Swedish footwear label, Gram has been quietly yet persistently gathering a cult following since its arrival in 2005. It’s the creative outlet of designer Hong Kong-based Alexis Holm, Johan Larsson and…
News: “An architecture challenge doesn’t come much better than this,” says David Chipperfield, who has been named winner in the competition to design a new home for the Nobel Prize in Stockholm (+ slideshow).
David Chipperfield Architects saw off competition from Swedish studios Wingårdh and Johan Celsing Arkitektkontor to land the prestigious commission to create the Nobel Center – an exhibition centre and events venue for the award that recognises advances in science and culture.
“I think all projects are important but this project has enormous meaning, not just for the city of Stockholm but internationally. An architecture challenge doesn’t come much better than this,” said Chipperfield.
The architect’s vision is for a shimmering brass-clad building on the waterfront. It will be fully glazed on the ground floor, opening out to a new city park on the sunny south-eastern side of the site.
“The jury finds the lightness and openness of the building very appealing and consistent with the Nobel Foundation’s explicit ambition to create an open and welcoming centre for the general public,” said Nobel Foundation executive director Lars Heikensten, who was a member of the judging panel.
“We view the winning proposal as a concrete interpretation of the Nobel Prize as Sweden’s most important symbol in the world. Stockholm will gain a building – magnificent but without pomp, powerful yet graceful – with qualities like those the City Hall gave the capital a century ago.”
Fellow jury member Per Wästberg added: “We view the winning proposal as a concrete interpretation of the Nobel Prize as Sweden’s most important symbol in the world. Stockholm will gain a building – magnificent but without pomp, powerful yet graceful – with qualities like those the City Hall gave the capital a century ago.”
As well as hosting the annual award ceremony each December, the building will provide a public centre for exhibitions, educational activities, events and meetings.
“It can be spectacular on its greatest night, but also it can be very useful and functional and working the rest of the year,” said Chipperfield.
Le projet Skip Ad remet la pertinence de la publicité en question, en décidant de réagir et de coller des stickers « Skip Ad » sur des panneaux publicitaires, dans différentes villes, New York, Sao Paulo, et Stockholm. Le projet propose au public de partager cette action en imprimant l’autocollant disponible sur leur site.
L’agence de publicité suédoise Akestam Holst et la maison de production Stopp ont conçu une publicité créative et interactive pour les produits capillaires Apotek Hjärtat de la marque Apolosophy, dans le métro de Stockholm. Quand un métro passe, les cheveux de la mannequin s’envolent dans tous les sens.
Stockholm’s Furniture & Light Fair is always full of surprises. Being one of the more isolated events on the international design calendar, the fair serves as a kind of testing ground for the onslaught that is…
Swedish design studio Visiondivision has come up with a proposal for a sheltered promenade, outdoor cinema and art gallery for the redundant space within the structure of Stockholm‘s Tranebergsbron bridge.
Anders Berensson and Ulf Mejergren of Visiondivison developed the Under the Bridge strategy to shorten the time it takes for pedestrians to cross the waters between the city island Kungsholmen and the western suburb of Bromma.
According to the designers, the walk currently takes 15 minutes and involves following a noisy highway. They believe this time could be reduced to just three minutes by adding a new walkway that follows the arch of one of the existing concrete vaults.
“We looked at the bridge as a whole and saw that the beautiful concrete vaults were ideal to make a more rapid connection between the two sides, and that connecting these two hotspots would also allow a much greater potential in creating activities,” the designers told Dezeen.
The passageway would pass through a series of pre-existing doorways in the concrete pillars that support the bridge. The main construction needed would be the addition of stairs on the vault, new lighting and balustrades.
“Since it is relatively cheap to build and will have a huge effect on the site, we really hope to see this realised,” added Berensson and Mejergren.
The designers suggest that the huge concrete pillars could also be used as projection walls for occasional movie screenings, or could function as exhibition spaces for hanging artwork.
Red concrete paving tiles would be added to encourage people to follow the path, and small kiosks could be set up in the abutments.
Here’s a project description from Visiondivision:
Under the Bridge
Stockholm’s many islands has created a beautiful city to live in but it has also created barriers between the inner city and the suburbs. Large scale bridges connects many of these places to each other, often built with the car in mind.
Tranebergsbron is one of the most beautiful bridges in Stockholm and connects the city island Kungsholmen with the western suburbs. It was completed in 1934, at that time having the world’s largest bridge vaults in concrete.
In 2005 an identical bridge vault was added to the two original ones, allowing more cars on the bridge. As many bridges that is predominantly built for cars, the construction begins to incline many hundreds of metres on land on both sides the shore, this means that if you want to walk over the bridge it will involve a strenuous 15 minute walk in a noisy environment considering that you will walk just next to a busy highway.
We therefore propose to use the actual concrete vault of the recently built bridge to cater to the neglected pedestrian traffic between these two important areas in Stockholm and to dramatically shorten the time between the two shores and make the journey into a pleasant three minute walk in a beautiful and relaxed setting. To do this, only a minimal intervention is required.
