Frieze New York

Highlights from and musings on the London fair’s NYC takeover
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“I think of our fair as a discovery fair,” explains Frieze co-founder Amanda Sharp. For the first US edition of Frieze Art Fair, Sharp and partner Matthew Slotover have taken over Randall’s Island, a sprawling piece of land at the confluence of NYC’s East and Harlem rivers. What began as a London-based magazine in 1991 soon evolved into a must-see contemporary art event at Regents Park in London. Now in NYC, the massive venue is teeming with curious works from a cast of well-chosen international galleries, with new delights to be had at every booth. Nude mannequin nutcrackers, neon jokes, custom-casted busts, turntable muffs—Frieze NYC is packed with innovative art.

Criticized somewhat for taking place outside of Manhattan, Frieze is worth the free ferry ride to Randall’s Island, thanks to careful consideration of the venue as a destination. The Brooklyn-based architects at SO-IL have designed a 250,000-square foot serpentine tent that encourages visitors to linger and look, building out enough space to really stop and take in the art. When you need a break, there are equally alluring NYC restaurants to choose from, like Roberta’s, Fat Radish, Saint Ambroeus and The Standard Biergarten.

For New York, the fair has special significance; it’s a sign of a rebounding post-recession art market. In terms of timing, Frieze comes on the heels of the recently ended Armory Show, and coincides with the NADA, Verge and Pulse art fairs happening throughout the city. Sharp has lived the past 14 years in New York, and this show is in part her response to gallery owners who have been requesting a New York version of Frieze. Of the 182 galleries showing at Frieze, 46 hail from NYC.

While media attention has hyped the fair to the point that this is now being called “Frieze Week”, we went along for the art. Among the standout galleries were Alfonso Artiaco from Naples, London’s Sadie Coles HQ, Sean Kelly Gallery from NYC and Paris’ Galerie Perrotin. Text art, floor art and neon were all out in full force, and the sprawling collection offered endless examples of new works from the best artists around.

Frieze Art Fair runs through 7 May 2012 with free ferry service running to and from the island. For those who can’t make the fair, head over to Frieze Virtual New York 2012 to browse all of the galleries, artworks and artists. Find more stellar art (and captions for the above pieces) by checking out our slideshow.


The 99% Conference 2012

Day one of this year’s conference on idea execution
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Today marks the first day of this year’s 99% Conference, our annual ideas-focused event we co-founded with Behance four years ago. For the 2012 conference we’re looking forward to hearing from inspirational speakers like design legend James Victore, co-founder of Warby Parker Neil Blumenthal and StumbleUpon founder Garrett Camp, to name a few, as well as events, workshops and an exciting round of Cool Hunting Video premieres.

While we’ll be on site for the next two days, those out there unable to make it can follow the inspiration as it unfolds via the CH twitter feed, the 99% Conference feed or by searching #99conf on Twitter and Instagram.


Andrew YES and The BOFFO Show House

Our interview with the honorary designer and co-curator of the NYC-based art and design showcase

by Matt Domino

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BOFFO was founded in 2008 as a means of fostering artist collaboration and inspiration in the design world during a time of financial and, for many young architects and designers, spiritual crisis. Nearly four years later, Faris Al-Shathir and Gregory Sparks, BOFFO ‘s founders, asked designer Andrew YES to be the honorary designer and co-curator of the first BOFFO Show House, running from 15 May through 4 June at NYC’s Madison Jackson building.

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To create custom designs specifically tailored for the space YES has been working closely with various designers and architects. The show itself will sprawl across four duplex condominium units with each separate unit expressing a theme—Work, Nature, Future, and Play. YES will also present some of his own designs and work at the BOFFO Show House. Some of which will include Persian Helmet Lights, which are draped with chain mail and would seem to fit at home in a medieval gathering hall; a Van Eyck Mirror that alludes to the legendary Arnolfini Portrait and is framed with recycled wood and hand-made Flemish suede; a 62″ Fossil Meeting Table inspired by the equality implied in King Arthur’s round table and made of grey marble with real mollusk fossils embedded in its matrix; and Surreal Pillow Balls, which are Andrew YES latest creation.

We recently talked with YES about the BOFFO Show House, his ongoing work with Mr. Al-Shathir and Mr. Sparks as well as his aspirations as a rising designer in New York.

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What is your primary thought when designing an item? Functionality? Overall design?

