Columbia University Medical Building by Diller Scofidio + Renfro

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Architects Diller Scofidio + Renfro have proposed a medical education centre at New York’s Columbia University that appears to have had its skin peeled away from its skeleton.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The 14-storey building will be constructed at the existing medical campus in northern Manhattan and will accommodate facilities for physicians, surgeons, nurses, dentists and doctors in training.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Students will be able to recreate real-life medical situations within one of the proposed simulation rooms, or study in groups using learning spaces in the hallways.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Timber-clad boxes slotted into the glass facade will provide decked balconies and a decked terrace will offer a view out over the Hudson River.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Explaining the layout, Elizabeth Diller says that “spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The building will be completed in collaboration with architects Gensler and is scheduled to open in late 2016.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Also new at Columbia University will be a sports centre by architect Steven Holl, which is currently under construction – see it here.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Click here to see more projects by Diller Scofidio + Renfro, including section two of elevated park the High Line.

Here’s some text from the design team:


Columbia University Medical Center Unveils Design for New Medical and Graduate Education Building

Building design led by Diller Scofidio + Renfro

Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building on the CUMC campus in the Washington Heights community of Northern Manhattan. The new building, with a design led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect, is a 14-story facility that incorporates technologically advanced classrooms, collaboration spaces, and a modern simulation center, all reflecting how medicine is and will be taught, learned, and practiced in the 21st century.

Construction of this new building is supported by a lead gift of $50 million from P. Roy Vagelos, M.D., a distinguished alumnus of Columbia’s College of Physicians and Surgeons (P&S), and his wife, Diana Vagelos. This gift was announced in September 2010.

The building will become an important landmark to the skyline of Northern Manhattan – as it will be visible from the nearby George Washington Bridge and Riverside Park. Construction is expected to begin in early 2013 and will take approximately 42 months.

“The new building provides upgraded education facilities that reflect the eminence of one of the top medical schools in the world. Both the building and the newly created green space that will surround it will also revitalize our campus in ways that will benefit both our medical center and the entire community,” said Lee Goldman, M.D., dean of the faculties of health sciences and medicine at CUMC and executive vice president for health and biomedical sciences at Columbia University.

Located on existing Columbia property on Haven Avenue between West 171st and West 172nd Streets, the Medical and Graduate Education Building will be used by students from all four CUMC schools (P&S, Nursing, Dental Medicine and the Mailman School of Public Health), and the biomedical departments of the Graduate School of Arts and Sciences. Its high-tech medical simulation center, which will allow hands-on learning in realistic settings, will transform the way CUMC trains health professionals in medicine, dentistry, and nursing, as well as how practicing physicians maintain their clinical skills and learn new techniques.

“The new building will have the best possible design that is attractive, comfortable, and appropriate for the intense kind of education that our students receive,” said Dr. Vagelos, a 1954 graduate of P&S, and former chairman and CEO of Merck & Co. Inc. He is chairman of the CUMC’s Board of Visitors and Defining the Future Campaign “The formal learning space will have state-of-the-art electronics that facilitate the delivery of information to students. In addition, there will be space where the students can informally interact and work as teams – reflecting our new curriculum which emphasizes team-based learning. And there will also be space to relax and have coffee. It will incorporate every aspect of medical and graduate education – updated in a modern, environmentally responsible way.”

The design weaves together areas for study and other activities. It features technology-enabled classrooms; a state-of-the-art medical simulation center that will replicate clinics, operating rooms and other real world medical environments; innovative learning facilities for both collaboration and quiet study; an auditorium and event areas with integrated technology; centralized student support services; student lounges and cafés; and multiple purpose outdoor spaces, including a terrace with views of the Hudson River.

