Dri Dri at St Martins Lane by Elips Design

Dri Dri at St Martins Lane by Elips Design

A pop-up Italian ice cream stall at St Martins Lane Hotel in London evokes the seaside with yellow beach huts and striped decking.

Dri Dri at St Martins Lane by Elips Design

Designed by architects Elips Design, the temporary shop serves gelato by UK company Dri Dri from a timber cart on wheels.

Dri Dri at St Martins Lane by Elips Design

Pink chairs provide seating in front of two-dimensional parasols that are printed on the walls.

Dri Dri at St Martins Lane by Elips Design

Coloured semi-circles decorate the glass facade of the shop, illustrating the different flavours of ice cream available.

Dri Dri at St Martins Lane by Elips Design

Other popular pop-up shops we’ve featured in the past include a fashion store with tights stretched across the walls, a bicycle shop for Tokyo Bike and our own Dezeen Watch Store pop-up in Covent Garden.

Dri Dri at St Martins Lane by Elips Design

Photography is by Carlo Carossio.

Here are some more details from Elips Design:


The Front Room of St Martins Lane’s hotel is a dynamic retail space. It has housed various creative collaborations with partners including The Convenience Store (fashion boutique), Wallpaper (photography exhibition), Angela Hill (vintage books), The Design Museum (film screening) and Nowness (video installation).

Dri Dri at St Martins Lane by Elips Design

This time it will be converted by ELIPS DESIGN into an idyllic Italian beach, complete with traditional decking, coloured beach cabins, sun umbrellas, chairs and tables. The customers will be transported to the Mediterranean in the heart of London’s bustling centre enjoying their gelato DRI DRI.

Dri Dri at St Martins Lane by Elips Design

The beach cabins are thought in the way to divide the space and create a back of the house for storage.

Dri Dri at St Martins Lane by Elips Design

The sun umbrella are wall stickers to create more perspective in a bi dimensional space.


See also:

.

Camper store in Malmö
by TAF
Leggenada Ice Cream and Yogurt by SO ArchitectureIce Cream Laboratory by Akram and Haythornthwaite

Martiini shop by Suunnittelutoimisto Amerikka

Martiini shop by Amerikka

Leather-bound blades displayed against chunky wooden blocks adorn the walls of a Finnish knife shop in Helsinki by designers Suunnittelutoimisto Amerikka.

Martiini shop by Amerikka

The specialist shop sells furry animal hides and traditional Finnish knives named Puukos, which are crafted in Lapland by manufacturer Martiini.

Martiini shop by Amerikka

The knives are affixed by magnets and each block can be lifted to reveal storage behind.

Martiini shop by Amerikka

Elsewhere, mounted timber vases display bunches of knives as if they were flowers.

Martiini shop by Amerikka

Other interesting shops recently featured on Dezeen include a kiosk made from over 1000 copies of the New York Times and a clothes store with naked mannequins on the walls and ceiling – see all our stories about retail interiors.

Martiini shop by Amerikka

The following information is from the designers:


Martiini shop

The “Puukko” is a traditional Finnish knife; a crafted object and an everyday tool. Marttiini has manufactured knives in Lapland, Northern Finland since 1928.

The new Marttiini shop is situated in the heart of Helsinki, with Senate Square and the Cathedral seen from the window. The new shop combines Marttiini’s long tradition and history with contemporary design. The materials used in the shop; wood, metal and leather, are the same materials used to construct the knives. All details have been designed with functionality in mind, allowing this small space to display more than 200 different products. The new Marttiini shop is just like the “Puukko”: beautifully functional!

Shop design: Amerikka Design Office Ltd.
Shop opened: May 2011
Address: Aleksanterinkatu 28, Helsinki, Finland


See also:

.

Aktipis Flowershop
by Point Supreme
Shop&Show by
Tracey Neuls
Streetology by
Facet Studio

Max & Co by Duccio Grassi Architects

Max & Co by Duccio Grassi Architects

Garments hidden behind semi-circular screens in a Hong Kong outlet can be glimpsed through jagged perforations.