I see functionality in every piece I create. Some things that we think are not functional actually have a deeper function in our psyche. Materials and art inspire me. I think about who will enjoy the design, and how it will improve the lives of people experiencing it.

What piece of yours that will appear in the show is your favorite?

I’d say my “Pillow Ball” collections, which are spherical, down-filled pillows made in sets of three. The set comes with pillows in diameters of 9″, 12″, 15″ and clients can personalize larger sizes if they want. Collection themes include: Batiks, Cosmic, Tapestry, and Surreal. I feel that each different theme has a color or texture that will find a match for each different person.

How do you decide on a color scheme when you design something?

Colors are determined by the pieces of art and design that I find in my clients spaces, as well as the energy of a space and the light. Yellow and happy colors have always been big colors for me.

How did you get involved with BOFFO?

My work caught the attention of Greg [Sparks] and Faris [Al-Shathir] during the 2009 BOFFO artists residency in an old Bible factory in Brooklyn Heights. This year they invited me to develop the first BOFFO Show House for which I am also curator.

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How does your work fit into the BOFFO aesthetic and story?

BOFFO’s modern, multifaceted, and young spirit resonates with my work.

Can you describe what each different section of the show (Work, Nature, Future Play) means to you?

I thought that the common denominator for every New Yorker’s apartment was embodied in those four themes. “Work” is designed with creative and physical work in mind. “Nature” is meant to be psychedelic and vibrant and full of surprises. “Future” features sacred geometries and “alien” light. “Play” is designed as a super cool space that is still in progress and features a bedroom for someone with a sense of fun, of daring.

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What result from the show would satisfy you?

Prove one more time that BOFFO is a germinator of great talent. I want to see everybody to succeed.


A Girl and Her Pig

April Bloomfield on cookbooks, swine and the flavors of childhood
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Having established both her talent and an unassuming sense of cool, April Bloomfield has chosen an appropriate cover shot for her new cookbook, “A Girl and Her Pig“, which shows the chef nonchalantly posed with a very dead hog slung across her shoulders. Her landmark restaurant The Spotted Pig and its follow-up The Breslin both welcome a whole pig each week to be butchered at Bloomfield’s discretion—using every last hock, trotter and sweetmeat in the process.

Naturally, the cookbook dedicates a chapter to “Fine Swine”, and each recipe infuses rustic pub sensibilities with bold flavor. Between the snouts and tails are mounds of roasted vegetables, a selection of “Meat Without Feet” and personal anecdotes of Bloomfield’s unorthodox rise to culinary fame.

“Pig is such a delicious animal,” says Bloomfield. “It’s versatile, it’s fun, and you can keep learning about it and come up with new stuff.” The cover image, already garnering a marked response, comes from a photo shoot with Martin Schoeller. Never one to waste, the chef took her branded, tagged animal from the studio to the restaurant: “The staff and I had a nice little feast of roasted pig, lots of vegetables and sauces—so it went to great use.”

The photograph proved too gruesome for some. Bloomfield, for one, had no problem with the pig’s draped form or blank stare. “I’ve been cooking for almost half my life—an eyeball doesn’t freak me out,” she says. The eye, in the end, was Photoshopped closed: “I think somebody felt that the pig had a beady eye on him.”

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The recipes are defined by rich flavors and persnickety instructions, evidence of Bloomfield’s peculiar relationship to food. “I love spooning pan liquid over roasting meat, piling any vegetable matter on top and gently smushing it,” she writes. “And as many livers as I’ve seared in my life, the smell of one meeting a hot pan still makes my knees tremble.”

Bloomfield is funny, and her voice shines in the tales she tells of childhood meals and kitchen experiences. “I love cookbooks with stories,” she says. “One of my favorite cookbooks is ‘Honey from the Weed‘ by Patience Gray, and she has this recipe for fish soup. The recipe asks you to take a flight to Barcelona, go to the local fish market, collect all this fish and make fish soup. I like that kind of thing—it’s refreshing.”

While inspired by her kitchen work, the recipes are designed for at-home use, complete with notes by Bloomfield on how she likes to serve the dish at home. The classic soufflé is given her treatment in a much more forgiving “Goat Cheese Soufflé”, which can be prepared in advance and reheated to puff up nicely. Offal certainly isn’t the end-all be-all of her cooking style, but “The Not-So-Nasty Bits” such as liver, kidney and sweetmeats receive their due attention. Meals and ingredients are brilliantly drawn in illustrations by Sun Young Park and photographed by David Loftus.

