Everyday Objects by Big-Game

Product news: Swiss designers Big-Game will present new products including a coat hanger, a tray and a hammer  in Milan next month.

Everyday Objects by Big-Game

Called Everyday Objects, Big-Game‘s show at Galleria 70 will feature Cargo, a collection of items for Italian brand Alessi that were inspired by the aesthetic of Swiss toolboxes from the 1930s. There’s a pair of small trays for storing anything from tools to stationary, plus a hammer with an ash handle.

Everyday Objects by Big-Game

For Japanese brand Karimoku New Standard, the designers have produced the Castor table to match their earlier Castor chair and stool.

Everyday Objects by Big-Game

The Castor tables come flat-packed and once assembled can be easily stacked. The round legs sit level with the tabletops at each rounded corner, so the tables can still be placed side-by-side.

Everyday Objects by Big-Game

Also on show at the exhibition will be Beam, an aluminium and ash coat hook that borrows its form from the peg rails in American Shaker houses. Beam is designed for Danish brand Hay.

Everyday Objects by Big-Game

Previous Big-Game projects featured on Dezeen include a series of cork toy boats launched in 2011 and the Bold chair from 2007 (below), which will also be shown as part of the Everyday Objects exhibition. See more design by Big-Game on Dezeen.

Everyday Objects by Big-Game

Everyday Objects will take place at Galleria 70, Corso di Porta Nuova 36/38, from 9 to 14 April.

Photography is by Michel Bonvin.

Here’s some more information about each product from Big-Game:


BIG-GAME presents new everyday objects for Alessi, Hay, and Karimoku New Standard.

BEAM coat hanger, prototype for Hay

We were always fascinated by the peg rails found in American Shaker houses. Instead of hiding the mess, they somehow make it manageable. So when we were asked to think about something that could be in entrances, we readapted this idea with a metal profile. You can slide in the amount of hooks you want. It can be short or long depending on where you want to put it. You can also leave a note on it.

Everyday Objects by Big-Game

CARGO box, prototype for Alessi

A while ago, we were asked by Alberto Alessi to design “anonymous Swiss objects”. As a reference, he gave us the classic 30’s Swiss metal toolboxes.

Our idea was to make some universal plastic containers with a wooden handle, bringing the functionality of toolboxes to the home. The CARGO boxes can be used to store all kinds of things, from stationery to sewing gear, tools to kitchen stuff.

Everyday Objects by Big-Game

CARGO hammer, prototype for Alessi

As a part of the series, we also made a simple hammer (everybody needs one at home).

CARGO catch all, prototype for Alessi

Along with two boxes and the hammer, the CARGO series also includes a circular catchall tray inspired by the traditional Japanese wooden carrying boxes called okamochi.

Everyday Objects by Big-Game

CASTOR chair, product for Karimoku New Standard

To design the CASTOR chair, we were inspired by the ergonomics of the wooden chairs that you find in old Swiss cafés that are famously very comfortable. It’s made in Japan from solid oak by a company called Karimoku New Standard. The wood comes from trees that have irregular shapes and generally end up as paper pulp. The company’s motto is: An object made of wood has to live at least as long as the tree it was made from.

Everyday Objects by Big-Game

CASTOR tables, prototype for Karimoku New Standard

Part from the chair, the CASTOR family also includes a stool, a bench, a shelf, and two tables. The tables are designed to be flat packed. Even though the feet are on the outside, the round edge has just the right dimension so you can put two tables together. We made them compact, as we wanted them to fit into various sized interiors, as well as cafés and restaurants. The tables stack, and the rectangle is twice the size of the square, so it’s easy to assemble them in various configurations.

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Primitive knife by Michele Daneluzzo for Del Ben

Product news: Italian designer Michele Daneluzzo took inspiration from tools used by early humans when designing this stainless steel knife.

Primitive knife by Michele Daneluzzo for Del Ben

The implement is formed from one petal-shaped piece of steel, reminiscent of flint cutting utensils from the Stone Age.

Primitive knife by Michele Daneluzzo for Del Ben

“The project analyses the different aspects of the intrinsic relationship between mankind and design, proposing to the modern culture a forgotten tool,” Daneluzzo told Dezeen.

