Hasta La Ideas

Milan 2014: fluid compositions of coloured glaze cover the ceramic tops of these metal-framed tables by German designer Elisa Strozyk (+ slideshow).

Strozyk created the table tops by covering them with different liquid glazes, which were then mixed together by rotating each piece and blowing air across the surface.

This technique makes the glazes “pool and mix together”, creating “traces of fluid movement and smoke-like patterns, which are solidified in the heat of the kiln,” said Strozyk.

Shades of grey, blue, brown and white swirl and blend together on the table tops, which have a reflective glass-like finish to them created by the glaze.

“Glazing clay is one of the oldest techniques to decorate products of everyday life,” said the designer. “The process of firing transforms the liquid suspension of metal oxides and powdered minerals into various glass-like surface-finishes.”

Strozyk also carved criss-crossing lines into the glaze on the surface of one table, allowing the ceramic base to show through the rust-coloured shades decorating the top.

The round ceramic tops sit on simple metal frames, which come in copper and steel and are available in three different sizes.

The tables were shown as part of the Berlin Design Selection in the Ventura Lambrate district of Milan last week.

Photographs are by Studio Been.

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by Elisa Strozyk appeared first on Dezeen.

Milan 2014: Dutch studio Scholten & Baijings has designed a series of marble tables decorated with engraved geometric patterns that contrast with the natural veined surface of the stone.

Scholten & Baijings created the Solid Patterns series for Italian marble producer Luce di Carrara and used different types of marble from the company’s quarry in Tuscany to produce five unique pieces.

“The collection is inspired by the uniqueness of marble quarried from the depths of the Apuan Alps,” said the designers. “Designing was all about expressing the various characteristics of the marble in a single form, merging mass, colour, unique line patterns and circular shapes.”

Thin table tops with irregular rounded edges combine with bases shaped as columns, truncated cones, faceted blocks or fluid curving forms.

In some cases, Scholten & Baijings applied its signature geometric patterns to the table tops, while other examples feature lines engraved into the bases.

“Adding grid patterns to the designs has created a contemporary look that enhances the contrast between the graphics and the crystalline marble patterns,” the designers added.

The largest table in the series can be used as a dining or conference table. It features a base made from a single block of white-beige marble, embellished with a subtle pattern of vertical lines.

Two low coffee tables, one produced from brown-beige Lericy marble and another from a pink-hued stone, feature criss-crossing diagonal lines covering their top surfaces.

One of two taller tables for seating three to four people has a base made from a hollowed-out block of grey marble with a pattern of vertical, horizontal and diagonal lines. A similar pattern applied to the other table’s base emphasises the accuracy of its faceted form.

The collection was presented at Spazio Rossana Orlandi in Milan during last week’s Salone Internazionale del Mobile.

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into marble table collection appeared first on Dezeen.

Milan 2014: American furniture company Emeco has revealed a collection of stools and tables made from recycled and reclaimed materials in collaboration with Nendo (+ slideshow).

Called SU, which means simple and plain in Japanese, the collection is being shown at the Salone Internazionale del Mobile in Milan this week.

The tabletop is made from high-pressure laminate (HPL). The stool seats come in three materials – reclaimed oak, eco-concrete and recycled polyethylene. The legs to the table and stools are made of reclaimed oak or recycled aluminium in natural or with a black anodized finish.

Oki Sato from Nendo said he was inspired by the American company’s Navy Chair design in making the collection. “The Emeco Navy Chair is “the chair”, and has always been inspiring many architects and designers around the world,” said Sato.

“After roughly two years, we are proud to present a stool, which is strongly linked with the Navy Chair. It is for us, definitely “the stool”.”

The reclaimed oak seat has been sourced from old buildings in the US and carved by Amish craftsmen in Pennsylvania. Magnus Breitling, Vice president of product at Emeco said the wormholes in the oak give the seat “character and uniqueness”.

“We keep the oak seat untreated to allow the colour to change depending on its exposure to the sun, humidity and above all – usage, thus creating its own history,” said Breitling.

The eco or ‘green concrete’ is made from 50 per cent recycled glass bottles and CSA (calcium sulfoaluminate cement), which requires less energy to make.

The recycled polyethylene seats are shaped into the SU seat through rotation moulding and come in red, flint grey and dark charcoal grey.

The stools and tables will be on show until 13 April at the Emeco stand, Hall 20, E09 in Salone Internazionale del Mobile in Milan.

Here’s some more information from Emeco:

Emeco Announces the SU Collection – Stools and Tables Designed in Collaboration With Nendo

SU Collection features the famous Emeco characteristics of design, engineering and strength, built with recycled and reclaimed materials.

