Seasons by Valentin Loellmann

German designer Valentin Loellmann used hazel branches to create the knobbly legs of these benches, tables and stools.

Seasons by Valentin Loellmann

The naturally uneven legs were charred to black before being treated with wax.

Seasons by Valentin Loellmann

Polished oak was used for the seats and tabletops.

Seasons by Valentin Loellmann

We’ve previously featured a set of polyester-coated furniture by Loellmann.

Seasons by Valentin Loellmann

See all our stories about blackened wood »

Here’s some more information from the designer:


The project Seasons presents two interconnected collections by Valentin Loellmann which reflect a search for a system that depends on organic dynamism rather than geometric dictation, aiming to open up a space where design might not only mould nature, but also be moulded by it.

The collection Fall/Winter consists of stools, benches and tables with different dimensions, functions and structures. Although diverse in size and set-up, all pieces are characterised by a similar working process in which mortise-and-tenon joints are used to connect hazel branches to an oak top.

A mixture of sawdust and glue is used to fill and round off these connections, resulting in an aesthetic, organic form in which no sharp edges remain.

The pieces are burned and treated with wax, after which the top is sanded, polished and treated with oil. The hazel branches, chosen for their strength and straightness, introduce a natural dynamic into the final structure and give each piece a distinct recognisable character. Each piece is hand-made, marked and numbered.

The post Seasons by
Valentin Loellmann
appeared first on Dezeen.

The Royal Family Stools by Ellen Heilmann

This family of stools by German designer Ellen Heilmann can be used as tables or seats.

The Royal Family by Ellen Heilmann

The Royal Family comprises three American nutwood bases of different heights and three dark green cotton cushions. Each element is interchangeable and can be paired up or used as a single piece of furniture.

See all our stories about stools »

Here’s some more information from Ellen Heilmann:


The Royal Family consists of three stools which build a modular system. All parts of every stool can be used separately for sitting or as a table. Jointed The Royal Family builds an uniform stool-group, in which everyone is on the one hand visually similar and on the other hand each is individual, like family members usually are.
Material: american nutwood, dark green cotton.

Dimension: 310 mm x 470 mm

The post The Royal Family Stools
by Ellen Heilmann
appeared first on Dezeen.

Origin part III – Contrast by BCXSY

Origin part III Contrast by BCXSY

Eindhoven designers BCXSY worked with traditional Irish boat builders to develop this collection of stools, tables and bowls, which they’ll present at Spazio Rossana Orlandi in Milan next week.

Origin part III Contrast by BCXSY

Boaz Cohen and Sayaka Yamamoto were invited by the Sirius Arts Centre to undertake an artists’ residency at the Meitheal Mara boat-building culture and education centre in Cork.

Origin part III Contrast by BCXSY

Called Origin part III – Contrast, the pieces draw on steam-bending, joinery methods and clamps that the pair observed at the boat yard.

Origin part III Contrast by BCXSY

This is the third instalment in their Origin series of projects, working closely with skilled craftspeople to develop collections based on their techniques.

Origin part III Contrast by BCXSY

Last year they presented a collection of rugs woven by Bedouin women in Israel and in 2010 their first Origin project resulted in the acclaimed Join folding wooden screens made in collaboration with a Japanese joinery craftsman.

Origin part III Contrast by BCXSY

Read all our stories about BCXSY here.

Origin part III Contrast by BCXSY

The Salone Internazionale del Mobile takes place from 17 to 22 April. See all our stories about Milan 2012 here.

Origin part III Contrast by BCXSY

Here are some more details from BCXSY:


Origin part III Contrast by BCXSY

Origin part III: Contrast

Origin – our explorations into traditional crafts and techniques from a variety of backgrounds and disciplines.

Origin part III Contrast by BCXSY

Meitheal Mara – (translated from Irish roughly as, workers of the sea or sea community) is a charitable maritime cultural and educational centre based in Cork City in the south of Ireland, who’s main goal is to preserve the craftsmanship of traditional Irish boat building.

Origin part III Contrast by BCXSY

Contrast is the result of our collaboration with Meitheal Mara, and consists of a Side-Table, Stool, Fruit Bowl and Serving Tray.

