Origamaster Shades by BCXSY

Origamaster Shades by BCXSY

Here’s a pair of concertina-style sunglasses by Boaz Cohen and Sayaka Yamamoto of BCXSY.

Origamaster Shades by BCXSY

Inspired by origami, the Origamaster Shades are made of a thin sheet of transparent plastic that has been folded several times and pinched in three places to form glasses.

Origamaster Shades by BCXSY

The sunglasses are being shown as part of an exhibition in Tokyo called Shades Down in Tokyo Town, curated by Sofia Hedman and designer Karolina Kling of HEDMANKLING.

Origamaster Shades by BCXSY

The exhibition is at Calm & Punk Gallery in Tokyo and will run until 26 November.

Photographs are by Gavin Fernandes.

Origamaster Shades by BCXSY

Here’s some more information from the designers:


Origamaster Shades

Mastering the secrets of folding, long before the invention of paper and anything that is flat, the immortal Origamaster has been traveling through time and space since the dawn of mankind. The very few who had the chance for a quick glance could swear that he’s surrounded by a cloud of rapidly moving hands..
Being a very private person, the Origamaster has decided to create a piece which will help him to be less recognized while being among the living – folding a thin sheet of transparent plastic has been the perfect solution for that!

BCXSY was commissioned by HEDMANKLING to create a sunglasses concept for the project SHADES DOWN IN TOKYO TOWN – an exhibition that features the creatures and their spectacular spectacles.

The exhibition will take place at CALM & PUNK gallery, Tokyo, and in 2011 will tour to London, Gothenburg and Stockholm.

The participating artists are: Ann-Sofie Back, BCXSY, Bernhard Willhelm, BLESS, Charlie Le Mindu, Helle Mardahl, Henrik Vibskov, Iris Schieferstein, Josefin Arnell, Kling by Kling, Maiko Takeda, ManfreDu Schu, Mykita, Piers Atkinson, SWD/Skyward and Walter Van Beirendonck.


See also:

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Raen Optics

Surf and skate style meets ’50s inspiration in a Southern California sunglasses brand

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While its name may conjure cloudy weather, Raen Optics are a paean to endless summers and drop-tops—an enthusiasm made clear with their limited edition Myopia sunglasses created for surf-loving label Alexandra Cassaniti (in stores Spring ’11). Other latest styles—the Underwood (bottom left), Ryko and Squire (bottom right)—draw from “a very classic, mid-century design aesthetic.” The Squire was inspired by a photograph of James Dean in his Speedster, and all three do double duty as sleekly retro eyeglass frames.

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Founded in 2008, Raen is the brainchild of a foursome bonded by an appreciation of iconic sunglasses, Justin Heit, Jeremy Heit, Micah Dunham and Jordan Percy of Libre Design, a creative agency based in Encinitas, CA. The small coastal town thrives with upstart companies springing from skate and surf culture. “[This] has a heavy influence on coastal Encinitas, and this background has certainly shaped what Raen has become and will guide us in the future,” they explain.

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Each frame is handmade with select European acetates and hardware that you’d be hard-pressed to find at Raen’s wallet-friendly prices. “We are striving to create timeless pieces,” they say, designed to “be relevant for more than one or two seasons.”

Visit Raen online for collections and retailers. Prices start at $95.


Vintage Frames Company

One of the most esteemed purveyors of classic eyewear gets an online store
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To score a sunglasses fitting with the exclusive Vintage Frames Company, it wouldn’t hurt to be a hip-hop mogul or Russian princess. But now the largest distributor of its kind is offering hundreds of choice styles each month—from legendary labels like Alpina, Carrera and Silhouette—to the masses through its just-launched webshop. “The point [is] to offer a selection of frames to the public who have been dying to purchase them for the past years,” says owner Corey Shapiro.

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Based in Montreal, Shapiro and his team of fashion historians search the world for deadstock designer eyewear. His warehouse has more than 150,000 mint-condition frames, spanning the 1950s to the 1980s. “Old eyewear manufacturers took time and love to produce eyewear,” explains Shapiro. “Any of the handcrafted details put into eyewear cannot be added to today’s eyewear, as those factories have long been closed.”

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Nostalgia and manufacturing techniques aside, Vintage Frames has become a leader in shaping optical trends, as their reputation as a highly sought source of long-lost classic and original models has grown. “We also run a rather large division aiding today’s new eyewear designers through a historical look of eyewear, renting them all kinds of frames as production samples,” adds Shapiro.

