Cool Hunting Video Presents: DL Skateboards

Handmade cruisers from the streets of Brooklyn

It’s well known that hiding behind the facades of many buildings in Brooklyn, NY are an endless array of companies producing artisanal pickles and locally designed clothes but rarely can you wander down a street to find a product being made out on the concrete. DL Skateboards is a unique young company that makes custom, handmade skate decks on the sidewalk outside a Greenpoint apartment building and in a retrofitted box truck acquired in New Hampshire. The couple behind the brand, Lauren Andino and Derek Mabra, have been skateboarding most of their lives and their passion and love for the sport drive their small business forward, producing fantastic cruisers modeled after 60’s classics. In our latest video we found the couple out on the street shaping decks for one of their final runs before moving to California.


Banana Boards

Retro-styled skateboards inspired by sidewalk surfing

As always, what’s old is new again. Conjuring up memories of butt-bombing hills and weaving cones like in the days of Dog Town, many companies are remaking retro-styled banana boards that combine the concept of yesteryear with the superior materials of today. The low-tech, high-performance cruisers are quick, stout and a hell of a lot more fun than that monstrous longboard you don’t ride anyway. Plus they come in a bevy of bright colors and who doesn’t love that?

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Globe

Best known for making skateboard shoes, Globe has recently ventured into the hardgoods market with the highlight being the Bantam Cruiser. This wicked little board grips and rips due to a shortened wheel base and big, soft 62mm wheels. Plus the slolam-inspired shape tapers toward the tail for a zippy feel bound to make you ride like you’re surfing. Like its 1970s forefathers, the Bantam Cruiser is available in multiple color combinations. Find it directly from Globe for $100.

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Penny Skateboards

Dedicated solely to reproducing traditional plastic banana boards, Australia’s Penny Skateboards makes the ideal knock-around cruiser in heaps of different colorways. Essentially a hunk of plastic, the 22″ long 6″ wide deck doesn’t differ much from that which Penny founder Ben Mackay learned to skate on at age five. The wheels, trucks and hardware, on the other hand, are all made with high-performance materials up to date with modern tech. If you’re in Oz, pick one up directly from Penny, otherwise Tactics has an assortment of colors available from around $100.

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Girl + Crailtap

While this cruiser may not officially be a banana board, it firmly adheres to the less-is-more mantra, and has one painted on the bottom. Made by Girl skateboards for Crailtap, one of the industry’s most entertaining blogs, this pared-down skateboard features slight concave, real grip tape and a more elongated shape, meaning it can be shredded like a real skateboard or kept for a cruiser like a traditional banana. Available only in limited numbers in one colorway, the Crailboard can be found on Skate Warehouse online for $100.


Stormy Monday Goods

Repurposed skateboards and recycled cutting boards handmade in Southern California

by Liz Cebron

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On a recent visit to the made in America brand collaborative Shelter Half, we discovered Stormy Monday Goods—thoughtfully repurposed and redesigned skate and cutting boards, branded with a simple thundercloud and given a second shot at life. These one-of-a-kind creations are the labor of love of Neil Harrison, a Southern California native who, after nearly two decades in the industry—first at Quiksilver, then helping friends get a “little brand” called Volcom off the ground—decided to slow down and work with his hands.

Stormy Monday was conceived during a trip to Portland in late 2006—Harrison was in the Pacific Northwest visiting friends, one of whom had reshaped a couple of used skateboards and was drawing on them as an art project. Harrison made one for himself and after that, he was hooked. “I was really into the idea of re-shaping a board—not only because it gave me the opportunity to work with my hands, but also from a conceptual standpoint—I liked the idea that a used board could get back on the road again, so to speak.” Upon returning to Southern California, Harrison started collecting used boards from his friends in the skate world, team managers and team riders, who tended to have stacks of used boards laying around and with the underlying ethos of “Recycle, repurpose, reuse,” Stormy Monday was born.

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All of your goods (with the exception of the surfboards, which are made in Hawaii) are handcrafted in California. Can you tell us more, specifically, about the process?

