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Dezeen Wire: Thomas Heatherwick has designed a distillery and visitor centre for gin brand Bombay Sapphire at an abandoned mill in Hampshire, England.

Construction has already begun on the renovation, which includes the addition of two curved greenhouses for growing the ten botanical herbs and spices that Bombay Sapphire use to flavour their spirits. Named Laverstoke Mill, the centre is due to open in autumn 2013.

Thomas Heatherwick has been in the news a lot this week, after his Olympic cauldron was unveiled at the opening ceremony of the games. See all our stories about the designer »

Here’s some information from Bombay Sapphire:

Bombay Sapphire Gin Unveils Plans for “Home of Imagination” in Hampshire, UK

Visionary designer Thomas Heatherwick to restore historic site into distillery and visitor center for iconic gin brand

Bombay Sapphire® gin, the world’s number one premium gin by value1, unveils plans for its distillery in Laverstoke Mill, Hampshire. The project is a multi-million pound restoration of the historic buildings which housed one of England’s most significant bank note paper making facilities. The design imagined for the site is headed by acclaimed London designer Thomas Heatherwick and his team at Heatherwick Studio. The site will be completely renovated from a derelict mill into a state of the art premium gin distillery and visitor centre encompassing the highest standards in design, functionality and sustainability.

The distillery will be built on a two hectare brown-field site, near the grounds of Laverstoke Park, just 60 miles from London. For 200 years, the site produced high quality paper for the bank notes of India and the British Empire. The site is steeped in natural beauty, astride the crystal clear River Test – and historically associated with producing the finest quality product through the care and skill of those who owned it and worked there. The newly renovated site will be the first opportunity the public has to discover the home of this iconic spirits brand.

The ambition for the project restores the buildings and grounds and its heritage while introducing a new structure that will complement the existing buildings as a showcase of the brand’s intrinsic quality that reflects the aspirations of the Bombay Sapphire brand. The highlight of the complex build is the glass house for Bombay Sapphire gin’s 10 botanicals. As a major feature of Laverstoke Mill, the glass house is a symbol of the brand’s careful, skillful and imaginative approach to gin making.

Heatherwick comments on the design: “As the particular flavours of Bombay Sapphire gin are derived from ten botanicals, the centrepiece of the site is a glass house, within which visitors will experience the specific horticultural specimens infused in the spirit. The glass house, influenced by Britain’s rich heritage of glass house structures, will be two separate structures providing both a humid environment for spices that originate from the tropics, as well as a dry temperate zone for Mediterranean plants. We are thrilled to have the chance to take this historic site, and turn it from its current derelict state into a new industrial facility with national significance.”

The 10 year relationship between the brand and Thomas Heatherwick started when he was crowned the inaugural winner of the Bombay Sapphire Prize – an international award for excellence and innovation in glass. Alongside high profile designers he joined the Bombay Sapphire Foundation, which encourages and rewards the very best in contemporary design and glass design in particular. In 2010, he was approached by the Bombay Sapphire team to design the brand home in Laverstoke.

Bombay Sapphire Global Category Director John Burke adds: “It’s a very exciting time for the Bombay Sapphire team, especially now that we’re seeing our plan for Laverstoke Mill come into fruition. With tradition, quality and craftsmanship at the heart of the site’s heritage, we can finally look forward to opening our doors to consumers worldwide and share with them the care, skill and imagination that is infused in the spirit we produce. Bombay Sapphire gin has experienced great success and growth over the last 10 years and with the opening of the brand’s home and consumer experience, we are very optimistic for next decade.”

In February 2012, planning permission to restore Laverstoke was granted and the build process is now underway and managed by Meller Ltd, with a goal the distillery will open its doors in autumn 2013.

Meller Managing Director, Graham Cartledge adds: “Meller is proud to be leading the development of Laverstoke Mill into a world class production facility and unique visitors centre. Our expert team looks forward to delivering this exceptional project in a way that fulfills Bombay Sapphire’s brand aspirations and also the technical requirements of restoring a site with such heritage, environmental consideration and unique design.”

The post Laverstoke Mill by Thomas Heatherwick
for Bombay Sapphire appeared first on Dezeen.

Designer Nicole Messina mashes up materials for jewelry with a playful edge

Designer Nicole Messina combines unconventional materials to create edgy accessories with a whimsical twist. Inspired by frequent childhood trips to hardware stores with her father, Messina became fascinated with reinventing industrial materials into fashion pieces for her line, Industrial Candy.

Messina’s collection “Hardcore Candy” features chains, screws and bolts, all of which she pairs with rubber neon elements. The more subdued, neutral-hued “Nature’s Candy” collection pairs materials like leather and suede with oxidized and distressed hardware. The concept for her most recent collection, “Adventure Candy,” derives from what she calls “materials you would find while on an outdoor adventure such as hiking rope, paracord, bungee cords and even fishing hooks and lures—the entire collection is screaming out for attention.”

Messina recently collaborated on a collection with eco-conscious designer and fellow Parsons graduate Laura Siegel. The line has an earthier feel than Messina’s individual work, comprising naturally dyed rope and string, as well as handcrafted and distressed copper bells made by artisans in India. Messina explains that Siegel’s “free form aesthetic and use of natural materials is something I understand and appreciate. It was also an aesthetic I don’t usually explore in my own collections so I thought it was a great opportunity to challenge myself as a jewelry designer.”

The collection offers artful braided bracelets, bangles and necklaces for which Messina explored various braiding and layering techniques to create “depth and interest.” All of Messina’s pieces, including the collaboration with Siegel, as well as any custom color requests, can be purchased through her website “Industrial Candy“.

Steel kimonos, diamond-plated skateboards and hand-anodized aluminum paintings

The anodization of aluminum—a process common in everything from carabiners to satellites to medical equipment—is yet another factory method to fall under the provenance of fine art. Miya Ando‘s work, created through a process of dip-dying aluminum blocks in electrically-charged vats, are nothing short of industrial watercolors. “I like this ability for a plate of metal to evoke soft imagery and ephemerality,” says Ando. The process hardens supple aluminum, adding to the rigid surface the artist’s own subtly colored gradients. Ando explained this process and more during a recent stop at her Brooklyn studio.

The descendent of swordsmiths-turned-priests, the half-Japanese Ando brings her family’s unconventional origins into her art. “Furisode Kimono” is a 180lbs sculpture made of steel squares that have been soldered together with sterling silver rings. The process for this work is different from the aluminum pieces, using heat rather than anodization to achieve the gradient. In both, the effect is permanent and established within the properties of the metal. “It’s embedded; you can touch it and it won’t come off,” explains Ando.

When tasked with describing her anodized work, Ando says, “They’re paintings that use sculptural materials.” The planar works have a texture and visual weight that communicates heft in spite of the light and airy gradients. While the highly finished pieces indicate a degree of precision, Ando’s process is largely self-taught. After gaining access to an industrial facility, the artist began to hand-dye plates in anodizing baths—a process that made quite a sight for on-site workers.

Past work from Ando has included skateboard decks cut from diamond-plated steel as well as bioluminescent leaves. She also gained praise for a monumental piece honoring the World Trade Center that was made of steel salvaged from the towers’ supporting structure. Her fascination for materials bred the recent release of the “Iron and Silk Scarf“, a chiffon scarf printed with the image of one of her metal works. Ando is currently working on a new series will feature buddhist prayers scratched on aluminum with a tungsten carbine pencil.

Miya Ando’s work can currently be seen at New York’s Sundaram Tagore as well as Madison Galleries in La Jolla, CA. See more images of the studio in our slideshow