Max & Co by Duccio Grassi Architects

Retail specialists Duccio Grassi Architects, who are based in Italy, designed the flagship store for clothing retailer Max & Co.

Max & Co by Duccio Grassi Architects

Brass frames infilled with yellow, white or amber-coloured panels screen more clothes rails and a checkout.

Max & Co by Duccio Grassi Architects

The walls of the shop are lined with vertical timber beams.

Max & Co by Duccio Grassi Architects

We’ve featured a few clothes stores on Dezeen lately, including one with a mobile photography studio and another with naked mannequins on the walls and ceilingsee all our retail interiors here.

Max & Co by Duccio Grassi Architects

Photography is by Virgile Simon Bertrand.

Max & Co by Duccio Grassi Architects

Here are some more details from Duccio Grassi Architects:


Max & Co

“The product has to be the protagonist of the shop” is the utterance most frequently repeated to me by my clients. In this case the product should be the main object of the design thoughts and “how” it is displayed is the final goal of the design. An exposing place – I think – instead of being composed only by the space and the product displayed, is also composed by the human beings who relate themselves with that very space and see that specific product. An exposing place without visitors or clients has no meaning. I believe that the major thoughts on design have to address to people.

Max & Co by Duccio Grassi Architects

Following this concept we designed a space where the product is not visible from the outside but people is attracted by visual stimuluses and suggestions.

Max & Co by Duccio Grassi Architects

The space is prepared with volumes that are pure geometrical shapes, cylindrical with casual textures but also apparently casual shapes closed with geometric severity.

Max & Co by Duccio Grassi Architects

We designed big metal volumes resembling a white a light embroiderer and volumes following the concept of shell with the exterior made of burnished brass and the inside painted white.

Max & Co by Duccio Grassi Architects

This space, furnished with volumes, creates a fluid ambiance which allows the flow of both light and people, in dialogue with both the inside and the outside of the mall, towards the city.

Max & Co by Duccio Grassi Architects

On the walls the wood covering repeats itself invertical lines and shadows that we can think as infinitive.

Max & Co by Duccio Grassi Architects

Only people can active this space following fluid paths which foresee pauses in limited areas dedicated to the dream, which is the cloth.

Max & Co by Duccio Grassi Architects

Project Name: MAX & Co
Location: IFC – Hong Kong
Completion Date: April 2011
Total Area: 157 sqm
Sale area: 150 sqm + 7 sqm stock
Client: Max Mara Fashion Group
Architects: Duccio Grassi Architects

Max & Co by Duccio Grassi Architects

Suppliers:
Wood walls, Hanging, Tables, Plexi sign, Metal structures, Burnished iron, Perforated metal sheet: Fazzuoli Guido & Figli s.n.c
Lighting: Viabizzuno
Burnished brass: De Castelli
Textiles: Dominique Kieffer
Local general contractor: East Joint Design Limited
Armchair: Lavenham Executive, design Patricia Urquiola, De Padova
Armchair: Flow Armchair, design J.M. Massaud, MDF Italia
Stool: Tokyo-Pop, design Tokujin Yoshioka, Driade


See also:

.

Alter Store
by 3Gatti
Topman personal shopping
suite by Lee Broom
Cornet Boutique by
Kazutoyo Yamamoto

Très Bien shop by Arrhov Frick

Très Bien shop by Arrhov Frick

Mirrored walls conceal a photography studio at the centre of this clothes store in Malmö, Sweden, by architects Arrhov Frick.

Très Bien shop by Arrhov Frick

The mirror-clad studio is mobile and can be slid into different positions around the Très Bien shop floor.

Très Bien shop by Arrhov Frick

Garments and shoes are displayed on stainless steel tables and racks, which can also be reconfigured.

Très Bien shop by Arrhov Frick

New clothing lines are photographed in the hidden studio then uploaded to the retailer’s online shop.

Très Bien shop by Arrhov Frick

Housed inside a former textile factory, the shop has weathered timber floorboards that contrast with a new concrete floor in the entrance lobby.

Très Bien shop by Arrhov Frick

Similar clothes stores recently published on Dezeen include a London boutique with rails made of scaffolding and a Japanese shop split in half by a zig-zagging wallsee all our stories about retail interiors here.

