Robot surgeons to operate on beating human hearts

News: robots could soon be operating on beating human hearts while a surgeon based in a different part of the world directs the procedure remotely, according to a designer working on a new generation of medical equipment.

Robot surgeons to operate on beating human hearts
The Miro Surge system: a surgeon controls three robots at the operating table

The surgeon would see a static heart on a 3D screen and the robots would attune themselves to the heart’s movement, overcoming many of the risks of existing heart surgery techniques.

“Our ultimate ambition is robot-supported surgery on the beating heart,” said Tilo Wüsthoff, an industrial designer at German national aeronautics and space research centre DLR. “For the surgeon this means that he will see a virtually stabilised video picture of the beating heart. He can focus on his task while the robot follows the motion of the beating heart.”

Robot surgeons to operate on beating human hearts
The MiroSurge system with three Miro robot arms mounted at the operating table

Surgeons sitting at a remote console would use telemanipulation to control the robot arms, allowing sophisticated operations to be carried out using minimally invasive surgery (MIS) techniques that require minimal incisions in the patient’s skin.

Telemanipulation techniques would also allow surgeons on earth to operate on astronauts in space, Wüsthoff said. “Ensuring medical assistance for astronauts with telemanipulated robots is part of different visions for long-term space missions to remote locations such as Mars,” he said.

Robot surgeons to operate on beating human hearts
Miro instruments for minimal invasive surgery

MiroSurge, the surgery-performing robots developed by Wüsthoff, appear in the science fiction movie Ender’s Game, which was released this month.The robots carry out a remote operation on Ender, the lead character, who is an astronaut fighting off an alien invasion of earth. “The robot removes an implant from [lead character] Ender’s neck,” said Wüsthoff.

Minimally invasive surgery is preferable to open surgery because there is less risk of infection and quicker recovery times. However complex operations such as heart surgery are difficult to carry out using MIS techniques, because the surgeon cannot see what is happening and because the of the movement of the beating heart.

Robot surgeons to operate on beating human hearts
Miro instruments for minimal invasive surgery

Surgeons today use a heart-lung machine to take over the functions of the heart during surgery, but this is traumatic and risky to the patient. MicroSurge techniques would allow the patient’s heart to continue beating normally while the surgeon would watch the operation on a 3D screen via an endoscope within the patient’s body, which would show an apparently static heart.

“[It] allows the surgeon to focus on his medical skills,” said Wüsthoff. “He can get back to being a surgeon instead of an operator of a complex technical system.”

The MicroSurge robot arms would control slender surgical implements that would be inserted through small openings in the patient’s skin. Several robots mounted around the operating table would work together to carry out surgery.

Here’s a short interview with Tilo Wüsthoff:


Rose Etherington: How does MiroSurge feature in the Ender’s Game movie?

Tilo Wüsthoff: MiroSurge is part of a key sequence at the beginning of the film where the robot removes an implant from [lead character] Ender’s neck that is part of the military training/observation programme.

Rose Etherington: How realistic is this? How will robot-assisted surgery will develop next?

Tilo Wüsthoff: The DLR is working on a telesurgery scenario called MiroSurge that consists of a master console (input) and three robots that are tele-operated by a surgeon. Our aim is to provide a truly versatile system for robot assisted minimal invasive surgery. On that we are working together with surgeons and their teams.

These people are creative minds too and in the future it will be the users, it will be the medical staff that will come up with ideas and concepts for novel surgical procedures in the operating room.

Rose Etherington: What kind of advances in procedures or machinery could we see in five or ten years’ time?

Tilo Wüsthoff: The key objective of the DLR MiroSurge system is to overcome the drawbacks of conventional minimal invasive surgery: the surgeon virtually regains direct access to the operating field by having 3D endoscopic sight, force feedback, and restored hand-eye-coordination. So it is actually the technical complexity of the system that allows the surgeon to focus on his medical skills. He can get back to being a surgeon instead of an operator of a complex technical system.