Origin part III Contrast by BCXSY

The multidisciplinary arts organization, Sirius Art Centre, based in Cobh, County Cork, has commissioned us through their internationally recognized artist in residency program to collaborate with Meitheal Mara.

Origin part III Contrast by BCXSY

The boat-building techniques we have witnessed at Meitheal Mara were very different from the traditional artistry we have worked with in the past – they utilize rougher, unrefined and simple methods, while being strikingly efficient. Observing their work we were fascinated by how almost magically, in a matter of a few days, a vessel can be constructed which allows people to travel on the water.

Origin part III Contrast by BCXSY

Due to the fact that the work done by the participants at Meitheal Mara is specific and created to achieve a functional end-result, without involving much attention to cosmetic details, and that the artisans are comprised of people with a variety of backgrounds, skills levels and working schemes, the project has turned out to be particularly challenging.

Origin part III Contrast by BCXSY

Building or redesigning a boat was never our intention for this collaboration. Our goal was rather to employ the naturalness, efficiency and functionality of Meitheal Mara traditional working methods and distil various various elements involved in the boat-building process in order to create new objects that are aesthetically far away from what Meitheal Mara does in their day-to-day work, yet always remaining focused on maintaining the link to their inspirational-origin.

Origin part III Contrast by BCXSY

“Rule number one of a boatyard is that you never have enough clamps”. In times of need, improvised clamps are made of only two pieces plywood. These clever artefacts were our inspiration while developing the Side-Tables and Stools, by which the top plate is clamped between two vertical plates. The outer surfaces of the plywood are removed, revealing the less regularly placed wooden layers, making each and every piece unique.

Origin part III Contrast by BCXSY

Steaming and bending of long and narrow wooden planks are common during the boat-building process and mostly used for covering the outer surface or support the boat’s frame. For the Fruit Bowls we have used shorter and wider planks of freshly cut Ash. Two long cuts make it possible to bend and twist the surface until the final form is achieved and fixed by using copper nails and roves. The white painted parts are a reference to the water line painted on the boats.

Origin part III Contrast by BCXSY

A scarph joint is used for connecting two different pieces of timber and is commonly used when constructing a boat. A well-made joint gives the boat-builders a chance to demonstrate their skill.

Origin part III Contrast by BCXSY

The Serving Trays are constructed by two pieces of Sycamore. Once the joint is fixed, the top is painted, and then a part of the upper surface is routed, revealing the beauty of the light-coloured timber and the joint.

Origin part III Contrast by BCXSY

All timber used in the project is sourced from local, sustainable origins. All surface treatments are water-based and food safe.

Origin part III Contrast by BCXSY

Xylinum by Jannis Hülsen

Xylinum by Jannis Hülsen

Berlin designer Jannis Hülsen upholstered this stool by using bacteria to grow a cellulose skin over its surface.

Xylinum by Jannis Hülsen

Called Xylinum after the bacterium used to create it, the furniture is immersed in a tank while the bacteria consumes sugar and builds a cellulose fibre structure.

Xylinum by Jannis Hülsen

Once finished it can be dried out to form a material that’s 100% biodegradable.

Xylinum by Jannis Hülsen

Here are some more details from Jannis Huelsen:


Background

Xylinum is a research project that asks: “What could future materials and production processes look like?” It has been known for a long time, that micro-organisms can be used for industrial processes, like yeast cultures for production of bread, alcohol or cheese. Since it is possible to decode the DNA of organisms, and even to change it consciously, the so called “White Biotechnology” has changed fundamentally. Now it has become possible to replace chemical by organic processes. This already has happened in the textile and detergent industry and shows big potential in the production of energy or plastics. Bacterial-cellulose is such a material, which is produced by a bacterium called Acetobacter Xylinum. In a nutrition liquid it transforms sugar into a cellulose-fibre structure. The project was realized in collaboration with the company Jenpolymers in Jena, which developed the technique that makes it possible to shape the material already during the production process inside the liquid.

