Bird Brick by Aaron Dunkerton

Kingston University graduate Aaron Dunkerton has designed an enclosed cavity brick fitting that allows endangered birds to nest in new buildings and garden walls.

Bird Brick by Aaron Dunkerton

Aaron Dunkerton’s Bird Brick cavity is made of five handmade, clamp-fired bricks which can be built into new buildings or garden walls to encourage birds to nest in urban areas. Birds can access the sealed cavity through a small clay entrance hole.

“Over the last 50 years the UK has lost over 44 million birds,” Dunkerton told Dezeen. “The house sparrow population has decreased by almost 70% and I decided to do something to help with their conservation.”

Bird Brick by Aaron Dunkerton

“House sparrows are sociable birds. They like to nest in small colonies of three to four breeding pairs in and around homes. However, as these holes and gaps are being filled up for better insulation, these birds are running out of places to nest,” said Dunkerton.

Bird Brick by Aaron Dunkerton

Each cavity must be cleared out once every 2-5 years, between September and November. The circular brick stopper twists out to allow the enclosed cavity to be cleaned out and must then be re-pointed in place.

The bricks were cast with the help of UK-based brick company, MBH Freshfield Lane in West Sussex.

Bird Brick by Aaron Dunkerton

Bird Brick was one of 20 projects shortlisted for the Design Council’s 2013 Future Pioneer Award, and was exhibited at New Designers 2013 in London last month, alongside New Designer of the Year Henry Franks.

Dunkerton will also exhibit work at London Design Festival 2013, with graduate design collective NOUS, which also includes Alice Kim’s maternity vest for plants.

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XO tablet by Yves Behar for One Laptop Per Child

The latest version of the affordable XO tablet, designed by Yves Behar for the One Laptop Per Child Association, goes on sale this week (+ movie).

XO by Yves Behar for One Laptop Per Child

The seven-inch touchscreen Android tablet will be available for $150 at Walmart stores across the USA this week, marking a move away from the product’s initial focus on the developing world.

XO by Yves Behar for One Laptop Per Child

The new version features a rubber exterior and a carrying hook, while the bilingual English/Spanish software comes with a suite of pre-loaded apps, games and books.

XO by Yves Behar for One Laptop Per Child

The XO tablet is the fourth iteration of the One Laptop Per Child concept, all of which have been designed by One Laptop Per Child’s chief designer, Yves Behar of San Francisco design studio fuseproject.

The first, nicknamed the “$100 laptop”, was a clamshell design with a keyboard that could be charged by hand-crank and was intended for children in remote villages without power.

The product was one of five winners of the Index Awards for sustainable design in 2007 and won the Design Museum’s inaugural Design of the Year award in 2008.

Its successor, the XOXO laptop, was unveiled in 2008 and featured two hinged touch-screens.

The third version, called the XO-3, was launched last year. This was a tablet with a removable rubber cover that could also house solar panels to recharge the battery.

XO by Yves Behar for One Laptop Per Child

“The new tablet is an evolution of all the things we have learned with the original XO Laptop,” says Yves Behar. “The new user interface is colourful and easy to use, while the protective rubber exterior features a carrying loop similar to the original XO finger hooks.”

See more stories about One Laptop Per Child »
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Here’s some text from One Laptop Per Child:


FUSEPROJECT AND ONE LAPTOP PER CHILD ANNOUNCE NEW XO TABLET DESIGNED TO SPARK THE CHILD’S IMAGINATION

The fuseproject-designed XO Tablet arrives in Walmart stores across the country this week. Developed in collaboration with the One Laptop Per Child Association, the tablet harnesses the power of a touchscreen device to create new ways for children to learn. The powerful Android tablet has a new user interface and protective cover that delivers the continuity of the design language of the original One Laptop Per Child with a new learning experience.

XO by Yves Behar for One Laptop Per Child

Centered around the idea of aspirational “dreams”, the main screen is organized by topics rather than applications. A clear hierarchy of information makes tiers of learning within each dream easy to follow and access, a key element of the new child-centric XO Learning System Interface. A simple sentence “I want to be an…” is the opener to a myriad of software, games, and applications grouped around each of the subjects of interest.