Our ultimate ambition is robot-supported surgery on the beating heart. The application of the heart-lung machine would become obsolete for a whole variety of procedures that way. Collaterally, the very traumatizing effects of the heart-lung machine on the patient could be avoided (eg blood contact with extrinsic surfaces, inevitable blood clotting attenuation, typical generalized inflammation reaction).

For the surgeon this means that he will see a virtually stabilized video picture of the beating heart. He can focus on his task while the robot follows the motion of the beating heart.

Rose Etherington: Would the surgeon still need to be in the operating theatre?

Tilo Wüsthoff: A key aspect of robot assisted technology is that it can be used in a telepresence setup, meaning that the surgeon can operate in a remote location. For us as part of the DLR, the national aeronautics and space research centre of the Federal Republic of Germany, this is important in the context of space travel. Ensuring medical assistance for astronauts with tele-manipulated robots is part of different visions for long-term space missions to remote locations such as Mars.

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“World’s first” drone delivery service launches in Australia

News: a Sydney company has launched a book delivery service that employs flying robots instead of postmen, and declared that “commercial drones are going to become as ubiquitous as aeroplanes” (+ movie).

Flying drones to deliver text books

Sydney startup Flirtey has teamed up with text book rental service Zookal to use hexacopters – robots with six rotors – to deliver study materials. The service aims to reduce postal costs and avoid the problem of missed deliveries by tracking the location of the recipient’s mobile phone.

“Flirtey is the world’s first unmanned aerial vehicle delivery technology,” says Flirtey co-founder Matthew Sweeney in a movie about the initiative (top). “We’re taking technology that was previously only available to the military and universities, democratising it and commercialising it so that anybody can order any goods or services and have them flown straight to their smartphone.”

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“Currently in Australia same-day delivery by post cost eight to 20 [Australian] dollars,” he continues. “By Flirtey it will cost a fraction of that and the consumer won’t have to cover it because it will be included in the marketing budget of the companies that we partner with.”

Books are ordered using a smartphone app, then Zookal packages them before they’re flown to the customer’s phone rather than their address.

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“Commercial drones are going to become as ubiquitous as aeroplanes in the sky are right now,” said Flirtey co-founder and Zookal CEO Ahmed Haider.

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Six battery-powered rotors control flight, which can continue even when one isn’t working. “We’ve built the Flirtey as a hexacopter, so it can lose any one rotor and still fly, and can lose any one battery and still fly,” said Sweeney.

Haider mentions another safety feature: “When the Flirtey arrives to its location it levitates above the location and lowers the parcel to the consumer. If there is anyone that pulls it a little too hard the parcel comes off, keeping the Flirtey safe and ready to go.”

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Sweeney explains that the civil aviation authority in Australia was one of the first in the world to legalise commercial flights by unmanned aerial vehicles, adding that the USA isn’t due to follow until 2015.

This gives the startup the opportunity to hone the technology over the next few years, ready to export worldwide.

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Drones are increasingly being used to carry out day-to-day tasks, including guiding people around complex urban environments.

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Looking for a Fight

Focus sur 2veinte, un studio de conception graphique et de motion situé à Buenos Aires, qui a présenté cette vidéo d’animation « Looking for a Fight ». Inspiré par les codes de films de type Kaiju Eiga et les dessins animés japonais, cette vidéo colorée nous invite à découvrir un grand combat entre deux robots.

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Looks Like Music by Yuri Suzuki

Five little robots travel along lines drawn in felt-tip-pen and turn coloured scribbles into music in this installation by Japanese designer Yuri Suzuki (+ movie).

Looks Like Music by Yuri Suzuki

The Looks Like Music project by sound artist and designer Yuri Suzuki features robots that are programmed to follow a black line drawn on white paper. They each respond with specific sounds as they pass over coloured marks laid down across the track by visitors.

Looks Like Music by Yuri Suzuki
Colour Chasers

“The public is invited to actively contribute to the development of the installation in the exhibition space by extending the circuit drawn on paper,” said Suzuki. “Visitors thus participate in the creation of a large-scale artwork and enrich a collectively composed sound piece.”

