100% recycled Aluminium Capsules that Nespresso followers return to Recycling Stations. For returning capsules they collect “Eco-Points” – the only currency to buy “Grand Crus Cup Parade” with.

Grand Crus Cup Parade by Dottings

Recycling Aluminium requires just 10% of the energy compared to extraction of new aluminium.

The shape of “Grand Crus Cup Parade” is dedicated to the capsule. In Small, Medium & Large Size, in 16 Nespresso Blend Colours, the cups define perfect size of each coffee. It´s a klind of “guidance system” for Nespresso Coffees Selection.


See also:

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Concrete coffee maker
by Shmuel Linski
Cylinda and Dot by
Paul Smith for Stelton
Slim Cup by
Sharona Merlin

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