"It will be the first proper OLED desk lamp"

In this movie filmed by Dezeen for Philips Lumiblade, German designer Daniel Lorch explains the ideas behind his desk lamp, which will be the first to use OLED technology when it goes into production next year.

Moorea OLED desk lamp by Daniel Lorch for Philips

OLEDs (organic light-emitting diodes) generate light when electricity is passed through layers of organic semiconductor material mounted on glass, so they can be very thin and emit even light from a flat surface rather than spreading it from a single point.

Moorea OLED desk lamp by Daniel Lorch for Philips

Called Moorea, Lorch‘s lamp incorporates two OLED panels side by side, supported on a sprung-steel stem. “I was really fascinated by this material – no matter how hard you bend it, it always goes back,” he says in the movie.

Moorea OLED desk lamp by Daniel Lorch for Philips

The curve of the lamp’s stem is held under tension by a rubber-coated power cable, which is clamped in a component normally used to hold ropes on a sailboat. The angle of the light is adjusted by sliding this cable through the clamp and the base of the lamp features a tab so the whole thing can easily be swivelled.

Moorea OLED desk lamp by Daniel Lorch for Philips

Lorch came up with the idea while attending a workshop with Philips: “I knew I needed to have at least two panels to have proper light for the desk and when I put two OLEDs together it immediately reminded me of the old bankers’ lamps because of the proportions – it was long and quite thin – so I decided to do a new interpretation of the banker’s lamp.”

Moorea OLED desk lamp by Daniel Lorch for Philips

The designer spoke to Dezeen at the Lumiblade Creative Lab in Aachen, Germany, where we were invited to make a film about OLED technology and its future uses. Watch Dietmar Thomas of Philips Lumiblade talk about how glowing walls, windows and furniture will replace light bulbs and LEDs in homes as OLED technology improves in our earlier movie.

Moorea OLED desk lamp by Daniel Lorch for Philips

Lumiblade is the brand name of Philips’ OLED lighting products and the Lumiblade Creative Lab is used to introduce designers to OLEDs and help them develop innovative uses for the technology.

Moorea OLED desk lamp by Daniel Lorch for Philips

Daniel Lorch Industrial Design was founded in Berlin in 2010 and past stories about its work on Dezeen include a chair made by splitting a steel tube and peeling back the legs, and metal lamps made by pinching a tube together at one end.

Moorea OLED desk lamp by Daniel Lorch for Philips

The music in the movie is a track called Mostly Always Right by 800xL. Listen to the track on Dezeen Music Project.

Moorea OLED desk lamp by Daniel Lorch for Philips

Here’s some more information about the lamp from Daniel Lorch Industrial Design:


Moorea is the first OLED desk lamp which – with 230 lm – surpasses the low-power range of ambient lighting. It vibrantly illuminates its surroundings, and makes the potential of this fascinating cutting edge technology tangible. The new adjustment mechanism foregoes joints. It is based on the elasticity of a thin strip made of shape memory alloy (SMA), which is bent into the desired position by means of a nylon strengthened power cable.

Since the power cable is an integral component of the adjustment mechanism, the problem of cable routing becomes redundant. For quick adjustments of lighting the lamp can also pivot around its own axis. The proportions of Moorea are based on the classic time-proven bankers lamp, never missing from lawyers’ desks in Hollywood films.

In collaboration with Philips Lumiblade.

Materials: Philips GL350 OLED, shape memory alloy (SMA), anodized aluminium, nylon-strengthened power cable.

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“At night you won’t switch on the ceiling lamp. You’ll switch on the window.”

Glowing walls, windows and furniture will replace light bulbs and LEDs in homes as OLED (organic light-emitting diode) technology improves, according to Dietmar Thomas of Philips Lumiblade (+ movie).

“Just imagine windows where transparent OLEDs are integrated,” says Thomas. “During the day the sun shines into the room and at night you’re not switching on the ceiling lamp or the wall lamp, you’re switching on the window.”

The low working temperature of OLEDs – around 30 degrees centigrade – mean that lighting source can be integrated into furniture, Thomas says, and even painted onto walls.