Looks Like Music by Yuri Suzuki

Called Colour Chasers, the devices are each designed with different shapes and translate the colours they encounter into sounds including drums, deep bass, chords and melody.

Looks Like Music by Yuri Suzuki

The robots are produced by London technology firm Dentaku, which Suzuki co-founded with sound programmer Mark McKeague this year, and are a development of Suzuki’s earlier project focussing on dyslexia.

Looks Like Music by Yuri Suzuki

“I am dyslexic and I cannot read musical scores,” Suzuki told Dezeen. “However, I have a passion to play and create new music and I always dream to create new notation of music.”

Looks Like Music by Yuri Suzuki

“In this installation people can interact with robots and discover the new method to create music,” he added.

Looks Like Music by Yuri Suzuki

The interactive project was hosted by Mudam museum in Luxembourg last month.

Looks Like Music by Yuri Suzuki

We’ve featured a number of Suzuki’s other designs on Dezeen, including a radio with a circuit board arranged like the London Tube map, a set of pens that record and play back sounds and a vinyl globe that plays music and national anthems from around the world.

See all stories about Yuri Suzuki »
See all stories about music »

Photographs are by Hitomi Kai Yoda, courtesy of Yuri Suzuki.

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SkyCall quadcopter by MIT Senseable City Lab

Researchers at Massachusetts Institute of Technology have built a flying robot that can guide people around complex urban environments or aid search-and-rescue missions, in an attempt to show that drones can perform useful tasks as well as sinister ones (+ movie).

The SkyCall quadcopter, designed by research group Senseable City Lab at Massachusetts Institute of Technology, acts like an electronic flying guide dog, hovering just ahead of the user and guiding them to their destination.

Skycall drone by MIT

Yaniv Jacob Turgeman, research and development lead on the project, said SkyCall was designed to counter the sinister reputation of drones, and show they can be useful. “Our imaginations of flying sentient vehicles are filled with dystopian notions of surveillance and control, but this technology should be tasked with optimism,” he told Dezeen.

Skycall drone by MIT

“The urban UAV (unmanned aerial vehicle) will guide us in disorienting situations, support search and rescue efforts, track environmental problems, and even act as digital insects re-introducing natural biodiversity to our man-made environments,” he added. “As a networked intelligence with a physical form, the urban UAV offers an alternative interface to the digital layers of the city.”

SkyCall by MIT

A prototype of the SkyCall quadcopter has already been used on test missions to guide students around the MIT campus in Cambridge, USA.

SkyCall by MIT

Students and visitors call for a SkyCall tour guide via a customised mobile app. When the users press the ‘call’ button, the nearest vehicle locates the caller’s phone and location via GPS and sets off to meet them.

SkyCall by MIT Senseable City Lab

The vehicle arrives in front of the user and awaits instructions of where to go. The visitor can then type in a simple code to tell the drone where in the campus they wish to go.

SkyCall by MIT Senseable City Lab

The drone travels at walking speed, hovering around two metres in front of the visitor, who can press “pause” to get the drone to hold a stationary position. The drone provides information about locations it passes by “speaking” to the user via their smartphone.

SkyCall by MIT Senseable City Lab

“UAV technology holds huge disruptive potential,” project lead Chris Green told Dezeen. “We want to harness this and specifically explore its value to the city and its inhabitants.”

SkyCall by MIT

He added: “Rather than the visitor diverting their attention to a map, the autonomous guide provides an intuitive navigational system of simply ‘following’.”

SkyCall by MIT Senseable City Lab

Other robots featured on Dezeen recently include a flock of helicopter robots that can detect each others’ positions and join together to create a larger flying machine and a tiny robotic insect that hovers in the air like a fly.

See more robots »
See more technology »

SkyCall quadcopter by MIT Senseable City Lab

Photographs are courtesy of MIT SENSEable City Lab.

Here’s a project description from the project team:


SkyCall by MIT SENSEable City Lab

How can we re-imagine UAV technology, to help us navigate challenging situations and complex environments? This is the premise for SkyCall – an autonomous flying quadcopter and personal tour guide – operating in one of mankind’s most difficult and disorientating labyrinths: MIT campus. We tested this technology on someone you would typically expect to be lost within MIT.