Primitive knife by Michele Daneluzzo for Del Ben

Instead of a handle found on contemporary knives, a subtle ridge runs along the thicker top of the blade to aid grip.

Primitive knife by Michele Daneluzzo for Del Ben

The shape slims towards the front and bottom to create the sharp cutting edge.

Primitive knife by Michele Daneluzzo for Del Ben

The knife is available in polished or blasted steel and is stored upright on a pebble-like stand that comes included.

Primitive knife by Michele Daneluzzo for Del Ben

Daneluzzo developed the product while studying at the University of Applied Arts in Vienna, and it is currently in production with Italian cutlery brand Del Ben.

Primitive knife by Michele Daneluzzo for Del Ben

It was launched at the Ambiente trade fair in Frankfurt earlier the year, where pans with hooks instead of handles by Karim Rashid were also unveiled.

Primitive knife by Michele Daneluzzo for Del Ben

We’ve featured quite a few stories about unusual cutlery, such as a set designed to stimulate all five senses and a range modelled on workshop tools.

See all our stories about cutlery »
See all our stories about homeware »

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Hook pans by Karim Rashid for TVS

Product news: the lids of these pans by New York designer Karim Rashid have large, brightly coloured hooks for handles.

Hook pans by Karim Rashid for TVS

The lid handles fold over so they can be grasped easily and latch onto a rail system mounted on the kitchen wall.

Hook pans by Karim Rashid for TVS

The handles of the black aluminium pans have holes in and sit under the lids when stored away, allowing them to hang together from the same rail.

Hook pans by Karim Rashid for TVS

Unveiled by Italian cookware brand TVS at Ambiente 2013 in Frankfurt last month, the cooking set includes a frying pan, sauté pan and sauce pan, all with a choice of handle colours.

Hook pans by Karim Rashid for TVS

New York designer Karim Rashid has also designed a sofa with modular arms and headrest and renovated the metro station for the University of Naples.

Hook pans by Karim Rashid for TVS

See all our stories about designs by Karim Rashid »
See all our stories about homeware design »

Here’s some more information from TVS:


Hook by Karim Rashid

“The kitchen is the busiest room in any house and contemporary architecture is increasingly making it a feature point, a reception area in the home. This is why the cookware range needs to and can be integrated as a part of the design progress, going on to become the true focus of the room as well as representing the heart and soul of the person who uses it every day.”

He has travelled the highly imaginative universe of “the pan that isn’t there” on a mission for TVS. Karim Rashid, legendary design star with ambitions to change the world (one of the most prolific minds of our time, with over 2000 industrialised designs for interiors, fashions, furnishings, lighting, art and music) that go straight to the heart of our emotions.

Hook pans by Karim Rashid for TVS

And moving on from the simple axiom above, in which today’s new humanism sets the home at the centre of our personal universe – and makes the kitchen the pulsing heart of the home – the result is a curious, irresistible Captain Hook.

Yes, Hook. That is the name of the brilliant new invention by TVS, which has transformed high-gauge aluminium into a complete range of exclusive cookware, with a rich communication potential.

Hook pans by Karim Rashid for TVS

A jaw-dropping effect, created by hanging the pans from the wall using the patented hanging rail and hooks plus eccentric handles in a mix of colours to contrast with the body of the pans. A range that is young at heart, built to be at the centre of any dj – sorry, cooking – set.

Essential, young looking and handy. With its magnetic feel, Hook connects to our lifestyle, bringing with it a large dose of good humour. Space problems are solved and really, all it is missing is a “share” button. TVS fans, modern Peter Pans flying over their lives with the gift of ubiquity, mp3 player in their ears and a wooden spoon in place of a sword, will be thanking Karim as they go.

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Me mirrors by Mathias Hahn for Asplund

Product news: these mirrors by London designer Mathias Hahn can be swivelled up and down with wooden handles sticking out the sides.

Me mirrors by Mathias Hahn

Mathias Hahn combined a classic hand mirror with a slim stand to create the Me mirror, which comes as a tall, freestanding design or a small tabletop version.