First is my least favorite part, stripping off the grip tape. Some tape is friendly and peels off in one to three pieces. Sometimes it breaks into a million bits and pieces. Once the grip is removed, I trace a shape pattern on to the board and cut it out. Then I smooth out the edges and brand the “3 Bolt Storm Cloud” logo on to the boards. Next is staining, painting and completing the rails and wheel wells. The wheel wells are one of the trickiest parts because you’re doing one at a time and you have to match them to each other as close as you can. Sometimes I’ll let boards sit for a little while before I do this part as I try to get myself psyched up to do them—you can ruin the board very easily after all that work. Each board is then number stamped, signed and logged in the book. Every board to date has been logged, including the cutting boards and now our surfboards (dropping this spring).

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The process of creating cutting boards or cheese boards is very similar to the skateboards. I work out of my friends’ woodshop in Santa Ana and sometimes they have woods that are deemed “undesirable” for cabinets because of knots, sap or mineral streaks. I’ll also find scrap wood that someone leaves out on their yard for pick up. If I can’t find any wood via those two sources I’ll go to the lumber yard and buy their “damaged” wood. It’s perfect because those characteristics or flaws in the wood make our boards interesting looking and unique.

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Speaking of the cutting boards, it’s not the first thing that comes to mind alongside skateboard decks and surfboards, but in your case in seems to work. Why cutting boards in the mix?

It certainly wasn’t on purpose to have them in the mix. It was a happy accident if you will, and they have only come to be part of the mix somewhat recently. It was only after I saw some scrap woods that I thought I could make nice cutters for some friends and after making a few, realized how much fun it was working on them. Then I thought it’d be funny to add to the skateboard order form.

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After that, I started getting orders from friends and then eventually stores. There’s the whole thing that’s happening right now where people want to know the story behind the product and/or know the person or persons who are making them and I think that’s what’s great about where we’re going as a country, not as whole, but on this very intimate underground level and it seems to be slowly effecting the grander consuming audience.

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Your logo is really interesting, how did that come to you?

The logo and name were inspired on that same visit to Portland. Jake had a simple cloud painting that he had made. It was a puffy cloud with three bolts of lightning floating beneath it and the word Monday at the bottom. So Monday was the original name, then I added Stormy to make it sound heavier. I started working up stylized versions of Jake’s cloud painting—I wanted it to have a Native American look and vibe to it, like a modern version or a petroglyph. Simple, strong and to the point.

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Can you tell us a little more about your background—where you grew up, how you got into all of this (skateboards, surfing, etc)?

I was born in Bellflower and grew up in Buena Park—home of Knott’s Berry Farm. My mom loved to go to the beach and she would take us to the OP Pro, which, at the time, was the big surf contest in Huntington Beach. I was just boogie boarding then but after watching the guys surfing in the contest that was all I wanted to do. I was starting to skate around this time and honestly don’t remember how or who turned me on to it but it just found me. Skating was obviously more obtainable for an inland kook such as myself, so I was a skater first, surfer second. We had this ditch behind a drive-in that was close to my house and we skated that thing every day—it’s all I could think about in class! We were surfing the ditch walls before we learned how to surf real waves.

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After I graduated high school in 1988, I moved to the beach and my friend got me a job working in the warehouse at Quiksilver. Over the next couple of years, I went from the warehouse to the art department, and then into the design dept. Around ’92 I left Quik and took up with some new friends to get the brand Volcom off the ground. I worked there as design and art director for about 15 years and left in 2006. I laid low for a few years, worked on an avocado grove I owned with some family at the time, and did some freelance design art projects here and there. Then last year my friend Danny called and asked if I’d like to stop fooling around and turn Stormy Monday into a proper brand. And here we are.

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Stormy Monday currently sells skate decks for $125 and completes for $225 through Shelter Half, with denim and Hawaiian made surfboards on the horizon. For direct ordering and more information see Stormy Monday directly.


Very Old School

Nomad Skateboards takes it back about a hundred years in this aptly titled “Very Old School” video. This was done to promote an upcoming collectible cruiser board.

Boxes of Death

Fifty artists design 50 coffins for the Portland leg of a traveling art show

by Hunter Hess

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Seattle-based design firm Electric Coffin will be taking their annual show Boxes of Death on the road this year for the third time. What began with 20 artists exhibiting in the cramped basement of a hotel has quickly grown into a touring collection featuring more than 50 top artists, as well as lesser-known local designers and some very talented friends.