The “Study Cascade” is the principle design strategy of the building – a network of social and study spaces distributed across oversized landings along an intricate 14-story stair. The Study Cascade creates a single interconnected space the height of the building, stretching from the ground floor lobby to the top of the building, and conducive to collaborative, team-based learning and teaching. The “Study Cascade” interiors are complemented by a distributed network of south-facing outdoor “rooms” and terraces that are clad with cement panels and wood. While the “Study Cascade” provides an organizational strategy for the building’s interior, it is also an urban gesture that, with its glass façade, aims to become a visual landmark at the northern limit of Columbia University’s medical campus. The northern face of the building houses space for classrooms, clinical simulation and administration and support.

“The new Medical and Graduate Education Building will be the social and academic anchor of the CUMC campus,” said Elizabeth Diller, principal-in-charge of the project Diller Scofidio + Renfro. “Spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

“The architecture of the (campus) revitalization program is really powerful and brings medical students, dental students, graduate students all together and makes us feel more like we are part of the community,” said Kally Pan, a doctoral candidate in P&S and a member of a student committee that participated in the design process.

The Medical and Graduate Education Building incorporates green design and building techniques that will create a welcoming environment and contribute to the long-term sustainability of the entire neighborhood. The University is planning the building to meet LEED-Gold standards for sustainability. LEED stands for Leadership in Energy and Environmental Design and is a national design standard for green buildings and sustainability which is administered by the United States Green Building Council (USGBC).

For more than two centuries, Columbia University has been a premier destination for medical education, training generations of outstanding physicians and scientists. It was the first medical school in the United States to award the M.D. degree in 1770. The new building is intended to keep Columbia at the forefront of innovations in medical and graduate science education.

The post Columbia University Medical Building
by Diller Scofidio + Renfro
appeared first on Dezeen.

Vans NYC Trip

Après Vans French Family Trip, la marque Vans a décidé de s’associer au site TheDiggest avec cette vidéo de BMX réalisé par Thibaut Grevet. Il y a quelques semaines, Alex Valentino, Kevin Kalkoff et Matthias Dandois sont partis à New York pour pouvoir profiter des meilleurs spots de la Grande Pomme.

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New York designer arrested for “planting false bombs”

New York designer arrested for planting false bombs

Dezeen Wire: Japanese designer Takeshi Miyakawa has been accused of planting false bombs and arrested while installing his work in a New York street during the International Contemporary Furniture Fair.

New York designer arrested for planting false bombs

The 50 year-old Brooklyn-based designer was arrested on Saturday after a passerby reported one of his illuminated I Love NY carrier-bags, hanging from trees and lamp-posts around the city, and the NYPD bomb squad were called in to investigate.

New York designer arrested for planting false bombs

Miyakawa is now being held at Rikers Island prison for 30 days for psychological evaluation as the design world campaigns for him to be freed – follow #freetakeshi on Twitter and the Free Takeshi Miyakawa group on Facebook for more updates.

New York designer arrested for planting false bombs

Portrait is by Louis Lim.

Here’s some more information from his studio:


Brooklyn-based designer Takeshi Miyakawa was arrested on Saturday, May 19, 2012 at 2am for “planting false bombs” – he was installing a new series light sculptures inspired by the I LOVE NY plastic shopping bags (see attached images) around the city in trees and on lamp posts as part of NY Design Week 2012.

A passerby called in a bomb threat after noticing the sculpture installation. The NYPD arrested Miyakawa while a bomb squad verified that the sculptures were non-threatening. The designer and four of his colleagues co-operated with the police, repeatedly explaining that the hanging bags were an art-installation, and not explosives.

At an arraignment on Sunday, May 20, 2012 the prosecution recommended that the judge fix bail, while his lawyer, Deborah J Blum, characterized Miyakawa’s arrest as a gross misunderstanding as evidenced by his many accomplishments in the field of design.

The Honorable Martin Murphy decided to hold Miyakawa for a mental evaluation, extending his detainment for an additional 30 days.

The 50-year-old designer relocated Tokyo to New York City 23 years ago, working for the renowned New York architect Rafael Vinoly. Miyakawa established his solo design practice, Takeshi Miyakawa Design, in 2001.

