Dames Dietz Deli Shop by BaksvanWengerden

Dutch architectural practice BaksvanWengerden has completed a wonky delicatessen in the town of Oegstgeest.

Dames Dietz deli by BaksvanWendgerden

The ground and first floors of the three-storey Dames Dietz Deli Shop lean outwards to maximise space on the compact plot while also creating a double-height entrance between the wall and the first floor balcony.

Dames Dietz deli by BaksvanWendgerden

The third floor then leans sharply inwards again to create a sloping roof that meets the neighbouring building’s roofline.

Dames Dietz deli by BaksvanWendgerden

The walls and ceilings of the interior are finished in horizontally clad wood while the exterior is clad in brown ceramic tiles.

Dames Dietz deli by BaksvanWendgerden

The shop occupies the ground floor, while the the kitchen and storage areas are located upstairs.

Dames Dietz deli by BaksvanWendgerden

We recently featured a splayed concrete extension to a triangular house in the Netherlands by the same architects.

Dames Dietz deli by BaksvanWendgerden

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Dames Dietz deli by BaksvanWendgerden

Photographs are by Yvonne Brandwijk and Kaj van Geel.

Here’s more information from the architects:


A deli shop was commissioned for the main shopping street of the town Oegstgeest. The ambition is to realise a highly sustainable building. The plot is located next to a side gable wall of a terrace house development. Due to the limited plot size the only way to fit the programme is to stack it in three layers. The cantilever on the upper floors maximises the volume.

Dames Dietz deli by BaksvanWendgerden

Build in different historical time periods, the location is surrounded by a large variety of roof shapes and styles. These roof shapes were mostly derived from practical effectiveness and technical limitations as well as social and cultural reasons. All these arguments are still valid, except for the technical ones. Therefore the sloping planes are interpreted more freely.

Dames Dietz deli by BaksvanWendgerden

Ground floor plan

The municipal development plan and an ease of use attached to the plot prescribe clear and absolute regulations. Combining these parameters BaksvanWengerden created a building that diverges from the vertical and horizontal on all levels. Sloping planes to draw one into the shop; to bring in natural light; to create more space on the upper levels and to continue the existing roofline. The result is a building which appears simultaneously integrated and alienated.

Dames Dietz deli by BaksvanWendgerden

First floor plan

The shop is constructed in a 100% sustainable building system; Nurholz. It is the first commercial project completed with this Cradle2Cradle structural framework method. This unique, sustainable system integrates the structure, the services, the internal finishes as well as the insulating properties.

Dames Dietz deli by BaksvanWendgerden

Second floor plan

Client: Dames Dietz
Programme: New building for Deli Shop in Oestgeest
Area: 100m2
Project Architects: Gijs Baks, Jacco van Wengerden,
Contributors: Rui Duarte, Vineta du Toit
Stuctural engineer: Van Rossum Raadgevende Ingenieurs, Adviesbureau Luning
Contractor: Van Berkel Aannemers, Leimuiden
Interior designer: BaksvanWengerden Architecten, Amsterdam
Structural framework: Bouwpuur, Roosendaal
Interior fit-out: Thomas Meubels, Amsterdam
Status Commenced: September 2009, completed May 2012

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Aesop Tiquetonne by Ciguë

Glass bottles rest on rows of hand-made iron nails along the walls of this Aesop skin and haircare shop in Paris by French designers Ciguë (+ slideshow).

Aesop Tiquetonne by Ciguë

Located in one of the city’s oldest neighbourhoods, Aesop Tiquetonne was inspired by old-fashioned workshops and garages, where tools are often fixed to the walls with hooks or nails.

Aesop Tiquetonne by Ciguë

Architect Hugo Haas told Dezeen that he had bought the nails during a visit to Japan, and had decided later to use them to create an entire shelving system. ”The main idea with Aesop is to find different ways of displaying their products,” said Haas. ”The bottles are so classical they have their own existence. They just need a good background to help them levitate.”

Aesop Tiquetonne by Ciguë

The square-sectioned nails form neat rows along the sycamore-covered walls, creating spaces to hang and stand products of different sizes. ”These old nails are pretty hard to control, so to make sure we had straight lines we laser-drilled them to the wall,” explained Haas.