XO by Yves Behar for One Laptop Per Child

“The new tablet is an evolution of all the things we have learned with the original XO Laptop,” says Yves Behar, fuseproject founder and Chief Designer of OLPC since 2006. “The new user interface is colorful and easy to use, while the protective rubber exterior features a carrying loop similar to the original XO finger hooks. What is unique about this version is how we crafted the user interface and the industrial design simultaneously. We wanted to make sure that together they would deliver a cohesive experience while stimulating discovery and offering a few surprises.”

XO by Yves Behar for One Laptop Per Child

The seven-inch tablet, made by Vivitar, is running Android OS, and is the only multilingual (English/Spanish) and Google-certified tablet for kids on the market. It includes content curated and selected for age-appropriateness by OLPC in collaboration with Common Sense Media, a leading non-profit organization dedicated to helping parents and teachers make informed decisions about media.

XO by Yves Behar for One Laptop Per Child

The pre-loaded software includes 100 free pre-loaded apps, games, and books. Special parental controls such as the XO Journal tool, allow parents to track how much time children spend on each app and can provide insight into where children’s interests lie.

XO by Yves Behar for One Laptop Per Child

The One Laptop Per Child Association has distributed 2.5 million of the original XO Laptop in 60 countries, and is now launching the new $150 tablet in the US starting at Walmart, as well as in developing countries such as Uruguay, Cambodia, and Barbados.

XO by Yves Behar for One Laptop Per Child

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Plant Pregnancy by Alice Kim

This plastic maternity vest by design graduate Alice Kim allows people to carry young plants like babies (+ movie).

Plant pregnancy bag by Alice Kim

Alice Kim, who recently graduated from Kingston University, designed the PVC maternity vest with a compartment on the front to carry seedlings and young plants.

Plant Pregnancy Bag by Alice Kim

Kim hopes the project will remind people of the care and attention that plants require to grow. “Plants share very similar birth and growth process to humans,” she said, “but we do not appreciate much of what they give us.”

Plant pregnancy stroller by Alice Kim

After the seedling has grown into a small plant the owner can use Kim’s Plant Stroller to take it for a walk.

Kim exhibited the project at London’s graduate showcase New Designers 2013 last week.

Plant Pregnancy by Alice Kim

Our highlights from this year’s graduate shows include a concept to transform London’s BT Tower into a pollution-harvesting high rise and cycle helmets made from mulched newspapers.

See more 2013 graduate projects »
See more stories about plants »

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Food Huggers by Adrienne McNicholas and Michelle Ivankovic

Industrial designers Adrienne McNicholas and Michelle Ivankovic have launched a range of silicone caps designed to preserve leftover fruit and vegetables (+ slideshow).

Food Huggers

Named Food Huggers, the brightly coloured caps slip over half-eaten tomatos, lemons, apples or kiwi fruit to form a seal with the cut side, keeping the natural juice in so the food stays fresh for longer.

Range of four silicone caps fit snuggly onto left over fruit and vegetables

The upper edges wrap around the produce to keep the caps in place and the four different sizes overlap slightly to there’s a good fit for any item.

Food Huggers silicone caps

There’s also an Avocado Hugger with a bobble that fits over the stone if it’s protruding or presses inwards if the stone has been removed.

Silicone caps by Food Huggers

The soft caps nest neatly inside each other for storage and come in four different colour palettes.

Silicone caps by Food Huggers

The products are available through Kickstarter until Friday 13 July.

Silicone caps by Food Huggers

Other clever kitchenware on Dezeen includes an extendable egg tray, an espresso maker for the microwave and silicone dishes for steaming food.

Silicone caps by Food Huggers

See more stories about kitchenware »
Read our Food and Design report we produced with Scholtès »

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Dyslexic Objects win New Designer of the Year Award 2013

News: a range of products inspired by a young designer’s dyslexia has won the New Designer of the Year Award (+ slideshow).

Poor Memory Pen Pots by Henry Franks.
Poor Memory Pen Pots only hold two or three items

Northumbria University graduate Henry Franks won the award for a collection of re-imagined everyday objects, including an inverted set of mugs double-hooked coat hangerspen pots that only hold two or three pens and a set of cork plinths for cups.

Poor Memory Pen Pots by Henry Franks.