Frieze Art Fair NYC by SO-IL

Frieze Art Fair NYC by SO-IL

The first New York Frieze Art Fair took place last weekend inside a 450 metre-long snaking white tent designed by Brooklyn architects SO-IL.

Frieze Art Fair NYC by SO-IL

Located between Manhattan, Bronx and Queens on Randall’s Island, the structure comprised six rented rectangular tents connected with wedge-shaped corner sections.

Frieze Art Fair NYC by SO-IL

Strips of white tent fabric overhanging the two gabled ends were fanned out and fastened to the ground, creating partially sheltered entrances.

Frieze Art Fair NYC by SO-IL

This is the first year that the Frieze Art Fair has taken place in New York as well as London.

Frieze Art Fair NYC by SO-IL

See Carmody Groarke’s timber pavilions for last year’s London event here.

Frieze Art Fair NYC by SO-IL

See more stories about SO-IL here, including a temporary pavilion with reflective purple scales created for an arts festival in Beijing.

Frieze Art Fair NYC by SO-IL

Photography is by Iwan Baan.

Frieze Art Fair NYC by SO-IL

Here’s some more information from SO-IL:


Frieze Art Fair NYC

Working with a prefabricated rental structure forced us to be inventive with a limited vocabulary.

Frieze Art Fair NYC by SO-IL

Randall’s Island, situated in between Manhattan, Bronx and Queens is one of the few pieces of open land in New York City large enough to accommodate the 225,000sf, 1500 ft long structure.

Frieze Art Fair NYC by SO-IL

Pie-shaped tent section wedges are inserted between six tent sections to relax and open up the standardized system, and offer amenities at each section as a moment of recess.

Frieze Art Fair NYC by SO-IL

The wedges bend the otherwise straight tent into a meandering, supple, shape.

Frieze Art Fair NYC by SO-IL

The winding form animates it on the unusual waterfront site, as well as establishing the temporary structure as an icon along the water.

Frieze Art Fair NYC by SO-IL

The wedges divide the relentless length of the fair into manageable sections.

Frieze Art Fair NYC by SO-IL

Rather than exposing the end gable section at each end of the tent, we extended the tent roof fabric in stripes, dissolving the tent into the ground.

Frieze Art Fair NYC by SO-IL

The playful entrances introduce visitors to the experience within.

Frieze Art Fair NYC by SO-IL

Client: Frieze Art Fair

Frieze Art Fair NYC by SO-IL
Location: New York

Frieze Art Fair NYC by SO-IL
Program: exhibition spaces, event space, cafes

Frieze Art Fair NYC by SO-IL
Area: 20.900 m² / 225,000 sf

Frieze Art Fair NYC by SO-IL

Marina Abramović Institute by OMA

Marina Abramovic Institute by OMA

Architects OMA have unveiled plans to convert a former theatre in Upstate New York into an performance institute commissioned by Serbian artist Marina Abramovic.

Marina Abramovic Institute by OMA

The Marina Abramović Institute for the Preservation of Performance Art is to be located in Hudson and will operate as both a performance venue and an archive hosting workshops and lectures.

Marina Abramovic Institute by OMA

Performances hosted inside the building will last from between a few hours to a few days, so the architects will create bespoke chairs on wheels that can be moved to quiet areas when visitors fall asleep.

Marina Abramovic Institute by OMA

The institute is the latest in a string of new projects for the practice, following a masterplan to expand Moscow and a new centre for contemporary culture in the same city. Rem Koolhaas also gave Dezeen a quick introduction to the new gallery at the launch event, which you can watch here.

Marina Abramovic Institute by OMA

See also: all our stories about OMA.