Aesop Tiquetonne by Ciguë

Unlike other Aesop stores designed by Ciguë, the counter and sink are separated from one another, due to the narrowness of the shop.

Aesop Tiquetonne by Ciguë

The taps and pipes are made from unpolished steel, and the architects chose to fit them themselves instead of consulting a plumber.

Aesop Tiquetonne by Ciguë

Pale blue paint gives the shop a colourful exterior. “The only place we wanted to put colour was the window,” said Haas. “We didn’t want to use colour in the store, as we prefer to use the colours that are inherent to materials. It seems a more natural process for us.”

Aesop Tiquetonne by Ciguë

Aesop regularly commission designers to come up with unique concepts for their stores and this is the fifth one created by Ciguë. Others we’ve featured by the studio include one filled with steel caps from the city’s plumbing network and one modelled on a medical laboratory.

See all our stories about Aesop »

Here’s some text from Aesop:


Aesop’s latest Parisian signature space, a fresh collaboration with Cigue, opened in rue Tiquetonne in mid-June. Home to many tradesmen in the mid-twentieth century, the area features a number of workshops that have remained unchanged for decades. The store’s design is entirely in keeping with this aesthetic – reminiscent of a garden workshop housing well-worn tools that defy obsolescence.

The design makes ingenious use of the most humble materials; shelving is fashioned from rows of large, hand-made square-sectioned wrought iron nailed – on which Aesop products are arranged like lovingly ordered implements. Walls feature stone and raw sycamore maple wood, which is also used for a large sink. A waxed concrete floor and pipes and taps of unpolished steel add further references to modest industry. The interior represents not only respect for local tradition, but a marriage of intelligent design, straightforward functionality and unadorned beauty.

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As Good As New pop-up shop at SPRMRKT by i29

Dutch studio i29 have coated everything in grey at this pop-up furniture shop in Amsterdam.

As Good As New pop-up shop at SPRMRKT by i29

Located inside fashion store SPRMRKT, the As Good As New concession is the launchpad for the designers’ new furniture collection, created from second hand pieces they’ve found in flea markets and charity shops.

As Good As New pop-up shop at SPRMRKT by i29

An industrial spray-on plastic creates a homogenous layer of matte grey over everything.

As Good As New pop-up shop at SPRMRKT by i29

“We chose this material because it sticks to almost everything, and is very durable,” designer Jeroen Dellensen told Dezeen.

As Good As New pop-up shop at SPRMRKT by i29

The shop is furnished like an old-fashioned living room, with a chandelier, a globe, a hunting trophy and pair of old boots.

As Good As New pop-up shop at SPRMRKT by i29

“We selected quite outspoken and weird items,” explained Dellensen. ”In the same finish, the collection of furniture becomes a powerful unified sculptural image and has a surreal alienating effect.”

As Good As New pop-up shop at SPRMRKT by i29

Other objects in the space include mannequins, ornaments and a set of vintage pedal bins.

As Good As New pop-up shop at SPRMRKT by i29

The installation follows on from one of the studio’s past projects, where they furnished an office in the same style. See all our stories about i29 here.

As Good As New pop-up shop at SPRMRKT by i29

Similar projects we’ve featured include an apartment with furniture covered in sticky tape and an abandoned office where everything is painted white.

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Aesop Islington by Ciguë

French designers Ciguë modelled this north London store for skin and haircare brand Aesop on a 1930s medical laboratory.

Aesop Islington by Ciguë

Bottles and tubes are lined up in neat rows on metal shelves, intended to reference the “modest utilitarian spaces of the early twentieth century,” says Aesop.

Aesop Islington by Ciguë

Ciguë used a palette of traditional materials, including reclaimed wood sourced from a 200-year-old French monastery for the floors and cabinets.

Aesop Islington by Ciguë

A single surface of polished white marble provides worktops and washbasins, with glass taps and pipes that show liquid flowing through them.

Aesop Islington by Ciguë

Wooden plant pots infill some of shelves, adding splashes of colour between the dark brown bottles, while more leafy plants grow in a hollow behind the sinks.