Xylinum by Jannis Hülsen

Production

The properties of the cellulose fleece are adjusted to its medical use. So far, applications are hollow implants for bypass operations or as wound dressing. It is characterized by its three-dimensional nano grid structure, which leads to excellent mechanical properties. Its stability in a wet condition is even comparable to steel or Kevlar. Moreover, it is so pure that, if placed inside the human body, it is settled by the body’s own cells. Therefore, it is non-allergic and fully recyclable. Due to the fact, that the material is made for a medical use inside the human body and on wounds, the material binds a lot of water and needs to be dried afterwards.

Xylinum by Jannis Hülsen

A pivotal question of the project is how to process and use the material. To sum up the many different material samples that originated from the project and to make the material available to the public, there is a book called “Bakteriencellulose-Bebilderter Erfahrungsbericht einer Diplomarbeit” (“Bacterial cellulose – illustrated report of a diploma thesis”).

Xylinum by Jannis Hülsen

Creation

The aim of the project was to create a blueprint for new materials and production processes. A stool meets the properties of the material and it has a clearly defined function, while providing a projection surface for the material. Due to its skin-like appearance, the cellulose material shows similarities to materials such as leather or parchment, which have a long tradition in furniture production.

Xylinum by Jannis Hülsen

Thus the handling of parchment for furniture is one of the most sophisticated and expensive crafting techniques. The material fills the seating surface functionally, only thus turning the object from frame to stool.

Xylinum by Jannis Hülsen

The design is based on experiences from various experimental material samples. Since neither the aesthetics nor the behaviour of the bacteria could be foreseen, the project turned up with many surprises. For example, the material with the best qualities for the bacteria coating turned out to be wood. Being natural cellulose itself, it turned out to be an appropriate material for the frame construction.

Xylinum by Jannis Hülsen

Alder wood was chosen because of its fine and regular structure and drying properties. The connection between ring and legs are form-fit and are provided with radii, to prevent the material from being damaged. To make sure the connections stay stable after the construction is removed from the liquid a special glue, that reacts well to the bacteria had to be used. For the final coating the ring was filled with a mould, that could be removed after the coating process.

Xylinum by Jannis Hülsen

Evaluation

The stool shows an attempt to integrate natural, unpredictable processes into a planned design process. It is possible to plan the construction and the material, but neither to predict the shape after the drying process, nor the eventual appearance of the cellulose.

Xylinum by Jannis Hülsen

The new way of production in a nutrition liquid, using micro-organisms, places consumer goods in a new context. In contrast to exhaust-producing factories, a new generation of products could be produced in a natural way, compared to a sprouting seed or a growing being. The unique look of each stool supports this characteristic naturally.

Xylinum by Jannis Hülsen

Bacterial-cellulose is a material which is part of a new generations of materials, that are highly specialized, sustainable to produce and biodegradeable. Since the measuring units engineers and biochemist work with become closer, these to professions will overlap more and more in the future. The biochemist will be the engineer of the future. Organisms found in nature will be copied and rebuild for industrial use.

Xylinum by Jannis Hülsen

The next step would be the entire new design of artificial systems, that will fulfil the dream of not only imitating nature, but improving it. Regarding all these promising perspective, this still young discipline of science has to be examined critically against the background of possible genetic manipulation of living beings.

Dezeen Screen: Gravity by Jólan van der Wiel

Dezeen Screen: Gravity by Jólan van der Wiel

Dezeen Screen: designer Jólan van der Wiel has sent us this movie of his machine for shaping stools using gravity and magnets, on display as part of the [D3] Contest for young designers at imm cologne in Germany this week. Watch the movie »

Antique Chinese stools from Chest of Drawers at the Temporium

Antique Chinese stools from Chest of Drawers

The Temporium: regular readers might be surprised to see antiques on Dezeen but these wooden stools from our neighbours Chest of Drawers are today’s Advent calendar feature from our Christmas shop The Temporium.

Antique Chinese stools from Chest of Drawers at the Temporium

Sourced from the Shanxi region of China and expertly restored, each stool is between 80 and 120 years old.

Antique Chinese stools from Chest of Drawers at the Temporium

They’re made of elm or walnut in round and rectangular versions, constructed with mortise and tenon or lap joints.