“A Girl and Her Pig” is available from Harper Collins and on Amazon. See more images of the cookbook in our slideshow.


Urban Farming

Approaches to sustainable agriculture in several of the world’s largest cities

More than half the world’s population now lives in cities, but when it comes to feeding them, trucking in the necessary amount of food isn’t a sustainable process for any metropolis. Growing out of the need for better solutions, urban farming is becoming an increasingly common approach, whether resourceful groups and individuals are planting vegetables in a container on their back porch or are harvesting land as part of the burgeoning agricultural community.

With Earth Day around the corner, we decided to check in with seven farms in cities from Hong Kong to Cairo to learn more about their methods, and their outlook on the future of the industry.

Brooklyn

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“There have been backyard and rooftop farms here forever, but the current community of farmers, beekeepers, composters, etc., is driving an agricultural renaissance which could significantly change the way this city produces and consumes much of its produce. While urban farms will never replace their rural counterparts, they can contribute to the health of the local ecosystem and mitigate the intensive resource use of growing urban populations.”

The Brooklyn Grange Apiary Project will soon open with 30 hives, led by beekeepers Chase Emmons, director of special projects for the expanding Brooklyn Grange empire and Tim O’Neal of Borough Bees. Emmons and O’Neal will have a team of 12 apprentices working under a pay-it-forward program, wherein they’ll each take on an apprentice of their own to train the following season. Located at the Brooklyn Navy Yard, the forthcoming commercial apiary marks an expansion of the Grange’s four existing hives used to pollinate their acre of crops at the flagship farm in Long Island City. According to communications manager Anastasia Plakias, “bees can exponentially increase crop yield and quality, and the honey we harvested was a delicious added benefit.”

So delicious were the results that the Apiary was born, which aims to meet the demand for local honey and, says Plakias, “provide the city’s beekeepers with a local source of bees more acclimated to New York’s environment.” The challenges of loading hives in close city quarters increases the risk for their handlers being stung, but their hard work pays off for the rest of us—urban honey is known to pack a distinctly tasty flavor. Look out for the sweet stuff at their two weekly farmstands, Smorgasburg on Saturdays and in the Brooklyn Grange building lobby on Wednesday afternoons from 16 May.

Montreal

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“Cities could be self-sufficient in their food production if enough rooftops were utilized. At the very least, the average consumer is far too distant from their food sources, and the link between grower and consumer must be made closer and unshuttered. Consumers should know who their farmer is, how their food is grown, and have every assurance in the traceability and safety of the food they eat.”

Lufa Farms is based around a strong desire to provide local produce to the urban community of Montreal, founded by Mohamed Hage after he discovered the difficulty of finding fresh fruits and vegetables in a large metropolis. As a solution he built a 31,000-square-foot prototype farm on the roof of an office building where all produce is grown organically and chemical-free, and will be the first of many if Hage gets his way. Lufa currently grows tomatoes, cucumbers, eggplants and 22 other varieties of vegetables, including new additions like white pickling cucumber and kohlrabi, but the selection changes regularly.

Beyond the physical location Lufa offers a unique distribution program. Similar to Community Supported Agriculture programs that bring food from farmers outside an urban center, Lufa grows its food on an urban farm and then directly distributes its produce to recipients at drop-off locations in the city. This leads to a situation where, the company promises, “everything for customer baskets is harvested the same day as it’s delivered and is delivered directly to consumers at drop-off points,” for a system that truly embodies the most direct farm-to-table system possible in an urban space.

Manhattan

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“We’re very conscious of the materials we use, so aside from hand cultivators, shovels, gloves and hoses, we try to build what we can from recycled materials.”

Riverpark Farm grows out of Alexandria Center in New York City, utilizing all 15,000 square feet of their available space to accommodate a year-round growing season. Riverpark Restaurant serves up the farm’s bounty under the vision of chef Sisha Ortúzar, and chefs commune with farmers to get a huge variety of seasonal ingredients from soil to plate. While still a fledgling effort, the union has produced a cornucopia of foodstuffs from shishito peppers and watermelon to pickling cucumber and tri-star strawberries. Challenged with space and a fickle clime, Riverpark uses space-saving techniques such as intercropping and advanced seeding to increase yield.