Aesop Islington by Ciguë

Aesop regularly commission designers to come up with unique concepts for their stores and Aesop Islington is the fourth one created by Ciguë. Another we’ve featured by the studio is a Paris shop filled with steel caps from the city’s plumbing network.

Other interesting branches include a Singapore shop with coconut-husk string hanging from the ceiling and a New York kiosk made from piles of newspapersSee all our stories about Aesop here.

The brand’s founder Dennis Paphitis also recently started up a gentlemen’s outfitters in an old factory in Melbourne. Read more in our earlier story.

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Online retailer Made.com opens physical showroom

MADE.com launches experimental showroom

News: online homeware retailer Made.com has opened a physical showroom on the ninth floor of a west London office tower, featuring QR codes and miniature 3D-printed models of furniture.

The 400 square metre Ninth Floor Showroom, located next to the company’s offices in Notting Hill, presents a changing selection of the site’s most popular furniture and lighting products arranged “like a studio shoot”.

Visitors can scan QR codes to find out more about products, play with miniature furniture models and take home postcards and fabric samples.

MADE.com launches experimental showroom

“Furniture and design is a special category in the sense that the products take up a lot of space,” said Made.com CEO and founder Ning Li. “Our business model tries to eliminate every unnecessary cost, like agents, importers, brands and warehousing, including the physical stores. Whenever you have a lot of costs, you can’t pass on the savings.”

Li says the future for Made.com is a “convergence of online and offline”, using the showroom to improve the online retail experience. “It’s very experimental. It’s not something that can replace physical retail, but it’s a good step to bridge the gap,” he said.

MADE.com launches experimental showroom

Made.com isn’t the only company to attempt to move from online into offline retail recently. ”We’ve seen over the last year, especially at Christmas, companies like eBay doing pop-up stores or experiential stores in a physical space,” Li said. “We hope to see more [companies] doing similar things, because it makes a lot of sense for consumers.”

Former investment banker Li launched Made.com in 2010 with backing from Brent Hoberman, founder of furniture and homeware website MyDeco and holiday shop Lastminute.com. Made.com now employs 70 people and ships several containers of goods to UK customers every day.

MADE.com launches experimental showroom

The showroom opened last week during the London Design Festival and is open to the public from Wednesday to Sunday at Newcombe House, 45 Notting Hill Gate, W11 3LQ.

Earlier today we reported that online design retailer Fab.com is to merge its UK and German sites into a single European store.

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Fab.com launches “shopfront for the whole of Europe”

Fab.com launches "shopfront for the whole of Europe"

News: online design retailer Fab.com is closing its UK site and relocating up to 35 staff from London to Berlin as part of a move to create a single European e-commerce site based in Germany.

The move will see both the German version of the store at fab.de and the UK site at uk.fab.com replaced by eu.fab.com.

“We’re bringing together our European operations in Berlin,” said Tracy Dorée, Fab’s senior vice president for merchandising and design. “We’ll have one shopfront for the whole of Europe.”

The company will now manage all buying, warehousing and logistics from Germany, rather than having operations split between London and Berlin. “In terms of being closer to the consumer, being in Germany makes sense,” Dorée said.

Fab’s UK operation launched in June when it acquired Llustre.com, a design-led UK flash-sale site that had itself only launched less than three months earlier – a move that led TechCrunch to describe the deal as “one of the fastest UK exits in recent history”. The all-share deal led to Llustre.com being relaunced as Fab UK.

Fab similarly entered the German market when it acquired Casacanda.de in February 2012. A quarter of the company’s revenue now comes from Europe.

Fab itself was founded in 2010 as a social network but last year switched focus to become a retail site focusing on limited-time “flash sales” of household items, often sold at a discount. Recently however it has started holding an inventory of products, like a traditional retailer, alongside the limited-time, discounted offerings.

The site claims over 7.5 million members in 20 countries, with over 400 employees. It has spawned a range of imitators although not all have flourished with one, Bamarang, closing in June this year.

“The ambition is to be a global marketplace where people come to discover great design,” Dorée said. “We’ve got IKEA-sized ambitions.”

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Crystal Bulb Shop by Lee Broom

London Design Festival: Hackney designer Lee Broom has transformed his studio into an old-fashioned grocery store for the London Design Festival (+ interactive image). Broom spoke to Dezeen about the installation and we’ve annotated a photo of the space with his insights above.