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Such tight relationships with brands makes for a pretty amazing commemorative reissue as the label celebrates its fifth anniversary this month and online grand opening with a collaboration. “We have made a very special Cazal 951, which is the first frame I ever owned in my collection,” he says. “The status of a man in a certain crowd could be judged by how deep he went into accessorizing his 951. Diamonds, snakeskin, leather, gold—all that!”

Visit the Vintage Frames Company’s webshop for this month’s selection before it’s gone.


Ashland

Shwood launches its extra-durable wooden aviators with a month-long giveaway
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From watches to sunglasses, fashion accessories crafted from wood are at an all-time high. Pioneers in the movement, Portland-based Shwood just introduced their latest edition, the Ashland, which improves on the durability of other models. Paying tribute to the classic utilitarian design of aviator glasses, the Ashland sets mirrored (below, left) or polarized (below, right) lenses within chunky East Indian Rosewood frames.

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The new design boasts a 100% increase in strength, resulting in even longer-lasting glasses. And to protect these gems, Shwood came up with an attractive hard case to house them. Constructed from a mix of Walnut and European Maple, the wooden case features a two-piece slider design to keep frames secure as well as easily accessible.

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To celebrate the release of the Ashland, Shwood is giving away one pair of the new style each Thursday during the month of October, 2010. To enter, simply visit the official Shwood fan page on Facebook. The Ashland sells online from Shwood for $145.


Nonnative Dweller Sunglasses

La mia prossima montatura la posso trovare solo su Oki-ni.
[Via]

Dita Eyewear and Interview

by Russ Lowe

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Recently put to the test at a German Black Metal show, my Dita frames held up to the frenzy of elbows and foot stomping, returned to me with only a torqued arm that I easily snapped back into place. After wearing them for eight years, I finally realized why they are so coveted outside of their sleek silhouettes.

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The episode resulted in a refreshing phone conversation with Dita co-founder John Juniper about good snow, his three-decade friendship with co-founder Jeff Solorio, and his proudest moment since launching the line. Below we discuss their newest arrivals (including the chunky Insider shades, aviator style Condor, and stately Grandmaster-Three) and where the brand is headed in the future.

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Dita began out of a childhood friendship?

Yeah, Jeff and I have been friends since kindergarten and kind of ended up in the same place as we got older, with similar interests design-wise, so it was just a natural collaboration. It’s been great.

How did your common interests in design end up applied to optics?

Surfing and snowboarding had been a big part of things for us, and we identified a need in the market from it, and ran with it. It started with a few female board sports athletes we knew that were just frustrated with the lack of options out there. [They wanted] sunglasses that performed, but that they could wear anytime.

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How did the first few concept frames from the mid-’90s compare to your current collection?

Even then the frames we were interested in making pulled from more classic shapes from the past—an oversized scale, iconic designs from the ’50s and some ’80s punk rock influences.

How did you leap from progressive action sports optics for women to a more fashion-focused approach?

It kind of just happened because of the sort of stuff Jeff and I were interested in. A lot of our friends in L.A. had good taste, and we listened to the feedback we kept getting.

Actually, we started off producing our initial frame style in 250-unit batches, and celebrities like Jonathan Davis (Korn) and the Olsen twins started wearing them. Boutiques started placing orders, things got pretty hot after that, and we were forced to expand, introduce better designs and find better manufacturing in Japan.

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Rad problem. Since Ashley and Mary Kate, how have celebrity endorsements continued to impact your business, and your design perspective?

We’ve been lucky to have a lot of people fall in love with our product, and just show up in the press wearing them. We haven’t had to peddle it too hard. From Brad Pitt to LeBron James (who wears the Grand Master in almost every press conference), it’s been pretty cool to see. It’s really rewarding.

Years back, I was out hearing some music, and John Lee Hooker came out on stage wearing a pair of High Balls. That was kind of it for me. Like, this little full-circle moment where I sat there and just realized what was going on, and what we’d created. It was pretty cool. Even cooler was that they weren’t given to him.

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Assuming your drive is to keep making your brand better based on incremental progress, where do you go from here?

Well, it’s tougher than ever to stand out today. There’s just so much great stuff out there, and kids can pump out a sketch on their laptop and connect with a factory somewhere and all of a sudden it’s our competition.

We’re interested in continuing to work with top designers around the world, and investigate channels that keep an exclusive edge so Dita continues to be an experience and a culture, as well as just well-made eyewear.