Here’s some more information from OMA:


OMA to design Marina Abramović Institute in Hudson

Artist Marina Abramovic has commissioned OMA to develop a former theater in Hudson, upstate New York, into the Marina Abramović Institute for the Preservation of Performance Art (MAI). The project, led by Shohei Shigematsu and Rem Koolhaas in OMA’s New York office, marries Abramović’s 40 years of pioneering work in the genre with OMA’s innovation in theatres, museums and curation.

Marina Abramovic Institute by OMA

The mission of the MAI is to cultivate new kinds of performance while functioning as a living archive, preserving and hosting performances of historic pieces. Abramovic plans to use the space as a laboratory for exploring time-based and immaterial art – including performance, dance, theater, film, video, opera, and music – through collaboration with practitioners in the realms of science, technology, and education.

Marina Abramovic Institute by OMA

Working with the local Hudson community as well as schools and institutions from around the world, the MAI will host workshops, public lectures and festivals. As well as training artists, Abramovic also wants to train audiences in the mental and physical disciplines of creating and experiencing long-durational work.

Marina Abramovic Institute by OMA

Abramovic commented: “MAI’s aim is to protect and preserve the intellectual and spiritual legacy of performance art from the 1970′s into the future, and will serve as an homage to time-based and immaterial art.”

Marina Abramovic Institute by OMA

Led by partners Shohei Shigematsu and Rem Koolhaas in collaboration with associate Jason Long, the project will be designed locally out of OMA’s New York office. Shigematsu commented: “We are excited to design a new performance typology, unique in its integration of specific parameters for long duration works.”

Marina Abramovic Institute by OMA

The institute will be housed in a former theatre, which later became an indoor tennis court, then an antiques warehouse and market before falling into disrepair. Abramovic bought the theatre in 2007. OMA’s design will enhance the existing structure to accommodate both the research and production of performance art. As a venue specifically created for long duration performances, OMA will also develop new types of furniture, lighting and other elements to facilitate the viewing of such works.

Marina Abramovic Institute by OMA

Dream Downtown Hotel by Handel Architects

Dream Downtown Hotel by Handel Architects

American firm Handel Architects have completed a New York hotel with porthole windows that give it an uncanny resemblance to children’s game Connect Four.

Dream Downtown Hotel by Handel Architects

Comprising one seven-storey block adjoined to another that is twelve storeys high, the Dream Downtown Hotel occupies a renovated former annex of the National Maritime Union of America.

Dream Downtown Hotel by Handel Architects

Overlapping layers of perforated metal clad the smaller of the two blocks, where the circular openings create juliet balconies for the guest rooms behind.

Dream Downtown Hotel by Handel Architects

Porthole windows also feature on the taller block, which has a slanted exterior of stainless steel tiles.

Dream Downtown Hotel by Handel Architects

The architects split the building into two during the renovation, when they removed the middle sections from four floors to create a screened pool terrace at the centre.

Dream Downtown Hotel by Handel Architects

The hotel building also contains two restaurants, a gym, an event space and shops.

Dream Downtown Hotel by Handel Architects

See more stories about hotel architecture in our dedicated category.

Dream Downtown Hotel by Handel Architects

Photography is by Bruce Damonte, apart from where otherwise stated.

Dream Downtown Hotel by Handel Architects

Here’s some more information from Handel Architects:


Dream Downtown Hotel is a 184,000 SF boutique hotel in the Chelsea neighborhood of New York City. The 12-story building includes 316 guestrooms, two restaurants, rooftop and VIP lounges, outdoor pool and pool bar, a gym, event space, and ground floor retail.

Dream Downtown Hotel by Handel Architects

Dream sits on a though-block site, fronting both 16th and 17th Streets, and is adjacent to the Maritime Hotel, which sits adjacent to the west. In 1964, the National Maritime Union of America commissioned New Orleans-based architect Albert Ledner to design a new headquarters for the Union, on Seventh Avenue between 12th and 13th Streets.

Dream Downtown Hotel by Handel Architects

Two years later, he designed an annex for the headquarters on the site where Dream currently sits. A few years later, Mr. Ledner designed a flanking wing for the annex, which would eventually be converted to the Maritime Hotel.

