Honey bees can be trained to detect cancer “in ten minutes” says designer

Dutch Design Week 2013: Portuguese designer Susana Soares has developed a device for detecting cancer and other serious diseases using trained bees ( + slideshow).

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The bees are placed in a glass chamber into which the patient exhales; the bees fly into a smaller secondary chamber if they detect cancer.

“Trained bees only rush into the smaller chamber if they can detect the odour on the patient’s breath that they have been trained to target,” explained Soares, who presented her Bee’s project at Dutch Design Week in Eindhoven last month.

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Scientists have found that honey bees – Apis mellifera – have an extraordinary sense of smell that is more acute than that of a sniffer dog and can detect airborne molecules in the parts-per-trillion range.

Bees can be trained to detect specific chemical odours, including the biomarkers associated with diseases such as tuberculosis, lung, skin and pancreatic cancer.

Bees have also been trained to detect explosives and a company called Insectinel is training “sniffer bees” to work in counter-terrorist operations.

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“The bees can be trained within 10 minutes,” explains Soares. “Training simply consists of exposing the bees to a specific odour and then feeding them with a solution of water and sugar, therefore they associate that odour with a food reward.”

Once trained, the bees will remember the odour for their entire lives, provided they are always rewarded with sugar. Bees live for six weeks on average.

“There’s plenty of interest in the project especially from charities and further applications as a cost effective early detection of illness, specifically in developing countries,” Soares said.

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Here is a project description by Susana Soares:


Bee’s / Project

Bee’s explores how we might co-habit with natural biological systems and use their potential to increase our perceptive abilities.

The objects facilitate bees’ odour detection abilities in human breath. Bees can be trained within 10 minutes using Pavlov’s reflex to target a wide range of natural and man-made chemicals and odours, including the biomarkers associated with certain diseases.

The aim of the project is to develop upon current technological research by using design to translate the outcome into systems and objects that people can understand and use, engendering significant adjustments in their lives and mind set.

How it works

The glass objects have two enclosures: a smaller chamber that serves as the diagnosis space and a bigger chamber where previously trained bees are kept for the short period of time necessary for them to detect general health. People exhale into the smaller chamber and the bees rush into it if they detect on the breath the odour that they where trained to target.

What can bees detect?

Scientific research demonstrated that bees can diagnose accurately at an early stage a vast variety of diseases, such as: tuberculosis, lung and skin cancer, and diabetes.

Precise object

The outer curved tube helps bees avoid from flying accidentally into the interior diagnosis chamber, making for a more precise result. The tubes connected to the small chamber create condensation, so that exhalation is visible.

Detecting chemicals in the axilla

Apocrine glands are known to contain pheromones that retain information about a person’s health that bees antennae can identify.

The bee clinic

These diagnostic tools would be part of system that uses bees as a biosensor.

The systems implies:
– A bee centre: a structure that facilitates the technologic potential of bees. Within the centre is a beefarm, a training centre, a research lab and a healthcae centre.

– Training centre: courses can be taken on beetraining where bees are collected and trained by beetrainers. These are specialists that learn beetraining techniques to be used in a large scope of applications, including diagnosing diseases.

– BEE clinic: bees are used at the clinic for screening tests. These insects are very accurate in early medical diagnosis through detection on a person’s breath. Bees are a sustainable and valuable resource. After performing the diagnose in the clinic they are released, returning to their beehive.

Bee training

Bees can be easily trained using Pavlov’s reflex to target a wide range of natural and man-made chemicals odours including the biomarkers associated with certain diseases. The training consists in baffling the bees with a specific odour and feeding them with a solution of water and sugar, therefore they associate that odour with a food reward.

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“in ten minutes” says designer
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Cube Series by Diana Farkas

L’artiste hongroise Diána Farkas imagine ces cubes de verre étranges, composés de divers strates de couleurs. Avec un aspect rétro, ces créations de l’étudiante de Budapest appelés “Yellow Submarine” ou encore “Sun Goes Down” sont à découvrir dans la suite en images.