The concrete pillars that connects the vault with the surface of the bridge already has holes in them, so the only thing that is necessary to do is to extend the upper part of the vault to allow passage and to add stairs on to the vault, proper lighting and a protective fence. The ground before the arc begins could also be treated with red concrete tiles to highlight the new path better and make it more accessible.
The two shores would benefit tremendously from being better connected to each other and they are both major gateways that are currently undergoing a great expansion with new housing and services.
With the underworld of the bridge suddenly being used, this would also mean that the beautiful space underneath the bridge will be better activated, which leaves room for new functions and ideas. The impressive concrete pillars would be perfect to use as a temporary art gallery and the stairs on the vaults can have a double use as seating to watch film screenings on the pillars.
The two abutments would be attractive spots where small kiosks could be set up when weather permits.
Coloured storage units that double as cubby-holes and hiding places for children feature in this Stockholm kindergarten by Swedish firm Rotstein Arkitekter.
Rotstein Arkitekter designed the L-shaped space on the ground floor of a residential apartment block, with the kindergarten’s entrance in the middle.
Cubby-holes in the common areas are yellow, while each of the three classes has its own signature colour.
“We envisioned a playful environment designed to encourage and inspire the creativity of the children,” said architect Anders Rotstein.
A small hut with a glass window is located on the first floor with views over the rest of the kindergarten space, providing a place to play or sit and read books.
The staircase widens towards the bottom for use as an amphitheatre and there’s a darkened hideout underneath it.
Each classroom has three windows – two large and one small – to offer views in from the neighbouring street, while windows between classrooms visually connect spaces together inside.
Rotstein Arkitekter has designed a kindergarten on the ground level of a new residential block in Stockholm. We envisioned a playful environment designed to encourage and inspire the creativity of the children. The entrance is situated at the centre of the kindergarten, with an abundance of natural light and sight lines through the building.
The entrance space flows into the two studios, each with two connecting group rooms. All group rooms have three windows facing the lane outside: one placed low, one high and one bigger than the others. These scattered windows offer the passerby views of the activities from the outside, thus revitalising the street. Windows between group rooms open up sight lines within the kindergarten itself.
The kindergarten is also a play with colours; yellow elements in the common areas and one specific colour for each department.Many of the units were designed to serve multiple purposes. For example, the storage units are built into the walls as coloured niches, serving also as caves and huts for the children.
A sculptural staircase leads down to the workshop. The stairway becomes a place for parallel activities. It also functions as cabin, lookout tower, forest, cave and platform. When descending the stairs it widens, turning into an amphitheater like area. This is the perfect place for play during the day. A quieter and darker room has been created underneath the stairs: a secret hideout.
Some of the interior design budget was earmarked for solutions with architectural qualities, specific for this space. Using built-in storage units and niches is space saving. Maximizing the room height makes a huge difference, especially when it comes to the acoustic environment.
Sjötorget is a kindergarten created by Rotstein Arkitekter, as part of a new residential block built by the developer JM at Liljeholmskajen in Stockholm, and designed by the same architect.
Architects: Rotstein Arkitekter Location: Stockholm, Sweden Project year: 2012-2013 Partner in charge: Anders Rotstein Team: Katarina Bukowska, Måns Elander, Jonas Hesse, Petter Forsberg, Rickard Rotstein
Swedish design studio TAF has created offices for a Stockholm branding and design agency with walls that resemble cardboard boxes (+ slideshow).
Gabriella Gustafson and Mattias Ståhlbom of TAF chose the cardboard motif to reference client NINE‘s work in packaging design.
Partitions made from corrugated metal sheets painted to resemble cardboard were added to create meeting spaces within the open-plan office and existing walls were clad to maintain the paper aesthetic.
“The painted metal sheets create a basic trompe l’oeil effect, like big paper packaging turning into spaces,” Mattias Ståhlbom told Dezeen. “The benefit of using metal is that it is more durable and long lasting than real cardboard.”
Meeting rooms are differentiated by bright orange and green furniture and accessories. “The different colour themes chosen for the furniture create small visible ‘islands’ in the white and paper brown space,” adds Ståhlbom.
News: Scandinavian firm C. F. Møller has revealed proposals that could see the world’s tallest timber-framed building constructed in Stockholm.
As one of three shortlisted proposals in a housing design competition, the 34-storey Wooden Skyscraper is presented by architect C. F. Møller, architect Dinell Johansson and consultant Tyréns as a vision of future housing that would be cheaper, easier and more sustainable than typical steel and concrete constructions.
“The main reason it hasn’t been done before is that concrete and steel have a big part of the market,” C. F. Møller architect Ola Jonsson told Dezeen. “But now the building industry has started taking responsibity for the environment.”
He continued: “Construction accounts for around 30-40 percent of CO2 produced in the world globally and if you look at the CO2 released in the production of wood it is a lot better than steel or concrete.”
According to Jonsson, using wood could even be a cheaper alternative, as it is a lighter material that costs far less to transport. It is also more fire-resistant than steel or concrete.
“We have a long history of building wooden structures in Sweden,” he explains. “We have a higher knowledge of how to use the wood those days and we know that glued or nailed wood does have very strong construction qualities.”