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Creator Patrick “Duffy” De Armas, who runs Electric Coffin with his partner Justin Elder, describes the inspiration for the show as coming from two seemingly unlikely sources. “When I first moved to Seattle I went to a clock show,” he says. “Everyone’s clock was different, but they were all clocks. I was just so infatuated with the idea of the obvious comparison of different art styles on the same canvas. The second inspiration was studying Kane Quaye—who is most famous for his Mercedes Benz coffins.”

The show features 50 miniature coffins from artists all over the country including pieces by wood block artist Dennis McNett and ceramics designer Charles Krafft. While each individual piece follows a common theme, the personality and taste of each artist is vibrantly apparent. De Armas explains, “The idea of using the coffin as a personalized vessel to showcase who a person was as opposed just a box made me think, ‘Why not give other artists a chance to see what a coffin means to them?'”

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The growth of Boxes of Death in just two years has De Armas and Elder looking forward to the future, and with a touring show and a book to be released later this year, they have plenty to be excited about. The Portland stop opens tonight, 6 April 2012, at Nemo Design and closes the following night. If you can’t make it catch the final showing at LA’s The Holding Company on 12 April 2012.

Photography by Hunter Hess


Colette + Cobrasnake + Vans

A delicious collaboration between French fashion purveyor and an American nightlife photographer
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Crossing cultures in one stride, French arbiter of relevant style Colette has teamed up with American photographer Mark Hunter—A.K.A. the Cobrasnake—to create a one-of-a-kind shoe with Vans. The collaboration shoe was inspired by the care-free Californian lifestyle and the state’s iconic burger joints that have fed generations of tastemakers. While the brand created a cheeseburger-inspired slip-on a few seasons back, the Vans Era has gone high fashion to become a hamburger for the first time.

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The shoe’s premium canvas upper is emblazoned with a variety of tasty toppings stuffed between two whole wheat buns, while Collete blue laces and a Vans tag offer up the perfect amount of Parisian flair. The unique collaboration breeds a playful sense of style with Colette’s uncanny taste and Cobrasnake’s cavalier brand of nightlife photography that captures the very essence of a sought-after youth culture.

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Set to launch 1 March 2012 during Paris Fashion Week, the Colette and Cobrasnake collaboration Vans will be be sold exclusively through Colette.


Electric Skateboards from CES

Two lithium-ion powered boards that cruise up to 20mph

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Nestled among the many iPhone gadgets and advanced home accessories at this year’s CES were a couple of companies taking a less conventional approach in the realm of outdoor activity. We spotted a pair of electric skateboards for those seeking the thrill of riding one without exerting the necessary physical effort.

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The soon-to-launch ZBoard might be the closest thing to riding a regular skateboard, with an intuitive, hands-free electric motor that accelerates and decelerates as the rider adjusts their body weight forward or backward. The weight-sensing Pro board is powered by rechargeable lithium-ion batteries, and can reach upwards of 17mph with a range of more than ten miles.

The Classic boasts a more modest set of specs, reaching 15mph with a range of five miles on sealed lead acid batteries. Both boards are kept under control by regenerative braking. ZBoard aims to launch their electric boards on 1 March 2012 with an impressive sticker price of $800 for the Pro and $500 for the Classic. Pre-order is now available with a $100 deposit.

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The more customizable Metroboard offers the rider the choice between shorter cruiser-style boards and standard long boards. By going with a 27″ or 32″ board the rider gains agility, while the longer 36″ and 41″ boards are more stable, but limited in their maneuverability. Metroboard equips all models with rechargeable lithium batteries that support a max speed of 19mph.

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Unlike ZBoard, Metroboard requires a wireless remote control to adjust speeds. This remote—closely resembling those for the Nintendo Wii—uses Bluetooth signals to communicate with the board beneath your feet. If you drop the remote while riding, the regenerative brakes automatically engage once the board is separated by more than 10 feet to prevent runaway boards. Depending upon the size, Metroboards are now available online for between $545 and $500.


Canyon Castator and the Brooklyn Night Bazaar

A featured artist talks music, food, fashion and skateboarding

by Frank Galland

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Founded by Aaron Broudo, Brooklyn Night Bazaar brings the inspirational energy and madness of Southeast Asian night markets to a 40,000 square foot former carpet warehouse on the Williamsburg waterfront 15-17 December 2011. Broudo partnered with Ken Farmer, creative director of Nuit Blanche New York, to bring their Brooklyn audience a few evenings of beer, music, artists’ wares and skateboarding with the holiday season in full swing.