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Cube Series by Diana Farkas9
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Nola colour-mixing lamps by Studio Drift at Eat Drink Design

Dutch Design Week 2013: Amsterdam designers Studio Drift have created a series of colour-mixing LED lamps with hand-blown glass domes.

Nola by Studio Drift

The Nola series by Ralph Nauta and Lonneke Gordijn of Studio Drift comprises tinted glass bell-jars fitted into circular cork bases, with a ring of LEDs in a contrasting colour under the rim of each glass piece.

Nola by Studio Drift

The colours mix as the brightly coloured light passes through the pastel glass and further combinations can be created by clustering several pieces together to layer up the different hues.

Nola by Studio Drift

“Nola started as an experiment, playing with the endless possibilities combining colour and light in a spacial context,” Gordijn told Dezeen. “It became a landscape of light captured in glass bells.”

Nola by Studio Drift

“By mixing and interconnecting multiple bells and placing them in overlapping compositions a complex spectacle of light emerges,” she added.

Nola by Studio Drift

The lamps will go into production with new Dutch design label Buhtiq 31 in four different colours and four sizes, and each one comes with a dimmer switch.

Nola by Studio Drift

The prototypes are on show for the first time as part of Eat Drink Design during Dutch Design Week in Eindhoven, which continues until Sunday.

Nola by Studio Drift

Eat Drink Design is a combined dining experience and design showcase, this time housed in a former theatre building called Kazerne. Studio Drift have been regular contributors to the show over the years, with past presentations including an LED and glass chandelier resembling a swarm of insects or shoal of fish.

Nola by Studio Drift

Nauta and Gordij are best known for their lighting installations with LEDs covered in dandelion seeds and founded their studio after graduating from Design Academy Eindhoven in 2005.

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at Eat Drink Design
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Buddies by Apparatus: Geometric sconces in brass and glass designed for bold, customizable wall installations

Buddies by Apparatus


While scanning the stands in the Barker Hanger at Santa Monica’s West Edge Design Fair last week, the Apparatus booth gave off…

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Blown: Samuel Wilkinson uses traditional glass-blowing techniques and 3D CAD software for his new lamp

Blown


The newest creation from Samuel Wilkinson is Blown, a lamp for the Copenhagen-based design company &tradition. Aiming to explore the reflective and refractive properties of glass, Wilkinson drew his…

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UrbanGlass: New York’s historic glass studio reopens in a renovated space, adding a gallery and storefront

UrbanGlass


BAM’s Harvey Theater now has a shiny new neighbor. Founded in 1977 by Richard Yelle and Joe Upham, the New York Experimental Glass Workshop—the country’s first open-access glass studio—has bounced around from its original Great Jones Street location in Manhattan to several other…

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In Case Of Emergency… Smash The Glass

Based on the principles of a slingshot, the Escape Shot is a handy tool that helps you break the glass of the bus’s window, when trapped in an accident. The tool is simple to operate and doesn’t require much force to shatter the glass. Fashioned in such a way that both women and children can use it easily, this tool is a must-have for all buses.

Designer: Jihyun Seo


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(In Case Of Emergency… Smash The Glass was originally posted on Yanko Design)

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London Design Festival 2013: Creative Illuminations: From Indian-inspired modular pendants to woven willow chandeliers, eight lights radiating from the UK’s annual furniture fair

London Design Festival 2013: Creative Illuminations


Despite the recent infatuation with the Edison bulb, in the past few years there have been drastic improvements made to commercial incandescent lights; from miniature LEDs to the handsome, energy-saving Plumen. And while that remains an exciting and innovative field to watch, on our recent trip to London…

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Glass office for Soho China by AIM Architecture

Mirrored walls and glass ceilings transform this office interior in Shanghai into a labyrinth of reflected light and imagery (+ slideshow).

Glass office by AIM Architecture for SOHO China

Shanghai studio AIM Architecture designed the office for Soho China, the property developers behind Zaha Hadid’s Galaxy Soho and Wangjing Soho projects, and it occupies a space in the company’s Fuxing Plaza complex.