Très Bien shop by Arrhov Frick

Photography is by Åke E:son Lindman.

The following information is provided by the architects:


Très Bien shop – Headquarters
Architecture/ Concept

Très Bien Shop’s collections are displayed in a building with great character and space in central Malmö, Sweden.

Très Bien shop by Arrhov Frick

The space has previously housed a textile factory as well as a flea market, which becomes apparent when checking out the well-worn wooden floor.
When we started the project, the space was divided into a number of different-sized rooms with skewed logistics and hierarchy. The new architectural concept gives the room functional logistics and clear, built-in flexibility.

Très Bien shop by Arrhov Frick

Très Bien Shop is a growing company, and it was impossible to determine exactly how the space would be used one or two years from now. Therefore, we designed a very flexible layout.

Très Bien shop by Arrhov Frick

Currently, the majority of Très Bien Shop’s sales are made online and there’s a need for regular photo shoots to keep the web shop updated. Therefore, a new photo studio plays a central role in the design and is the only room dividing the overall space.

Très Bien shop by Arrhov Frick

The photo studio is mobile and can be slid to different positions and adjust the space between warehouse and store. The exterior of the studio is paneled with mirrors, making it subtly disappear, and making it useful from all angles. The designed furniture features—racks, tables and shelves—are made in stainless steel and are designed as loose, moveable furniture.
  The entrance to the shop has a solid, glossy concrete floor. The weathered wooden floor of the store/warehouse section has been left intact and act as a contrast to the mirrors, concrete and stainless steel.

Très Bien shop by Arrhov Frick

The idea is that the environment should serve as a somewhat anonymous and subtle complement to clothing collections of diverse character.

Location: Friisgatan 6 Malmö, Sweden
Year: 2010-2011
Status: Built
Program: Retail store/ photo studio/ storage/ office space
Area: 400 Sqm
Team: Johan Arrhov, Henrik Frick


See also:

.

NE by Teruhiro
Yanagihara
No Picnic by Elding
Oscarson
Tree Hotel by Tham &
Videgård Arkitekter

Aesop Grand Central Kiosk by Tacklebox

Aesop Grand Central Kiosk

Australian skincare brand Aesop have launched in New York with a kiosk at Grand Central that’s made from over 1000 copies of the New York Times.

Aesop Grand Central Kiosk by Tacklebox

The newspapers were stacked, torn and bound in a wooden frame then topped with sheets of powder-coated aluminium.

Aesop Grand Central Kiosk by Tacklebox

The kiosk is Aesop’s first venture into the American market and was designed by Brooklyn architect Jeremy Barbour of Tacklebox.

Aesop Grand Central Kiosk by Tacklebox

Aesop are gaining quite a reputation for unusual material choices in their stores – see their branches in Paris, Tokyo and Singapore in our earlier stories.

Aesop Grand Central Kiosk by Tacklebox

Here are some more inventive uses for old newspapers.

Aesop Grand Central Kiosk by Tacklebox

Photographs are by Juliana Sohn.

Aesop Grand Central Kiosk by Tacklebox

Here are some more details from Aesop:


Aesop has been a purveyor of exceptional skin, hair and body products since 1987. The Melbourne company recently opened their first US store inside New York’s Grand Central Terminal. The kiosk, designed by Aesop Director Dennis Paphitis and NY-based architect Jeremy Barbour of Tacklebox, is located in the Graybar passage and offers a selection of Aesop’s line of products. To celebrate this opening, Aesop has created in collaboration with Dia a Jet Set kit that is sold exclusively at the kiosk.

The kiosk was built out of 1,000+ old recycled NY Times newspapers and power coated aluminum which provides the surface on which the products sit. The kiosk is meant to serve as Aesop’s handshake to NY and NY commuters as it is the first retail endeavor on the continent. The handshake is a symbol of both the an introduction to the brand as well as the use Aesop makes of hand demonstrations which are used to introduce Aesop to new customers. The kiosk was intended as a place for information, as well as a place of familiarity, hence the use of the NY Times which is part of the commuters’ daily routine.