Antique Chinese stools from Chest of Drawers at the Temporium

Chest of Drawers also show a series of rice measures at the shop.

Antique Chinese stools from Chest of Drawers at the Temporium

The company received a Guardian Sustainable Business Award for their system that rates the sustainability of each wooden product in May this year – see our earlier Dezeen Wire story.

Here are some more details from Chest of Drawers:


Antique Chinese stools – a selection of round and rectangular wooden stools

These stools come from the Shanxi region, one of the richest places in China during the Qing Dynasty.

This region is regarded as one of cradles of the Chinese nation and civilisation with a deep tradition of furniture making of the very highest level.

These rectangular and round stools are a beautiful testament to the simplicity of Oriental furniture from that time. With mortise & tenon and lap joints the legs not only look good but provide strength. Stools are made of elm or walnut and are between 80 and 120 years old. We clean them up but don’t re-touch the designs or decoration. Careful restoration is carried out by skilled restorers but otherwise we leave these pieces well enough alone.

The Temporium 2011

Dezeen presents The Temporium

65 Monmouth Street
Seven Dials, Covent Garden
London WC2H 9DG

Map

Telephone:
020 7503 7319

Dates:
1-24 December 2011

Opening times:
Monday – Saturday: 11:00 – 19:00
Late-night shopping Thursday until 20:00
Sunday: 12:00 – 17:00

More info: www.thetemporium.com

Today at Dezeen Platform: Roger Arquer

Roger Arquer_platform

Dezeen Space: Spanish designer Roger Arquer is next up on Dezeen Platform, our micro-exhibition at Dezeen Space, with his Alba chair and stool.

Roger Arquer_platform

Alba comprises a child’s chair and stool made from wooden kitchen implements including rolling pins and wooden spoons.

Roger Arquer_platform

Back in 2009 Arquer’s non-lethal mousetraps were one of the most popular projects ever published on Dezeen and they’re featured in the Dezeen Book of Ideas, which you can order online or buy in person at Dezeen Space.

Roger Arquer_platform

See all our stories about Roger Arquer here.

Roger Arquer_platform

Each day, for 30 days, a different designer will use a one metre by one metre space to exhibit their work at Dezeen Space. See the full lineup for Dezeen Platform here.

Roger Arquer_platform

More about Dezeen Space here and more about the London Design festival here.

Roger Arquer_platform

Dezeen Space
17 September – 16 October
Monday-Saturday 11am-7pm
Sunday 11am-5pm

54 Rivington Street,
London EC2A 3QN

Roger Arquer_platform


See also:

.

Funnel Friends
by Roger Arquer
Skeleton
by Roger Arquer
Dramprom
by Roger Arquer

Superheroes by Glimpt

Superheroes by Glimpt

These stools by Swedish designers Glimpt are made in Vietnam from rolls of seagrass, bound with the thread that’s normally used to make hammocks.

Superheroes by Glimpt

The manufacturers usually produce small bowls made of sea grass fixed with thread, so Glimpt scaled up the process.

Superheroes by Glimpt

Called Superheroes, the collection was developed with Vietnamese furniture company UMA.

Superheroes by Glimpt

The coloured patterns were created by Swedish illustrator Malin Koort.

Superheroes by Glimpt

Glimpt first appeared on Dezeen with their Forbiden Fruit series of lamps designed in collaboration with craftsmen from South Africa.

Superheroes by Glimpt

The information below is from Glimpt:


Superheroes

A series of stools with rolls of seagrass fixed with hammock thread.

Superheroes by Glimpt

After South Africa we felt inspired to continue working and cooperating with craftsmen in other countries. The idea of going to Vietnam started taking shape, and eventually we established contact with UMA, a Vietnamese furniture company.

Superheroes by Glimpt

A necessary and important source of influence is both the country and the culture. That is why we want to travel without any final ideas and through visiting different craftsmen find inspiration for our work.

Superheroes by Glimpt

Via UMA we got into contact with seagrass and plastic weavers in Ho Chi Minh City in southern Vietnam. They usually make small bowls with paperthread fixed around rolls of seagrass. After spending some time with the weavers and rethinking our first ideas, we realised that we could scale up the dimensions of the rolls. And having seen people in the streets selling hammocks made out of colourful thread we found the right combination.

