Jameson Irish Whiskey Distillery

Behind the scenes at the Jameson Distillery with Master Distiller Barry Crockett
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John Jameson’s Dublin distillery was founded in 1780, guided by the family motto “Sine Metu”, meaning without fear. To this day, those words appear on every bottle of Irish whisky. At the original distillery, located next to Smithfield Market, Jameson used well water, searched for superior strains of barley, sought out high quality casks and believed the whisky should be matured in cool, damp cellars. Eventually, he built larger warehouses that captured rainwater to recreate such conditions, and by 1890 Irish whiskey had become one of the most popular whiskeys in the world.

Later, because of Prohibition in the U.S. and the consequentially insurmountable tariff barriers in England, there was decline in the market which led to the demise of many Irish whiskey companies and, eventually, to the formation of the Irish Distillers Group. In 1971, Jameson’s Bow Street distillery stopped operations and all production was moved to the Midleton Distillery in Cork.

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Back in Dublin, tours of the Bow Street Distillery in Smithfield Village continue today, recounting the legacy and proud heritage of Irish whiskey. Visitors can watch a short documentary film, take the tour and enjoy the tasting room and restaurant. The distillery building is also the setting for special events including the Jameson Global Party on St. Patrick’s Day.

We went behind the scenes of the public tasting tours at the Jameson Experience in Cork to meet the core team. The steps behind the sourcing and repairing of casks was presented inside the coopers’ workshop, revealing a process of connecting flawless pieces of oak cut precisely according to the wood’s rings, that has remained relatively unchanged throughout the years.

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We met the current master distiller Barry Crockett, who apprenticed under his father, master distiller Max Crockett, to learn the age-old trade. During lunch with the junior Crockett in his childhood home, we learned about the triple distillation process Jameson has perfected since 1790, and the five-year aging period for the single-pot still and grain whiskey blends.

Since the beginning, “Jameson has been made using same type of equipment and methods, but the product made today is cleaner more refined and sweeter that would have been possible with the old equipment in the late 1700s,” says Crockett. “With the higher level of control with the modern equipment and controls we can achieve a finer quality of spirit.”

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“Irish whiskey has always been different to Scottish and American whiskeys,” says Crockett. “The fact that makes it different is the production technique, which is part of what we do. The use of high proportions of barley, harvested locally which gives it a very unique flavor and taste to the whiskey. The barley in my view offers a type of apple, pear or peach type aroma. You will find that very much in all of the Irish whiskies. It also gives a smooth even mouthy effect that lends to a more soft and sweet aftertaste.”

There’s a section of the cottage being transformed to better showcase the history of the brand. “Jameson has a strong story in term of its heritage, imagery, and we are advancing that imagery by getting our archives together to display,” says Crockett. “We know when people are coming here. The principal thing is to understand why it is a popular whiskey in the first place.”

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While the company focuses primarily on filling orders, Crockett’s main responsibility lies in developing single-origin pot still expressions. “These certainly show the consumer public that Irish whiskey is not just Jameson, but is also able to present a range of different flavor characteristics,” he explains. “We believe the single-origin pot still range will do for Irish whiskey what the concept of single malt did for Scotland.” Crockett says that their goal is to launch one to two new single pot still whiskeys each year.

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Our tour concluded at the Jameson warehouses, where up to 36,000 barrels are stored upright on rows of palettes. When asked what he’d want to drink if he were stranded on a desert island, Crockett answered, “Jameson 18-year-old, or the Legacy.”


Seaside House by A2 Architects

Seaside House by A2 Architects

A glazed corridor connects the two wooden halves of this seaside house on the east coast of Ireland by Dublin studio A2 Architects.

Seaside House by A2 Architects

Constructed from Douglas fir, the single-storey residence replaces a holiday chalet that previously occupied the site.

Seaside House by A2 Architects

An existing sea wall protects the rear terrace behind the house during high tides, but a gated staircase leads down to the beach when the tide is out.

Seaside House by A2 Architects

One side of the house contains nothing but a large living and dining room, while two bedrooms, bathrooms and a kitchen are located opposite.

Seaside House by A2 Architects

Clerestory windows run along the sides of the house, above the furniture.

Seaside House by A2 Architects

You can see a few more projects in Ireland here, including a mews house with protruding brickwork.

Seaside House by A2 Architects

Photography is by Marie-Louise Halpenny.

Seaside House by A2 Architects

The following text is from A2 Architects:


Seaside House

A new seaside holiday house occupies the former site of a longstanding summer chalet with existing private access to a dramatic beach on the east coast of Ireland, north of the capital city of Dublin.

Resonating with the scale and placement of neighbouring mobile homes, two untreated douglas fir timber enclosures rest on a cast concrete podium over a drift geology. Shelter unfolds between parallel wall planes to embrace views east over the Irish Sea and west over potato fields.