SkyCall by MIT Senseable City Lab

Development

Our Lab is exploring two distinct development paths of UAV technology: a quadcopter’s capacity to autonomously sense and perceive its environment, and its ability to interface and interact with people. These parallel aims steered the development of SkyCall’s tour-guide system, resulting in a platform that can efficiently locate, communicate with, and guide visitors around MIT campus, specifically along predetermined routes or towards user-determined destinations.

A custom SkyCall app was developed for human/UAV interface, enabling the visitor to make specific requests, and the UAV to both locate and wirelessly communicate with them. When the user presses the ‘call’ button, SkyCall instantaneously accesses the GPS location of the visitor’s phone and relays spatial coordinates to the nearest available UAV.

The quadcopter itself utilises onboard autopilot and GPS navigation systems with sonar sensors and WiFi connectivity (via a ground station), enabling it to fly autonomously and communicate with the user via the SkyCall app. The UAV also integrates an onboard camera as both an information gathering system (relaying images to a ‘base’ location upon encountering the user), as well as a manually-controlled camera, accessible to the visitor-come-tourist again via the SkyCall app.

Future

SkyCall is Phase I of a larger development program that is currently underway at Senseable City Lab, with the broader aim of exploring novel, positive uses of UAV technology in the urban context. This project offers a case study within our ongoing research initiative, and suggests promising new infrastructure potentials.

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Researchers develop 3D-printed drones capable of self-assembly

News: a research team in Zürich has created a flock of helicopter robots that can detect each others’ positions and join together to create a larger flying machine.

Distributed Flight Array

The Distributed Flight Array (DFA) has been developed by a team of researchers at the Institute for Dynamic Systems and Control (IDSC) at ETH Zürich university in Switzerland.

Each robot has a 3D-printed hexagonal plastic chassis with magnets fixed to the sides of the frame and a single propeller fitted in the middle.

Independently, the honeycomb-shaped robots fly in an erratic and uncontrolled way. However, the robots are able to detect each other, link to form a bigger craft and then fly in a controlled manner as a single unit. The task of keeping the multi-propeller system in flight is distributed across the network of vehicles.

Each independent module exchanges information with the others and uses sensors to determine how much thrust it needs for the array to take off and maintain flight.

Distributed Flight Array

“The Distributed Flight Array is a flying platform consisting of multiple autonomous single propeller vehicles that are able to drive, dock with their peers and fly in a coordinated fashion,” explains the IDSC. “Once in flight the array hovers for a few minutes, then falls back to the ground, only to repeat the cycle again.”

Watch a video of the DFA system in action here:

“If the array’s levelled flight is disturbed, each vehicle individually determines the amount of thrust required to correct for the disturbance based on its position in the array and the array’s motion,” IDSC said.

The project has been developed for two reasons, Maximilian Kriegleder from the IDSC told Dezeen: as a research platform for distributed control and estimation, and as an artistic installation that could illustrate such control of robots to members of the public.

“The platform currently flies with either joystick input from an user or input from an external sensor system such as GPS. We are trying to close this gap and make the system completely self-contained and autonomous so that no external input is needed,” Kriegleder told Dezeen.

Distributed Flight Array

Although the project was not designed for a specific purpose, Kriegleder suggests that the technology could be used for transportation systems. “The developed algorithms apply to any real systems that needs to be scalable and distributed,” Kriegleder told Dezeen. “One specific example could be a scalable mass transportation system, where one only adds so many modules that a certain payload could be lifted.”

The DFA project was launched in 2008 as a postgraduate class at ETH Zürich university and is being continued by Dr. Raymond Oung as his PhD project.

Here’s a film showing the concept behind the flying system:

Photographs are by Dr. Raymond Oung.

Other flying machines we’re featured on Dezeen include a tiny robotic insect the size of a small coin that hovers in the air like a fly and a human-powered helicopter that won a 33-year-old aviation prize, after hovering for 64 seconds and reaching an altitude of 3.3 metres.