We caught up with one of the bazaar’s featured artists, Brooklyn-based Canyon Castator, whose work spans oil on canvas to human tattoos. At the bazaar he will be showcasing his selection of DIY tattoos in his new zine “Ink on Skin.”

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Can you tell us a little more about “Ink on Skin?”

It’s a 64-page book, conceived and designed in a collaborative effort, documenting my un-surveyed works. The images presented come from four years of tattoos by my group of friends and me. The book at once exposes a clandestine culture of DIY tattooing, and the evolution of technique and subject matter.

Can you elaborate on what’ll be in the zine?

I bought the original tattoo machine back in Boulder, Colorado. I lived with five dudes at the time in the quintessential skate house. I think we all threw in like $12 or something. No one knew what to do with the thing. We just kinda went for it. The first couple were really rough. The machine would break down and you would be left with a half way done Bart Simpson or a banner reading “skate and des”. Really good stuff. The brief stories in the zine touch on that original uncertainty. I’ve always drawn, and these silly tattoos were just another medium to experiment in.

When I was invited to participate as a vendor in the Bazaar, I wanted to display the recently completed zine, but I also wanted to set the tone for the person passing by. I’m not a tattoo artist, I’ve never worked in a shop or gone through the proper channels to apprentice or study tattoo arts. The environment I was most accustomed to during this time was the essential dingy basement, full of trash, half eaten pizzas, beer cans etc. I’m using my vendor space as an installation that pays homage to that original aesthetic. Come in, have a drink, watch me give Stick and Pokes to willing friends and pick up a zine.

Were you involved in last year’s bazaar?

There was a Bazaar in October earlier this year at the DeKalb Market . I wasn’t involved, but it was crazy. Amazing turnout. I’ve never seen that many people in downtown Brooklyn.

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How has it evolved since then?

Essentially, it is extending the forum for growth and marks a confluence of Brooklyn’s cultural vitality. The use of Williamsburg’s fleeting waterfront warehouse space is the perfect setting for this cultural collaboration.

How will you be involved this year, what is your connection?

I recently participated in the Carsten Höller installation at the New Museum, an unbelievable and ambitious project which came together due to the hard work of some incredibly talented people. Afterwards I was put in touch with Ken Farmer, the creative director of Nuit Blanche New York. He was interested in getting some of Brooklyn’s finest to skate the half pipe each night before it was transformed into the performance space. I’m more or less organizing who will be skating.

Who are some of the vendors joining you at the Bazaar?

There’s a wide array of participating artist and vendors, anyone can apply for a space, but the majority of the participants were pulled from the organizing teams creative network. You’ve got design from Windowfarms, curated classics from Kill Devil Hill and original works from local artists like Anton Zolotov and Colin Snapp.

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Skateboarders can be a rowdy bunch. Are you prepared for the debauchery?

I’ve always recognized skating as a form of artistic expression. It’s rad that the Bazaar is utilizing an art piece, as a shared space for skateboarding and music. Its always been unclear to me where the line is drawn between the three genres anyway.

Why at night?

Part of the motivation for the night market is the desire to make room in the city’s nighttime cultural landscape for a little innovation. The Bazaar runs from 5 p.m. to midnight, giving you time to head to the bar afterwards.

Each night of the Brooklyn Night Bazaar will feature a different live act including James Murphy, Fucked Up and The Hold Steady. For tickets visit the event page.


Hisham Bharoocha

A prolific artist channels global communities and Eastern philosophy

Sponsored content:

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Brooklyn-based visual artist and musician Hisham Bharoocha blurs the boundaries of artistic medium, creating multi-sensory anthems that deftly move between a daydream quality of images and sound. The skateboarding scenes in LA and San Diego instilled an interwoven sense of creativity and community in Bharoocha at an early age and, melding seemingly divergent influences of punk rock aesthetics with the prevalence of his mother’s homespun folk art, Bharoocha pursued a burgeoning interest in visual art. After attending high school in Tokyo, Bharoocha enrolled at the Rhode Island School of Design (RISD), which introduced Bharoocha to what he fondly refers to as, “a really good balance of kids who made interesting visual work and people who played music.”

