Time Elapsed by Philippe Malouin and Lobmeyr

Time Elapsed by Philippe Malouin and Lobmeyr

Vienna Design Week 2011: a rotating arm deposits spirals of quartz sand on the showroom floor at crystal company Lobmeyr in Vienna this week, thanks to Canadian designer Philippe Malouin.

Time Elapsed by Philippe Malouin and Lobmeyr

The Time Elapsed installation moves in precise hypotrochoid patterns, gradually building up a ring of sand over the course of the week.

Time Elapsed by Philippe Malouin and Lobmeyr

Resembling a scaled-up chandelier component, the intricate machine was manufactured by Lobmeyr’s craftsmen in Austria according to Malouin’s design, right down to the detailing of the screw heads.

Time Elapsed by Philippe Malouin and Lobmeyr

Malouin collaborated with Lobmeyr as part of the Passionswege project, where Vienna Design Week commissions young designers to collaborate with traditional and highly skilled Viennese companies.

Time Elapsed by Philippe Malouin and Lobmeyr

Lobmeyr have participated in Passionswege every year, collaborating with Mark BraunClaesson Koivisto Rune and Maxim Velčovský in past years.

Vienna Design Week continues until 9 October. See all our stories about the event here.

See all our stories about Malouin’s work, including our own offices, here.

Here are some more details from Malouin:


Time is a quality that makes Lobmeyr so special.

Not only do their glass objects posses timeless designs, independent of changing fashions, but the calibre of the crystal itself means they stand the test of time. Great investments of time are taken in producing and decorating the crystalware, up to 100 hours for a single object, and this investment differentiates Lobmeyr from other glass manufacturers. We have used the theme of time here to illustrate how unique Lobmeyr is.

The flow of sand through an hourglass is traditionally used to keep track of elapsed time. It is also physical representation of the fine line between the past and the future. Through the machine in this room, the deposition of sand forms not minutes and hours on a clock face but abstract and changing patterns, illustrating the link between time and decoration. The sand also holds a physical connection with Lobmeyr, since it is the raw material from which the crystal is created.


See also:

.

The Hourglass by
Marc Newson for Ikepod
Night Night
by Vanessa Hordies
Sand by
Yukihiro Kaneuchi

Reichtum by Mark Braun for Lobmeyr

Carafes by mark Braun for Lobmeyr

Vienna Design Week 2010: Berlin designer Mark Braun presented a series of carafes engraved with images of lakes, glaciers and rivers of Austria for glass company Lobmeyr in Vienna earlier this month. 

Top: Pasterze glacier
Above: Stubaier Ferner glacier

Developed as part of the Vienna Design Week Passionswege project bringing together young designers and companies with a long tradition, Braun’s project involved etching the glass with three different processes.

Above: lake Rinnensee

The resulting pieces were displayed filled with water collected from the relevant site over the last year by the organisers of Vienna Design Week.

Above: lake Traunsee

Graphic designer Anna Sartorius created postcards showing each lake, river and glacier with images from Google Earth and information comparing the area of water with the amount of time the engraving took.

Above: river Mur

The installation at the Lobmeyr showroom was entitled Reichtum (wealth), and refers to the different prices of each carafe based on the time taken to engrave them.

Carafes by Mark Braun for Lobmeyr

Above: river Donau

See all our stories about Vienna Design Week »

Carafes by mark Braun for Lobmeyr

Above photo is by Kollektiv Fischka

Here’s some more information from Vienna Design Week:


The company J. & L. Lobmeyr has been working with the material glass for almost 200 years and continues until this day to rely on handcrafted perfection in creating its chandeliers and other lighting objects, its hand-blown and hand-cut crystal, and decorative glass.

Carafes by mark Braun for Lobmeyr

Above photo is by Kollektiv Fischka

Starting from the Lobmeyr tradition of personalising glass objects with engraving or decorating them with eloquent patterns or ‘paintings’, the German designer Mark Braun has realised a series with the emphasis on water on the one hand, and glass on the other.

Carafes by mark Braun for Lobmeyr

Two substances that are at least strongly related visually.

Carafes by mark Braun for Lobmeyr

Using the copper wheel engraving technique, archetypical water carafes especially designed for this project have been decorated with the outlines of Austrian lakes, rivers, and glaciers.

Carafes by mark Braun for Lobmeyr

For Mark Braun the sum total of these makes up the symbol of the essential wealth of everyday life.

Carafes by Mark Braun for Lobmeyr

The installation ‘Reichtum’ [Wealth], also the title of the presentation, stages the carafes filled with original water!

Carafes by Mark Braun for Lobmeyr

The PASSIONSWEGE format, a core component of the VIENNA DESIGN WEEK, brings designers together with Vienna shops and manufacturers with on-the-spot experimental projects and interventions.

Carafes by mark Braun for Lobmeyr

Above photo is by Kollektiv Fischka


See also:

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Basket by Marco Dessí
for Lobmeyr
Grip by Marco Dessi
for Lobmeyr
More about
Vienna Design Week

Basket by Marco Dessí for Lobmeyr

Basket by Marco Dessi for Lobmeyr

Designer Marco Dessí of Vienna will present a light made from glass tubes woven with silk rope with Vessel Gallery at SuperDesign in London, which opens tomorrow.

Basket by Marco Dessi for Lobmeyr

The tubes are bent into hexagonal shapes and slotted onto the silk cords, while a double-helix of halogen bulbs extends from a single stem inside.

Basket by Marco Dessi for Lobmeyr

Called Basket, the piece was created with Viennese glass company Lobmeyr.

Basket by Marco Dessi for Lobmeyr

SuperDesign takes place 14-17 October at Victoria House Basement, Bloomsbury Square, London WC1 B4DA.

Basket by Marco Dessi for Lobmeyr

Here’s some more information from Dessí:


BASKET

The starting point for this project were Lobmeyr’s very traditional “Schloss Hof” chandeliers from the glass arm-family.

Basket by Marco Dessi for Lobmeyr

This approach not only reinvents the use of glass tubes but also draws upon the vast variety of different types of chandeliers to carry over the glass arms to an altogether new application.

Basket by Marco Dessi for Lobmeyr

I selected the shape of traditional lanterns as a template and used hexagonally bent glass tubes in combination with silken cords creating a structure resembling a typical woven basket.

Basket by Marco Dessi for Lobmeyr

The lighting unit was selected to be a twisted spiral on a slim pole with halogen bulbs. This resembles a double helix further stressing the natural look and feel of this item.

Basket by Marco Dessi for Lobmeyr

Brass, glass, silk ropes; finish: gold or silver in a limited edition, 2010

Basket by Marco Dessi for Lobmeyr


See also:

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Grip by Marco Dessi
for Lobmeyr
More stories
about glass
More stories about
Marco Dessí

Grip by Marco Dessi for Lobmeyr

Italian designer Marco Dessi has created a set of glasses and decanters for Austrian brand Lobmeyr. (more…)