Noting that the team is mostly composed of urbanites, Riverpark is nevertheless ready to employ the materials at hand. “We compost using our clean food scraps from the kitchen along with egg shells, oyster shells and coffee grounds, using both traditional hot and vermi-composting systems.”

Milwaukee

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“We encourage more and more people to not only support businesses that are using good, locally grown produce but to also grow their own. We are supportive of all the other endeavors in our region and have shared our expertise and experience and hope to see urban farming displace the need for giant agri-business and food importation.”

Sweet Water Organics started with the humble lettuce sprout. The exponentially growing outfit now farms four acres that sprawl over an old crane factory and adjacent land in the Bay View neighborhood of Milwaukee. While very much focused on greens (they produce 15,000 pounds per year), the farm also grows mushrooms and other produce in the summer months. The fruits of their labor is peddled off to co-ops, restaurants, groceries and sold at the local farmers’ market.

“Our main systems are aquaponic raft set-ups,” explains Todd Leech. “We also used raised beds, and coir medium sprout planting.” Sweet Water is dedicated to staying “as native as possible with all plants,” TK says, providing local consumers with crops outside of the standard fare. The farm also produces fish, a native species of perch acting as star of the operation.

Berlin

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“We are still amateurs on an adventure to find out what we can manage to do on our own. This urban garden is for us a form of living in the city, it is not just about nature and the countryside, it is also about places with a high density of exchange, different cultures and  forms of knowledge.”

Prinzessinnengärten is a 6,000-square-meter farm in the middle of Berlin focused on the aspect of biodiversity. “We have a lot of old and rare varieties, for example, 16 varieties of potatoes that you will not find on the market any more,” co-founder Marco Clausen tells us. “This we do also to make people aware of the problems of global industrialized farming, of monopolies of seed distribution and the rapid decline of diversity.” Plants grow in industrial vessels like recycled crates and rice bags, in a vertical garden or potentially soon, an aquaponic system.

For Clausen and the 20-person Prinzessinnengärten team, urban farming isn’t so much a solution for the demand for food, it’s more of a place for social learning. They feel the farm “functions as a catalyst of cultural change”, and by showing practical alternatives, they can “make people living in the city aware of the food production system they depend on.”

Cairo

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“Urban farms create green spaces that are scarce in cities, hence contributing to the oxygen production in the micro climate. Additionally plants grown on rooftops absorb a large amount of heat that would otherwise be absorbed by gray rooftops and black asphalt roads which is transmitted as radiation back into the environment increasing the temperature in the city.”

Schaduf is comprised of seven small, vegetable-focused rooftop farms in Cairo, run collectively by brothers Sherif and Tarek Hosny. Using hydroponic and aquaponic systems, their five-person team grows leafy greens—they’ve produced about 2,000 heads of lettuce in the past year—strawberries, red cabbage, local peppermint and a foreign variety of chicory endives, among other crops. While they do sell at local farmers markets, their greater goal is to move low-income individuals out of poverty by providing them the opportunity to own a profitable rooftop farm. Each is roughly 6×6 meters square, the micro farms allow them to detect problems more easily, and more carefully manage the irrigation systems. “It’s crucial that we do not have any water leakages to the rooftop,” Sherif explains.

Concerned with Egypt’s rapidly increasing water shortage, they use a no-soil system that consumes less water than traditional agriculture methods. They are also developing another system “based on permaculture techniques and philosophies”, says Sherif, that they will share with families already growing livestock on rooftops—a popular method in Cairo. Sherif affirms, “We want to try to integrate that existing practice with growing healthy vegetables.”

Hong Kong

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A stable city must be sustainable in every sense. It is extremely important that developed cities still produce their own food and support local agriculture. Imported foods is an unstable system that depends on a lot of external factors beyond an everyday person’s control.”

HK Farm is a flourishing new community-driven urban farming collective founded in March 2012 by former Brooklyn Grange farmer Michael Leung and a team of aspiring farmers, artists and designers. Focusing on rooftop farming and the important benefits of locally grown food, HK Farms is in the process of expanding the presence of urban farms in Hong Kong. Currently operated by a team of three, their 4,000-square-foot farm is getting off the ground growing a variety of herbs, with plans to expand with new vegetables to the lineup.