Me mirrors by Mathias Hahn

They’re available in a range of colours and are now in production with Swedish homeware brand Asplund.

Me mirrors by Mathias Hahn

We previously featured Hahn’s collection of coloured glass vessels inspired by making jam and a pendant lamp that clamps to its own flex, plus he discussed five examples of his work in a movie we filmed in Cologne in 2011 – see all designs by Mathias Hahn.

Me mirrors by Mathias Hahn

We also recently published a matte steel sink with a polished patch that acts as a looking glass and a mirror and vanity box that hang off a leather strap – see all mirrors.

Here’s some more information from the designer:


Me mirror

A classic hand mirror held by a wooden handle. Being attached to a stand the mirror can be rotated and adjusted by both the axis of the handle and the vertical section of the stand. A plain and diverse to use mirror, reminiscent of historic mirror stands, that is located in bath rooms, dressing rooms or hallways, giving this product a rather independent and furniture related feel than a wall mounted vanity mirror.

The Me mirror family consists of two different sizes: one tall, floorstanding version and a smaller one for tables or sideboards. The mirrors are now in production with Swedish manufacturer ASPLUND and are available in a variety of colours.

Thinking of the typology of mirrors, the usual concept is either a wall hung piece or a hand held mirror sitting in a drawer. The idea for the ‘ME’ mirrors is, to turn the tool of the mirror itself into a product which is able to move into different areas of a domestic environment. Rather being treated as a a piece of occasional furniture than a product which is linked to singular location.

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Ran Out by Shlomit Bauman

Israeli ceramics designer Shlomit Bauman combined white porcelain with the very last batch of clay from a local pit to make these stretched and distorted objects (+ slideshow).

Ran Out by Shlomit Bauman

The objects in the Ran Out collection combine porcelain with a type of Israeli terracotta that has almost been used up completely.

Ran Out by Shlomit Bauman

“The local authorities realised that mining this clay would cause it to become completely extinct, so they closed the mine,” Shlomit Bauman told Dezeen. “I bought that last ton of clay from the suppliers.”

Ran Out by Shlomit Bauman

Bauman turned a variety of everyday objects into moulds, including a mobile phone, a television and a megaphone.

Ran Out by Shlomit Bauman

Two of the moulds – a teapot and a fish – were salvaged from a ceramics factory in Tel Aviv that had closed down in the 1990s.

Ran Out by Shlomit Bauman

Bauman then combined the moulds by casting them one on top of the other or by attaching them after casting. “The broken appearance is a result of the different shrinkage characteristics of the materials,” she explained. “But for me, it symbolises the distortion of the process of trying to mix two different cultures together.”

Ran Out by Shlomit Bauman

Bauman teaches ceramic design at Holon Institute of Technology in Israel.

Ran Out by Shlomit Bauman

Other similar designs we’ve featured include a set of crockery made from roughly carved moulds and a project to make tableware from muddy clay found on the banks of the River Thames – see all ceramics.

Ran Out by Shlomit Bauman

Here’s some more information from the designer:


Ran Out is a ceramic design project that raises a discussion concerning the extinction of natural resources, of conception or objects that are running out. The project brings together local clay – a ceramic material that ran out in Israel and abroad (S5), and porcelain – the fashionable and noblest ceramic material. This project makes use of historical molds and materials from closed Israeli ceramic factories.

The different characteristics of these materials in cultural, technological and formal terms result in contrast, cracking and distortion of objects. This creates a tension between the desire for likeness and connection, and the exposure of the differences and the distorted. These works deal with the loaded field of the extinction of natural, cultural and personal resources.

Shlomit Bauman is an Israeli ceramic designer that relates to the ceramic design field as a “cultural research lab” by dealing with cultural, technological and traditional aspects. Along her work she explores the methods and strategies of action in the wide context of material culture. Her creative activity covers many fields that include design, art, education and curation as a way of life.

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Vermis by Malene Hartmann Rasmussen

Danish ceramic artist Malene Hartmann Rasmussen has photographed dozens of glazed ceramic worms to create a wallpaper for the home of 19th century Arts & Crafts designer William Morris.