Crystal Bulb Shop by Lee Broom

“We’re just showing one product, the Crystal Bulb, so I felt like I needed to present it in lots of alternative ways,” Broom told Dezeen.

Crystal Bulb Shop by Lee Broom

Two hundred of the bulbs are presented in crates, cabinets, weighing scales and jars, as well as hanging from the ceiling and reflected in mirrors.

Crystal Bulb Shop by Lee Broom

The hand-blown, cut-glass bulbs were inspired by whisky decanters and are made by British firm Cumbria Crystal. Read more about them in our earlier story. The Crystal Bulbs are also available at our pop-up shop Dezeen Super Store at 38 Monmouth Street until 30 September.

Crystal Bulb Shop by Lee Broom

The panelling is recycled from his Public House installation styled like an English pub in Milan earlier this year, where the Crystal Bulb was unveiled for the first time.

Crystal Bulb Shop by Lee Broom

This time last year, Broom used the same space to create his dark, moody Salon installation to showcase his furniture with studded detailing.

Crystal Bulb Shop by Lee Broom

Crystal Bulb Shop is open until 23 September at 93 Rivington Street, London EC2A 3AY.

Crystal Bulb Shop by Lee Broom

See all our stories about Lee Broom »
See all our stories about the London Design Festival »

Crystal Bulb Shop by Lee Broom


Dezeen’s London Design Festival map

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The map above is taken from Dezeen’s guide to the London Design Festival, which lists all the events going on across the city this week. We’ll be updating it over the coming days with extra information on our highlights so keep checking back. Explore the larger version of this map here.

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Boxpark NDSM by Brinkworth

News: London interiors and retail designer Brinkworth is working on a temporary retail centre made of shipping containers in Amsterdam for pop-up mall company Boxpark.

Boxpark NDSM

The development, at the NDSM shipyard in the Dutch city’s port area, will be Boxpark’s second container mall, following the opening of its Shoreditch retail park in London last December.

Boxpark NDSM

Boxpark NDSM will feature 120 containers on two levels and sheltered under the 30m-high roof of the shipyard’s vast, disused Lasloods building, which was originally housed entire ships while final welding and fitting was carried out.

Boxpark NDSM

The development will open to the public in summer 2012 and will trade from Friday to Sunday only as the former shipyard, which hosts regular markets and festivals, is a popular weekend destination for young people. The project is being developed in conjunction with property investment giant Corio.

Boxpark NDSM

The units will be arranged in a C shape and will house independent shops, bars, restaurants and galleries while open areas within the Lasloods building will be used for events.

Boxpark NDSM

The London development, described as “the world’s first pop-up mall”, features 60 retail units housed in containers on two levels but is open to the elements, meaning trade is affected during bad weather.

Boxpark NDSM

Boxpark founder Roger Wade told Dezeen that Boxpark NDSM’s indoor location means it can host concerts and other events regardless of the weather.”It’s inspired by Covent Garden,” he said. “It’s inspired by Italian piazzas.”

Ground floor plan – click above for larger image

Plans are being drawn up to add fabric awnings to protect shoppers at the Shoreditch mall to overcome problems when it rains. The retail mix at Boxpark in London is also being revised to attract more female shoppers after criticisms that current brands are too male-oriented. There have also been criticisms at the lack of independent retailers in the park.

First floor plan – click above for larger image

The London mall is located on vacant land next to the recently opened Shoreditch station and has a five-year lease on the site.

Stores at Boxpark in London include the NikeFuel Station, which features in a movie we made earlier this year, and an Urbeanears headphone store.

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Selfridges Men’s Designer Space by Alex Cochrane

Selfridges Mens Designer Space by Alex Cochrane Architects

A geometric sculpture grows from a column and branches across the ceiling of the new designer menswear space designed by architect Alex Cochrane for London department store Selfridges.

Selfridges Mens Designer Space by Alex Cochrane Architects

“We wanted to challenge the way items of clothes, products and accessories are displayed,” Cochrane told Dezeen during a tour of the space before it was opened.