Aesop has attracted a loyal following from its beginning for its commitment to high-quality product ingredients, a sophisticated aesthetic, and intelligent communication with its customers. This irreverent company will also open stores in August in Nolita and University Place.

Graybar Passage
Grand Central Terminal
New York, NY 10017


See also:

.

Aesop Saint-Honoré
by March Studio
Aesop store by
March Studio
Aesop at Merci by
March Studio

Alter Store by 3Gatti Architecture Studio

Alter Store by 3Gatti

Naked mannequins sit on the walls and ceiling of this MC Escher-inspired clothes store in Shanghai.

Alter Store by 3Gatti

Designed by Rome and Shanghai architects 3Gatti Architecture Studio, the store is filled with clashing concrete staircases that display clothes and accessories.

Alter Store by 3Gatti

Fitting rooms and a stockroom are enclosed beneath the ascending stairs at the rear of the store.

Alter Store by 3Gatti

Smaller staircases at the front of the store cantilever out across the floor.

Alter Store by 3Gatti

Lengths of copper pipe provide banisters, as well as rails for hanging clothing.

Alter Store by 3Gatti

Other Shanghai projects recently featured on Dezeen include three aquatics stadiums and an office with a labia-like staircase – see all our stories about projects in Shanghai here.

Alter Store by 3Gatti

Photography is by Shen Qiang.

Alter Store by 3Gatti

Here’s some more text from the architects:


Alter
Concept store in Shanghai

Alter is a project for an alternative fashion store.

Alter Store by 3Gatti

Sonja Long, the owner, had a vision out of the main stream, a vision about inverted values, alternative beauties and subverted point of views.

Alter Store by 3Gatti

Despite the appearance actually Shanghai is a very conservative city, people seems not ready yet to accept many different ideas especially if against the main safe business values that dominate this town.

Alter Store by 3Gatti

Sonja is Shanghainese but she was crazy and brave enough to propose to her customers a new model of high-end fashion store with top quality products but completely alternative at the main global brands accepted by the modern rich Chinese shoppers.

Alter Store by 3Gatti

Francesco Gatti, the architect, is Roman and he was crazy and brave enough to realize into a space those ALTERnative feelings he share with Sonja.

Alter Store by 3Gatti

The design was fast and spontaneous, as usual Francesco designed like a child, without inhibitions.

Alter Store by 3Gatti

The space was small but needed a lot of functions and rooms, so was a natural gesture to develop a stair surface to cover the office and fitting rooms and at the same time exhibit the products in a multidimensional way.

Alter Store by 3Gatti

The philosophy of Alter, as the word say is to be and inspire an alternative world.

Alter Store by 3Gatti

So as a designer Francesco imagined an alternative architectural space like the ones in the drawings of Escher, where gravity and the rules of the normal world doesn’t exist anymore, where there is no “up” or “down”, no “left” or “right”, and where everything is possible.

Alter Store by 3Gatti

Following this idea in the Alter store the stair become an independent element capable to wrap the space or to fold like a peace of paper creating impossible environments… or maybe possible, in the Alter dream.

Alter Store by 3Gatti

Yes a dream; few months after the shop opening Francesco went to the cinema and discovered “Inception”, a movie about dreams where all the concept, from the stairs to the mirrors is strangely the same of ALTER… maybe he will be a good movie director.

Alter Store by 3Gatti

Alter credits:

Architecture firm: 3GATTI
Chief architect: Francesco Gatti
Project manager: Brendan Whitsitt
Collaborators: Kylin Cheung , Bonnie Zhou , Karina Samitha, Danny Leung, Priyanka Gandhi, Zenan nLi , Andrew Chow
Programme: Fashion store exhibition area (for dresses, shoes, jewelery, glasses, design toys, books), lounge area, DJ console, two fitting rooms, office room
Contractor: Suenpui Laam
Client: Sonja Long
Location: Xin Tian Di, Madang Road, Xintiandi Style Mall, Shanghai
Total area: 100 m²
Design period: Spring 2010
Construction period: Summer 2010
Shop opening: September 2010
Materials: Steel structure, concrete bricks, white terrazzo cement, wax, plasterboard, gray cement, epoxy, plywood, leather
Photographer: Shen Qiang


See also:

.