Vermis by Malene Hartmann Rasmussen

Called Vermis, the wallpaper was made for an exhibition last autumn with art and design collective Studio Manifold at William Morris’s Red House in Bexleyheath, England.

Vermis by Malene Hartmann Rasmussen

Hartmann Rasmussen hand-modelled the ceramic worms and glazed and fired them before taking photographs to be worked into a repeated digital pattern.

Vermis by Malene Hartmann Rasmussen

“At first glance the wallpaper seem harmless and decorative, but after staring at it too long, uncanny malicious faces appear,” explained the designer.

Vermis by Malene Hartmann Rasmussen

“The motifs have the ambiguity of a Rorschach test,” she added, “mimicking different things such as the floral patterns of the Arts & Crafts wallpapers Morris designed, depictions of fantastical creatures such as the Green Man, and visual interpretations of the human reproductive anatomy.”

Vermis by Malene Hartmann Rasmussen

The wallpaper will be on display again at the Crafts and Design Biennale in Denmark between 29 June and 18 August.

Vermis by Malene Hartmann Rasmussen

Hartmann Rasmussen studied for her BA at the School of Design in Bornholm, Denmark, before completing an MA in Ceramics and Glass at the Royal College of Art in London. For her RCA graduation show, she created a ceramic installation evoking a surreal forest hut from a Brothers Grimm fairytale.

Vermis by Malene Hartmann Rasmussen

To mark the launch of Fornasetti’s whimsical wallpaper collection for Cole & Son, we recently spoke to Barnaba Fornasetti, son of the eccentric Italian designer Piero Fornasetti, who told us the story behind the design house he now heads.

Other wallpaper we’ve featured previously includes a stripy patterned wallpaper that invites passers-by to add their own scribbles and a colourful design that changes under different lighting conditions – see all wallpaper.

Here’s some more information from the designer:


Vermis is a site-responsive piece made for a show together with Studio Manifold called This Is How To Live at the founder of The Arts & Crafts Movement William Morris’ Red House in Bexleyheath. The house is national heritage and run by The National Trust.

The origin of the digital printed wallpaper is hand modelled ceramic worms, photographed and reworked in Photoshop as a repeat pattern. At first glance the wallpaper seem harmless and decorative, but staring at it too long uncanny malicious faces appear. The pattern tells the story of a nature that perhaps does not mean to harm, but have the intention of manifesting itself, to take over and take control.

It is a tale of life and death. The motifs have the ambiguity of a Rorschach test, mimicking different things such as flora and the floral patterns of The Arts & Crafts wallpapers Morris designed, depictions of fantastical creatures such as the Green Man but also visual interpretations of the human reproductive anatomy.

Materials: digital printed wallpaper, ceramics
Size: height, varies; width, 74 cm

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Fanions by Dimitri Bähler, Linn Kandel and Ismaël Studer

The asymmetric fringing on these wool rugs by Swiss designers Dimitri Bähler, Linn Kandel and Ismaël Studer makes them appear to pop out from the floor like drawings of 3D shapes.

Fanions by BKS

Fanions, which means ‘fringes’ in French, is a collection of rugs intended to look like “extruded 3D shapes”, according to designers Dimitri BählerLinn Kandel and Ismaël Studer.

Fanions by BKS

“We used the fringes in a modern and graphical way,” they said, adding that the material was cut with a CNC machine.

Fanions by BKS

We featured Bähler’s storage set for stationery last December, while two years ago in Cologne we reported on Kandel’s tables inspired by electricity pylons.

Fanions by BKS

The rugs were shortlisted in the [D3] Contest for young designers at imm cologne, which was won by Swiss industrial designer Lucien Gumy’s interlocking wooden shelving.

Fanions by BKS

Other rugs we’ve featured lately include a rug decorated by squeezing bottles of paint over it and an installation of dozens of rugs in a Barcelona square – see all rugs.

We reported on lots of products launched in Cologne this year, including paper clip-like desk lamps and a table with a cross-shaped notch that holds magazines – see all products from Cologne 2013.

See all homeware »

Here’s some more information from the designers:


Fanion is a project by Dimitri Bähler, Linn Kandel and Ismaël Studer

The starting point of our project is the traditional rug and its details. Especially the fringes; Fanion in french. For that project, we used the fringes in a modern and graphical way. Their direction creates an illusion. The rugs become extruded 3d shapes.