Selfridges Mens Designer Space by Alex Cochrane Architects

Manequins are lined up like soldiers at the end of each row of brass clothing rails and selected garments hang on brass rods that slide in and out of a mirrored wall where required.

Selfridges Mens Designer Space by Alex Cochrane Architects

The angular plinths used for displaying accessories are clad with the same material as the floor tiles, a rare light-grey Bleu de Savoie marble that comes from a single quarry in France.

Selfridges Mens Designer Space by Alex Cochrane Architects

The fitting rooms are lined with zig-zagging mirrors and bright blue fabric, providing a contrast to the simple palette in the main space,

Selfridges Mens Designer Space by Alex Cochrane Architects

The project is on the first floor of the department store, which is also currently hosting a pop-up concept store for Louis Vuitton designed by Yayoi Kusama.

Selfridges Mens Designer Space by Alex Cochrane Architects

Photos are by Andrew Meredith.

Here is some more information from Alex Cochrane:


From the start we worked with Selfridges to challenge the conventional approaches towards retail design, luxury and display. We pushed the boat out but they encouraged us to do so. We shared a creative understanding and a confidence that allowed us to investigate and then build a series of unique display elements. We developed these elements to be dynamic in their form, execution and materiality so as to welcome and inspire the visitor. In essence, our approach was sculpture park meets retail.

Selfridges Mens Designer Space by Alex Cochrane Architects

The Men’s Designer Display Elements

The hanging rails greatly influenced our approach in designing the Men’s Designer area. It was essential that the rails showcased the international brands in the best possible light. We preferred an ordered and repetitive layout of fixed rails that would define a legible retail environment and a coherent customer experience. The solid brass rails with a patinated bronze finish are all of one size and are positioned in pairs along the perimeter walkways and either side of the three stone plinths. The gaps between the rails allow the customer to freely view the merchandise or cross the floor without obstruction.

They create a form of buffer zone between the central aisle and the high traffic walkways that surround the mat. This is advantageous, as the Men’s Designer area is very much exposed to its surroundings. This buffer zone ensures that the aisle remains a haven where the customer can quietly view the brands in their entirety without the distractions that often accompany large retail environments.

Selfridges Mens Designer Space by Alex Cochrane Architects

The Stone Plinth

Selfridges shared our view that some merchandise would be better presented on slanted surfaces. We designed three monumental stone plinths that would be placed in succession down the middle of the central aisle of the Men’s Designer area. They appear to be solid blocks of stone that have been sculpted back to allow for a varying amount of flat and slanted surfaces. The hexagonal cut corners, which match the shapes of the stone floor, only heighten the sculptural qualities of the plinths.

Their gravitas ensures that that they are not just viewed as display units but also as permanent architectural components integral with the shop floor. A light grey marble was chosen for its consistent veining and colouring. This stone also worked well against the large white and grey veined the hexagonal floor slabs. Very fine detailing and precision in the fabrication and cutting process were key in defining the purity and solidity of the objects. The plinths include storage drawers but they remain discreet to the eye. A glass display unit is incorporated in the central plinth housing the smaller accessories.

Selfridges Mens Designer Space by Alex Cochrane Architects

Feature Wall

It was always our intention that the rear of the Men’s Designer floor should include a dramatic display element that would activate what was until recently an uneventful part of the floor. The large mirror-polished wall contains 700 solid brass rods that are free to slide in and out at varying lengths to hold merchandise. Depending on the brand objectives, this feature wall can generate numerous display and three-dimensional relief formations increasing the playful dynamics of the retail environment.

The mirror-polished stainless steel reflects and distorts the environment and like the canopy structure provides a point of focus for the customer to view from afar. The design of the wall was very much inspired by the Pinscreen toy patented by Ward Fleming in the 1980s.

Selfridges Mens Designer Space by Alex Cochrane Architects

Canopy Structure

The canopy structure originally stemmed from Selfridges’ desire for a pop-up shop within the Men’s Designer area. This pop-up shop would frame a location where a brand could be showcased in a more theatrical light.