Read more stories about 3D printing »
See more robots features »

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SCI-Arc student develops freeform 3D printing with “undo” function

News: a masters student at the Southern California Institute of Architecture in Los Angeles has developed a method of using a robotic arm to 3D print objects in a tank of gel, allowing freeform printing without the need for support structures and potentially adding an “undo” function to remove errors (+ movie).

Suspended Depositions by Brian Harms

The gel supports the liquid resin deposited by the robot while it hardens, overcoming a shortcoming of other 3D printing technologies, where structures to prevent the objects from collapsing need to be printed along with the objects themselves.

Suspended Depositions by Brian Harms
Harms developed a special print tool for the project

The process also allows for vector-based printing, meaning the print head can move in three dimensions rather than having to build up objects from extremely thin two-dimensional layers.

Suspended Depositions by Brian Harms
Deconstruction of the print tool

Brian Harms developed the Suspended Depositions process as part of the ESTm (Emerging Systems and Technologies) course at SCI-Arc. “By injecting and suspending light-curing resin in a gelatinous medium, one is afforded the ability to shape freeform objects without the need for molds or other subtractive manufacturing processes that would otherwise be necessary,” Harms explains.

Suspended Depositions by Brian Harms
Robotic arm with Harms’ print tool mounted

The resin used to print hardens when exposed to light and is injected through a special needle-like print head developed by Harms and his team, which is mounted on a robotic arm. Once the object is removed from the gel, the gel can be reused.

The technique potentially allows for parts of the printed object to be undone, by sucking or scooping the still uncured resin from the gel without affecting the rest of the structure.

Suspended Depositions by Brian Harms
The robotic arm injects resin into a gel-filled container using the special print tool

Harms’ project follows other recent breakthroughs in “freeform” – or unsupported – 3D printing. In May, Petr Novikov and Saša Jokić from Barcelona’s Institute for Advanced Architecture of Catalonia unveiled a robot arm that can print freeform objects using thermosetting plastic. In February, a 3D-printing pen that can doodle freeform objects raised almost $500,000 in its first day of fundraising on Kickstarter.

Suspended Depositions by Brian Harms
Test prints

See all our stories about 3D printing and check out Print Shift, our print-on-demand magazine about the subject.

Here’s some text from Harms:


Suspended Depositions

This project aims to blur the line between processes of design and fabrication in the context of rapid prototyping by increasing the fluidity of the fabrication process through coordinated material and robotic processes. The project exploits feedback loops that allow the process to be used as a live generative form-finding tool as well as a method for reification of designed objects.

By injecting and suspending light-curing resin in a gelatinous medium, one is afforded the ability to shape freeform objects without the need for molds or other subtractive manufacturing processes that would otherwise be necessary. The gel acts as an omnidirectional support material which is reusable, so there is no wasted material.

One major distinction between this project and other rapid prototyping processes is the ability to utilize 3D vector-based toolpaths. Virtually all other processes use paths generated via contouring a digital model, and rely on the hardening of each successive layer before being able to move on to the next.

The suspension of resin in space without added support material allows for the ability to navigate and fabricate directly on and around other existing objects within the Gel, as well as the ability to observe the process from any angle. The suspension of time in this process allows for tool changes, manual injections, on-the-fly robotic injections, multi-material injections, live modification of the digital or physical model, and the ability to physically “undo” (resin removal via suction or scooping).

Special thanks to Peter Testa, Brandon Kruysman, Jonathan Proto, Devyn Weiser, and Kyle and Liz Von Hassln.