The felt (made of pure wool) provides the rugs different qualities; the colors are very deep and the material, dense, is easily processed by the cnc cutting machine. Thanks to that material, Fanion gives also a warm atmosphere impression. Simple and direct, Fanion is a contemporary vision of the traditional rugs.

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State of Things by Klubben

Stockholm 2013: a wall lamp that mimics an eclipse of the sun and tray of vases held fast by magnets were among the objects on show in an exhibition of work by young Norwegian designers during Stockholm Design Week (+ slideshow).

State of Things by Klubben

Above: Total Eclipse by Siv Lier

The exhibition, called State of Things, included Siv Lier’s Total Eclipse lamp and Hallgeir Homstvedt’s Tangent vases, which are attached to a metal tray by strong magnets.

State of Things by Klubben

Above: Tangent by Hallgeir Homstvedt

Gridy, a design duo comprising Lars Olav Dybdal and Wilhelm Grieg Teisner, presented Kabloom, a glass vase shaped like a cartoon bomb and designed to hold a single flower.

State of Things by Klubben

Above: Kabloom by Gridy

Also included were Kristine Bjaadal’s small wooden containers shaped like seeds and Kristine Five Melvær’s lamps with soft shades like flowerbuds, which we featured previously.

State of Things by Klubben

Above: Keepsake by Kristine Bjaadal

Caroline Olsson and Ida Noemi showed an ash and copper picture frame with no screws, while Erlend Bleken exhibited a steel and oak swing chair for indoor or outdoor use.

State of Things by Klubben

Above: In Theory by Marianne Andersen

Victoria Günzler and Sara Wright Polmar, who work together as Günzler.Polmar, presented a wooden pedestal table that can be combined with porcelain containers, while Marianne Andersen showed a series of pendant lamps made from pine and coloured glass.

State of Things by Klubben

Above: Dodo by Petter Skogstad

Martin Solem showed a mirror bent into three facets and mounted on wood, Petter Skogstad presented a squeezable silicone container for oil or soy sauce, and Maria Bjørlykke showed a trio of round tabletops connected by one base.

State of Things by Klubben

Above: 80.20 by Thomas Jenkins

Finally, Siren Elise Wilhelmsen presented a rug and chair in one, Sverre Uhnger showed a solid wood desk lamp and Thomas Jenkins exhibited a display box with an adjustable box fixed inside it.

State of Things by Klubben

Above: No. 2 by Günzler.Polmar

The show was put on by Klubben, an initiative founded by Günzler, Polmar and Uhnger as a club to help Norwegian designers cooperate and promote their work.

State of Things by Klubben

Above: Miroir by Martin Solem

Dezeen was in Stockholm this year reporting on the highlights from the city’s design week, including a chair that looks like a bed of nails and a domed table lamp with a rotating wing for a dimmer switch – see all products from Stockholm Design Week.

State of Things by Klubben

Above: Bloom by Kristine Five Melvær

We also previously featured a wooden stool inspired by skateboards by Hallgeir Homstvedt, whose Tangent vases featured in the exhibition in Stockholm.

State of Things by Klubben

Above: Epaulette by Caroline Olsson and Ida Noemi

See all homeware »
See all Stockholm Design Week »

Here’s some more information from Klubben:


Klubben presents State of Things at Stockholm Furniture Fair 2013

Klubben (Norwegian Designers Union) was founded in 2011 by Victoria Günzler, Sara Wright Polmar and Sverre Uhnger with the aim to gather talented young Norwegian furniture and product designers and present them at unique venues. Fresh designers will be invited for every new exhibition so that Klubben always presents both new products and new designers. The concepts will differ but our goal will always be the same: present great Norwegian design on the designers’ own terms!