Glass office by AIM Architecture for SOHO China

The space functions as a showroom, so the architects wanted to show customers the raw condition of the office units available to rent.

Glass office by AIM Architecture for SOHO China

“As Soho rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it,” they said.

Glass office by AIM Architecture for SOHO China

Ventilation ducts and other service pipes are visible through a continuous glass ceiling, while glass floors surround individual meeting rooms.

Glass office by AIM Architecture for SOHO China

Mirrored partitions alternate with glass screens and windows, juxtaposing views between rooms with framed apertures of the Shanghai skyline.

Glass office by AIM Architecture for SOHO China

“The glass-only approach allows a complexity that emerges from a simple choice,” added the architects.

Glass office by AIM Architecture for SOHO China

The entrance to the office is via an all-white corridor, where strips of light are reflected to create the illusion of a never-ending grid.

Glass office by AIM Architecture for SOHO China

Other offices filled with mirrors and glass include a Tokyo office with a hidden slide and a production studio in New York with translucent screens and glass partitions. See more office interiors »

Photography is by Jerry Yin, Chief Architect, SOHO China.

Here’s a project description from AIM Architecture:


Glass office by AIM Architecture for SOHO China

An all glass and mirror inner cladding exposes the infrastructure of SOHO’s new office building in Shanghai. The glass creates manifold reflections of the sales models and meeting rooms, while leaving the original height and structure in view. This creates a ‘double reality’ that merges with the stunning views of downtown Shanghai.

Membrane ceilings create extra attention for the models. Light and surfaces reflect throughout the space, even further diffused by half see-through mirrors. Some of the floors are islands of stone or carpet, to create static moments to offset this sea of reflectivity.

Glass office by AIM Architecture for SOHO China

As SOHO rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it.

The glass-only approach allows creating a complexity that emerges from a simple choice. That is what makes this project bold and layered at the same time.

Glass office by AIM Architecture for SOHO China

This project by AIM Architecture is part of Fuxing Plaza, a large mixed-use complex (140.000m2) that hopefully will boost more energy and surprises for the city.

Date of realisation: September 2013
Design team: Wendy Saunders, Vincent de Graaf, German Roig, Carter Chen and Jiao Yan.
Client: SOHO China

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by AIM Architecture
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Louche glassware by Mathias Hahn

London Design Festival 2013: London product designer and co-founder of OKAYstudio Mathias Hahn has designed a range of opaline glassware.

Louche glassware by Mathias Hahn

Mathias Hahn‘s new Louche glassware collection features an opaque white water bottle with a grey stopper, a tall mint-green glass beaker and a small transparent beaker with a green lid.

Hahn said that this experimental glassware range aimed to expose opaline or opaque glass qualities to a younger and contemporary audience.

Louche glassware by Mathias Hahn

The glassware has different grades of opacity that are created by hand-blowing opaline glass into changing wall thicknesses. “By using a subtle set of monochrome colours, the often very decorative use of opaque glass is transferred into refined and plain objects,” explained Hahn.

“The louche [name] describes a very similar visual condition, when spirits such as absinthe or pastis turn from clear to cloudy when adding water,” Hahn said.

Louche glassware by Mathias Hahn

Mathias Hahn started his own design studio in 2006 and is one of the founding members of design collective OKAYstudio. The Louche glassware will be on display until 22 September as part of OKAYstudio’s Loose Thread exhibition at Ben Sherman’s Modular Blanc exhibition space in London at 108 Commercial Street, London, E1 6LZ.

Other projects by Hahn’s that we’ve featured on Dezeen include a set of mirrors with wooden handles that swivel up and down and a collection of coloured glass vessels that feature concrete, brass and metal. See all our coverage on Mathias Hahn »

Louche glassware by Mathias Hahn

Other ceramics featured on Dezeen recently include a new collection of bone china plates with a sandy texture and a small ceramic pendant that bounces light off of large steel bowls.

See all our stories about London Design Festival 2013 »
See Dezeen’s map and guide to London Design Festival 2013 »

Photographs are courtesy of the designer.

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by Mathias Hahn
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