SCI-Arc Fall 2012
Testa Vertical ESTm Studio
Instructor: Peter Testa / Brandon Kruysman / Jonathan Proto
AT: Peter Vikar
Project Lead: Brian Harms (nstrmnt.com)
Project Team: Haejun Jung / Vince Huang / Yuying Chen

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Ziphius: The Aquatic Drone: The first app-controlled aquatic drone shoots high-definition video and recognizes objects

Ziphius: The Aquatic Drone


The Ziphius is the first tablet and smartphone app-controlled, above-water, unmanned vehicle. Complete with a 160-degree rotating, high-definition camera and image recognition software, Ziphius is designed for use in all aquatic conditions—from rough water in the…

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Tiny robotic insect takes flight

News: a tiny robotic insect that hovers in the air like a fly has been built by scientists at Harvard University (+ movies).

The robot, which weighs just 80 milligrams and is the size of a small coin, can hover in the air for up to 20 seconds.

Its Harvard University developers modelled the robot’s movement on real flies, which flap their wings around 120 times per second.

The researchers made the wings with piezoelectric material, which contracts when a small electrical charge is passed through it.

Tiny robotic insect takes flight

Switching the voltage on and off at high speeds produces a rapid contracting effect that mimics the movement of a fly’s tiny wing muscles.

For now, the robots have to be tethered to thin copper wires that provide electric power and navigation information, but the researchers hope that a battery will one day be lightweight enough to be attached to the robot itself.

The team suggests the robots could be used for search-and-rescue operations, monitoring environmental damage, tracing chemicals or pollinating crops, while their discreet size could also make them suitable for military surveillance.

The RoboBee project was reported in the journal Science this week by Dr Robert Wood and his team at Harvard’s Wyss Institute for Biologically Inspired Engineering at Harvard.

Tiny robotic insect takes flight

Last year we reported on robot helicopters programmed to lift and stack polystyrene bricks into a six metre-high tower, while other machines we’ve featured include a duo of robotic bartenders and a robotic 3D printer that builds architecture from sand  – see all robots.

Photographs are by Kevin Ma and Pakpong Chirarattananon.

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Makr Shakr by Carlo Ratti and MIT Senseable City Lab

Milan 2013: Italian architect Carlo Ratti and his team from the Massachusetts Institute of Technology installed three robotic bartenders in Milan last week (+ movie).

Ratti and the researchers and engineers at MIT’s Senseable City Lab collaborated with The Coca-Cola Company and rum makers Bacardi to create Makr Shakr, a bar staffed by three robotic arms that mix customised drinks.

Above: movie by MyBossWas

Visitors to the Galleria del Corso were invited to download an app to their smartphone or tablet and create their own recipe before sending it to the robots to be mixed up.

“The number of combinations is almost infinite, especially if we take into account the machine’s precision of measurement,” said Yaniv Jacob Turgeman, project leader at Senseable City Lab.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

The designers also programmed the robots’ gestures by filming ballet dancer Roberto Bolle in action and using data from his movements.

The prototype Makr Shakr was being previewed ahead of its official launch at Google’s developer conference in California next month.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

At last year’s Istanbul Design Biennial, Ratti programmed a printer to write out and continually update the Wikipedia entry for Open Source Architecture on the wall of the Adhocracy exhibition.

We’ve featured lots of robots on Dezeen, including a robotic arm that wound 60 kilometres of carbon and glass fibre filaments into a pavilion and a robotic 3D printer that creates architecture from sand – see all robots.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

Other installations in Milan this year included Jean Nouvel’s vision of future office environments and a courtyard filled with rotating cork platforms by Ronan and Erwan Bouroullec – see all stories about design at Milan 2013 .

Here’s some more information from the designers:


Researchers and engineers at MIT Senseable City Lab, Cambridge, in collaboration with The Coca-Cola Company and Barcardi rum, have designed a robotic bar, capable of preparing approximately one googol (equal to 10 power 100) crowd-sourced drink combinations. The project, called “Makr Shakr”, was developed with the endorsement of “World Expo Milano 2015 – Energy for Life. Feeding the Planet”, and will be tested during Milan Design Week (April 9-14th, 2013) before being unveiled in its final form at Google I/O in San Francisco (on May 15th, 2013).