State of Things by Klubben

Above: Kantarell by Maria Bjørlykke

Designers:

Caroline Olsson
Ida Noemi
Erlend Bleken
Victoria Günzler
Sara Wright
Polmar Wilhelm
Grieg Teisner
Lars Olav Dybdal
Hallgeir Homstvedt
Kristine Bjaadal
Kristine Melvær Five
Maria Bjørlykke
Marianne Andersen
Martin Solem
Petter Skogstad
Siren Elise Wilhelmsen
Siv Lier
Sverre Uhnger
Thomas Jenkins

State of Things by Klubben

Above: Memory Carpet by Siren Wilhelmsen

The present members of Klubben have attended universities in Norway, Denmark, Germany, England and Australia. Individually we have participated in exhibitions and fairs in London, Stockholm, Paris, Oslo, Helsinki, New York, Tokyo, Bergen, Milano, Cologne, Risør, Leipzig, Venezia and Seoul, and received awards like Muuto Talent Award, ELLE Norway Young Designer of the Year, Jury Award Designers Open Leipzig, Blueprint Award 100% Design London: Best New Product and Best use of Materials, Norsk Form Young Designer of the Year, Bonytt award and Gullkalven.

State of Things by Klubben

Above: Oo by Sverre Uhnger

The establishment of Klubben was marked with the exhibition Tingenes Tilstand at the art gallery TM51 in Oslo last fall and the response exceeded all expectations with more than 1000 people visiting the exhibition during its four days. Version two, State of Things, will be presented to the international design industry during Stockholm Furniture Fair 2013. The exhibition shows 17 products by 18 designers.

State of Things by Klubben

Above: Svev by Erlend Bleken

The invited designers were challenged to design a product or a piece of furniture inspired by a box filled with everyday objects and the text:

Objects attract and inspire us. They tell stories, evoke emotions, they make us curious and they fascinate us. Our experiences are related to associations and memories, to colours and shapes, or function and materiality. It can be complex and impressive, or simple and subtle.

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Paper Vase by Pepe Heykoop

Product news: Dutch designer Pepe Heykoop has created a paper cover to turn any glass jar or bottle into a faceted vase, sold to help impoverished women in Mumbai make a living.

Each Paper Vase is handmade by the women of the Pardeshi community in Mumbai’s red light district. The workshop was founded by Pepe Heykoop and the Tiny Miracles Foundation, which was set up by his cousin. “The ultimate goal is to pull this 700-person community out of poverty by providing healthcare, education and jobs within eight years,” says Heykoop.

Paper Vase by Pepe Heykoop

The vase is made of coated paper and comes in white or graduated green colour blocks. It’s transported in an envelope and can be rolled down to fit different sizes of bottle.

Paper Vase by Pepe Heykoop

Heykoop is known for his philanthropic design work and previous projects with the Tiny Miracles Foundation include lamp shades made from a patchwork of lambskin and traditional water carriers covered in leather. See all our stories about design by Pepe Heykoop.

Paper Vase by Pepe Heykoop

Other similar vases on Dezeen include one made from a thin curl of synthetic paper and another folded from a flat sheet of cardboard. See all our stories about vase designs and all our stories about paper designs.

Photos are by Annemarijne Bax

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Pretty in Prison mirror by The Practice of Everyday Design

Pretty in Prison by The Practice of Everyday Design

The panel behind this stark matte steel sink has a patch in the centre that’s been polished to shine like a mirror.

Pretty in Prison by The Practice of Everyday Design

Called Pretty in Prison, the piece by Canadian studio The Practice of Everyday Design is made of stainless steel, selectively polished by hand so that no two sinks look the same.

“The idea was to give it a sense of time, as if someone had sat there every day scrubbing the surface until it was so clean it became a mirror,” says Antoine Morris. “The final effect is also almost as if the sink is covered in condensation and someone wiped just one area clean to see themselves.”

Pretty in Prison by The Practice of Everyday Design

A prototype of the design was shown at Cooper Cole Gallery in Toronto as part of an exhibition called Shiny Pretty Things during Toronto Design Offsite Festival last month, where Pretty in Prison picked up a Juror’s Choice award at the TO DO Awards presented by Herman Miller.

Other mirrors on Dezeen include hinged brass mirrors that look like butterflies, a mirror with blurry edges that reflects a rather dreamy image of its surroundings one concealing a secret passageway beneath a railway bridge.

See all our stories about mirrors »

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