With a strong focus on DIY projects, all the growing containers were designed and built by the staff and ecologically conscious elements are being installed from the start, including a rainwater collection system. But as with any labor of love it is a long and extensive process according to the founders, “It was extremely hard work to accomplish the initial building of the farm, whilst balancing our own personal work and projects, and normal lives….We don’t consider ourselves farmers (yet).”

See more images of the farms in the gallery below.


High Line Park New York

High Line Park est un parc suspendu créé en plein Manhattan à New York. Aménagé sur des anciennes voies ferrées aériennes du Lower West Side, cet espace splendide est géré par la ville. Plus d’images de ce lieu insolite dans la suite de l’article.



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Instagram NYC

Simple phone snaps comprise a compelling photo show dedicated to the Big Apple

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Like Twitter without the pressure of pithy writing, Instagram allows you to share your current status to friends and followers by simply uploading a photo from your iPhone or Android. Created by Kevin Systrom and Mike Krieger, the free photo-sharing app—which recently sold to Facebook for $1 billion—comes with 11 filters, blurring effects, borders and a brightening tool for users to play with. These enhancement features allow nearly anyone to post a great photo, but to gain a huge following from Instagram’s 25 million users it usually boils down to how you view the world. Six photographers that continuously capture New York City with fresh eyes will soon debut their work away from the very-small screen in an upcoming group show.

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The two-month exhibition opens 1 May 2012, and will feature photos by Brian Difeo (@bridif), Angeliki Jackson (@astrodub), John de Guzman (@johndeguzman), Liz Eswein (@newyorkcity), Chrixtian Xavier Chantemargue (@cxcart), and a man known simply as Theo (@uptowneastnyc).

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Whether focused on architecture, street art, people or food, each photographer demonstrates that a compelling photo isn’t always the product of an amazing camera set-up. Brian Difeo, one of the founding members of NYC Instagram Community and curator of the group show, hopes that the exhibition will elevate the social media application’s status as a legitimate creative medium, and not just a tool that makes cameraphone photos look vintage.

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Instagram-inspired exhibitions in London, Singapore and Ireland have already added to its place as a new photography format. The show is sure to be an interesting display of works, whether you’re a fan of digital media or the city itself.

The group exhibit runs from 1 May through 30 June 2012 at the W Hotel Times Square.


Ampersand Gallery and Dunderdon

A Portland collector’s antique imagery and artifacts add new depth to a Swedish workwear label’s NYC shop

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The seemingly surprising collaboration between Portland’s Ampersand Gallery and Swedish workwear company Dunderdon came about in a wholly organic fashion. Les Szabo, a long-time Portland resident and the owner of Dunderdon USA, walked into Ampersand one day and simply liked the way it looked.

“We started talking about a collaboration back in October, but it wasn’t until this spring that we began to formalize what was going to happen,” says Ampersand owner Myles Haselhorst. Last week, Haselhorst traveled from Portland to install an exclusive collection of books, images and artifacts for Dunderdon’s New York outpost.

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The original intent was to give customers an edited glimpse of Ampersand‘s extensive collections, as well as an excuse to linger over Dunderdon’s wares. In keeping with Dunderdon’s focus on menswear, Haselhorst used the opportunity to contemplate themes of masculinity. “We wanted to explore certain elements, historically and currently, of what it means to be a man,” said Haselhorst.

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Judging from what Haselhorst has found, the fundamentals haven’t changed too radically over time. Enlarged photographs from the 1910s show men riding bicycles and wearing bandanas, similar to what might be found on any bohemian city street today. Haselhorst also draws a connection to the current obsession with the American frontier in the U.S.—seen in the profusion of heritage and workwear-inspired fashion—with vintage cowboy images. “The photographs weren’t of actual cowboys,” he explains. “They were men off the street dressed and posed in studio settings.”

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Also unique to the store is a small book of antique erotic photos Haselhorst published for the collaboration, titled “Women I Never Knew No. 1”. The anonymous subjects and their actions seem startlingly contemporary, striking the fine balance between lewd and alluring that’s so expertly negotiated by many contemporary designers.

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“Maybe a certain type of man collects this type of imagery,” speculates Haselhorst. “But in the end, we just wanted people to enjoy looking at it.” The installation is the first in an ongoing series of collaborations between Ampersand Gallery and Dunderdon. To check it out, visit New York’s Dunderdon store.