“The motivation was to utilise the power of unconventional thinking and apply my own dyslexia to objects to create products which have dyslexia and function better as a result,” Franks told Dezeen.

Confused Hangers by Henry Franks.
Confused Hangers can be hung either way round

One of Franks’ products is a coat hanger with two hooks, so it can be hung either way round. “The Confused Coat Hanger wasn’t paying attention when being told which way round it was supposed to be,” Franks explains. “As a result, it has a double-hooked head and can hang either way round when hanging your clothes up.”

Franks’ Poor Memory Pen Pots can hold just two or three pens because they “have a terrible memory due to their dyslexia and can only remember a couple of things at a time,” says Franks. Yet this apparent shortcoming prevents the pot overflowing with items and keeps just a few essential writing tools to hand.

Coaster Plinth, an oversized cork drinks coaster, ended up as an elevated platform rather than a flat disc because it “misread the dimensions it was supposed to be and hasn’t understood the question,” says Franks. Despite the apparent precariousness of a cup placed on top of the plinth, it makes the cup more noticeable so it’s less likely to be spilled.

Franks' upside down Muglexia mugs
Franks’ upside down Muglexia mugs

Muglexia, a range of mugs, are inversions of the traditional shape and refer to the way dyslexics invert and flip letters and words when reading. “These three mugs illustrate inversion and as a result are more stable and more balanced in the hand,” Franks explains.

Franks was given the award at the New Designers Part 2 opening ceremony at the Business Design Centre in north London last night.

Franks receives a £1000 cash prize, £1000 worth of advice from intellectual property lawyers Briffa, £2000 worth of advice from accountancy experts Rhodes & Rhodes, and a half day with PR consultancy Four Colman Getty.

Dyslexic designs win New Designer of the Year Award 2013
Muglexia mugs refer to the flipping around of letters and words and keep drinks hotter

“Henry joyfully combines utility with human behaviour resulting in a clever, well rounded collection, brimming with unique ideas,” said the award judges.

See Henry’s winning design collection on Northumbria University’s stand at New Designers 2013 until 6 July at London’s Business Design Centre.

Coaster Plinth by Henry Franks.
Coaster Plinth makes a drink more obvious so you’re less likely to spill it over

New Designers is an annual showcase of graduate projects from design schools around the UK. Previous New Design of the Year winners include boiled leather furniture and an extending shelving unit.

See our coverage of Graduate Shows 2013 »

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Coffee Beer bottle by Nendo

Japanese studio Nendo has designed packaging for coffee-flavoured beer by adding little bean-shaped stickers to the brewer’s existing bottles.

Coffee Beer bottle stickers by Nendo

“Adding coffee beans to beer during the brewing process gives the resulting beer a rich, deep taste, thanks to the beans’ bitterness and aroma,” says Nendo.

Coffee Beer bottle stickers by Nendo

The studio created the packaging for a collaboration between Anchor Coffee of Kesennuma city and Sekinoichi brewery of Ichinoseki city, both located in northern Japan.

Coffee Beer bottle stickers by Nendo

“Both Kesennuma and Ichinoseki were devastated by the earthquake and tsunami of March 2011, so the beer is a charity project to fundraise for disaster relief,” the designers explain.

Coffee Beer bottle stickers by Nendo

To keep costs down they used the brewer’s existing bottles and simply created stickers that are applied by hand so each Coffee Beer bottle is unique.

Coffee Beer bottle stickers by Nendo

“Large beer breweries who produce standard products on a mass scale simply can’t offer products like this one, and that’s the point,” the designers add. “We wanted the packaging to convey the makers’ thoughts and feelings with each bottle.”

Coffee Beer bottle stickers by Nendo

The most controversial (and expensive) beer packaging we’ve ever featured was made out of roadkill.

Coffee Beer bottle stickers by Nendo

Other innovative packaging designs we’ve featured includes laser tattoos for fruit instead of stickers, medicines labelled with symptoms rather than ingredients and famous products without the brand names written on them.

Coffee Beer bottle stickers by Nendo

Other recent projects by Nendo include a combined shower and light for tap company Axor, offices that look like the walls are peeling away and a footwear shop full of ghostly white shoes.

See more stories about packaging design »
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Coffee Beer bottle stickers by Nendo

Photos are by Hiroshi Iwasaki.