If built, the 34-storey building would exceed the height of the nine-storey Murray Grove tower in London, as well as a proposed 20-storey tower in Vancouver by architect Michael Green and a Swedish tower approved at 30 floors. “I’ve seen sketches of other buildings, but we are definitely at the highest end of this discussion,” said Jonsson.
Wooden pillars, beams, walls, ceilings and window frames will all be visible through the building’s glass facade. The presented designs also include a concrete core, although Jonsson says this could be replaced with wood. “We believe a modern building should use every material for its best purpose,” he adds.
The winning entry in the competition, organised by Swedish building society HSB Stockholm, is scheduled to open in 2023 to coincide with the organisation’s 100th birthday. Anyone can vote for the winner using the HSB Stockholm Facebook page.
For HSB Stockholm’s architectural competition 2023, three teams of architects have produced innovative proposals for private residences of the future at three different locations in the centre of Stockholm. Berg | C.F. Møller’s proposed design is a 34-storey skyscraper made of wood.
Berg | C.F. Møller Architects are working in partnership with architects Dinell Johansson and consultants Tyréns on their entry. The team has chosen to build upwards, and has designed a 34-storey residential building, which will be seen for miles.
The building will be built over a wooden construction with a concrete core, and it is intended to give the people of Stockholm a new and characteristic beacon and meeting place in their city.
Back to basics
Wood is one of nature’s most innovative building materials: the production has no waste products and it binds CO2. Wood has low weight, but is a very strong load-bearing structure compared to its lightness.
Wood is also more fire resistant than both steel and concrete. This is due to 15% of wood mass being water, which will evaporate before the wood actually burns. In addition, logs get charred which protects the core.
Wood secures a good indoor climate, perfect acoustics, helps regulating the inside temperature and can be exposed without being covered with plaster or other costly materials.
In Berg | C.F. Møller’s wooden skyscraper, the pillars and beams are made of solid wood. Inside the apartments, all the walls, ceilings and window frames are made of wood as well and will be visible from the exterior through the large windows.
Sustainable
Social and environmental sustainability is integrated into the project. Each apartment will have an energy-saving, glass-covered veranda, while the building itself will be powered by solar panels on the roof. At street level there is a café and childcare facility. In a new community centre, local people will be able to enjoy the benefits of a market square, fitness centre and bicycle storage room. A communal winter garden will provide residents with an opportunity to have allotment gardens.
All three design proposals are available on HSB Stockholm’s Facebook page. Here you can vote for your favourite and thus play your part in determining how private homes in Stockholm will look in the future.
About the competition
HSB Stockholm – Sweden’s largest building society – is 100 years old in 2023. At that time an ultra-modern residential high-rise building will be completed in Stockholm city. Three architectural teams are now preparing the competitive proposals for the spectacular house that will be placed at one of three different sites in Stockholm.
Berg | C.F. Møller Architects is working together with architects Dinell Johansson and the urban planning consultancy Tyréns. The other two competing teams are Equator Stockholm with Mojang (Minecraft) and Utopia Architects with Rosenberg Architects.
News: Dutch firm OMA has won a competition to design a pair of skyscrapers in Stockholm, Sweden, with a proposal featuring staggered facades.
The buildings in the city’s Hagastaden district will contain apartments, with a bar and exhibition space occupying the upper floors of one tower, and public facilities including a health club, library and shops on the ground floors.
Projecting living spaces cascade down the exterior of the buildings, creating a series of sheltered balconies.
“The informal appearance of the towers will express domesticity, perhaps even humanism,” explains OMA partner Reinier de Graaf.
OMA will work with developer Oscar Properties to construct the 100-metre towers, which will be the third tallest twin skyscrapers in Sweden.
Images are copyright OMA unless stated otherwise. Top image is copyright OMA – bloomimages.
OMA has won the design competition for Tors Torn in Stockholm. The project, led by OMA Partner Reinier de Graaf and OMA Associate Alex de Jong, and designed as the third tallest twin skyscrapers in Sweden, was selected from entries by four competing practices.
With each of the towers a crescendo composition of different heights, the mixed-use project is an interpretation of existing urban guidelines which call for a gateway to the new Hagastaden area of Stockholm. OMA’s design proposes the introduction of a “rough skin” formed through a striking, alternating pattern of protruding living spaces and introverted outdoor spaces.
Reinier de Graaf commented: “We are delighted to have won the competition and – together with Oscar Properties – to build the Tors Torn residential towers. The 100 meter high towers define the new neighborhood Hagastaden as an integral part of the growing city center of Stockholm. The informal appearance of the towers will express domesticity, perhaps even humanism.”
OMA’s design challenges the expected uniformity and homogenous facade treatment that is often assigned to tower structures. Instead, it extends the skin to expose the individuality of the separate living units in the two blocks – a true vertical, urban agglomeration.
In addition to private residential apartments, Tors Torn will also contain a diverse public program for the wider community of Hagastaden, an ongoing urban development project aiming to extend the downtown area of Stockholm. A bar and exhibition space will occupy the upper floors of one tower, with the ground floors of both towers accommodating a health club, library, children’s center and retail areas.
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