25 Howard Street

New York, NY

10013


Wanted Design 2012

The satellite fair returns for its second iteration
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When we attended Wanted Design‘s inaugural debut during NYC Design Week 2011, we knew that the fledgling venture was a force to be reckoned with. While ICFF remains the main attraction, Wanted Design drew our attention for bringing American and New York-centered design into conversation with the dominance of the Milan and Stockholm Design Week crowd. Spearheaded by French founders Claire Pijoulat and Odile Hainaut, the satellite fair has grown from meager origins to include 50 exhibitors alongside a multitude of talks, workshops, presentations and social spaces.

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This year’s Wanted Design will be returning to take over 22,000 square feet of the Terminal Warehouse (former home of the historic nightclub “Tunnel“) as designers both domestic and foreign gather to show their wares and spread ideas. Focused on the city’s creative community, the response from last year’s event bodes well for the four days of design celebration to come this May.

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Pijoulat and Hainaut created Wanted Design in part to combat the major shortcomings of design fairs—namely, the lack of interaction between creatives. With this in mind, the 2012 event will feature a conversation series as well as a stream of workshops with eminent designers and craftsmen. Manhattan Neon—a decades-old vendor of neon works—will be hosting a neon-centric workshop. An exhibition entitled “New Finnish Design” celebrates Helsinki as the 2012 World Design Capital, and 3M Architectural Markets will be presenting an experimental installation called “Lighfalls” in partnership with Todd Bracher.

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Also on tap is the “Design Students Challenge“, which calls on students from six design schools in the U.S. and France to build a lighting prototype in the span of three days. Using one material, one concept tool and one fabrication tool, the students’ creations will then be judged by the public and a panel of design professionals. Focusing on the Americas, highlights from the fair include a group exhibition of Brazilian design curated by Objeto Brasil as well “America Made Me”, an exhibition that bridges fashion, art and design curated by Bernhardt Design.

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As with last year, the 2012 exhibition will feature a pop-up shop curated by iGet.it with domestic furniture, accessories and objects for sale in-store and online. Cafe Intramuros, sponsored by Intramuros Magazine, will be serving La Colombe Coffee and is one of a few spaces offering creatives a chance to sit, meet and discuss ideas.

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There will of course be some stellar design objects premiering and showing at the fair. While many of the specifics remain to be seen, major events include a book launch from Rizzoli, a showcase of next-generation designers hosted by Dwell and DWR as well as numerous new products and prototypes.

Wanted Design

18-21 May 2012

Terminal Warehouse

11 Avenue between 27th and 28th


This Side of Paradise

Collaborative art revives a century-old former nursing home estate

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Originally conceived as a white-glove retirement home for elderly who had lost their fortunes during the Great Depression, the once decadent Andrew Freedman Home in the Bronx itself fell from grace in the 30 years since it closed its doors. The grand manor had succumbed to natural decay until local arts initiative No Longer Empty reclaimed the property, inviting 32 artists to participate in This Side of Paradise, a site-specific public art exhibition that has transformed the space and brought the building back to the community.

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Spanning an entire Bronx city block, the estate’s cavernous hallways lead to a grand ballroom, mahogany-lined library and countless boarding rooms, all of which have been bequeathed to the artists as a three-dimensional canvas to do with what they please. Paintings, installations, film, sculpture and photography fill the home, encouraging guests to wander the halls and take in all the home and art have to offer.

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While some artists chose to work within the site’s own physical makeup, others like Justen Ladda channel its former inhabitants. His “Like Money Like Water” installation creates a scene where Ladda’s skeletons quite literally piss their money away—a legacy that haunted many former Freedman Home residents to the end—addressing the illusion of money’s worth and the real value of life.

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Two of the more unconventional works came from graffiti artists HOW and NOSM and muralist Sofia Maldonando. The honeycomb textures and giant prisms of HOW and NOSM’s “Reflections” create an otherworldly experience that really switches gears as you roam through the show. Maldonando chose the kitchen as the home’s heart, where her street-influenced art is paired with a personally prepared dish made with ingredients sourced from local food vendors to “make something for the community and make something that will last,” she says.

This Side of Paradise will run through 5 June 2012. Numerous community-focused events will also run concurrently in the space,
including La Cocina—a cooking workshop on 21 April, held in the the estate’s kitchen, which now features a mural by artist Sofia Maldonando. For more images of This Side of Paradise see the gallery below.