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Bird chair by Jungmo Yang

Product news: South Korean designer Jungmo Yang has created these simple wooden chairs with bird-shaped armrests.

Wooden bird chair by Jungmo Yang

Jungmo Yang designed the armrests as anthropomorphic shapes, but kept efficient simplicity as a principle throughout the rest of the design.

Wooden bird chair by Jungmo Yang

The supports flow upwards to connect with the backrest, which has been formed from a single piece of smoothed ash wood.

Wooden bird chair by Jungmo Yang

“The smooth curves of the Bird provide comfort to people when they use the armrest,” says the designer. “Bird is designed for physically and visually comfortable positions with the shape of the backrest and seat.”

Wooden bird chair by Jungmo Yang

The wooden bird chair is available to buy directly from Jungmo Yang’s website and come finished in either mat dark grey, or a nay blue colour.

Wooden bird chair by Jungmo Yang

We’ve a number of wooden chairs recently, including a Panton chair cut out of a tree trunk using a chainsaw, and curved wooden chairs with cut-out backs by London designer Simon Pengelly for Modus.

Wooden Bird chair by Jungmo Yang

See all our stories about chair design » 

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BioElectric by Jeongwon Ji

Royal College of Art graduate Jeongwon Ji has made her own bioplastic from crab shells.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Material samples and crab shell pieces

Aiming to make a more tactile casing for electronic products, Jeongwon Ji extracted a derivatine of glucose called chitin from crustaceans and developed her own plastic from it by trial and error in the workshop.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Chinese mitten crab shells, from which the chitin polymer can be extracted

The resulting material, which she calls Crustic, combines the chitin with water and small amount of glycerin.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Experiment samples

“The Chinese mitten crab from Asia is one of the most invasive species and they are taking over the rivers in the UK,” Jeongwon Ji told Dezeen. “The crabs are unwanted here so I wanted to work out what we can do with them as a resource instead.”

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Experiment samples

The water-based mixture takes much longer to cure than conventional plastics but the ingredients are completely non-toxic, she explained. “Although production time is longer, this nontoxic process can improve the work life of those who manufacture our electronics.”

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Alarm clock with Crustic casing

In the Design Products department of the Royal College of Art graduate show last week, the designer presented her material samples and experiments alongside conceptual electronic projects with casings made of Crustic, including an alarm clock, humidifier, computer trackpad, torch and WiFi router.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
WiFi router with Crustic casing

Although they were all made in accurate geometric wooden moulds, the material becomes rough and distorts as it cures, resulting in tactile and organic forms.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Torch with Crustic casing

“I wanted to challenge the archetypes of electronic products by using tactile surfaces and making forms that look like they are made of something different, something natural,” she said.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Trackpad with Crustic casing

A couple of months ago we featured a pavilion based on the structure of chitin in a lobster’s shell and in 2011 Italian designers Formafantasma presented a range of vessels made from natural polymers they’d cooked up themselves.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Humidifier with Crustic casing

Other projects presented at Show RCA included paper-pulp helmets for cycle-hire schemes and living food that wriggles around on the plate.

See more stories about plastics »
See more projects at Show RCA 2013 »

Here’s some more information from Jeongwon Ji:


BioElectric

BioElectric challenges the archetypes of electronics through material exploration. Industrial processes have streamlined manufactured products, but what if we allow new materials to be expressive and tactile? Like many of today’s electronic components, the Chinese Mitten Crab comes from Asia. This species invades our rivers, and is an unwanted, local resource.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
Moulds used to make casings for the electronic products

I extracted Chitin polymers from crushed crab shells, and perfecting chemical-free “slow production” methods to make bio-plastics for the casings of electronic products. Although production time is longer, this nontoxic process can improve the work life of those who manufacture our electronics.

BioElectric plastic made of chitin from crab shells by Jeongwon Ji
The bioplastic distorts into organic tactile shapes despite the geometric moulds

Crustic

Crustic is a crustacean-based biocompatible plastic that Jeongwon Ji developed for her BioElectric project to enhance tactile pleasure.

The production time of Crustic is longer because the use of water instead of artificial chemicals. Crustic is made out of chitin derived from crab shells and water, combining with a small amount of red agile and glycerin.