HANOVER, PA – April 8, 2014 – Emeco today announced that they will launch The SU Collection of stools and tables designed in collaboration with Nendo, at the Salone Internazionale del Mobile in Milan, Italy, April 8 – 13, at Emeco’s Stand Hall 20, E09. The Japanese concept of ‘su’ comes from traditional Japanese culture, and means simple, plain, minimal. Nendo brought the design aesthetic of ‘SU’ to the collaboration with Emeco, along with the name, for the Emeco SU Collection.

The SU Collection features precise engineering and the use of new, surprising eco-conscious materials. SU has “Emeco bones” the iconic seat of Emeco chairs made since 1944, and is made of reclaimed and recycled materials discovered through ongoing exploration of eco-conscious resources. SU seats come in three new material choices, all of which demonstrate a more environmentally conscious way of doing things, using responsibly selected alternatives of some traditional materials.

Solid reclaimed oak seats have been sourced from old architecture in the U.S.A., and carved into the Emeco seat by Amish craftsmen in Pennsylvania. Every piece is unique with signs of its past life. Eco- Concrete seats are made of Green-Concrete, a revolutionary concept that can replace the energy-consuming traditional concrete used in architecture. Emeco’s eco-concrete SU seat consists of 50% recycled glass bottles and CSA (calcium sulfoaluminate cement) that takes much less energy to make.

Recycled Polyethylene seats, made of 75% postindustrial and 25% post consumer content, and shaped into the SU seat through rotation molding, come in three timeless colour options – red, flint grey and dark charcoal grey. Emeco’s traditional material, recycled aluminium is used to make SU legs with either natural or black anodized finish. Reclaimed oak, as used in the seat, is another choice for the legs.

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to create new stool for Emeco appeared first on Dezeen.

Milan 2014: Milan designer Alberto Biagetti has created a furniture collection inspired by his home city that incorporates materials salvaged from its aristocratic palazzos.

The Bonjour Milàn collection developed by Biagetti’s studio, Atelier Biagetti, comprises a cabinet, a lamp, a large table and groups of side tables made from materials including discarded tiles.

“All of our pieces are hand made in Milan and each material has been selected to represent an historical era, a sort of sedimentation of materials,” the designer told Dezeen.

“This idea made us think that maybe in the future people will search for plastic in the ground as one of the most precious materials, as happens today with many materials that become more precious and rare over time.”

Hexagonal tiles taken from typical Milanese residences act as surfaces for side tables that feature bases made from rectangular brass profiles.

The structure of each table creates a seemingly delicate contrast to the weighty tiles, which are positioned at different heights.

“When I found these parts of a wonderful old floor with this incredible patina I thought that was a treasure and the perfect starting point,” explained Biagetti.

A mixture of discarded materials including copper, brass, plastic laminate and wood are applied to the glass surfaces of the table and cabinet and arranged in patterns that resemble sectional views of stratified rock or earth.

The patterns spread across the glass top of the table and continue onto the upper portion of the supporting trestles, while the top and bottom of the glass cabinet are covered in opaque materials that conceal its contents.

The Parabola lamp features an adjustable brass base supporting a parabolic dish that is inspired by the shape of the huge antennae used for space research.

A small reflector at the centre of the dish directs light onto the domed surface, which projects an even light into the room.

Each of the pieces in the collection is unique due to the irregular combination of available materials and the use of handmade production processes.

The collection was launched at a preview event in Paris last week ahead of a presentation at Atelier Biagetti’s Milan showroom from 8-13 April.

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to make furniture by Atelier Biagetti appeared first on Dezeen.

The base of this table by Japanese designer Kazunaga Sakashita was inspired by trestles found in factories and on construction sites.

Japanese designer Kazunaga Sakashita updated the archetypal trestle table support to make it suitable for use in the home or office, reproducing it in curving tubular steel.

“The trestle in a factory or construction site is very functional, and there are various ways to use it,” said the designer. “Because the top board is only placed on the trestle, you can make it suitable for the space by changing the material and size of the top board,”

A horizontal bar supports the table surface at each end, supported by one angled leg in its centre and a second bar that extends down from one end, along the floor and back up.

A diagonal strut between the bar on the floor and the angled leg stabilises the structure.

The trestle legs are treated with a soft-touch urethane coating which is exposed to ultraviolet rays to give it a hard finish.

An oak top is pictured in combination with the trestles, but Sakashita suggested that the material and size of the surface could be specified by the user.

Sakashita is currently producing the trestles himself while seeking a manufacturer.

Because the top board is only place on the trestle, you can use it in a use suitable for the space by changing material and the size of the top board.

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archetypal trestle table appeared first on Dezeen.