Noho Next 2013: Five highlights from Noho Design District’s most captivating exhibit during NYC Design Week

Noho Next 2013


Always a high point of our NYC Design Week, Noho Design District has fast become a destination for up and coming and established designers looking to introduce their latest work outside the conventional confines of…

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Chair for Dali by Kei Harada

Japanese designer Kei Harada has created two chairs made completely out of rubber.

Chair for Dali by Kei Harada

Harada based the project on a Surrealist image by American portrait photographer Philippe Halsman called Dali Atomicus, which illustrates a silhouetted chair crashing towards a chaotic scene that includes flying cats, a bucket of water and the artist Salvador Dali suspended in mid-air.

Chair for Dali by Kei Harada

The designer told Dezeen, “If I could change one thing about the photograph, I would transform the chair into a rubber one; by doing so, I could add a little ease to the photograph because a rubber chair would inflict less damage to the floor, walls, and the chair itself.”

Chair for Dali by Kei Harada

The elastic material provides a more malleable chair, so the back and legs bend in response to the sitter’s posture.

Chair for Dali by Kei Harada

There are two seats in the Chair for Dali series: one chair has a square back rest and is made of rubber with 70% hardness whilst the other has a rounded back and is made of rubber with 90% hardness, making the leg bracing unnecessary.

Chair for Dali by Kei Harada

Above: Dali Atomicus by Philippe Halsman

Other rubber furniture we’ve featured include Thomas Schnur’s table with plungers for feet and a stool made from recycled rubber.

Chair photographs are by Kazutaka Fujimoto.

The post Chair for Dali by
Kei Harada
appeared first on Dezeen.

Net tables by Benjamin Hubert for Moroso

Product news: London designer Benjamin Hubert has created a series of tables with legs and tops made of metal mesh for Italian brand Moroso.

Net by Benjamin Hubert for Moroso

Designed by Benjamin Hubert for Moroso, these circular tables have been made by manipulating expanded steel, which is more commonly found on industrial equipment and architecture, to form cylinders and disks for the legs and tops.

Net by Benjamin Hubert for Moroso

“In reference to its industrial origins, Net is purposefully geometric and simple in its design language,” explains the designer. “The tables have a large surface with expanded steel perforations that give a feeling of lightness while being small enough to not allow small objects to slip through.”

Net by Benjamin Hubert for Moroso

The tables come in a range of powder-coated paint colours and are available in various different sizes.

Net by Benjamin Hubert for Moroso

Net was launched at the Salone Internazionale del Mobile in Milan last month where Benjamin Hubert also unveiled a chair that weighs just three kilograms.

Net by Benjamin Hubert for Moroso

Hubert and Moroso also recently collaborated on a chair with a hammock-like back and a chair that looks like it’s wrapped up in a cloak.

Net by Benjamin Hubert for Moroso

See all design by Benjamin Hubert »
See all design for Moroso »
See all our stories about table design »
See all our coverage of Milan 2013 »

The post Net tables by Benjamin Hubert
for Moroso
appeared first on Dezeen.

Franklin Credenza

Midcentury modern-inspired credenza from Christopher Kennedy. Hand-crafted, made to order. Also available as 9-drawer dresser.

Herman Miller Wireframe Sofa: Physical and visual lightness in furniture designed by Sam Hecht and Kim Colin of London’s Industrial Facility

Herman Miller Wireframe Sofa


As one of the more exciting seating designs to be introduced to Herman Miller’s already near-comprehensive offering of home and office furnishings, the Wireframe Sofa Group blends a comfortably minimal aesthetic with a visual and…

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Cradle by Benjamin Hubert for Moroso

Product news: British designer Benjamin Hubert has created a chair with a hammock-like back for Italian furniture brand Moroso.

Cradle by Benjamin Hubert for Moroso

Called Cradle, the design is a cross between an upholstered lounge chair and a flexible hammock.

Cradle by Benjamin Hubert for Moroso

The steel frame of the hammock supports a textile mesh, which has been CNC-cut to allow it to stretch around the sitter’s shape.

Cradle by Benjamin Hubert for Moroso

“The chair’s aesthetic is purposefully architectural with a sharp rectilinear backrest contrasted with a softer seating area,” explains Hubert.

Cradle by Benjamin Hubert for Moroso

The chair was launched in Milan last month alongside another of chair by Hubert for Moroso, which looks as if it’s wrapped in a cloak – see all Dezeen’s coverage of Milan 2013.

Cradle by Benjamin Hubert for Moroso

Other designs by Hubert we’ve featured lately include a metal frame armchair that weighs only three kilograms and a family of terracotta pots with rubber lids – see all design by Benjamin Hubert.

Cradle by Benjamin Hubert for Moroso

Other Moroso furniture we’ve published includes Patricia Urquiola’s chairs with backrests wrapped in rush and Nendo’s chair shaped like a stiletto heel – see all furniture by Moroso.

Cradle by Benjamin Hubert for Moroso

Here’s some more information from the designer:


Cradle is a new lounge chair launching at Salone Internazionale del Mobile in April 2013. The project is the result of a close collaboration between Benjamin Hubert and Italian brand Moroso.

The product is a unique blend of two typologies of seating – a net structured hammock and a conventional upholstered lounge chair. The chair’s aesthetic is purposefully architectural with a sharp rectilinear backrest contrasted with a softer seating area, breaking traditional rules of seating typology and styling.

Cradle by Benjamin Hubert for Moroso
Talma chair (left), Net tables and Cradle chair, all by Benjamin Hubert for Moroso

The chair stems from the studio’s materials-driven, process-led industrial design approach, research into the construction of mesh materials, and a study of the relationships between traditional seating components.

Cradle utilises a custom-made cut pattern that allows a non-elastic textile to stretch in a controlled manner in a three dimensional form. This allows for the correct tension to comfortably support the body and both visually and physically reduces the product’s weight and cost.

Cradle by Benjamin Hubert for Moroso
Prototype design

The chair comprises a metal frame supporting a non-elastic textile with a geometric cut pattern, which cradles an upholstered seat block.

Materials: CNC-cut Kvadrat textile mesh, steel frame, moulded polyurethane, Kvadrat textile

The post Cradle by Benjamin Hubert
for Moroso
appeared first on Dezeen.

The other kind of corner…

Shelving units that are adapted for the inside of corners are a common and useful storage solution, so why not expand this concept to outward-facing corners for even more space-savings? Designer Kim Hyung Geun answers this very question with his latest piece- a versatile shelving system that makes the most out of both kinds of corners that are just waiting to be used! Easy to mount and easy on the eyes, it’s a simple way to bring more shelving into compact spaces.

Designer: Kim Hyung Geun


Yanko Design
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(The other kind of corner… was originally posted on Yanko Design)

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Rich Brilliant Willing 2013


For over five years now, NYC-based design studio Rich Brilliant Willing (RBW) has been on our radar, conceiving and debuting beautifully creative lighting, seating and table designs each year during );…

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