Print with Light

Lumi est un procédé intéressant pensé par une équipe de design spécifiquement pour l’impression sur textiles et matériaux naturels. Usant la lumière du soleil pour parvenir à des imprimés de qualité, le résultat est à découvrir dans la suite dans une vidéo.



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Previously on Fubiz

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Nano Solar Paint

Liquid cells potentially reinvigorate solar power industry
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Like several other alternative energy sources, the challenge with solar energy isn’t quantity (the sun blasts the Earth daily with more than enough energy to cover all of our power needs) but with the ability of current tech to fully harness what’s out there.

A new concept with the potential to reshape the solar power industry is solar paint—a plan energy start-up NextGen are putting into action.

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Using nanotechnology (a series of nanotubes 10,000 times thinner than a strand of human hair), solar paint absorbs a larger number of light wavelengths onto the photovoltaic cell. The paint can be applied to almost any surface and once dry hooks into the light-sensitive grid to start pumping out electricity.

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This kind of technology is perfect for government buildings where solar paint could offset energy consumption while giving taxpayers a break, and Next Gen are committed to making this a reality in the near future.

via CalFinder


The Pantone Plus Series

Defining the pigments of the imagination for almost 50 years, Pantone sets industry standards in color. Its matching systems and guides are essential in graphic arts, industrial design, fashion, cosmetics—when finding, referencing or producing the precise hue, tint or shade is critical.

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Keeping to its tradition of innovative solutions, the Carlstadt, NJ-based company today launches The Plus Series. A complementary video, “360˚ Color: A Peek Inside Pantone on the Release of The Plus Series,” (made by CH filmmakers
Gregory Mitnick
and Ami Kealoha) offers a behind-the-scenes look into the system’s development and products with the folks at Pantone and notable designers, including Swissmiss founder Tina Roth Eisenberg, RISD President John Maeda, and Doug Jaeger, President of the Art Director’s Club. The short, along with the new look and feel of Pantone, comes from the creative minds of the multidisciplinary
Base
, who worked with Pantone to come up with a fresh identity, framing the new plus series within “a context that references the classic Pantone Chip.”

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After continually adding sections to its book, Pantone reorganized the chromatic families to fluidly relate to each other. It also introduces 224 brand-new colors and three on-trend categories: pastels, neons and metallics. For those who prefer to go paperless, Pantone digitized its fan decks with its Color Manager software.

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Let’s Colour

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The pet project of paint company Dulux, Let’s Colour is an international outreach project in which volunteers travel to drab and dreary corners of the world and enliven them with a fresh coat of paint. “Color your world” is the tagline for the program that hopes to transform communities by the brushstroke.

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This year the Let’s Colour crew has travelled to London, Rio de Janeiro, Paris and Jodhpur to find and help neighborhoods paint themselves anew. They hope to expand to other countries, including Turkey, throughout the year.

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In an interview with CH, Fernanda Romano—Global Creative Director of Marketing at Euro RSCG—talked about Let’s Colour. Says Romano, the idea behind it was: “let’s find locations, places around the world, they’re a bit dull, a bit grey. Let’s engage the local community.” She adds, encouraging community involvement was crucial to succeed: “Mandating things to people feels a bit old fashioned. People want to collaborate, people create content to share with the world.”

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The project turned into something more than a P.R. campaign for Romano and her team. “We really wanted to get people excited about painting and color. We really wanted to get people excited about the effect color has on you. it was about a spiritual, emotional regeneration.”

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When Dulux, a subsidiary of AkzoNobel, approached Romano, they brought a video of employees painting houses in Brazil that had sparked the original concept. The company approached countries where the company has a big presence about participating in the project and found enthusiasm from the local communities.

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Romano found the response hopeful: “It was quite touching to see how much the community appreciated what was happening and how much they saw the benefit.”

The Let’s Colour blog documents all the locales, as well as their color choices and inspiration in each neighborhood. The project also has filmmaker Adam Berg filming the entire process. The individual video for the four places is online, and Berg has plans to release a full video of the project in the next month.

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Says Fernanda, “by showing it and being it rather than telling people to do it, it’s a truer way to invite people to bring color into their own home.”

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