Viewed from the upper coastal road the grass roofs assimilate into the patchwork of field enclosure common in the Irish landscape.

A central cast terrazzo fireplace and a roof lit spine hallway anchor the plan.

A datum at 2.1m extends out to the external terraces forming shelter like the cap of a hat above which a continuous south facing clerestory window spans the living room, tracking the sun from morning to evening.

Clerestory glazing internally above the built-in furniture brings reflected sunlight into the timber lined bedrooms and bathrooms. A counter level window in the kitchen affords a panoramic view north to the headland on the coast. A layer of reflective polished terrazzo is laid over the concrete podium and parallel to the horizon in a wave-like rhythm.

A coastal garden and raised planter afford privacy to the main bedroom and a sheltered evening terrace enjoys west sun and views of the horizon through the living room. The large seaside family terrace is the focus for daily beach life; a place to gather and enjoy the sun or the shade.

Underfloor heating and superinsulation allow year round economic comfort and use.

Project Facts:
Internal Area of house: 150 sq.m
Duration (design to completion): 2006 – 2010
Location: County Louth, Republic of Ireland

Architects: A2 Architects
Team: Caomhan Murphy MRIAI, Peter Carroll MRIAI, Joan McElligott MRIAI

Structural Engineer: Casey O’ Rourke Associates
Main Building Contractor: Peter Taaffe, Ardee, Co.
Terrazzo: P.J. Ryan Terrazzo and Mosaic Specialists Ltd.

Aodh Furniture

Irish heritage tweeds in a debut line of elegant contemporary furniture

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Officially launched at ICFF last week, Dublin furniture company Aodh produces quiet, elegant design for yesterday, today and tomorrow. Their first true line, The Malt Collection, was born out of collaboration between German chair designer Tom Kelley and owner Garrett O’Hagan, who formerly imported contemporary furniture. With ecologically sound production processes and using only the finest materials, Aodh aims to work with equally passionate designers to create furniture that is “grounded in values close to Ireland’s heart: hospitality, warmth, conviviality and nature.”

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The Malt Collection consists of nine solid oak chairs inspired by different classic seating designs. Each inspirational design has been simplified, refined and updated to bring it to its finest state in terms of aesthetics and comfort. Designed for everyday use each chair is hand finished with natural oils to help the wood age and develop character well over time, giving the furniture a warm familiar feel.

To aid in comfort (both literally and figuratively), seven of the chairs are upholstered in local Donegal tweeds made from Irish sheep’s wool and dyes sourced from indigenous plants. The hand woven, Irish heritage tweeds add a personal touch to the stark wood chairs. And because each weaver’s work is different, each chair is unique by design.

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The chairs work together as a universal collection, each designed for different uses and named accordingly: the Simple chair for at home or office, the Fireside chair, the Reading chair, the Conversation chair and the Rocking chair. A bench, weekend rocker and sofa will drop later this year. Aodh will soon be available online on 1 July 2011 and later through to-be-announced partners in New York and London this September. Prices range from around $400-1700. See more images after the jump.


OAK bar by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Irish studio dePaor Architects have inserted this oak grid-shell structure into the café area of Dublin Airport‘s Terminal 2, which opened late last year.

Landslide Bar .OAK by dePaor Architects

The undulating structure sits in the centre of the OAK bar and provides a canopy over the space.

Landslide Bar .OAK by dePaor Architects

It’s made from strips of veneered plywood that slot into one another.

Landslide Bar .OAK by dePaor Architects

Perforated wooden vaults frame the entrance into the café-bar.

Landslide Bar .OAK by dePaor Architects

More restaurants and bars on Dezeen »

Landslide Bar .OAK by dePaor Architects

Photographs are by Alice Clancy.

Landslide Bar .OAK by dePaor Architects

Here’s a tiny bit of text from the architects:


Dublin Airport Landside bar.OAK

The landside bar and cafe in the new terminal at Dublin airport is a n 84mm oak veneered plywood deformed grid shell as a baldacchino over bar and server.

Landslide Bar .OAK by dePaor Architects

It stands on three stainless steel shoes on the limestone terrace and suspend a murano glass at the limestone stone bar.

Landslide Bar .OAK by dePaor Architects

The snug is excavated as a series of parallel vaults with service strips between.

Landslide Bar .OAK by dePaor Architects

These oak veneered vaults are slot perforated to achieve a smoke reservoir.

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects


See also:

.

Swoosh Pavilion at the Architectural AssociationLabyrinth of Woods by
Point
4am by
dePaor Architects

House 1 and House 2 by TAKA

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Dublin architects TAKA have added a mews house with protruding brickwork to an existing Victorian home in Dublin, Ireland. (more…)