In many ways, we’re sticking with what’s worked since day one: Minimal to zero logos, refining classic shapes in optics like the circle—just pushing toward pieces that will have as much contrast in the market as possible.

The frames are available from the company’s retail store Dita Legends or by visiting their stores in West Hollywood, Newport Beach and Tokyo.


Out-There Eyewear

The latest in statement-making shades push form over function with fantastical designs. These five pairs might impair your vision, but you’ll be far from invisible.

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Linda Farrow leads the pack with recent notable collaborations including Jeremy Scott and Alexander Wang. For British designer Todd Lynn, the revived eyewear label goes industrial with perforated stainless steel. They’re available on the Linda Farrow site for $340.

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Stevieboi’s affordably outlandish frames have graced the faces of Lady Gaga and Santigold. Snap up these futuristic Ibotz for $65 on his website .

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Kerin Rose has built a cult following with her decadently tricked-out shades. Inspired by punk icon Wendy O. Williams, the W.O.W sunglasses double as a decidedly practical headband. They’re $220 at her online store.

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Named after Russian astronaut Yuri Gagarin, Romain Kremer x Mykita’s designed this conceptual pair to protect the mind’s eye. They come out this fall.

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This season, German label Bless plays on mirrored lenses with a surreal twist. These aviators, in stock at Colette and Project No.8 for around $300, transport the wearer to a rocky beach.


Scandinavian Spring/Summer 2010 Sunglasses

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Emerging like edgy first blooms, a slew of new sunglasses from Stockholm are challenging other fashion capitals known for quality, stylish accessories. Both fashion forward frames and reconceived classics pop as the main styles, but three brands in particular have us excited for blues skies ahead.

Whyred (above) introduced handmade tortoiseshell frames with a sophisticated retro aesthetic. Taking their inspiration from The Who manager Pete Meaden, the look fits right in with the brand’s modern collections abiding by the motto “clean living under difficult circumstances.” The unisex sunglasses sell online for $340.

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The Scandinavian staple Cheap Monday leaves nothing to chance with a ride range of styles and colors. (See more in the gallery below.) Putting their spin on the classic Wayfarer, the label adds wire arms in place of plastic while leaving the main shape intact. Rounded edges and cat eye frames in pastels make a more feminine choice, while stylish dark blue plastic rims and gun metal wire aviators bring a harder edge. Pick them up from their store in Copenhagen and online from Urban Outfitters or Tobi for around $40.

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The Local Firm continues to reinvent the standard plastic sunglasses—last year, by squaring out the frame and oversizing it slightly. Now they’re even bigger with a more obvious block shape inspired by 3D glasses and ’80s electronica. The dark gray frames of its two models (Shadow or Dust) will sit nicely on the tanned and buff as well as the more pasty-faced. Both styles sell online for kr 995.


Jon and Lizzie Sunglasses

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From the Brooklyn-based studio behind the plaid pocket scarf, Wintercheck Factory introduces another functional accessory, this time adding wrap-around protection to sunglasses with their new Jon and Lizzie line. Modeled after the looks and design of old-school safety glasses, Wintercheck adapted the style to make the industrial feel of these classically vintage shapes available to all.

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Pistachio- or smoke-colored lenses lay the base for the plastic impact-resistant frames, each with colorful accents (they hand-dip the ear stems in urethane) and fitted with safety standard compliant side shields. Both the Wayfarer-esque Lizzie and the aviator-inspired Jon sunglasses come with a custom waterproof Witz lens locker case and carabiner, begging for trips to the beach.

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The 99.9% UV protected Jon and Lizzie sunglasses sell from Wintercheck Factory’s online shop for $45 each. See more images in the gallery below.


Moscot Mangito

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Adding a Brigitte Bardot touch to their Moscot Originals collection, the new Mangito frames seize on the cat-eye craze for spring. Moscot’s take interprets the style more subtly than other current versions, like Alexander Wang‘s recent kitschy-slash-punk collaboration with Linda Farrow.

Fit for ladies, the brand named the frames for Sol’s sister Gladys who ditched NYC’s Lower East Side for sunny Cuba Libre-filled days in Havana. Mangito—Cuban slang for sexy, hot and fresh—was the nickname Gladys’ future husband gave her when they met there and defines the demurely flirty essence of the new eye wear.

The Mangito specs come either as sunglasses or standard ophthalmic frames. Pick them up online for $250 in black or tortoiseshell.