DURAS Daiba by
Chikara Ohno
Algebraic Variations by
Francesco Moncada
Unknown Union by
Rafael de Cárdenas

Orlebar Brown by Post-Office

Orlebar Brown by Post-Office

London studio Post-Office have completed a boutique in Notting Hill with rails made of bronze-plated scaffolding.

Orlebar Brown by Post-Office

The shop for Orlebar Brown sells mens’ swimming shorts and accessories.

Orlebar Brown by Post-Office

The designers selected materials to reference Mediterranean beach resorts, using granite and reclaimed Aspendos stone for the flooring and counter tops.

Orlebar Brown by Post-Office

Post-Office was founded in 2009 by Canadian designer Philippe Malouin. They created Dezeen’s offices in north London earlier this year – take a look here.

Orlebar Brown by Post-Office

Dezeen also filmed interviews with Malouin in Milan and Cologne earlier this year.

Orlebar Brown by Post-Office

Photographs are by James McDonald.

Here are some more details from Post-Office:


Inspired by Julius Shulman’s Los Angeles photography and Ken Adams’ production design as well as Cesar Manrique’s breathtaking resorts in Lanzarote, the aesthetic is masculine, refined and minimal.

Materials include lavastone tiles, mimicking the black sands of Manrique’s timeless resorts, white cement boards in order to provide a subdued texture, whilst being the perfect backdrop for Orlebar Brown’s colourful palette.

The display units are made of bronze plated industrial scaffolding poles and keyclamps, reflecting the both the brand’s strength (industrial keyclamp) and its luxury (bronze plating).

The surfaces (reception desk and display unit) are clad in vintage Aspendos stone (reminding one of a resort’s ocean-eroded stone cliffs).

178a Westbourne Grove, Notting Hill


See also:

.

Chin Chin Laboratorists by
Akram and Haythornthwaite
Motel Out of The Blue
by Dros and Lombarts
Vopnabúrið by
Sruli Recht

52 by Suppose Design Office

52 by Suppose Design Office

A zig-zagging metal wall divides this clothes shop by Japanese architects Suppose Design Office, separating outerwear from undergarments.

52 by Suppose Design Office

A recessed skylight on one side of the 52 shop in in Shizuoka, Japan, illuminates a gallery of hanging coats, shirts and trousers.

52 by Suppose Design Office

Small trees are planted in the floor below the skylight.

52 by Suppose Design Office

There are no windows on the other side of the wall, where dangling light bulbs are suspended over undergarments, jerseys and accessories.

52 by Suppose Design Office

A staircase in one corner leads to a first-floor mezzanine overlooking the shop floor.

52 by Suppose Design Office

More projects by Suppose Design Office on Dezeen »

52 by Suppose Design Office

Photography is by Toshiyuki Yano.

The following information has been provided by the architects.


We had been requested to design a clothing shop in Shizuoka-shi Japan. In residential projects, we think about the relationship between the internal and external space but for this project, we started to think about the relationship between the products and the two different spaces.

52 by Suppose Design Office

In the west there are many galleries that do not use spots lights but rather uses natural light to light up the space. The reasoning for the use of natural lighting is that as most painting were painted under natural lighting and only when the painting is viewed under the state it was painted the true beauty of the painting will not show.

52 by Suppose Design Office

Could we not think the same for clothes? By creating a room that is like the outside and creating a room that is like inside, the clothes, shoes and accessories can be place in their rightful space.

A 9mm metal sheet wall was placed in a zigzag manner to separate the two different spaces and created big openings.

52 by Suppose Design Office

Click above for larger image

In the space light pours in from the skylight would be for outerwear, shoes and other products that would be used outside. The space that is light up with warm artificial lighting would be for inner wear and stationary. Each product had it place and we placed them to the rightful place.

By creating an internal space and external space in a building using only natural light effect, we were able to find a new relationship between outdoor and indoor space.