“OLED will open up completely new ways where light can be introduced to the customer,” Thomas says. “In the far future, say five or 10 years or so, you’ll paint the wall with a colour with OLEDs mixed into it, so when you apply a current, the whole wall lights up.”

Thomas spoke to Dezeen at the Lumiblade Creative Lab in Aachen, Germany, where we were invited to make a film about OLED technology and its future uses.

OLEDs generate light when electricity is passed through layers of organic semiconductor material mounted on glass.

“OLED is the first light source that is a surface light source,” Thomas says. “All other lights sources are point light sources, starting with the flame, the candle and going up to the light bulb and the LED. For the first time you don’t need a system to spread the light. The system is built in.”

Today’s OLEDs are less than 2mm thin and their maximum size is 12 x 12cm but in the near future they will be less than a millimetre thin and up to a metre square, Thomas predicts.

While today they are relatively expensive, prices are expected to fall dramatically: “I expect OLEDs to be in the mass market within the next five years, so everyone can buy OLED systems at IKEA,” says Thomas.

Lumiblade is the brand name of Philips’ OLED lighting products and the Lumiblade Creative Lab is used to introduce designers to OLEDs and help them develop innovative uses for the technology. Products on show at the lab include prototypes by Tom Dixon, Jason Bruges and rAndom International.

Other future uses for OLEDs include in cars, where their thinness compared to LED technology will allow car designers to provide more internal space or design shorter vehicles.

Designs developed at the Lumiblade Creative Lab include Mimosa, an interactive piece by Jason Bruges (above).

The music in the movie is a track called Mostly Always Right by 800xL. Listen to the track on Dezeen Music Project.

Here’s some text from Philips Lumiblade about OLED technology:


OLED – The new Art of Light

OLEDs (Organic Light-Emitting Diodes) represent the next step forward in the evolution of new light sources, generating light by semiconductors, rather than using a filament or gas. Like LED lighting, OLEDs provide illumination that is more energy-efficient, longer-lasting and more sustainable. It also opens exciting new doors to how we can use, integrate and ‘play’ with light for decorative, design and ambience creation purposes in our cities – in homes, offices, shops or hotels.

LEDs and OLEDs – the difference

A key difference is that OLEDs are created using organic semiconductors, while LEDs are built in crystals from an inorganic material. There are also visible differences between these two types of solid-state lighting. LEDs are glittering points of light – in essence, brilliant miniature bulbs. OLEDs, on the other hand, are extremely flat panels that evenly emit light over the complete surface. The illumination they produce is ‘calm’, more glowing and diffuse, and non-glaring.

The thin, flat nature of OLEDs also enables us to use and integrate light in ways that are impossible with any other light source. OLEDs will not replace LEDs – they have their own very specific and useful types of application. The two, however, complement each other very well, providing different options in a new era of digital lighting.

Leading the development and application of OLEDs

Philips was one of the first companies to make OLED lighting technology commercially available to architects and designers on a large scale through its Lumiblade OLED panels of different shapes, colors and structure, marketed under the name Philips Lumiblade. Furthermore, Philips’ Lumiblade Creative Lab in Aachen, Germany, gives lighting designers, luminaire manufacturers and creative minds the opportunity to get hands-on experience of OLED light as a material, and to partner with Philips in creating customized OLED solutions.

The company also has OLED product development facilities in Brazil and China, enabling close collaboration with architects and designers all over the world, and announced a EUR 40 million investment to expand production capacity at its facility in Aachen last year.

Capturing the beauty of light with OLED applications

In a highly competitive market, hotels, retailers and companies are constantly looking for ways to stand out from the crowd, as a distinct brand with a unique identity. Their image and identity are also communicated through the design and decoration of their shops, hotels or offices. Innovative lighting applications can play an important role in creating a unique ambience in these environments. Philips Lumiblade offers a range of such applications incorporating OLED lighting into eye catching products.

Philips’ LivingShapes interactive wall, the world’s largest OLED lighting installation that is commercially available today, consists of 72 OLED panels incorporating a total of 1,152 Lumiblade OLEDs. Each panel has a click-fit system, so customers can easily combine as many panels as they want, generating an interactive OLED installation within a few minutes. The installation is ideal for company headquarters, lounges, hotel lobbies or high- end residential constructions.