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While studying photography and video, Bharoocha’s compositional experimentation took a new direction as the inducted drummer of Black Dice, a progressive noisecore ensemble. Inspired by flyers accumulated from years of touring and the art of fellow bandmate, Bjorn Copeland, Bharoocha started to explore the artistry of collage. His art pairs psychedelic imagery with naturalistic elements, assuming an otherworldly quality with undertones of hyperreality that has garnished exhibitions ranging from D’Amelio Terras gallery in New York, to Vleeshal, a state-run space in the Netherlands.

Originally influenced by ’60s street photography, Bharoocha later began documenting nature to contrast the predominance of living in urban environments. Bharoocha explains, “As a person who grew up mostly in big cities like Tokyo and New York I was always seeing nature as something that felt displaced in urban environments. I now see it as an escape where people have to leave technology behind and I love the way people seem relaxed in nature when they are away from the devices that usually cling by their side.”

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Informed by his consciousness of space, Bharoocha worked with multi-media artist Doug Aitken to create an atmospheric backdrop to cinematic art installation, Sleepwalkers. Aitken’s Sleepwalkers, projected on eight exterior walls of New York’s Museum of Modern Art, visually interconnects the tale of five New Yorkers over the span of one night. Bharoocha, along with an assembly of other percussionists, provided rhymthmic ambience, drummed out on a customized “sonic table” designed by Aitken known as the K-N-O-C-K-O-U-T. Frequent collaborators Bharoocha and Aitken have fortified a relationship that reflects Bharoocha’s dedicated commitment to the arts. “I’m all about growing the creative community to expand in as many directions as possible,” explains Bharoocha.

Bharoocha continues to expand his work, connecting with Japanese avant-garde group the Boredoms. Inspired by the concept of 77 drummers, Bharoocha and the Boredoms organized a free concert event entitled 77 Boadrum held in Brooklyn to coincide with 7 July 2007. The popularity of the event prompted an encore, entitled 88 Boadrum, facilitated by Bharoocha as musical director, held on 8 August 2008 at the La Brea Tar Pits in LA.

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Bharoocha has forged a spiritual relationship between drums and technology with stylings that range from the intensifying surge of his early musical inceptions, Lightning Bolt and Black Dice, to the aural atmosphere of his current project, Soft Circle (with a new release due early next year). Underlying Bharoocha’s musical and artistic work is the meditative philosophy of Vispassana; an introspection that has clearly driven Bharoocha’s diverse talents and communal spirit. Bharoocha muses, “I’m fascinated by the fact that we are all born with a certain path paved for us and depending on the choices we make along the way our lives change and differ drastically. I am fascinated by life and all its avenues.”

Bharoocha and The Boredooms will be performing in Kyoto, Japan at Kyoto at Seika University on 2 November. The Boadrum events continue with the 111 Boadrum event held at Byron Bay Australia on 11 November 11 2011. Bharoocha has also developed a eyewear line entitled “Phosphorescence” through the Phos Project.

This story is part of an editorial series sponsored and inspired by Le Meridien.
New Perspectives explores fresh ideas and distinct points of view in global art and culture.


Mark Gonzales Paintings and Poems

Selected untitled works from skateboarding’s favorite eccentric artist

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Wielding pen, paint brush and skateboard, Mark Gonzales has been creating art in many forms for more than 20 years. Gonzales has graced each of his various disciplines with one of the most unique personalities around, gaining recognition within the skateboard community for his endless influence, free-flowing style and unconventional drawings captured on Krooked Skateboards. A presence in the fine art world since the early ’90s, Gonzales has exhibited across Europe, Asia and the Americas. He returns to NYC with his latest collection of untitled paintings and poems, opening at Franklin Parrasch Gallery today, 22 November 2011.

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This time around Gonzales has selected a group of work completed over the last year in New York and Paris, from poetry rendered in spray paint on mirrored acrylic surfaces to a series of small scale acrylic paintings on linen canvas. The collection explores notions of love, death and the spiritual occult, often shown through the free association between text and imagery that draws a direct parallel to Gonzales’ lifelong dedication to self published zines.

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Although those unfamiliar with his work may be skeptical of the quirky aesthetic, those who dismiss their conventionally critical eye and keep an open mind will discover its depth—an approach that applies to understanding the Gonz in general. His untitled paintings and poems will be on display at Franklin Parrasch Gallery from 22 November 2011 to 7 January 2012. To learn more about the extensive work behind the singular character check his gallery bio online.