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

“Digital technologies are changing the interaction between people and products,” says Carlo Ratti, director of the MIT Senseable City Lab and the design practice carlorattiassociati, Turin. “This is what we would like to do with Makr Shakr, as part of exploring the Third Industrial Revolution paradigm. People are given the power to invent their own drink recipes and digitally controlled machines make these recipes into reality. We can then enjoy the results of their production – sharing our experience and opinions with friends.” Ratti adds, “Makr Shakr aims to share this new potential – design-make-enjoy – with everyone in just a few minutes: the time taken to prepare a new cocktail.”

Users will download an app on their handheld devices and mix ingredients as virtual barmen. They can gain inspiration by viewing other users’ recipes and comments before sending in their drink of choice. The cocktail is then crafted by three robotic arms, whose movements reproduce every action of a barman – from the shaking of a Martini to the muddling of a Mojito, and even the thin slicing of a lemon garnish. Roberto Bolle, etoile dancer at La Scala in Milan and Principal Dancer with the American Ballet Theatre, along with Italian director and choreographer Marco Pelle, inspired the gestures of the robots. Roberto Bolle’s movements were filmed and used as input for the programming of the Makr Shakr robots.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

The system also leverages the revolutionary, touchscreen-operated beverage dispenser, Coca-Cola Freestyle, which offers more than 100 brands at the push of a button. “Coca-Cola Freestyle represents innovation at its best, combining revolutionary technology and inspired design to deliver unprecedented choice to consumers,” said Jennifer Mann, VP and General Manager, Coca-Cola Freestyle, The Coca-Cola Company. “This collaboration is another way we continue to find new ways to bring co-creation and social sharing to the next level.”

In Makr Shakr, the social connections woven through co-creation and the relationships between ingredients and people are shown on a large display positioned behind the bar. Consumers can also share these connections, along with recipes and photos on various social network platforms.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

“Pioneering spirit has been at the heart of BACARDÍ since its earliest days, starting with a revolution in rum-making to inspiring today’s most drunk cocktails, first of which is the Mojito. This project embraces the same ambition,” said Giorgio Bertolo, BACARDI Marketing Manager, Italy & France “and we are proud to partner with Coca-Cola, once again, in this cocktail making innovation, as we did in 1900 with the invention of the Cuba Libre. Furthermore, this project is an experiment from the digital world asking people to step out and connect in a real human experience around a drink, exactly as we aim to facilitate with our cocktails.”

“Leveraging the great energy of this global design event, we are excited to explore new dynamics of social creation and consumption.” says Yaniv Jacob Turgeman, project leader from MIT Senseable City Lab. “We’ve all been the home bartender at one point, and it’s a lot of fun mixing for oneself or one’s friends. Here the number of combinations is almost infinite, especially if we take into account the machine’s precision of measurement. With a domain of limitless possibility, the magic moment will be watching the formation of a bottom-up bar culture as we close the loop between co-curation and co-production in real time.”

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

Makr Shakr can mix both non-alcoholic and alcoholic drinks. The digital design system monitors alcohol consumption and blood alcohol levels by inputting basic physical data, something beyond what a traditional barman can do. Makr Shakr promotes responsible alcohol consumption by allowing people to self-monitor their drinking. A contribution is asked for drinks being produced by the Makr Shakr, with any gain generated from the project – after production costs – being donated to the Politecnico di Torino for a student fellowship on the Third Industrial Revolution.

A press preview will be held on Tuesday, April 9th at 6pm – Terrazza Martini, 7 Piazza Armando Diaz, Milan. The public opening will follow at 8pm – Galleria del Corso, Milan. Makr Shakr will be in action everyday until April 14th, from 1pm until 11pm.

Makr Shakr by Carlo Ratti and MIT Senseable City Lab

Project concept and design by MIT Senseable City Lab.
Implementation by carlorattiassociati | walter nicolino & carlo ratti.
Main partners: Coca-Cola and BACARDÍ rum.
Technical partners: Kuka, Pentagram, SuperUber.
Media partners: Domus, Wired.
Event in collaboration with Meet the Media Guru and endorsed by Comune di Milano, World Expo Milano 2015 – Energy for Life. Feeding the Planet.
Video by MyBossWas.

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