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Carafe and glass by Mathieu Lehanneur for Ricard

Carafe and glass by Mathieu Lehanneur for Ricard

Product news: French designer Mathieu Lehanneur has created a glass with a stem that holds exactly one measure of alcohol for liqueur brand Ricard.

Lehanneur designed the glassware primarily for bars and restaurants to enable the precise amount of Ricard‘s anise-flavoured spirits to be poured.

The flared stem prevents ice cubes from distorting the measurement and forming crystals that detract from the taste while permanently sitting in the liqueur.

Carafe and glass by Mathieu Lehanneur for Ricard

A carafe for mixers has a similar spout to the glass stem and a larger base with the same conical shape.

Mathieu Lehanneur has completed a few projects recently, such as the interior of a cafe in Paris that serves food in edible packaging and a chandelier that looks like illuminated lengths of rope.

One of our most popular stories ever features a range of glasses each designed with one of the seven deadly sins in mind.

See more glass design »
See more design by Mathieu Lehanneur »

Photos are by Véronique Huyghe.

More information from the designer follows:


Mathieu Lehanneur designs the new Ricard carafe and glass

Ricard entrusted Mathieu Lehanneur with the role of redesigning its carafe and glass set to equip bars, restaurants and clubs. The tasting ritual, a real institution, has been perfected by a complete revision of the codes and features by the French designer. The stem of the glass contains the correct measure of Ricard, an end therefore to incorrect measures. Then, the flared shape of the stem does not allow ice cubes from entering, a small detail that prevents direct contact between the ice and the Ricard and therefore the formation of solidified anise essential oil flakes, that spoil the taste buds of purists!

Carafe and glass by Mathieu Lehanneur for Ricard

A design feature that satisfies lovers and also guides enthusiasts who have the tendency to put the ice-cubes in the glass first of all, making a precise measure impossible. “With the Ricard teams we looked at reintroducing the preparation ritual to the very core of the tasting. I wanted to use the alchemy of the perfect measure but make it intuitive, obvious. The glass is primarily responsible for all that. As a result, whatever the order between ice-cubes and Ricard, you can be sure of having the right balance.

A new set that perfectly illustrates the modernist axiom “form follows function” with an innovative design, generous as well as fresh and functional. A big challenge to put into practice for this subject that Mathieu Lehanneur accepts with his usual talent for surprises and surpassing constraints in terms of style.

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Bamboo tricycle by a21studio

This tricycle designed for children by Vietnamese firm a21studio has been crafted from bamboo and finished with ropes. 

Bamboo tricycle by A21 studio

a21studio used bamboo to form the frame because it is a versatile, solid, and sustainable material abundantly available in Vietnam.

Bamboo tricycle by A21 studio

The tricycle has been locked together with bolts that are also fashioned from bamboo, which have then been covered by rope. It has not been exposed to chemical treatments so will weather and decay over time.

Bamboo tricycle by a21 studio

The rope securing the bamboo bolts can be loosened, encouraging children to modify or re-design the tricycle.

Bamboo tricycle by a21 studio

“By designing this bike with materials, which can be easily found everywhere, we hope not only to bring true happiness to children but also remind us about our childhood,” say the designers.

Bamboo tricycle by a21 studio

We’ve featured a number of projects that utilise bamboo in a variety of ways, including a riverside cafe supported by fifteen conical bamboo columns, a pop-up bamboo theatre, and hand-made bamboo lamps.

Bamboo tricycle by a21 studio

See more bamboo architecture and design »
See more tricycle design »

Here’s some more information from the designers:


The tricycle is a long story attached to each child’s memories. It is interesting to see village children playing with bamboo bikes. The simplicity of the vehicles and happiness of children are the inspirations of this design.

Made by bamboo with wooden wheels, which are popular materials in Vietnam, the tricycle is threated with care in every detail without any chemical treatments. The bike may be decayed with time but the kids will learn showing consideration for its nature. Moreover, all the parts are linked by bamboo bolts and then covered by ropes so that kids would be excited to assemble and repair the bikes themselves or modify the design to their needs.

By designing this bike with materials, which can be easily found everywhere, we hope to not only bring true happiness to children but also remind us about our childhood.

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