Dream Downtown Hotel by Handel Architects

In the 1970s, the Union collapsed and the buildings were sold and used for various purposes in the years that followed. In 2006, Handel Architects was engaged to convert the main annex into the Dream Downtown Hotel.

Dream Downtown Hotel by Handel Architects

The otherness of Ledner’s 1966 design for the National Maritime Annex was critical to preserve. Along the 17th Street exposure, the sloped façade was clad in stainless steel tiles, which were placed in a running bond pattern like the original mosaic tiles of Ledner’s Union building.

Dezeen Dream Downtown Hotel by Handel Architects

New porthole windows were added, one of the same dimension as the original and one half the size, loosening the rigid grid of the previous design, while creating a new façade of controlled chaos and verve.

Dream Downtown Hotel by Handel Architects

The tiles reflect the sky, sun, and moon, and when the light hits the façade perfectly, the stainless steel disintegrates and the circular windows appear to float like bubbles.

Dream Downtown Hotel by Handel Architects

The orthogonal panels fold at the corners, continuing the slope and generating a contrasting effect to the window pattern of the north façade.

Dream Downtown Hotel by Handel Architects

The 16th Street side of the building, previously a blank façade when the building served as an annex, was given new life. The skin is constructed of two perforated stainless steel layers, its top sheet of holes a replication of the 17th Street punched-window design and the inner sheet a regular perforation pattern.

Cellar – click above for a larger image

The outer rain screen is punctured with porthole-shaped Juliet balconies for the guestrooms and peels up at the ground level to form the hotel canopy and reveal the hotel entrance.

Ground floor – click above for a larger image

The original through block building offered limited possibilities for natural light.

Dream Downtown Hotel by Handel Architects

2nd floor – click above for a larger image

Four floors were removed from the center of the building, which created a new pool terrace and beach along with new windows and balconies for guestrooms.

3rd floor – click above for a larger image

The glass bottom pool allows guests in the lobby glimpses through the water to the outside (and vice versa) connecting the spaces in an ethereal way.

7th floor – click above for a larger image

Light wells framed in teak between the lobby, pool and lower level levels allow the space to flow.

8th floor – click above for a larger image

Two hundred hand blown glass globes float through the lobby and congregate over The Marble Lane restaurant filling the space with a magical light cloud.

9th floor – click above for a larger image

Fixtures and furnishings were custom designed for the public spaces and guestrooms to complement the exterior design and to continue the limitless feeling of space throughout the guest experience.

12th floor – click above for a larger image

Handel Architects served as both architect and interior designer for the project.

Click above for a larger image

High Line Park New York

High Line Park est un parc suspendu créé en plein Manhattan à New York. Aménagé sur des anciennes voies ferrées aériennes du Lower West Side, cet espace splendide est géré par la ville. Plus d’images de ce lieu insolite dans la suite de l’article.



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Holi Slow Motion

Découverte de cette superbe vidéo en slow-motion intitulée “Holi”, réalisée et produite par Jonathan Bregel et Khalid Mohtaseb du studio Variable. Sur une post-production de The Mill, le sound-design est signé par Salomon Ligthelm. A découvrir dans la suite.



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Silent World

Lucie & Simon nous propose de découvrir leur série de photographies appelée “Silent World”. En effaçant des clichés de grandes places de New York et Paris ou encore en Chine et Italie tout signe de circulation et de vie, le rendu à découvrir en images et vidéos impressionne.



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“Design schools may be the real engines of New York City’s innovation economy”


Dezeen Wire:
a report by Manhattan think tank Center for an Urban Future has found that design schools are catalysts for entrepreneurship and economic growth in New York City. 

The report claims that more than twice as many students graduate in design or architecture in New York that in any other city in the country, enrolments at New York universities are growing faster than any other American city and that a higher proportion of graduates from New York design and architecture schools go on to set up their own businesses.