Philips will take interactive OLED lighting even further with the launch of the LivingShapes interactive mirror in 2012, shown for the first time at the LIGHTFAIR in Las Vegas. The interactive mirror is designed to enhance retail showrooms and enhance ambience in a hospitality setting.

Philips continues to lead the market in making OLED lighting brighter, larger and available for broader use with the introduction of its new high performance OLED Lumiblade GL350. The new OLED panel, shown for the first time in the US, offers an unprecedented combination of lumen output and size at an attractive price-performance ratio, making OLED lighting more viable than ever before for general lighting applications.

How OLEDs work

OLED lighting works by passing electricity through one or more incredibly thin layers of organic semiconductors. These layers are sandwiched between two electrodes – one positively charged and one negatively. The ‘sandwich’ is placed on a sheet of glass or other transparent material called a ‘substrate’.

When current is applied to the electrodes, they emit positively and negatively charged holes and electrons. These combine in the middle layer of the sandwich and create a brief, high-energy state called ‘excitation’. As this layer returns to its original, stable, ‘non-excited’ state, the energy flows evenly through the organic film, causing it to emit light. Using different materials in the organic films makes it possible for the OLEDs to emit different colored light.

The OLEDs currently available are mounted on glass. So far, glass is the only transparent substrate that sufficiently protects the material inside from the effects of moisture and air. However, scientists at Philips Research are investigating ways to make soft plastic substrates that will provide the necessary protection. This will open the way for bendable and moldable OLED lighting panels, making it possible for any surface area – flat or curved – to become a light source. We could see the development of luminous walls, curtains, ceilings and even furniture. Flexible OLED panels are likely to become available within 6 years.

Today, OLEDs generally have a reflective, mirror-like surface when not illuminated. Another current area of research is on the development of completely transparent OLEDs, which will open many new doors in application possibilities. Transparent OLED panels will be able to function as ordinary windows during the day, and light up after dark, either mimicking natural light, or providing attractive interior lighting. During the day, they could also function as privacy shields in homes or offices. Look out for transparent OLED panels within the next 2 years.

Product Performance (2012)

» up to 45 lm/W in different shades of white and RGB
» up to 4,000 cd/m2 brightness
» up to 15,000 hours lifetime (at 50% initial brightness)
» 1.8 mm thin
» <100 cm surface

As a rule of thumb: we expect the efficiency to double every 2-3 years.

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Philips LightCollector App now available to download

Dezeen promotion: lighting consultancy LightCollective has collaborated with electronics brand Philips to create a smartphone app enabling lighting designers to collect and share their inspirations, available to download and trial for free from today on Apple and Android (+ movie).

Philips LightCollector App now available to download

Martin Lupton and Sharon Stammers from Light Collective created the database for professionals in the lighting and design industries so that “a global online community would record, document and analyse the lit environment”.

Philips LightCollector App now available to download

Features include the recognition of geo-tagged photographs so that users can view pictures taken around them or search by place through maps, and comment and favourite functions that track the popularity of your images.

Philips LightCollector App now available to download

The interface appears as a mood-board of uploaded images, which can be scrolled through for inspiration.

Philips LightCollector App now available to download

The app is compatible with both Apple and Android devices and can be downloaded from the Apple App Store and Google Play Store.

Philips LightCollector App now available to download

Here is some more information from Philips:


Philips and Light Collective offer a new crowd-sourced and image-based app for Lighting designers to share inspiration

The LightCollector app from Philips and Light Collective is based upon two lighting design fundamentals: the desire to be inspired and the need to store the things that inspire us so we can use them when required. LightCollector is an opportunity to create a crowd sourced global image collection for the professional lighting industry sharing to aid greater knowledge, ease of working and collective creativity.

Philips LightCollector App now available to download

As explained by Martin Lupton and Sharon Stammers from the lighting consultancy Light Collective “We know how often we trawl our image library to find the perfect image to illustrate our concept to our client. We know that somewhere, in the depths of our not-quite-adequately filed hard drive we have that photograph we once took, in that city we once visited, of daylight transmitted through a stained glass window and creating an explosion of colour on the floor. Finding the image allows us to explain what we are trying to achieve in our design. LightCollector is a resource for collecting these light based images.”