We initially proposed a modest size structure that countered the repetitive order of the rails, flooring and the traditional coved ceiling. The structure took on an organic and random form. But as the project developed the structure just kept on growing, spreading out along the underside of the coffers and beyond the limits of the space and over the walkways eventually becoming an unmissable point of interest within the central atrium. We welcomed this expansion as it helped to define the Men’s Designer floor area within the larger context of the central atrium and the numerous brands that occupy it.

We developed the sculpture through a series of models including a 1-to-1 prototype. We paid particular attention to its fluidity so that it would serve as a directional tool inviting the customer off the walkways and onto the shop floor. The sculpture is theatrical with its tree-like form, but we opted for a white finish to match the coffered ceiling. We preferred to maintain a level of subtlety in order that all the varying elements worked together rather than against each other.

Selfridges Mens Designer Space by Alex Cochrane Architects

The Fitting Rooms

The Fitting Room Area offers the customer a very different experience from that on the shop floor. To enter the Fitting Rooms one first encounters a lobby space of faceted mirrors that pull you into a lowly lit corridor. The fabric-lined walls, soft lighting, relaxed seating and unique fixtures allow the customer to quietly and calmly consider the merchandise away from the movement and sounds of the main floor.

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Rapha Cycle Club by Brinkworth

London cyclists can hang their bicycles on the walls while they grab a coffee or browse at this Soho store for cyclewear brand Rapha by design studio Brinkworth (+ slideshow).

Rapha Cycle Club by Brinkworth

The Rapha Social Club is conceived as a social meeting place for road cyclists, where memorabilia is exhibited alongside the brand’s latest products and live racing is aired on screens surrounding a cafe area.

Rapha Cycle Club by Brinkworth

Like the company’s other spaces in San Francisco and Osaka, the London club has a Citroen H Van parked up inside it and uses a colour palette of black, white and pink that matches the aesthetic of the Rapha logo and products.

Rapha Cycle Club by Brinkworth

Metal-framed cabinets and tables can be wheeled around the concrete floor to provide flexible display stands.

Rapha Cycle Club by Brinkworth

“With Rapha Cycle Clubs, there is finally a permanent home for cycle fans to totally surround themselves in all the best aspects of road cycling in a great café atmosphere,” said Brinkworth Director David Hurren.

Rapha Cycle Club by Brinkworth

More clubs are due to open in Melbourne, New York and Tokyo and will have similar designs to the London branch.

Rapha Cycle Club by Brinkworth

Other cycling shops we’ve featured on Dezeen include one with chunky chipboard walls and artificial turf floors.

Rapha Cycle Club by Brinkworth

See all our stories about cycling »

Rapha Cycle Club by Brinkworth

Here’s a project description from Brinkworth:


Brinkworth design London Rapha Cycle Club.

Luxury cycling apparel brand Rapha appoint design consultancy Brinkworth to create their unique retail concept – Rapha Cycle Club.

Brinkworth were commissioned to develop the Rapha Cycle Club concept into an environment that would reflect the core cultural values of Rapha’s heritage, the glory and suffering of world road cycling. The first permanent UK Cycle Club now open in London’s Soho, builds on Rapha’s vision to provide a meeting place for the cycling community to eat, drink, watch racing and shop from the full Rapha product range, totally immersing themselves in a space dedicated to the pursuit of road cycling.

The Cycle Club aesthetic exemplifies the Rapha approach of premium design and materials while referencing workshop functionality. A flexible retail system has been developed to display not only apparel but unique products and Rapha’s collection of cycling memorabilia. A double height rear feature wall creates a backdrop to the iconic Rapha ‘H’ Van, a constant element of the brand, evoking a strong image of 60s racing.

Brinkworth have taken an intentionally unconventional approach to the layout, designing a space that places equal importance on the social and retail aspects, to deliver a truly blended experience. Bespoke cycle storage for visitors’ bikes and tools for basic bike servicing and maintenance are available, ensuring that the club is a key destination for both city cyclists and racers alike.

Integrated within the space is a custom-designed bar area with zinc-topped counter, reminiscent of timeless European café culture, underpinned by the Rapha branded cups and espresso machines. Visitors sit at laser-etched tabletops that feature famous alpine climbs, while watching racing on large screens positioned within the space. Solid concrete flooring combined with the unmistakable grey, white and pink Rapha colour scheme brands the overall space.

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