Superheroes by Glimpt

Since the Vietnamese weavers copied a lot of African patterns in their work, we didn ́t want to use that. Instead we worked together with Swedish illustrator Malin Koort, who helped us develop the patterns for the series.

Superheroes by Glimpt

After some time we came up with the series called Superheroes. A lounge concept merging Vietnamese crafts and Scandinavian design.

Superheroes by Glimpt

The pieces can now be ordered from Vietnam, just contact UMA.


See also:

.

Swell by Form Us
With Love for Voice
Campana Brothers
for Artecnica
The Coiling Collection
by Raw Edges

Stitching Concrete by Florian Schmid

Stitching Concrete by Florian Schmid

Industrial design graduate Florian Schmid made these stools by folding fabric that’s impregnated with cement then drenching it in water. 

Stitching Concrete by Florian Schmid

Called Stitching Concrete, the stools are made from a material called Concrete Canvas, which Dezeen featured in 2009.

Stitching Concrete by Florian Schmid

It consists of cement layered between fabric and a PVC backing. Once soaked it can be manipulated for a few hours before hardening.

Stitching Concrete by Florian Schmid

Schmid folds the Concrete Canvas and stitches the edges together with brightly coloured thread, then supports it on a wooden mould while it’s drenched in water and allowed to harden.

Stitching Concrete by Florian Schmid

The finished stools retain the soft appearance of folded fabric but are fireproof, waterproof and strong enough to sit on.

Stitching Concrete by Florian Schmid

Schmid developed the project while studying at the Hochschule München in Germany.

Stitching Concrete by Florian Schmid

Read more about Concrete Canvas, including applications for disaster relief, in our earlier story.

Stitching Concrete by Florian Schmid

The following information is from Florian Schmid:


Stitching Concrete

“Stitching Concrete” is inspired by the contrasts of the Material Concrete Canvas.

Stitching Concrete by Florian Schmid

Once brought in the final shape, you just have to water the material and within 24 hours it will harden out. It combines the warm softness of the cloth and the stability of the cold concrete.

Stitching Concrete by Florian Schmid

The project plays with a visual delusion that actually an 8mm thickness of cloth can not give the strength to sit on.

Stitching Concrete by Florian Schmid

After some first test how to handle the material I tried to approach through different channels like patterns, stitchings, and all kinds of origami. For the final mock-ups thin foam rubber simulated the abilities of the real material as best.

Stitching Concrete by Florian Schmid

A special build wooden rack used as mould gives hold to the material during the watering and drying process. After the stool is harden out it can be removed.

Stitching Concrete by Florian Schmid

The mould is always the same and adjustable to the different heights, lengths and width of the objects.

Stitching Concrete by Florian Schmid

The Stools are for indoor and outdoor use, caused by the material’s durability against UV, fire proofed, water resistant and more.

Stitching Concrete by Florian Schmid


See also:

.

Concrete Chair by Tejo
Remy & René Veenhuizen
Concrete Things by
Komplot for Nola
FALT.series by
Tim Mackerodt

Folding Stool by Jack Smith

Folding Stool by Jack Smith

Show RCA 2011: to continue our series of graduate projects from the Royal College of Art, here’s a stool by Jack Smith that collapses when its seat is lifted.

Folding Stool by Jack Smith

The stool’s three hinged legs fit perfectly into a y-shaped hole in the seat, locking them into place.

Folding Stool by Jack Smith

This fit tightens when weight is added to the top, increasing the stool’s stability.

Folding Stool by Jack Smith

More about Show RCA 2011 on Dezeen »

The following text is provided by the designer:


An occasional stool that folds away neatly and easily with minimal components.

It folds away by picking up one side of the seat. Gravity, along with the angles used, enables the stool to fold out when put back down. The angle on top of the legs has been designed to add maximum strength. As weight is placed on the seat it pinches the top of the legs together creating a stronger join, the heavier the load the stronger the stool.


See also:

.

Showcase by Max
Frommeld
Offcut and Slab stools
by Tom Dixon
Pinocchio by David
Dolcini