52 by Suppose Design Office

Click above for larger image

Location: Magarikane, Suruga-ku, Shizuoka-shi, Shizuoka, Japan
Principal use: Clothier
Construction Company: Mitsuko Terada
Structural Engineer: Ohno Japan
Main Structure : Steel construction, 2 story
Site Area: 460.35 sqm
Roof area: 112.62sqm
Total floor area: 127.333sqm
Completion: March. 2011
Design period: March – October 2010
Construction period: March 2010-November. 2010
Project team: Suppose design office | Makoto Tanijiri, in charge : Masashi Shiino
Photographer: Toshiyuki Yano


See also:

.

Double 00 ’09
by Case-Real
Stella K Showroom
by Pascal Grasso
Alberta Ferretti
by Sybarite

Poles Apart by Adrian Bergman

Poles Apart by Adrian Bergman

New Designers 2011: London Metropolitan University graduate Adrian Bergman has designed a modular retail display system that’s only held together by rubber rings.

Poles Apart by Adrian Bergman

Shopkeepers can use the Poles Apart kit to assemble or reconfigure display tables and rails without tools, nails, glue or screws.

Poles Apart by Adrian Bergman

Rubber rings on both sides of angled holes in the table top hold the legs in place.

Poles Apart by Adrian Bergman

The New Designers show took place in London from 6 to 9 July. See more work from the show here.

Poles Apart by Adrian Bergman

The following information is provided by the designer:


‘Poles apart’ is a modular display unit designed to target the retail market. Each unit is assembled using rubber o-rings as its only additional fastenings. The units are free from any glue and are constructed from ash and plywood.

Poles Apart by Adrian Bergman

‘Poles Apart’ utilises each component so it can be configured and customised in various formations to suit its environment.  Offset angular holes are cut into the rails allowing the legs to slide through, secured to the surface using the rubber o-rings.


See also:

.

Hose Clip Shelving by
Max Frommeld
Particle shelving by Dominic
McCausland
Prop-er Benches by Oscar
Medley-Whitfield

Streetology by Facet Studio

Streetology by Facet Studio

Suspended vending machines dispense plastic tubes containing coloured T-shirts in this Sydney shop by Facet Studio of Sydney and Osaka.

Streetology by Facet Studio

The tubes are arranged by colour, with a sample T-shirt on a hanger below each dispenser.

Streetology by Facet Studio

Up to 15 tubes can be stored in each dispenser, allowing up to 2,550 to be on display.

Streetology by Facet Studio

Named Streetology, the shop is situated next to shoe store Sneakerology (see our earlier story).

Streetology by Facet Studio

More retail interiors on Dezeen »

Streetology by Facet Studio

Photography is by Katherine Lu.

The following information was provided by Facet Studio:


Streetology

Within plastic tubes of standardised 100mm diameter, tee shirts are stored and merchandised. Within dispensers of standardised 100mm wide by 1500mm high, a maximum of 15 plastic tubes are stored and displayed. Then by repeating the dispensers by 170 times, we are now able to display a maximum of 2,550 tee shirts. If we sell one tee shirt, one plastic tube disappears from the dispenser. We designed a system of dispensers and tubes to visualize commerciality; although on its own, the stock quantity of the tee shirts fluctuates vertically within the individual dispenser unit, however after 170 repeats this fluctuation forms a “pattern” horizontally across the dispensers. There is no such field of study called “Streetology”; but this shop is a visual reflection of the street trend. It creates excitement by drawing a parallel between the shopping experience, and the act of flipping through pages of magazine asking oneself, “I wonder what is popular now on the streets!”

Project Data

Program: Commercial fitout: retail
Project Team: Olivia Shih, Yoshihito Kashiwagi
Location: Sydney, Australia
Main Material: Plywood, Aluminium plate
Area: 30 m2
Built: 2011
Photo: Katherine Lu
Mural: Babekühl
Structure: Simpson Design Associates
Lighting: Electrolight


See also:

.

Sneakerology by
Facet Studio
Habitat Antique
by Facet Studio
Urbanears by
Norra Norr