Download the full report here.

Design schools in New York

Click above for larger image

Here are some more details from Center for an Urban Future:


Report finds that NYC design schools are catalysts for entrepreneurship & economic growth

Design schools may be the real engines of New York City’s innovation economy, according to a new report published today by the Center for an Urban Future, a Manhattan based think tank.

The report reveals that New York City graduates more than twice as many students in design and architecture as any other city in the country and finds that the city’s leading design schools—including Parsons The New School for Design, the Fashion Institute of Technology (FIT), Pratt Institute and the School of Visual Arts (SVA)—have become critical catalysts for innovation, entrepreneurship and economic growth.

While there has been much attention in recent months on the potential impact of a new applied sciences campus on Roosevelt Island, the Center’s study shows that the city’s design universities are already playing a pivotal role in producing local start-ups. The report reveals that an astounding 129 of the 386 members (or one third) of the Council of Fashion Designers of America, a national association with members around the country, attended one of three New York City design schools: FIT, Parsons or Pratt. In addition, according to national data, nearly 20 percent of all Pratt, Parsons and SVA graduates went on to start their own businesses—a much larger percentage than design schools elsewhere.

Graduates of NYC’s design schools founded many of New York’s most visible and influential design firms, including Studio Daniel Liebeskind, Diller Scofidio Renfro, SHoP Architects, Smart Design, Ralph Applebaum Associates, Calvin Klein, Marc Jacobs and Donna Karan International.

The report, titled “Designing New York’s Future,” finds that no other city matches New York’s education infrastructure in design and architecture. In 2010, New York City graduated 4,278 students in design and architecture, while the city with the second most, Los Angeles, graduated less than half as many (1,769). New York has four design schools in the country’s top ten by the number of degrees awarded every year: the Fashion Institute of Technology (FIT) (#1), Parsons The New School for Design (#4), the Pratt Institute (#7) and the School of Visual Arts (SVA) (#10). New York City also has two architecture schools in the top ten by the number of degrees awarded: Columbia’s Graduate School of Architecture Planning and Preservation (GSAPP) (#5) and Pratt (#8).

In addition, enrollment at New York’s design universities has been growing at a faster rate than other universities in the city: Between 2001 and 2010, full time student enrollment at the city’s 10 largest design and architecture schools increased by 34 percent, going from 18,002 students at the beginning of the decade to 24,065 students ten years later. During the same period, student enrollment at all institutions of higher education in New York City grew 27 percent between 2001 and 2010. The enrollment increases at New York’s design schools also outpaced the rate of growth for other major design schools in the U.S. The largest design schools in the Association of Independent Colleges of Art and Design (AICAD), a national consortium that includes the Rhode Island School of Design and the School of the Art Institute of Chicago, grew by 28 percent between 2001 and 2010.

The report shows that New York’s leading design and architectural firms rely on graduates from these schools. According to the report, 50 percent of the designers at the Rockwell Group, a prominent design and architecture firm, are graduates of NYC design schools. At Gensler, a major design and architecture firm with more than 400 employees in NYC, an estimated 30 percent of the designers are from NYC design schools. At Nanette Lepore, the fashion house, the number is 29 percent.

While the report highlights the important role of New York’s design schools, it also shines a spotlight on areas at the schools that need improvement. For instance, the majority of the professional designers interviewed for the report said that the city’s design schools did not provide ample opportunities for them to develop business or entrepreneurial skills.

The report concludes that design universities are poised to play an even more central role in New York’s economic future given that designers are having a growing influence on everything from smart phones to the delivery of health care services. But it also faults city officials for largely overlooking design universities in their innovation economy initiatives.

The Center for an Urban Future is an independent think tank based in Manhattan that focuses on critical issues facing New York City’s future, with a focus on economic and workforce development. This study is the latest in a long line of Center for an Urban Future reports focusing on opportunities for New York City to grow and diversify its economy.