Philips LightCollector App now available to download

‘’We loved the idea of an inspirational light and lighting database as a way to spark and share creativity for each design challenge. We hope to support the design community in creating better and more ground-breaking solutions harnessing light that impact people lives through this shared inspiration.’’ Matthew Cobham, responsible for lighting application at Philips Lighting.

Philips LightCollector App now available to download

The result is an easy to use App, which will enable lighting and design professionals to speed up their image searching requirements and to feed their creative need for inspiration. As a mobile enabled tool, it allows use of the App while on the go on both Apple and Android platforms. The App is the key to initial involvement in LightCollector but the web interface is equally important.

Philips LightCollector App now available to download

Visit the LightCollector website for more information.

Philips LightCollector App now available to download

Download the App for Android in the Google-Play store here. The App for Apple phones is available from today.

www.light-collector.com

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Microbial Home by Philips Design

Microbial Home by Philips Design

Dutch Design Week 2011: Philips Design in Eindhoven present a conceptual self-sufficient  home that converts sewage and rubbish into power. 

Microbial Home by Philips Design

The Microbial Home would function as a biological machine, using the waste from one area of the home to power another and creating a cyclical ecosystem.

Microbial Home by Philips Design

A bio-digester kitchen island would break down solid bathroom waste and vegetable peelings into methane, while plastic packaging would be broken down by fungus.

Microbial Home by Philips Design

Fresh food would be stored in an evaporative cooler and part of the dining table, while honey could be harvested from an urban beehive.

Microbial Home by Philips Design

Five models of the system are on show at Piet Hein Eek‘s gallery as part of Dutch Design Week, which continues until 30 October. You can see all our coverage of the event here.

Microbial Home by Philips Design

Previous Philips Design Probes feature tableware that glows when food is placed on it and a machine that prints food.

Microbial Home by Philips Design

See more stories about kitchens here and all our stories about food here.

Microbial Home by Philips Design

Here are some more details from Philips Design:


Philips presents its latest forward looking design project ‘Microbial Home’. This new forward looking group of design concepts represent an innovative and sustainable approach to energy, waste, lighting, food preservation, cleaning, grooming, and human waste management.

Microbial Home – creating a cyclical eco-system

The Microbial Home project is a proposal for an integrated cyclical ecosystem where each function’s output is another’s input. In the project the home has been viewed as a biological machine to filter, process and recylcle what we conventionally think of as waste – sewage, effluent, garbage, waste water.

Sustainability – closer to nature

The Microbial Home project suggests that people should move closer to nature and proposes strategies for developing a balanced microbial ecosystem in the home. “Designers have an obligation to explore solutions which are by nature less energy-consuming and non-polluting,” says Clive van Heerden, Senior Director of Design-led Innovation at Philips Design. ‘We need to push ourselves to rethink domestic appliances entirely, how homes consume energy and how entire communities can pool resources,” concludes Clive van Heerden.

Microbial Home concepts

Five lifelike models of the concepts within the Microbial Home domestic ecosystem will be shown to the public at the Piet Hein Eek gallery during Dutch Design Week (DDW) only. The DDW takes place from 22 – 30 October 2011. Visitors and press are welcome during the opening hours of Piet Hein Eek throughout the event.

Philips Design Probes

The ‘Microbial Home’ project is part of the Philips Design Probes program, which was established to explore far future lifestyle scenarios based on rigorous research in a wide range of areas. Probes projects are intended to understand future socio-cultural and technological shifts with a view to developing nearer-term scenarios. These scenario explorations are often carried out in collaboration with experts and thought leaders in different fields, culminating in a ‘provocation ‘designed to spark discussion and debate around new ideas and lifestyle concepts. Previous Probe projects include ‘Electronic Tattoo’, ‘Emotional sensing dresses’, ‘Sustainable Habitat’, and the ‘Food Probe’.

The Design Probe projects carried out by Philips Design are part of a wider Philips strategy aimed at improving the innovation hit rate. While it is not intended that design concepts coming out of the Probes program are translated to marketable solutions, insights gained from debate around the concepts feed into future innovation for the company.

Philips Design’s creative force of some 400 professionals, representing more than 35 different nationalities, embraces disciplines as diverse as psychology, cultural sociology, anthropology and trend research in addition to the more ‘conventional’ design-related skills. The mission of these professionals is to create solutions that satisfy people’s needs, empower them and make them happier, all of this without destroying the world in which we live.


See also:

.

Ethical Kitchen by
Alexandra Sten Jørgensen
r2b2 by
Christoph Thetard
Flow2 kitchen
by Studio Gorm

Food Probe by Philips Design

dzn_philips_food_probe_sq

Philips Design in Eindhoven have designed a series of conceptual products for food, including a machine (below) that prints combinations of ingredients into shapes and consistencies specified by the user (above).

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The device, akin to a rapid prototyping machine for food, was conceived as part of the company’s Design Probes scheme, which investigates how we may live in 15-20 years’ time.

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Foods would be constructed from ingredients corresponding to the nutritional needs of the user, using a similar process to rapid prototyping.

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It could be used in conjunction with two other innovations envisaged as part of the same project: a scanning wand for analysing the user’s individual nutritional needs and the nutritional value of food items, and a system for farming in the home.

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Here’s some more information from Philips Design:

Info On Project

Philips Design’s ongoing design probes program has been further extended with three explorations into the area of food.

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These projects – Diagnostic Kitchen, Food Creation and Home Farming – take a provocative and unconventional look at areas that could have a profound effect on the way we eat and source our food 15-20 years from now.

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New ways of looking at food

“We were very interested in new ways of looking at what we eat and the processes that food undergoes before we consume it,” says Clive van Heerden, Senior Director of design-led innovation at Philips Design.

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These investigations took into consideration wider societal trends like the shift in emphasis from curative to prevent medicine, the growth in popularity of organic ingredients, genetic modification, land use patterns in growing food, the threat of serious food shortages and rising food prices.

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Three interlinked areas of exploration were identified: the Diagnostic Kitchen, Food Creation and Home Farming.

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Proper analysis of our diets

The Diagnostic Kitchen concept allows people to take an accurate and personally relevant look at what they eat. Rather than relying on general information like ‘recommended daily intake’ it becomes possible to scan food and analyze how well its contents match your current needs.

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By using the Nutrition monitor, consisting of a scanning ‘wand’ and swallowable sensor, you could, for example, determine exactly how much you should eat to match your digestive health and nutritional requirements.

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It would also be possible to use the monitor to analyze food in the shops before deciding what to buy.

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All of this would obviously be of enormous benefit for those trying to maintain a healthy lifestyle.

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Food printing

The second exploration area, Food Creation, has been inspired by the so-called ‘molecular gastronomists.’ These chefs deconstruct food and then reassemble it in completely different ways, so for instance you could be served carrot as foam or parmesan cheese as a strand of spaghetti.

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“We wanted to examine how you could take this idea further in the domestic environment” says van Heerden. This led to the concept of a Food printer, which would essentially accept various edible ingredients and then combine and ‘print’ them in the desired shape and consistency, in much the same way as stereolithographic printers create 3-D representations of product concepts.

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The nutritional value and relevance of what was being ‘printed’ could also be adjusted based on input from the diagnostic kitchen’s nutrition monitor.

Growing food in the living room

Home Farming, as the name suggests, explores growing at least part of your daily food inside your house. “People are increasingly concerned about how their food has been manipulated and processed, genetic modification, global shortages, environmental degradation through monoculture, the distance food travels before reaching their plates and many other related issues,” says van Heerden.

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“One way of addressing such legitimate concerns is to source the food yourself by having a biosphere in your living room.” This Biosphere home farm contains fish, crustaceans, algae, plants and other mini-ecosystems, all interdependent and in balance with each other. Making families all over the world at least partly self-sufficient in this way has obvious appeal.

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Stimulating discussion

The intention, as with all probe programs, is to elicit reaction and provoke discussion which can be used to further refine the ideas.

About the probes program

The Philips Design probes program is a unique foresighting initiative which tracks emerging developments in five main areas – politics, economics, environment, technology and culture. The outcomes of this ‘far-future’ research are used to identify systemic shifts that could affect business in years to come and that could lead to new areas in which to develop intellectual property.

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